DOCSLIB.ORG

000 Mens Hotspot Update Flagship Stores

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
000 Mens Hotspot Update Flagship Stores 000 Mens Hotspot Update Flagship Stores RIVER ISLAND 1 Planogram flagship stores FOOTWEAR NON CLOTHING Outerwear block SMART 2- Navy & Berry =Puffa DENIM block =Suede- Planogram block Knitwear block CASUAL SMART 1- SMART Neutrals JERSEY Priority 1-Mono Priority 2- embroidered FRONT ZONE Denim is an anchor department & should not be moved. Ideally denim should sit on the Casual side between jersey and casual knit/shirts 2 Key Points flagship stores This is a Spring hotspot update. The main spring layout for mens will be issued week 10. Base Layout / Densities • Continue to block denim shorts within the dept. Chino shorts should go into Jersey 2. • Base layout should be reviewed as per zone plan making sure floor fixtures have space around them. • Matching jersey sets are a key fashion item and should be shown on hotspots or full hanging in a • Front zone densities should be followed - Don’t cram. wall. • Work to your “spring densities” floors should feel lighter • Outwear to be positioned at the back of casual. & not over filled to allow for side hanging to be used. Blocked mid floor. • Review wall configuration - Check arm heights are not too high & customers can reach product. Denim • Denim continues to be a big focus. Key points Key New for Spring • Merchandise fashion fits focally in dept & • Menswear will take on a “buy now, wear now” strategy for highlight with relevant new denim graphics. January and February this year. • Show new BOBBY & JIMMY fits in a wall and NOT • The shopfloor will be split between smart and casual. on a table for this timing. • There will be 2 smart zones with paired product in each. • Denim is an anchor dept that can sit on either side of the sales floor. Smart 1 & Smart 2 Footwear & Non Clothing • Shirts and fine knitwear will be grouped into relevant zones. • Hanging footwear should be reduced. shelved Chunky knits to remain blocked together. should be priority. • White product will be key for the whole season across all • Lead in table should be the best of suede depts. product. • Non clothing should be blocked by type sit mid Clothing floor. • Zones, Hotspots & Mannequins should reflect the • Sunglasses stands should now be in use. Refer to weather- think “buy now, wear now” the planogram in the preview. All carry over stock should also now be back on the floor. • Front face tops with front detail. 1 Clothing Layout 2 flagship stores Front Zone Front zone Front Hotspot Hotspot • Show double breasted jacket with • New harringtons with skinny check trousers and long sleeve knitted new light weight crew neck jumpers. polos. 3 flagship stores Front Zone Front zone Front Hotspot Mannequin Hotspot Mannequin • SS print shit with black skinny denim • LS print shirts with knee rip super and mono blazer. skinny denim and black overcoat. 4 Mono- Jersey 1 flagship stores Play up white product Mono - Jersey 1 Mono - Jersey Overview • Mono sport - Black / white jersey product with highlights of yellow. • Include technical outerwear and matching sets. • Prop with trainers and selected hats. 5 Mono- Jersey 1 flagship stores Mono - Jersey 1 Mono - Jersey Hotspot Block Hotspot • Show camo trim matching jogger • Show a block of mono/Tech hood • Show navy and green matching set with fur hood parka. in this zone where space allows. jogger sets with placement print t shirts. • Prop with sidebag and white trainers. • Prop with trainers and caps. 6 Jersey 2 flagship stores Jersey 2 Jersey Overview • Show all embroidery and hoods together. • Prop with trainers and backpacks. 7 Denim Zone flagship stores Look out for new denim fits - Bobby & Jimmi Denim Overview • Continue to follow the preview planogram. • New fits BOBBY and JIMMY must be show in a wall and highlighted with the new fit graphics. • Refer to latest graphic guide to check correct graphics are in use. 8 Neutrals - Smart 1 flagship stores Neutrals - Smart 1 Neutrals Overview • Show fashion suede jackets/relaxed knitwear and muscle fit shirts in neutral tones in this zone. • Use black & grey denim to complete the look. • Prop with Chelsea boots, caps and bags. 9 Neutrals - Smart 1 flagship stores Neutrals - Smart 1 Neutrals Hotspot Hotspot Hotspot • Show neutral raglan t’s with skinny • New Neutral zip detail sweats with • Show hooded suede jacket with black wash denim, khaki and black black super skinny denim ribbed grey/white t shirts and grey embroidered sweats. skinny denim. Add khaki rucksack. • Accessorise with caps and trainers. 10 Navy & Berry - Smart 1 flagship stores Neutrals - Smart 1 Neutrals Overview Mannequins • Show tech racers/smart knitwear and jersey polos in navy and white tones in this zone. • Use rinse & Lighter wash denim to complete the look. 11 Navy & Berry - Smart 1 flagship stores casual 1 - primary colours Hotspot Hotspot Hotspot • Show sport inspired t’s and hoods • Navy biker suede jacket with smart • Navy tech mac with LS Oxford with new washed skinny denim. fabric t’s and super skinny knee rip shirts, slim rinse denim and padded Add burgundy racer jacket. denim. tech jacket. 12 Footwear Layout 13 Footwear & Non Clothing flagship stores Show more shelved footwear Footwear & Non Clothing Footwear Overview • Merchandise hanging footwear lower in the wall bays. • All £18 wallets should arrive boxed • Increase the amount of boxed options displayed on shelves (2/2 formation) and ready to hang. • Group the best of suede options on the lead in table. • All boxed wallets are to be hung on a metal prong on the stand, with the hook through the top of the box and not with the security tag. 14.
Load more

Recommended publications
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • The Denim Report
    118 Fashion Forward Trends spring/summer 2016 | fabrics & more | FFT magazine 119 THE DENIM REPORT n this season, the denim offering is wide and qualitative: selvedge denim for purists, power stretch for trendsetters, washed-out effect for the 70s wind blowing around Ithe fashion world, and eco-friendly for green and ethical brands. Little did one know that the fabric would ingratiate itself in the mainstream so decidedly as to become the uniform of generations post the 80s. Irrespective of whether you belong in the 1% or the 99, your age bracket or your cultivated tastes, denim has been part of everyone’s wardrobe. It’s a 60 billion dollar market for retailers alone and designers are keen to partake a piece of this massive pie. It helps that the fabric is the ‘people pleaser’ – it will readily turn into anything one likes. Numerous innovations and fabric infusions such as khadi-denim, silk- denim, 3D textures and laser and ozone finishes change its face beyond comprehension, and this, once street-style, turns sophisticated enough to form a cocktail dress. INDUSTRY TRENDS Sustainability has been a long-standing buzzword but there is ever-newer growth in this direction. As the trend for distressed jeans diminishes, the dyeing process becomes less dependent on chemical sprays and resins. Multiple brands are opting to use 100% organic cotton and natural dye. Artisanal products go for untreated metal zippers and rivets, making it non-toxic. Chemical companies’ enthusiasm for change is making them to associate with leading jeans manufacturers to bring about major savings in key materials, energy, water usage, waste and emission reductions, and ensuring your right to operate in communities around the world.
    [Show full text]
  • Garments, Parts of Garments, and Textile Techniques in the Assyrian
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eoN - Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa University of Copenhagen Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Gaspa, Salvatore, "Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eN o-Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 3. http://digitalcommons.unl.edu/texterm/3 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The Neo- Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa, University of Copenhagen In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed.
    [Show full text]
  • Dress Code Table
    DRESS CODE FOR CONFERMENT CEREMONIES Wreath­binding Conferment Ceremony and Church Conferment and service or Secular Service Dinner and sword­whetting Ball day Masters, evening tail evening tail coat 1), black waistcoat, white evening tail gentlemen coat 1), white gloves, wreath and ring coat 1), white waistcoat waistcoat, white gloves, wreath and ring Masters, colourful, white, full­length gown that is not white, ladies full­length décolleté, white gloves and shoes, full­length evening gown 2) wreath and ring 3) gown, white gloves and shoes, wreath and ring 5) Wreath­ evening tail evening tail coat 1), black waistcoat, white evening tail binders coat 1), white gloves coat 1), white waistcoat waistcoat, white gloves Wreath­ colourful, white, full­length gown that is not White full­length binderesses full­length décolleté, white gloves and shoes 3) gown, white evening gown 2) gloves and shoes 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters, coat 1), white gloves, wreath and ring coat 1), white gentlemen waistcoat waistcoat, white gloves, wreath and ring Jubilee colourful, black, full­length gown that is not black, masters, full­length décolleté, black gloves and shoes, full­length ladies evening gown 2) wreath and ring 4) gown, black gloves and shoes, wreath and ring 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters' coat 1), white gloves coat 1), white wreath­ waistcoat waistcoat, white binders gloves Jubilee colourful, black, full­length gown that is not
    [Show full text]
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • A Fashionable History
    Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. A Fashionable History Typical dress foi iaIC ¡ 85Us and early 1860s. Editor's Note: The following pictorial essay depicts the ever changing world of fashion from the 1850s to the 1930s. The contrast between the restrictive clothing of the "good old days" and the freer styles of today is striking. The photographs are from the collection at the Historical Resource Center and from Mrs. Patricia Pate of Fort Meade, South Dakota (see photo credits). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Late 1880s child's dress with sash. Silk waist front dress with bishop sleeves, early 1890s; man's shirt has Frontenac collar, teck scarf (tie). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Upper left. 1887 dress, plain fronted waist with apron front over-dress, side pleated flounce; upper right, early 1880s traveling eostume with lace Jabot, suit trimmed with braid: rigfjt, walking costume with kilt-pleated skirt, mid-î880s. K, I- Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Fashionable History Î57 Right, man in Mackintosh coat and planter's hat; left, single-breasted fly front sack overcoat and bowler hat. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. 158 South Dakota History Wedding dress, 1895; man wearing cutaway coat. Wedding dress, 1900s. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Wedding dress and going away suit on display at Robinson Museum, Pierre, 1907. Copyright © 1977 by the South Dakota State Historical Society.
    [Show full text]
  • 1 Nikolai Gogol (1809-1852) the Overcoat Translated by Constance
    1 Nikolai Gogol (1809-1852) The Overcoat Translated by Constance Garnett Nikolai Gogol (1809-1852) was a Russian writer born in Ukraine and considered a founder of Russian realism, although elements of romanticism and the grotesque permeate his work. His most widely-read novels are Taras Bulba (1835), a historical romance, and Dead Souls (1842), a satirical novel critical of the Tsarist regime. “The Overcoat,” also known as “The Cloak,” was published in 1842. Fyodor Dostoyevsky is supposed to have said that all modern literature has come out of Gogol’s overcoat. In the department of—but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person. Quite recently a complaint was received from a justice of the peace, in which he plainly demonstrated that all the imperial institutions were going to the dogs, and that the Czar's sacred name was being taken in vain; and in proof he appended to the complaint a romance in which the justice of the peace is made to appear about once every ten lines, and sometimes in a drunken condition. Therefore, in order to avoid all unpleasantness, it will be better to describe the department in question only as a certain department. So, in a certain department there was a certain official—not a very high one, it must be allowed—short of stature, somewhat pock-marked, red-haired, and short-sighted, with a bald forehead, wrinkled cheeks, and a complexion of the kind known as sanguine.
    [Show full text]
  • Guide to the Wear and Appearance of Army Uniforms and Insignia
    Department of the Army Pamphlet 670–1 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Headquarters Department of the Army Washington, DC 31 March 2014 UNCLASSIFIED SUMMARY DA PAM 670–1 Guide to the Wear and Appearance of Army Uniforms and Insignia This administrative revision, dated 10 April 2014- o Makes administrative changes (paras 13-14e and f, 14-15e and f, 21-12b(4), and 22-16b(4)). o Updates paragraph references and figures (paras 22-17d(6), (7), (8), (10), and (14) and figs 14-13, 21-55, 22-56, and 22-63). This new pamphlet, dated 31 March 2014- o Provides the implementation procedures for wear and appearance of Army uniforms and insignia (throughout). Headquarters Department of the Army Department of the Army Pamphlet 670–1 Washington, DC 31 March 2014 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Applicability. This pamphlet applies to t o t h e p o l i c y p r o p o n e n t . R e f e r t o A R t h e A c t i v e A r m y , t h e A r m y N a t i o n a l 25–30 for specific guidance. Guard/Army National Guard of the United States, and the U.S. Army Reserve, unless Suggested improvements. Users are otherwise stated. invited to send comments and suggested improvements on DA Form 2028 (Recom- Proponent and exception authority. m e n d e d C h a n g e s t o P u b l i c a t i o n s a n d T h e p r o p o n e n t o f t h i s p a m p h l e t i s t h e Deputy Chief of Staff, G–1.
    [Show full text]
  • Sky Collection 100% Natural Luxury
    AW2019/2020 SKY COLLECTION 100% NATURAL LUXURY. SUSTAINABLY PRODUCED. ETHICALLY SOURCED. SKY COLLECTION Tengri means “Sky God” – the primary deity of a pantheon of gods believed by early Mongolic and Turkic peoples to govern all human existence and natural phenomena on earth. The words “Tengri” and “sky” are synonymous, the physical appearance of Tengri was unknown and considered to be timeless and infinite, like a blue sky. Across Central Asia, spiritual places are decorated with blue ribbons honouring the Sky God. This collection is inspired by these qualities and the meaning of Tengri, along with mankind’s endeavours to conquer the sky. Each piece is handmade in our sustainably produced, all-natural, undyed Noble Yarns and fabrics. These are strong and durable, yet as soft as cashmere. Warmer than merino wool, yet light and breathable. Hypoallergenic, and resistant to pilling, water and odours. Aspects of vintage flight-coats – worn by pilots in the air and off duty – are combined with functional design elements of traditional Mongolian clothing. Created for the modern-day nomad, the collection is a contemporary interpretation of classic silhouettes, blending eastern and western influences. 100% NATURAL & UNDYED | SOFT AS CASHMERE | THERMAL-REGULATING | HYPOALLERGENIC | BREATHABLE | WATER & ODOUR-RESISTANT MERLIN OVERCOAT The overcoat was popular with off-duty pilots. A classic style, with a strong structured silhouette, the Merlin Overcoat features two double-cloth fabrics with a loden- like feel for maximum insulation. Combining an ultra-soft Mongolian sheep wool collar and Khangai yak fabric on the body, it offers maximum protection against the elements with timeless elegance and unisex style.
    [Show full text]
  • Officers' Uniforms and Gear
    officer’s guide Lesson 3: Officers’ uniforms and gear Reference: The Officer’s Guide, 1944 edition; AR 600-40; FM 21-15. Study assignment: Lesson text, attached. What the uniform signifies “The wearing of the prescribed uniform identifies the officer or soldier as a member of the Army of the United States.”1 It identifies the wearer as one who has sworn to defend his nation against a determined enemy, even at the risk of life; the details of the uniform inform anyone to understand the level of authority and responsibility of the Officer or soldier, and in general the kind of job he does. It also identifies all soldiers as members of a single team. How to wear the uniform Rationale: The uniform you wear—as a soldier or as a living historian—represents a long tradition of courage, resoluteness, selflessness, and sacrifice. The manner in which you wear the uniform is not a trivial thing. But keep in mind that wearing it improperly cannot reflect on the soldiers who wore it under enemy fire. But it can reflect on you. The charge is on you to wear it in a way that would not suggest a lack of respect for those who wore it in earnest. Manner of wearing the uniform: The uniform should be kept clean and neat and in good repair to the extent possible. Reenactors get this backwards in their fevered desire to look like seasoned field soldiers. Here’s a philosopical view: A soldier is a man trying to stay clean and presentable under impossible conditions.
    [Show full text]
  • 1830-1880 Victorian Era Civilian Catalog
    Quartermaster Shop 2018 Catalog - men’s civilian clothing 1830s thru 1880s– Victorian and old west Web Site: www.quartermastershop.com Quality historical reproduction clothing for men since 1975. Every garment is hand made under the watchful eye of artisans dedicated to give you the best value for your money. Quality materials and construction methods which closely match original garments. Manufactured after careful study of original garments at various museums around the country. All our clothing is made in our sewing shop in Michigan. January 2018. All Rights Reserved. No text or photos may be copied without the express written permission of the Quartermaster Shop. Page 2 About us www.quartermastershop.com Our friendly staff is eager and ready to offer assistance if you need help choosing a historical reproduction garment. We want to assure you of our dedication to quality in eve- ry garment and delivery by the date we promise. With almost 40 years of experience making historical uniforms, we will do our best to make you feel you made the right decision by choosing Quartermaster Shop clothing! All our garments are proudly Made in the USA! Back row: Jeff, Gayle, Kay, Melissa, Judy, and LuAnn Front row: Singer 191 In 1979, my wife, Gayle and I started setting up the Quartermaster Shop tent at various reenactments and skirmishes around the country. We met a lot of really nice folks during the 25 years that we traveled. Since 2004, the years of traveling have taken their toll and we are no longer able to travel and set up “in the field”.
    [Show full text]