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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
The Denim Report
118 Fashion Forward Trends spring/summer 2016 | fabrics & more | FFT magazine 119 THE DENIM REPORT n this season, the denim offering is wide and qualitative: selvedge denim for purists, power stretch for trendsetters, washed-out effect for the 70s wind blowing around Ithe fashion world, and eco-friendly for green and ethical brands. Little did one know that the fabric would ingratiate itself in the mainstream so decidedly as to become the uniform of generations post the 80s. Irrespective of whether you belong in the 1% or the 99, your age bracket or your cultivated tastes, denim has been part of everyone’s wardrobe. It’s a 60 billion dollar market for retailers alone and designers are keen to partake a piece of this massive pie. It helps that the fabric is the ‘people pleaser’ – it will readily turn into anything one likes. Numerous innovations and fabric infusions such as khadi-denim, silk- denim, 3D textures and laser and ozone finishes change its face beyond comprehension, and this, once street-style, turns sophisticated enough to form a cocktail dress. INDUSTRY TRENDS Sustainability has been a long-standing buzzword but there is ever-newer growth in this direction. As the trend for distressed jeans diminishes, the dyeing process becomes less dependent on chemical sprays and resins. Multiple brands are opting to use 100% organic cotton and natural dye. Artisanal products go for untreated metal zippers and rivets, making it non-toxic. Chemical companies’ enthusiasm for change is making them to associate with leading jeans manufacturers to bring about major savings in key materials, energy, water usage, waste and emission reductions, and ensuring your right to operate in communities around the world. -
2376H04.07H Hcb 8
2376H04.07H HCB 8 House _______________________________________________________ Amendment NO.____ Offered By _____________________________________ ___________________________________ 1 AMEND House Committee Substitute for House Committee Bill No. 8, Page 2, Section 340.285, 2 Line 19, by inserting immediately after said section and line the following: 3 4 "407.315. 1. As used in this section, the following terms mean: 5 (1) "American Indian tribe”, any Indian tribe federally recognized by the Bureau of Indian 6 Affairs of the United States Department of the Interior; 7 (2) "American Indian”, a person who is a citizen or enrolled member of an American Indian 8 tribe; 9 (3) “Imitation American Indian art or craft”, any basic article purporting to be of American 10 Indian style, make, origin, or design that was not made by American Indian labor and workmanship; 11 (4) “Authentic American Indian art or craft”, any article of American Indian style, make, 12 origin, or design that was made wholly or in part by American Indian labor and workmanship 13 including, but not limited to, any Kachina doll, rosette, necklace, choker, barrette, hair tie, 14 medallion, pin, pendant, bolo tie, belt, belt buckle, cuff links, tie clasp, tie bar, ring, earring, purse, 15 blanket, shawl, moccasin, drum, or pottery or any visual or performing arts or literature; 16 (5) “Merchant”, any person engaged in the sale to the public of imitation American Indian 17 art or craft or authentic American Indian art or craft. 18 2. No merchant shall distribute, trade, sell, or offer for sale or trade within this state any 19 article represented as being made by American Indians unless the article is an authentic American 20 Indian art or craft. -
Garments, Parts of Garments, and Textile Techniques in the Assyrian
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eoN - Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa University of Copenhagen Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Gaspa, Salvatore, "Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The eN o-Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 3. http://digitalcommons.unl.edu/texterm/3 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The Neo- Assyrian Textile Lexicon in the 1st-Millennium BC Linguistic Context Salvatore Gaspa, University of Copenhagen In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. -
Dress Code Table
DRESS CODE FOR CONFERMENT CEREMONIES Wreathbinding Conferment Ceremony and Church Conferment and service or Secular Service Dinner and swordwhetting Ball day Masters, evening tail evening tail coat 1), black waistcoat, white evening tail gentlemen coat 1), white gloves, wreath and ring coat 1), white waistcoat waistcoat, white gloves, wreath and ring Masters, colourful, white, fulllength gown that is not white, ladies fulllength décolleté, white gloves and shoes, fulllength evening gown 2) wreath and ring 3) gown, white gloves and shoes, wreath and ring 5) Wreath evening tail evening tail coat 1), black waistcoat, white evening tail binders coat 1), white gloves coat 1), white waistcoat waistcoat, white gloves Wreath colourful, white, fulllength gown that is not White fulllength binderesses fulllength décolleté, white gloves and shoes 3) gown, white evening gown 2) gloves and shoes 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters, coat 1), white gloves, wreath and ring coat 1), white gentlemen waistcoat waistcoat, white gloves, wreath and ring Jubilee colourful, black, fulllength gown that is not black, masters, fulllength décolleté, black gloves and shoes, fulllength ladies evening gown 2) wreath and ring 4) gown, black gloves and shoes, wreath and ring 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters' coat 1), white gloves coat 1), white wreath waistcoat waistcoat, white binders gloves Jubilee colourful, black, fulllength gown that is not -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
American Native Arts Auction Thursday February 11Th @ 4:00PM 16% Buyers Premium In-House 19% Buyers Premium Online/Phone 717 S Third St Renton (425) 235-6345
American Native Arts Auction Thursday February 11th @ 4:00PM 16% Buyers Premium In-House 19% Buyers Premium Online/Phone 717 S Third St Renton (425) 235-6345 SILENT AUCTIONS polychrome zig-zag false embroidery design. It has an old 2" glue repair near top rim, Lots 1,000’s End @ 7:00PM otherwise excellent condition. Late 19th or early 20th century. Lot Description 4B Antique Tlingit Large Indian Basket 8"x10". Spruce root basket with bright orange 1 Antique Tlingit Rattle Top Indian Basket polychrome false embroidery. It has a few 3.75"x6.5". Spruce root basket with small splits to top rim and three small splits polychrome geometric arrow motifs and in the side walls. Excellent condition spiral on lid. Excellent condition. Late 19th otherwise. Late 19th or early 20th century. or early 20th century. 4C Antique Tlingit Large Indian Basket 8"x10". 2 Antique Tlingit Rattle Top Indian Basket An exceptional spruce root basket with 4.25"x7.5". Spruce root basket with geometric diamond motif in false repeating polychrome geometric key motifs. embroidery. Excellent condition. Late 19th Excellent condition. Late 19th or early 20th or early 20th century. century. Collection of artist Danny Pierce, 4D Antique Tlingit Large Indian Basket Washington. 7.5"x10". Spruce root basket with 3 Antique Tlingit Rattle Top Indian Basket polychrome cross and box motif in false 3.75"x6.25". Spruce root basket with embroidery. It has a .5" area of slight repeating polychrome geometric cross and chipping to top rim, otherwise excellent diamond motifs. Excellent condition. Late condition. Late 19th or early 20th century. -
000 Mens Hotspot Update Flagship Stores
000 Mens Hotspot Update Flagship Stores RIVER ISLAND 1 Planogram flagship stores FOOTWEAR NON CLOTHING Outerwear block SMART 2- Navy & Berry =Puffa DENIM block =Suede- Planogram block Knitwear block CASUAL SMART 1- SMART Neutrals JERSEY Priority 1-Mono Priority 2- embroidered FRONT ZONE Denim is an anchor department & should not be moved. Ideally denim should sit on the Casual side between jersey and casual knit/shirts 2 Key Points flagship stores This is a Spring hotspot update. The main spring layout for mens will be issued week 10. Base Layout / Densities • Continue to block denim shorts within the dept. Chino shorts should go into Jersey 2. • Base layout should be reviewed as per zone plan making sure floor fixtures have space around them. • Matching jersey sets are a key fashion item and should be shown on hotspots or full hanging in a • Front zone densities should be followed - Don’t cram. wall. • Work to your “spring densities” floors should feel lighter • Outwear to be positioned at the back of casual. & not over filled to allow for side hanging to be used. Blocked mid floor. • Review wall configuration - Check arm heights are not too high & customers can reach product. Denim • Denim continues to be a big focus. Key points Key New for Spring • Merchandise fashion fits focally in dept & • Menswear will take on a “buy now, wear now” strategy for highlight with relevant new denim graphics. January and February this year. • Show new BOBBY & JIMMY fits in a wall and NOT • The shopfloor will be split between smart and casual. on a table for this timing. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
A Fashionable History
Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. A Fashionable History Typical dress foi iaIC ¡ 85Us and early 1860s. Editor's Note: The following pictorial essay depicts the ever changing world of fashion from the 1850s to the 1930s. The contrast between the restrictive clothing of the "good old days" and the freer styles of today is striking. The photographs are from the collection at the Historical Resource Center and from Mrs. Patricia Pate of Fort Meade, South Dakota (see photo credits). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Late 1880s child's dress with sash. Silk waist front dress with bishop sleeves, early 1890s; man's shirt has Frontenac collar, teck scarf (tie). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Upper left. 1887 dress, plain fronted waist with apron front over-dress, side pleated flounce; upper right, early 1880s traveling eostume with lace Jabot, suit trimmed with braid: rigfjt, walking costume with kilt-pleated skirt, mid-î880s. K, I- Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Fashionable History Î57 Right, man in Mackintosh coat and planter's hat; left, single-breasted fly front sack overcoat and bowler hat. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. 158 South Dakota History Wedding dress, 1895; man wearing cutaway coat. Wedding dress, 1900s. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Wedding dress and going away suit on display at Robinson Museum, Pierre, 1907. Copyright © 1977 by the South Dakota State Historical Society. -
English Index to Sarangani Manobo Dictionary July 11, 2016 by Carl D
English Index 1 acclaim English Index to Sarangani Manobo Dictionary July 11, 2016 By Carl D. DuBois Summer Institute of Linguistics absorb leseb v. For something (as soil) abaca ebaka n. Abaca.; lanot n. Abaca (IOF:patient me-) to absorb something fiber. (rain) (IDF:goal ke--an).; taeb v. For something (as salt) (SF:actor -om-) to abalone lapas n. An abalone shell. absorb moisture (as salt does from abandon bayà v ???(COF:patient pe--en) atmosphere). For someone to leave a thing in a certain abundance kowasa n. Abundance (of food). place (on purpose).; tanan v. For someone (SF:actor -om-) to abandon abundance??? lokan v. For someone or something (DF:goal -an).; telao v. For something (SF:actor -om-) to have someone to abandon something something (fruit???) in abundance???. (AF:patient i-). abundance ollà n. An abundance.; ollà n. abate epà v. For flood (SF:actor m-) to One who has an abundance of abate. something. abdomen getek n. One's abdomen. accept dawat n. For someone to accept something.; kinawà v. For someone abdominal getek n. The abdominal area. (SF:actor -om-/meg-) to receive or abduct taban v. For someone (a raider) accept someone's reasoning or (SF:actor -om-/meg-/meN-) (ISF:actor arguments (OF:patient -en).; tandù v. meke-) to abduct someone. For someone (SF:actor -om-) to accept a proposal.; tanggap v. For someone to ability toig n. Ability. accept a proposal. able to saman v. For someone (ISF:Actor accident selok v. For someone (ISF:actor meke-) to be able to comprehend or to meke-) to meet with an accident or complete the whole.