DOCSLIB.ORG

VCN Autumn 2009.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VCN Autumn 2009.Pmd VarietyVariety ClubClub NewsNews XtraXtra Autumn 2009 Outstanding Olympians 2008 Olympic Handover miniature sheet missing the shiny uv varnished Olympic rings that normally stretch over the background of the entire sheet, affecting every stamp. Previously unrecorded and possibly unique, making it amongst the rarest of all GB missing colour errors ..................... £6,500 Bonkers Booklet Type 7(10) Olympic cover, Questa 10 x 2nd booklet, pane shows a slightly diagonally downwards perforation shift of between 6.5 and 8mm on every stamp. A few minor wrinkles, presumably occurring when the pane was misperforated, but barely detracting from a spectacular exhibition quality item ...... £950 Peachy Pane OCP/PVA 1p +1p/1½p + 1½p, missing phosphor. Previously unrecorded and possibly unique, perfs are good all around apart from the lower-left corner of one 1½p which is slightly trimmed. A very important find [DP2/N] ..................... £2950 2003 Birds of Prey 1st AOP se-tenant block of 10, bottom row of 5 Birds stamps missing brownish grey Queen’s heads and values, all stamps also missing phosphor. One stamp in the top row has a bonus error of a small B.Alan Ltd Bonanza oval litho flaw! Rare [2327ab] ............................................................ £1750 2 Pinewood Avenue ◆ Sevenoaks ◆ Kent ◆ TN14 5AF ◆ UK Tel: 01732 743387 ◆◆◆ Fax: 01732 465651 ◆◆◆ E-mail: [email protected] WELCOME Welcome to Variety Club News Xtra. The list is split into two main parts, the latest issues as supplied on our recent S distribution new issue sendings towards the back and nearer the front a selection of items chosen from stock including interesting and better items, most of which are more elusive, and some of which are one off pieces that do not fall within the scope of standard catalogues, making them highly desirable and extremely unlikely to be offered again. Prices range from just a few pounds to several hundreds, hopefully offering a little something for every collector, whatever their budget or interest. This selection represents just a small selection of many similar items from our stock, so if you don’t see what you are looking for here, why not let us know? It’s quite possible we might have that special item you have been hunting for, tucked away in one of our stockbooks. Condition Terms of Business All items offered in this list are offered in fresh and fine mint condi- All items priced in this list were in stock at the time of publication, tion, unless otherwise stated. Single stamps, coil strips and booklets and are offered strictly subject to availability. We reserve the right are all supplied unmounted mint, with good perfs all round. to vary prices without notice, subject to prevailing market rates. If goods ordered have increased in price, they are supplied on Catalogue Numbering the basis of being returnable for a full and immediate refund, if Catalogue numbers for each item are included in italic type con- we are notified within 10 days of receipt. All items supplied by tained in square brackets at the end of each description. Dependent us are guaranteed genuine. They remain the property of B.Alan upon the category, different catalogues have been used to aid identi- Ltd, until paid for in full. fication. The relevant catalogues are detailed below: Payment Commemoratives: Stanley Gibbons GB Concise 2009 unless prefixed “Spec” when GB Specialised Vol 3 (11th edition) or Full payment must be included with your order, unless you are an Vol 5 (3rd Edition) have been used. established account customer. We accept payment by cash, cheque, Wildings & pre-decimal Regionals: Stanley Gibbons GB Special- credit or debit cards – Access, American Express, Delta, Eurocard, ised Vol 3 (11th Edition) Mastercard, Maestro, Switch or Visa. To pay by card, please quote the full card number, expiry date, security code, issue number Machins, Booklets, Castle High Values & Decimal Regionals: and starting date (Switch only), and name and address of the Connoisseur Catalogue Online edition cardholder as shown on your statement. Key Overseas customers ✪ An illustration of this item is included. We prefer payment by credit or debit card as listed above, cheque drawn on a U.K. bank or by cash in pounds sterling. Unfortu- Buying nately we are no longer able to accept Eurocheques as UK banks We are always keen to purchase similar items to those included in this have stopped procesing these. If payment must be made in a list to add to our extensive stocks. We are particularly on the look out foreign currency or by cheque drawn on an overseas bank, please for errors and unusual items, or earlier key printings, major errors, add £10 (or the equivalent) to cover the bank costs we incur in booklets and collections – we make immediate, highly competitive converting this. offers and ensure prompt settlement. If you have something that you Spread Payment think we might be interested in, why not give us a call – we would be We are happy to consider spread payment on orders in excess off delighted to hear from you. £500.00 to assist larger purchases from the special items section Acknowledgements only. Payment would normally be split over 2 or 3 months, depend- Numbering systems used for both booklets and panes in the vending ent on the items and value involved, and the goods would be des- and prestige booklet sections, and for panes and type classifications patched upon receipt of the final payment. For further details, or to in the window booklet section are copyright of the Modern British discuss specific requirements, please call us. Philatelic Circle (Membership Secretary A.J.Wilkins, 3 Buttermere Close, Brierley Hill, West Midlands, DY5 3SD, U.K.) and repro- Postage and Packing duced with their permission. Acknowledgement of copyright is Inland: Orders over £60 are supplied post free by first class also given to D.G.A.Myall (2 Elizabeth Avenue, Bridport, Dorset, mail (orders of over £250 are sent by Signed For DT6 5BA, U.K.) for his use of “S”, “N” and “I” series coding for Recorded Delivery and over £1,000 by Special De- short, notched and inset phosphor bands. livery Post) and are fully insured. Please allow 75p on orders below £60. If you specifically require an How to Order order to be posted by a premium service when less Many of the items in the special section of this list are one-off’s and than the above limits please add £1.20 for Signed For therefore subject to availability. To ensure obtaining that special item Recorded Delivery or £5.00 for Special Delivery. that you just can’t live without, early ordering is advised. If you in- Europe: Airmail £1.60, Registered airmail £5.25 tend to pay by cheque, a phone call to check to see whether an item Overseas: Airmail £3.00, Registered airmail £6.25 is still available is advised. If it is still unsold, we are happy to put a hold on an item for 3 days, pending receipt of a cheque. We are happy to accept orders for 10 items or less by phone on 01732 743387, but prefer orders for more than 10 items in writing. These may be made either by post on the order form on the back page, by fax on 01732 465651 or by e-mail to [email protected]. If you use the invoice section of VCN Xtra, we will happily send you another copy, free of charge, if requested when your order totals £60 or more. Copies are available to purchase at 60p for those requiring another copy, whose orders total below this level. 2 VARIETY CLUB NEWS ‘XTRA ● AUTUMN 2009 JUST ARRIVED Improved Security 1st All Over Phosphor Error A few of the Series SAM 16 British Design Classics 2 Mini mixed commem definitive booklets have been found with a very good all over phosphor wash affecting the left vertical pair of the Improved Security 1st stamps. The remaining stamps in the booklet are normal. This is the first error of this type we have seen in many years Stock is extremely limited and we can offer both single stamps from the booklet and a few complete booklets in both plain and cylinder configuration. 1st 2B Gold All over phosphor, supplied in a horizontal pair with normal copy (FIW1AOP) ............................................... 35.00 1st x 6 booklet, containing two copies of the AOP error Plain book ...................................................................................... 70.00 Improved Security Code R Cyl W1W1W1W1W1W1 book ....................................................... 72.50 1st & 2nd Self-adhesive Coils Despite Royal Mail’s insistance that coil issues of the improved security 1st and 2nd NVI stamps would not be issued, rolls of 10,000 stamps, intended for large mail order houses, went on sale during July. The rolls, only available from Royal Mail Direct at a cost of £6,900, include stamps unique to this source. They show the hidden code letter “R” for Roll in the top right corner. Like previous self-adhesive rolls of 10k, they are on a yellow waxy backing paper and have a number inkjet printed on the reverse, once every 10 stamps counting down as you get nearer the centre of the roll to let the user now how stamps remain. The stamps are printed by De La Rue and, for the first time for this printer have Type 2 security slits , with the interruption at top and bottom of the “U” shape. Improved Security Code Letter R –De La Rue Gravue, OFNP/SAN 1st 2B & 2nd CB Pair of mint singles [FID4 & SID3] .................. 3.50 Pair of coil strips of 5 [CISAF1, CISAS1] .... 14.00 Pair of coil strips of 5, with inkjet number printed on reverse of fifth stamp [CISAF1a, CISAS1a] ....................................
Load more

Recommended publications
  • Pleksiglass Som Lokke Mat Og Mulighet Plexiglas As a Lure And
    Pleksiglass som lokke mat og mulighet Pleksiglass som lokke mat og mulighet Plexiglas as a lure and Plexiglas potential By Liam Gillick Den britiske kunstneren Liam Gillick har gjerne The British artist Liam Gillick is often associated as a lure and blitt forbundet med den relasjonelle estetikken, with relational aesthetics, which emphasises the som la vekt på betrakteren som medskaper av ver- contribution of the viewer to an artwork and tends ket, og som ofte handlet om å tilrettelegge steder to focus on defining places and situations for social og situasjoner for sosial interaksjon. Men i mot- interaction. But in contrast to artists like Rirkrit setning til kunstnere som Rirkrit Tiravanija, som Tiravanija, who encourages audience-participation inviterte publikum til å samtale over et måltid, in a meal or a conversation, Gillick’s scenarios do gir ikke Gillicks scenarier inntrykk av å være laget not seem constructed for human activity. Instead, for menneskelig aktivitet. Installasjonene hans i his installations of Plexiglas and aluminium are potential pleksiglass og aluminium handlere snarere om concerned with the analysis of structures and types å analysere sosiale strukturer og organisasjons- of social organisation, and with the exploration of måter, og undersøke de romlige forutsetningene the spatial conditions for human interaction. Rec- for menneskelig interaksjon. Inspirert av hans ognising Gillick’s carefully considered relationship reflekterte forhold til materialene han jobber to the materials he uses, we invited him to write By med, ba vi ham skrive om sin interesse for pleksi- about his interest in Plexiglas, a material he has glass, et materiale han har arbeidet med i over 30 år.
    [Show full text]
  • Form, Function and Symbolism in Furniture Design, Fictive Eroision and Social Expectations
    shutter speed form, function and symbolism in furniture design, fictive eroision and social expectations SHUTTER SPEED Form, function and symbolism in furniture design, fictive erosion and social expectations SHUTTER SPEED Form, function and symbo lism in furniture design, fictive erosion and social expectations Kajsa Melchior MA Spatial Design Diploma project VT 2019 Konstfack Kajsa Melchior MA Spatial Design Diploma project VT 2019 Konstfack The concept of time is central to geological thought. The processes that shape the surface of the earth acts over vast expenses of time - millions, or even billions of years. If we discount, for the moment, catastrophic events such as earthquakes and landslides, the earth's surface seems relatively stable over the timescales we can measure. Historical records do show the slow diversion of a rivers course, and the silting up of estuaries, for example. But usually we would expect images taken a hundred years ago to show a landscape essentially the same as today's. But imagine time speeding up, so that a million years pass in a minute. In this time frame, we would soon lose our concept of 'solid' earth, as we watch the restless surface change out of all recognition. - Earth’s restless surface, Deirdre Janson-Smith, 1996 1 Table of contents 1. PRELUDE 1.1 Aims, intentions and questions 05-06 1.2 Background 07 2. THEORETICAL FRAMEWORK - REFERENCES 2.1 Philosophy / Étienne Jules Marey 09-10 2.2 Aesthetics / Max Lamb 11-12 2.3 Criticism / Frederick Kiesler 13-14 2.4 Conclusion 15 3. FICTIVE EROSION 3.1 Methodology as tool 16 3.3 Erosion & Casting techniques 16-18 3.4 Method 19-23 4.
    [Show full text]
  • Department of Art & Design
    Whitburn Academy Department of Art & Design Art & Design Studies Learners Higher: Art & Design Studies Design Analyse the factors influencing designers and design practice by Booklet Fashion 1.1 Describing how designers use a range of design materials, techniques and technology in their work 1.2 Analysing the impact of the designers’ creative choices in a range of design work 1.3 Analysing the impact of social and cultural influences on selected designers and their design practice. A study of Coco Chanel Day dress, ca. 1924 Gabrielle Theater suit, 1938, Gabrielle Evening dress, ca. 1926–27 "Coco" Chanel (French, 1883–1971) "Coco" Chanel (French, 1883– Attributed to Gabrielle "Coco" Wool 1971) Silk Chanel (French, 1883–1971) Silk, metallic threads, sequins What is Fashion Design? Fashion design is a form of art dedicated to the creation of clothing and other lifestyle accessories. Modern fashion design is divided into two basic categories: haute couture and ready-to-wear. The haute couture collection is dedicated to certain customers and is custom sized to fit these customers exactly. In order to qualify as a haute couture house, a designer has to be part of the Syndical Chamber for Haute Couture and show a new collection twice a year presenting a minimum of 35 different outfits each time. Ready-to-wear collections are standard sized, not custom made, so they are more suitable for large production runs. They are also split into two categories: designer/creator and confection collections. Designer collections have a higher quality and finish as well as an unique design. They often represent a certain philosophy and are created to make a statement rather than for sale.
    [Show full text]
  • Lighting for the Workplace
    Lighting for the Workplace AWB_Workplace_Q_Produktb_UK.qxd 02.05.2005 10:35 Uhr Seite 3 CONTENTS 3 Foreword by Paul Morrell, 4–5 President of the British Council for Offices INTRODUCTION 6–7 The Changing Corporate Perspective 6–7 WORKPLACE LIGHTING – PAST, PRESENT AND FUTURE 8–51 Lighting Research versus the Codes 10–11 – The Lessons of Lighting Research 12–15 – Current Guidance and its Limitations 16–23 Key Issues in Workplace Lighting 24–29 Natural Light, Active Light & Balanced Light 30–37 Further Considerations in Workplace Lighting 38–47 Lighting Techniques – Comparing the Options 48–51 WORKPLACE LIGHTING – APPLICATION AREAS 52–97 Open Plan Offices 56–67 Cellular Offices 68–71 Dealer Rooms 72–75 Control Rooms 76–79 Call Centres 80–83 Communication Areas/Meeting Rooms 84–87 Break-Out Zones 88–91 Storage 92–93 Common Parts 94–97 WORKPLACE LIGHTING – LIGHTING DESIGN 98–135 Product Selector 100–133 Advisory Services 134–135 References & Useful Websites 135 IMPRINT Publisher: Zumtobel Staff GmbH, Dornbirn/A Design: Marketing Communication Reprints, even in part, require the permission of the publishers © 2005 Zumtobel Staff GmbH, Dornbirn/A Paul Morrell President of the British Council for Offices (BCO) London aims to continue being Europe’s leading financial centre and will need more, higher quality office space in the future (photo: Piper’s model of the future City of London, shown at MIPIM 2005) FOREWORD 5 The UK office market, in particular in London, is changing, driven by a number of long-term trends in international banking and finance. Informed forecasts, such as the recent Radley Report*, point, firstly, to a shift towards our capital city, at the expense of Paris and Frankfurt, as Europe’s leading financial centre, with a commensurate pressure on office space.
    [Show full text]
  • University of North Carolina at Charlotte
    STATE OF NORTH CAROLINA University of North Carolina at Charlotte Invitation for Bid # 66-190015RL Miltimore-Wallis Center Roof Replacement Date of Issue: August 16, 2018 Bid Opening Date: Thursday, August 30, 2018 At 2:00 PM ET Direct all inquiries concerning this IFB to: Robert Law Senior Buyer Email: [email protected] STATE OF NORTH CAROLINA UNIVERSITY OF NORTH CAROLINA AT CHARLOTTE Invitation for Bids # 66-190015RL ______________________________________________________ For internal State agency processing, including tabulation of bids in the Interactive Purchasing System (IPS), please provide your company’s Federal Employer Identification Number or alternate identification number (e.g. Social Security Number). Pursuant to G.S. 132-1.10(b) this identification number shall not be released to the public. This page will be removed and shredded, or otherwise kept confidential, before the procurement file is made available for public inspection. This page is to be filled out and returned with your bid. Failure to do so may subject your bid to rejection. ID Number: ______________________________________________________ Federal ID Number or Social Security Number ______________________________________________________ Vendor Name STATE OF NORTH CAROLINA University of North Carolina at Charlotte Refer ALL Inquiries regarding this IFB to: Invitation for Bids # 66-190015RL Robert Law Bids will be publicly opened: Senior Buyer Thursday, August 30, 2018 @ 2:00 PM ET [email protected] Contract Type: Open Market Using Department: Facilities Management, Design Services EXECUTION In compliance with this Invitation for Bids, and subject to all the conditions herein, the undersigned Vendor offers and agrees to furnish and deliver any or all items upon which prices are bid, at the prices set opposite each item within the time specified herein.
    [Show full text]
  • Radar Angle of Arrival System Design Optimization Using a Genetic Algorithm
    Article Radar Angle of Arrival System Design Optimization Using a Genetic Algorithm Neilson Egger *,†, John E. Ball † and John Rogers † Department of Electrical and Computer Engineering, 406 Hardy Rd., Mississippi State University, Mississippi State, MS 39762, USA; [email protected] (J.E.B.); [email protected] (J.R.) * Correspondence: [email protected]; Tel.: +1-662-574-0196 † These authors contributed equally to this work. Academic Editor: Mostafa Bassiouni Received: 31 December 2016; Accepted: 20 March 2017; Published: 22 March 2017 Abstract: An approach for using a Genetic Algorithm (GA) to select radar design parameters related to beamforming and angle of arrival estimation is presented in this article. This was accomplished by first developing a simulator that could evaluate the localization performance with a given set of design parameters. The simulator output was utilized as part of the GA objective function that searched the solution space for an optimal set of design parameters. Using this approach, the authors were able to more than halve the mean squared error in degrees of the localization algorithm versus a radar design using human-selected design parameters. The results of this study indicate that this kind of approach can be used to aid in the development of an actual radar design. Keywords: angle of arrival estimation; beamforming; genetic algorithm; radar; optimization 1. Introduction Genetic Algorithms (GAs) are biologically-inspired solutions used for problems where the proposed solutions can be encoded in a population. The GA uses a genetics-based approach to examine the solution space. Herein, a GA is utilized to search over the combination of the number of receive elements in an array, element locations (and therefore, element spacings) and element weightings to minimize the Angle Of Arrival (AOA) error over the receive field of view.
    [Show full text]
  • Vionaro – the Slender Design Classic of Tomorrow
    ISSUE 6/MAY 2013 CUSTOMER MAGAZINE INMOTIon Ars ViVendi. State OF The ArT. sTrOnG PrOFiLe. Vionaro conquers the exclusive kitchen universe With reduction and clarity, Vionaro stands A brilliant uninterrupted surface is the hallmark of of Dada. Pages ii/iii in the best tradition. Page V the aluminium drawer side. Pages Vi/ Vii MoveMents The new drawer system cannot fail to impress with its minimalist elegance. Vionaro – the slender Vibrant living is (not) an art – spaces for living, working, eating and cooking are melding design classic into one. Why should jazz CDs be stowed away any less stylishly than Japanese kitch- of tomorrow. en knifves? There certainly won’t be any reason with the freedom for creative design provided by Vionaro. An absolute all-rounder has to prove A movement system of superlatives is making its itself everywhere. Whether in the entrance on the kitchen and lifestyle stage: Vionaro. kitchen or in the living room – we The drawer system is based on the concealed slide attach importance to functions that make life easier in any room at any Dynapro, itself proven millions of times over in practical time and that are attractively attired use. With its ultra-slender drawer side in aluminium or into the bargain. With the Vionaro steel, Vionaro ensures top design in storage space. designer system, the classic Dynapro slide has successfully been trans- formed into a one4all sensation. Thanks to Vionaro, the synchronised concealed system with 3D adjust- ability becomes a full-blooded draw- er system which revitalises storage spaces. Versatile in application – that’s just one of Vionaro’s key features.
    [Show full text]
  • 56-63 Coleman
    easy outdoor living GLORIOUS GARDENS MAY/ JUNE 2009 + AND THE DESIGNERS BEHIND THEM MOUNTAINLIVING.COM INTERVIEW BY NANCY RICHMAN MILLIGAN | PHOTOGRAPHY BY HEIDI LONG Aged to Perfection RECLAIMED MATERIALS BRING AUTHENTIC CHARACTER TO A NEW GUESTHOUSE SET AMONG THE CEDAR TREES IN BIG FORK, MONTANA ARCHITECTURAL DESIGN Classic Design Group DESIGN/BUILD High Country Builders INTERIOR DESIGN Pat Wood Interiors THIS PAGE: Covered porches and decks offer a cozy fireplace, lounge areas, an outdoor television, dining area and kitchen. The out- door fireplace is placed back-to-back with the living room fireplace and shares the same stack of stone to house the chimney flues. 66 67 THIS PAGE & OPPOSITE: A mix of reclaimed exterior finishes—from fieldstone and cedar shakes to barn wood and log siding—gives the cabin an aged appearance. Local cedar trees were chosen as support posts to echo the cen- turies-old cedar trees growing on the property. hen building a second home on their 10-acre spread in Montana, homeowners Tom and Marilyn WWaggoner had several requirements: a private place for guests, an everyday office and exercise room for themselves, and lots of space to entertain and enjoy the outdoors. “We also wanted something rustic, like an old trapper’s cabin,” says Marilyn. Walt Landi of design/build firm High Country Builders and architectural designer Randy Kaatz of Classic Design Group teamed up to deliver exactly what the homeowners requested. MOUNTAIN LIVING: This cabin is new, but it looks like it’s been here forever. How did you achieve that look? WALT LANDI: It is important to me to design and blend a house into its footprint to make it look like it belongs there.
    [Show full text]
  • MACWORLD JULY 2000 AIRPORT • FLAT PANELS • MAC CONNECTIVITY • MAC OS X NEWS • ILLUSTRATOR 9 • MICROSOFT INTERVIEW Read Me First MACWORLD Simon Jary, Editor-In-Chief
    FREE EXTRA GAMES CD! INCLUDES FULL ZONE WARRIOR 2 MACWORLD MORE NEWS, MORE REVIEWS JULY 2000 JULY AIRPORT • FLAT PANELS • AIRPORT PANELS MAC• FLAT CONNECTIVITY • MAC OS X 9 NEWS • • MICROSOFT ILLUSTRATOR INTERVIEW Macworldwww.macworld.co.uk rated s en re c s t a l F … g ! L n i O d O C e e p s f a Air Force aster than Make your Mac even sexier with AirPort Mac OS X Apple reveals more! Get connected Make your old stuff work with new Macs Illustrator 9.0 Reviewed Web animation We show you how it’s done read me first MACWORLD Simon Jary, editor-in-chief eaders may be alarmed at our news (page 42) that sales of Apple’s newer than CD. But the ability to burn phenomenally successful iMac computer seem to have slumped. your own CDs is functionally more Apple’s Airport R I’m sure Apple is upset, as the iMac is its flagship product – wooing advanced. And, just as consumers want woozy Windows users and seducing computer novices with its retro-cool bigger screens, they look for functionality design, see-through plastics and nifty DV features. ahead of technology. There aren’t that many wireless technology The iMac is the key to Apple’s recovery from the dire state the company DVD titles out there, aside from DVD-Video 86 found itself in after years of complacency and missed business opportunities. movies – and who’d watch Gladiator on an iMac Just look at the numbers… According to the latest stats from analysts PC Data, when you’ve got a 29-inch widescreen telly in front of your sofa? lets you throw off the yoke Apple is the number-four PC vendor with 9.6 per cent of the market – behind Apple ignores PC Data’s stats because it ignores its direct sales from eMachines (13%), Hewlett-Packard (32%) and Compaq (34%).
    [Show full text]
  • Ground-02-FINAL.Pdf
    02 Landscape Architect Quarterly 10/ Deconstruction Drawing on China 14/ Features Riding the Asian Express Publication # 40026106 Spring 2008 Messages .02 03 Letters to the Editor President’s Message Congratulations to the entire editorial team—the magazine is The OALA’s 40th anniversary conference and AGM, Realizing the fantastic! The group has done a truly spectacular job—it looks Dream, was a great success. Our special thanks go to Lawrence good and has great content. After being a member for twenty- Stasiuk, Conference Chair, and his Conference Team, who creat- plus years, I am finally keeping my copy of the magazine! ed, produced, and presented a wonderful conference in celebra- DONNA HINDE tion of the OALA’s 40th Anniversary. This was a job well done! OALA, CSLA THE PLANNING PARTNERSHIP TORONTO The Recognition Awards Luncheon attendees included our full members, associates, Honorary and Emeritus members, The magazine as a whole looks great and is very award winners, and leaders of both municipal governments of interesting—I read it from cover to cover. The editorial team Waterloo and Kitchener who were recognized by the OALA for should be very proud. their outstanding contributions to sustainable design. The SCOTT TORRANCE OALA, CSLA Conference Gala Presentation paid tribute to OALA past SCOTT TORRANCE LANDSCAPE ARCHITECT INC. TORONTO presidents and honoured Robert N. Allsopp with the esteemed OALA Pinnacle Award. The summer issue of Ground will feature Congratulations to all involved in putting out such a coverage of these awards. beautiful publication. Worth the wait! Keep up the promise! BRAD JOHNSON At the conference, keynote speakers included Dr.
    [Show full text]
  • The Laws of Design in the Age of Mechanical Reproduction
    Dan Hunter and Suzannah Wood* THE LAWS OF DESIGN IN THE AGE OF MECHANICAL REPRODUCTION ABSTRACT This article provides a cultural and historical account of how various laws that relate to design developed, from the 17th through 20th centuries, through a study of their interactions with the furniture design industry. The article examines the complex development of intellectual property laws that apply to furniture design, and demonstrates how the furniture design craft (and later, industry) relied on different facets of the intellec- tual property system at different stages in its development. It demonstrates how the industry shifted intellectual property regimes as a response to the absence of protection within design rights for the modernist furniture style of the 20th century. From these studies, the article demonstrates how the design industry’s claim for increased protection flows from the idea that there is a protectable ‘aura of authenticity’ around iconic designs — a claim that is largely indefensible and provides little basis for expanded legal protection. I INTRODUCTION he intellectual property laws relating to design are recondite and confusing in Ta multiplicity of ways. Although there is a specific regime that is called ‘design rights’, every intel- lectual property regime can be, and has been, applied to various aspects of design. Many designed objects are covered by laws relating to copyright, trade mark, and patent, leading to a wide variety of different types and periods of protection. In a range of countries, objects as diverse as table lamps1 and the jewellery designs of * Professor Dan Hunter is a Professor of Law and the Foundation Dean of Swinburne Law School.
    [Show full text]
  • Topic 6 Classic Design
    Topic 6 Classic Design A classic design is not simply defined by how well it functions or its impact. Classic designs can be recognized as from their design movement/era. Yet, originality— whether it is evolutionary or revolutionary—seems to be the trait that makes a product “timeless”. ​ ​ ​ ​ ​ ​ ​ ​ A design classic is an industrially manufactured object with timeless aesthetic value. It serves as a standard of its kind and, despite the year in which it was designed, is still up to date. For an object to become a design classic it takes time and what lasting impact the design had on society and what influence on later designs it had plays a large role in determining whether something is a design classic or not. Thus design classics are often strikingly simple, going to the essence, and are described with words like iconic, neat, valuable or having meaning. A modern label which seeks to identify the enduring objects of 20th Century design - those which have stood the test of time and critical approval. These objects reflect a set of approved models and sit outside the vagaries of fashion, but classic can also have other very different meanings. In the 19th century, when scientific materialism was having a profound intellectual impact, Darwin’s theory about survival of the fittest was applied to design, with the idea that certain objects ​ ​ deserved to survive on merit alone. although the word classic was not used by the victorians, its sense was implied, and this viewpoint underlay Nikolaus Pevsner’s ​ ​ book Pioneers of Modern Design. The modern movement also subscribed to this view that leading architects and designers selected objects they felt embodied the values of excellence.
    [Show full text]