BANANAZ Panorama BANANAZ Dokumente BANANAZ Regie: Ceri Levy

Total Page:16

File Type:pdf, Size:1020Kb

BANANAZ Panorama BANANAZ Dokumente BANANAZ Regie: Ceri Levy PD_4974:PD_ 26.01.2008 17:53 Uhr Seite 222 Berlinale 2008 BANANAZ Panorama BANANAZ Dokumente BANANAZ Regie: Ceri Levy Großbritannien 2008 Dokumentarfilm mit Gorillaz Länge 92 Min. Damon Albarn Format 35 mm Jamie Hewlett Farbe Ibrahim Ferrer Dennis Hopper Stabliste De La Soul Buch, Kamera Ceri Levy D-12 Schnitt Seb Monk Shaun Ryder Mischung Robert Farr Bootie Brown Musik Gorillaz Produzenten Rachel Connors Ceri Levy Produktion Head Film Ltd. 87d Elsham Road GB-London W14 8HH [email protected] Weltvertrieb Hanway Films 24 Hanway Street GB-London W1T 1UH Tel.: +44 207 2900750 Fax: +44 207 2900751 [email protected] BANANAZ Die Gorillaz sind die Band der Stunde! Während sich viele Rock- und Pop - veteranen angesichts dramatischer Rückgänge ihrer Platten- und CD-Ver - käufe neue Absatzmärkte in den visuell orientierten Vertriebskanälen Kino, Fernsehen und DVD erst noch erschließen müssen, waren die Gorillaz von vorn herein als ein visuelles Ereignis konzipiert. Als die Band 1998 von Damon Albarn, dem Sänger der britischen Gruppe Blur, und dem Comic- Zeichner Jamie Hewlett („Tank Girl“) spontan während einer nächtlichen Unterhaltung in ihrer Londoner WG gegründet wurde, bestand sie zu - nächst nur aus vier fiktiven Comic-Gestalten: D, Murdoc, Noodle und Russel. Zwar wurden sie im Laufe der Zeit mit individuellen Biografien versehen, doch verbergen sich hinter ihnen stets wechselnde Musiker. Nach mehreren Singles, zwei Alben und zahlreichen Videoclips gibt der Film von Ceri Levy nun den Blick auf die realen Personen hinter den animierten Figuren frei. Sieben Jahre lang hat sich der Regisseur, der mit Damon Albarn seit langem befreundet ist, in dem Paralleluniversum, das sich um die Gorillaz inzwischen aufgebaut hat, für seinen Film frei bewegen können. Im Studio und auf Tourneen (bei denen sich die Künstler gleichfalls von Ani ma- tions figuren vertreten lassen) sind ihm nicht nur die üblichen verdächtigen Musiker über den Weg gelaufen, sondern mit Ibrahim Ferrer und Dennis Hopper auch Prominenz aus entfernteren Welten. Das macht BANANAZ zu einem Film, der nicht nur Gorillaz-Fans Zucker gibt! BANANAZ The Gorillaz are the band of the moment! Faced with a drastic drop in re - cord and CD sales, many veterans of rock and pop have yet to tap into new markets in audio-visual distribution channels such as cinema, television and DVD. The Gorillaz, however, were devised as a visual event from the very 222 PD_4974:PD_ 26.01.2008 17:53 Uhr Seite 223 beginning. Formed on a whim one night in 1998 by Damon Albarn, singer of the British group Blur and comic illustrator Jamie Hewlett (“Tank Girl”) during a conversation in the London flat they shared, the band initially comprised four fictional comic figures: D. Murdoc, Noodle and Russel. Al - though they have since been furnished with individual biographies, these figures conceal a host of different real-life musicians. After several singles, two albums and numerous music videos, Ceri Levy’s film pro vides a glimpse of the real people behind these animated charac- ters. The director, who is a long-standing friend of Damon Albarn, spent seven years moving freely around the parallel universe that the Gorillaz have since created. In recording studios and on tour (where the artists were also represented by animated figures) he encountered not merely all the usual suspects in terms of musicians, but also many a celebrity from worlds further afield such as Ibrahim Ferrer and Dennis Hopper. All of which makes BANANAZ a real treat for everyone – not just Gorillaz fans! BANANAZ Ceri Levy Les Gorillaz sont le groupe du moment ! Alors que beaucoup de vétérans du rock et du pop doivent s’orienter vers les nouveaux canaux de distribu- Biografie tion visuels du cinéma, de la télévision et du DVD pour faire face à la réces- Ceri Levy hat Clips und Promo-Videos für sion des ventes de leurs disques et de leurs CDs, les Gorillaz étaient conçus zahlreiche britische Bands gedreht, darunter dès le départ comme un événement visuel. Lorsque le groupe fut sponta- Blur, Elastica und Dodgy. Ferner entstand nément créé, en 1998, par Damon Albarn, le chanteur du groupe britan- 1994 in Co-Regie mit Matthew Longfellow nique Blur, et le dessinateur de bds Jamie Hewlett (« Tank Girl ») au cours die Blur-Dokumentation STARSHAPED. Er hat als Regisseur auch für die BBC-Serie d’une conversation nocturne dans leur colocation londonienne, il ne se „The First, The Last, My Everything“ gear- composait d’abord que de quatre personnages fictifs de bd : D, Murdoc, beitet und als alter Chelsea-Fan für das Noodle et Russel. Certes, au fil du temps, ils furent pourvus de biographies Fernsehprogramm des Londoner Fuß ball - individuelles mais derrière eux se dissimulent des musiciens toujours diffé- vereins. rents. Biography Après plusieurs singles, deux albums et de nombreux clips vidéo, le film de Ceri Levy has made music videos and pro- Ceri Levy révèle les personnes réelles qui sont derrière les personnages ani- mos for numerous British bands, including més. Pour son film, le réalisateur, qui est depuis longtemps l’ami de Damon Blur, Elastica and Dodgy. In addition, in Albarn, a pu se mouvoir librement, pendant sept ans, dans l’univers paral- 1994, he and Matthew Longfellow co- lèle qui s’est entre-temps forgé autour des Gorillaz. En studio et lors des directed a documentary on Blur entitled STARSHAPED. A director on the BBC series, tournées (où les artistes sont également représentés par des personnages “The First, The Last, My Everything“, he is animés) il a non seulement rencontré sur son chemin les musiciens – ou also a fan of the London football club ceux que l’on suspecte habituellement de l’être – mais aussi des célébrités Chelsea, for whose television channel he venant de sphères plus éloignées comme Ibrahim Ferrer ou Dennis Hopper. has worked. Ceci fait de BANANAZ un film qui fera les délices des fans des Gorillaz – et Biographie de bien d’autres encore ! Ceri Levy a tourné des clips et des vidéos de pub pour de nombreux groupes britan- niques tels que Blur, Elastica et Dodgy. Réalise par ailleurs en 1994 avec Matthew Longfellow la documentation sur Blur, STARSHAPED. Travaille aussi comme met- teur en scène de la série de la BBC « The First, The Last, My Everything » et en tant que vieux fan de Chelsea, pour le program - me télévisé du club de football londonien. 223.
Recommended publications
  • Brits Special
    Wednesday, February 22, 2012 The world’s most popular free newspaper Brits special The crowning of Queen Adele (but she wasn’t treated royally) Rihanna – she’s definitely da one An A+ performance by Ed Sheeran ...and a bit of barnstorming by Blur »All the winners on Page 7, plus Guilty Pleasures gets the gossip on Pages 18-19 GPS threat to SPORT stock markets So, is this FRAUDSTERS could make mil- EXCLUSIVE by FRED ATTEWILL clocks away from the current time, rupt air and ship navigation systems, lions of pounds in seconds by hack- do some fraudulent trading and then researchers are claiming. the end ing into GPS systems synchronising tions, it is feared. The culprits would move the clock back. The warnings come ahead of a stock market deals around the world, be almost impossible to trace. ‘It’s only a matter of time before London conference on the growing experts are warning. Bob Cockshott, from the govern- someone spoofs the time and makes threat from gangs interfering with for AVB..? They could plunder their loot in ment-backed Knowledge Transfer an awful lot of money.’ satellite systems. Mr Cockshott said the blink of an eye by resetting the Network, said: ‘Clever organised Other weaknesses in GPS technol- »Napoli...3 Chelsea...1 clocks recording automated transac- criminals could set financial houses’ ogy could also be exploited to dis- TURN TO PAGE 4 « Pages 46-47 2012 BRIT Award Nominee The Album out now Features the singles edsheeran.com The A Team, Lego House and Drunk edsheeran 2 METRO Wednesday, February 22, 2012 METRO dateline Happy tablet! Your daily dose of news, features, Denzil with a touch of Frost sport and smiling monkeys..
    [Show full text]
  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit".
    [Show full text]
  • Gender, Ethnicity, and Identity in Virtual
    Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225
    [Show full text]
  • Student Lounge Revamped
    The Pride http://www.csusm.edu/pride California State University, San Marcos Vol VIII No. 5/ Tuesday, September 26,2000 Faculty Files Grievance By: Jayne Braman istration and faculty. University's Convocation, Pride Staff The "faculty workload issue" President Gonzalez stated, "We revolves around a grievance filed are a CSU campus and we do have Students have many factors by the San Marcos chapter of to follow system-wide guidelines to consider when deciding on the faculty union, the California and operate within our funding which college to attend. Many Faculty Association (CFA), which formula which is predicated on CSUSM students credit the small is pending arbitration scheduled 15 units per Full Time Equivalent classes, the writing requirement, for October 28. Although the Student (FTES) and 12 Direct and the availability of professors details of the arbitration are not Weighted Teaching Units (WTU) as factors that ultimately add made public, the outcome of this for faculty." value to their education as well hearing will set a precedent that "The faculty argues that fund- as to their degrees. Students have will determine the future direc- ing increases depend strictly on also noted that the reputation tion of faculty workload. FTES, not on faculty teaching 12, of the institution will continue CSUSM President Alexander units," according to Dr. George to influence the value of their Gonzalez explains, "Faculty is Diehr, local union CFA President degrees long after they leave this contracted to work twelve (12) and Professor of Management campus. credit hours per semester." Science. "In fact," Diehr con- The window of opportunity Gonzalez continues, "This labor tends, "there is no mention any- is still wide open for CSUSM contract is part of a collective- where of faculty being required to to decide its future direction.
    [Show full text]
  • EXPLICIT PARAMETERIZATION of EULER's ELASTICA 1. Introduction
    Ninth International Conference on Geometry, Geometry, Integrability and Quantization Integrability June 8–13, 2007, Varna, Bulgaria and Ivaïlo M. Mladenov, Editor IX SOFTEX, Sofia 2008, pp 175–186 Quantization EXPLICIT PARAMETERIZATION OF EULER’S ELASTICA PETER A. DJONDJOROV, MARIANA TS. HADZHILAZOVAy, IVAÏLO M. MLADENOVy and VASSIL M. VASSILEV Institute of Mechanics, Bulgarian Academy of Sciences Acad. G. Bonchev Str., Bl. 4, 1113 Sofia, Bulgaria yInstitute of Biophysics, Bulgarian Academy of Sciences Acad. G. Bonchev Str., Bl. 21, 1113 Sofia, Bulgaria Abstract. The consideration of some non-standard parametric Lagrangian leads to a fictitious dynamical system which turns out to be equivalent to the Euler problem for finding out all possible shapes of the lamina. Integrating the respective differential equations one arrives at novel explicit parameteri- zations of the Euler’s elastica curves. The geometry of the inflexional elastica and especially that of the figure “eight” shape is studied in some detail and the close relationship between the elastica problem and mathematical pendulum is outlined. 1. Introduction The elastic behaviour of roads and beams which attracts a continuous attention since the time of Galileo, Bernoulli and Euler has generated recently a renewed interest in plane [2, 3, 15], space [18] and space forms [1, 11]. The first elastic problem was posed by Galileo around 1638 who asked the question about the force required to break a beam set into a wall. James (or Jakob) Bernoulli raised in 1687 the question concerning the shape of the beam and had also succeeded in solving the case of the so called rectangular elastica (second case from the top in Fig.
    [Show full text]
  • 112 It's Over Now 112 Only You 311 All Mixed up 311 Down
    112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question
    [Show full text]
  • Minibus Accident in This Issue Hortly Before Union Onboard, Had on Tuesday
    Bare Facts 16th February '96 University of Surrey Students' Newspaper issue 870 Minibus Accident In this issue hortly before Union onboard, had on Tuesday. Other injuries midnight on Friday pulled out of a carpark. suffered mainly consisted of scratches, grazes and shock. 10th of February Neil Hunt and Ruth Holling- S dale both received broken one of the Union The driver of the other car es- jaws after hitting objects in caped without any serious in- minibuses was involved front of them as they were juries. in an accident where it thrown forward by the force of was hit head on by a the impact. ITie driver, Alis- The Students' Union and the tair Oliver had to be cut free University have offered their Volvo travelling on the after the accident but managed assistance and are currently wrong side of the road. to walk to the stretcher having dealing with insurers and po- The accident occurred on suffered a broken arm. Five of lice and offering general assis- the A6 just outside of the fourteen aboard had to be tance to those people who More Internet Bedford after the taken to Accident and Emer- were involved in the accident. gency, of which 3 were re- news minibus, with fourteen leased after treatment. Neil members of Christian and Ruth both had to remain in Henry S. Katt page? hospital but Ruth was released Eyewitness report page 3 Broken Promises And Shattered Dreams. N FRIDAY diligence and expertise of the rorist campaign). The Sunday NIGHT a bomb City's security forces and hos- Times reported that whilst pital staff ), a return to full there has been a peace there Oexploded in scale war spells the loss of has not been a process and the London's Canary Wharf many more lives and a return reasons for the attack has killing two, injurying to a life of fear.
    [Show full text]
  • Arxiv:Math/9808099V3
    On the Moduli of a Quantized Elastica in P and KdV Flows: Study of Hyperelliptic Curves as an Extension of Euler’s Perspective of Elastica I Shigeki MATSUTANI∗ and Yoshihiro ONISHIˆ † ∗8-21-1 Higashi-Linkan Sagamihara, 228-0811 Japan †Faculty of Humanities and Social Sciences, Iwate University, Ueda, Morioka, Iwate, 020-8550 Japan Abstract Quantization needs evaluation of all of states of a quantized object rather than its stationary states P with respect to its energy. In this paper, we have investigated moduli elas of a quantized elastica, a quantized loop with an energy functional associated with the Schwarz derivative,M on a Riemann sphere P. Then it is proved that its moduli space is decomposed to a set of equivalent classes determined by flows obeying the Korteweg-de Vries (KdV) hierarchy which conserve the energy. Since the flow P obeying the KdV hierarchy has a natural topology, it induces topology in the moduli space elas. P M Using the topology, is classified. Melas Studies on a loop space in the category of topological spaces Top are well-established and its cohomological properties are well-known. As the moduli space of a quantized elastica can be regarded as a loop space in the category of differential geometry DGeom, we also proved an existence of a functor between a triangle category related to a loop space in Top and that in DGeom using the induced topology. As Euler investigated the elliptic integrals and its moduli by observing a shape of classical elastica on C, this paper devotes relations between hyperelliptic curves and a quantized elastica on P as an extension of Euler’s perspective of elastica.
    [Show full text]
  • Indie Mixtape Subscribers Can Get 10% Off This Can't-Miss Set by Entering the Code JONI10 Checkout
    :: View email as a web page :: The spring of 1995 was a crowded season in indie-rock history. Pavement dropped their polarizing third album, the willfully messy and frequently brilliant Wowee Zowee. Yo La Tengo continued their hit streak of low-key masterworks with Eletr-O-Pura. Illinois fuzz-rock quartet Hum hit hard with Youʼd Prefer An Astronaut, and Teenage Fanclub produced one of their finest jangle-pop efforts, Grand Prix. Wilco, Elastica, and Apples In Stereo put out well-regarded debuts. And Red House Painters hit a new high-water mark with Ocean Beach. But even in an era when classic indie records seemed to come out every week, there was nothing quite like Alien Lanes, the eighth full-length LP by a band from Dayton, Ohio called Guided By Voices. Released on April 4, 1995, Alien Lanes arrived with baked-in mythology. It had been supposedly recorded for just $10 in various concrete basements around Dayton by a group of blue-collar guys in their mid-30s. Uproxx dug into the history of this classic and produced this great oral history. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS RINA SAWAYAMA This budding indie-pop star is among the buzziest acts to emerge this year, with an ear-catching single called “STFU” that’s like Carly Rae Jepsen if she spent years obsessing over Korn’s Follow The Leader. That pan-genre approach ultimately informs Sawayama — who was born in Japan and raised in London — and her aesthetic.
    [Show full text]
  • Crossword Puzzle
    ENTERTAINMENTpage 25 Technique • Friday, September 1, 2000 • 25 Crossword Puzzle! Just play it loud, ok? ENTERTAINMENT Bored in class? Itching to exercise your This week we’ve got six (count ‘em, mind-boggling vocabulary? Our new six!) CD reviews for your inspection. feature is right up your alley. Page 26 Look, listen, and love them all. Technique • Friday, Septemeber 1, 2000 ‘Art of War’ delivers nothing but paint-by-numbers action By Alan Back is sent in to change their minds becomes Public Enemy Number Has trouble drawing stick people any way he sees fit. Spying? No One. He finds himself cut off problem.Wiretapping? Fair from the rest of his team, with MPAA Rating: R game. Blackmail? He can swing authorities from both sides of Starring: Wesley Snipes, Anne that, too. the Pacific after him, as he races Archer, Maury Chaykin, to find the truth before the Marie Matiko situation explodes into an all- Director: Christian Duguay out war. Studio: Morgan Creek Films “How do you give Now, where to begin? Running Time: 117 minutes a medal to Mistake #1: cannibalizing a Rating: yy string of movies to assemble the somebody who plot. “The Fugitive,” “U.S. Mar- War is hell. The Art of War doesn’t exist for shals” and “Mission: Impossi- just feels like it. ble” are shoved through the meat If you’re pressed for time, stop something that grinder, with bits of “Lethal reading now and stay away from didn’t happen?” Weapon” (“I’m too f—in’ old any theater showing this film, for this,” says Maury Chaykin, which manages to commit just UN Secretary-General playing an irritating FBI agent) about every action-movie atroc- Douglas Thomas (Donald and “White Men Can’t Jump” ity known to man.
    [Show full text]
  • Authorized Catalogs - United States
    Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A.
    [Show full text]
  • Catalogo ENGLISH
    catalogo ENGLISH - ITALIANO OVER 12000 DVD TITLES OF ROCK MUSIC - WE ARE THE BIGGEST ROCK VIDEO STORE ON INTERNET ALL OUR TITLES ON DVD ARE ORIGINALS - ARE NOT DVD-R BURNED COPIES!! HOW TO READ OUR DVD CATALOG 2012 1. NAME OF THE ARTIST/BAND - 2. TITLE OF VIDEO - 3. TIME IN MINUTES - 4. MEDIUM - 5. VIDEO/AUDIO QUALITY example: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3. 55 4. DVD 5. ProShot ofic = Oficial Video; boot = Bootleg = image/audio quality is not alwais good but the historical value is high Proshot = is not a oficial video but the image/audio quality is HIGH! All DVD are delivered betwen 24/48 hours; COSTS Each title can include 1-2-3 DVD - The cost is for disk not for title. 1(one) DVD costs 9,99 €(euro) MINIMUN ORDER: 5 TITLES (OR 5 DVD) = 50 €(euro) FOR ORDERS GREATER THAN 20 TITLES THE COST OF 1 DVD IS 8,99 €(euro) FOR ORDERS GREATER THAN 50 TITLES THE COST OF 1 DVD IS 7,99 €(euro) more SHIPPING EXPENSES : from 9 euro to 15 ( weight and country) FOR FURTHER INFORMATIONS VISIT WWW.rockdvd.wordpress.com or WRITE US AT: [email protected] 1agina p catalogo ----------------------------------------------------------------------------- ITALIANO TUTTI I NOSTRI DVD SONO ORIGINALI E NON SONO COPIE SU DVD-R COME LEGGERE I TITOLI DEL CATALOGO 2012 1. NOME DEL ARTISTA - 2. TITOLO DEL VIDEO - 3. TEMPO IN MINUTI - 4. TIPO DI SUPPORTO - 5. QUALITA' AUDIO/VIDEO Esempio: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3.
    [Show full text]