DOCSLIB.ORG

Gigs of My Steaming-Hot Member of Loving His Music, Mention in Your Letter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gigs of My Steaming-Hot Member of Loving His Music, Mention in Your Letter CATFISH & THE BOTTLEMEN Van McCann: “i’ve written 14 MARCH14 2015 20 new songs” “i’m just about BJORK BACK FROM clinging on to THE BRINK the wreckage” ENTER SHIKARI “ukiP are tAKING Pete US BACKWARDs” LAURA Doherty MARLING THE VERDICT ON HER NEW ALBUM OUT OF REHAB, INTO THE FUTURE ►THE ONLY INTERVIEW CLIVE BARKER CLIVE + Palma Violets Jungle Florence + The Machine Joe Strummer The Jesus And Mary Chain “It takes a man with real heart make to beauty out of the stuff that makes us weep” BLACK YELLOW MAGENTA CYAN 93NME15011142.pgs 09.03.2015 11:27 EmagineTablet Page HAMILTON POOL Home to spring-fed pools and lush green spaces, the Live Music Capital of the World® can give your next performance a truly spectacular setting. Book now at ba.com or through the British Airways app. The British Airways app is free to download for iPhone, Android and Windows phones. Live. Music. AustinTexas.org BLACK YELLOW MAGENTA CYAN 93NME15010146.pgs 27.02.2015 14:37 BAND LIST NEW MUSICAL EXPRESS | 14 MARCH 2015 Action Bronson 6 Kid Kapichi 25 Alabama Shakes 13 Laura Marling 42 The Amorphous Left & Right 23 REGULARS Androgynous 43 The Libertines 12 FEATURES Antony And The Lieutenant 44 Johnsons 12 Lightning Bolt 44 4 SOUNDING OFF Arcade Fire 13 Loaded 24 Bad Guys 23 Lonelady 45 6 ON REPEAT 26 Peter Doherty Bully 23 M83 6 Barli 23 The Maccabees 52 19 ANATOMY From his Thai rehab centre, Bilo talks Baxter Dury 15 Maid Of Ace 24 to Libs biographer Anthony Thornton Beach Baby 23 Major Lazer 6 OF AN ALBUM about Amy Winehouse, sobriety and Björk 36 Modest Mouse 45 Elastica – ‘Elastica’ Black Rivers 10 Mumford & Sons 7 his “cracking new songs” Braids 7 My Morning Jacket 6 21 British Sea Power 12 Njomza 25 SOUNDTRACK Catfish & The The Orwells 25 Bottlemen 32 Outfit 7 OF MY LIFE Chilly Gonzales 45 Palma Violets 13, 48 Jim Reid, The Jesus And Courtney Barnett 44 Parastatic 23 Mary Chain Criminal Hygiene 25 Peter Doherty 12, 26 Crows 6 Pins 7 22 RADAR D’Angelo 53 Pity Sex 24 Deap Vally 16 Pix 23 Meet scissor-kicking Aussie Death From Above 1979 53 Pond 51 rockers The Preatures, plus Destruction Unit 24 Pooltheory 23 Doldrums 6 The Preatures 22 19 more brand new bands Dream Wife 23 Ryley Walker 44 42 Drenge 6 Seasick Steve 45 REVIEWS Egyptian Blues 25 The Silence 24 3 ► ALBUMS Elastica 19 Slaves 15, 48 Laura Marling – ‘Short Movie’ Enter Shikari 40 The Smiths 12 Errors 43 Spector 13 The Amorphous Androgynous Faith No More 6 Speedy Ortiz 7 – ‘Wizards Of Oz’ Fat White Family 48 The Stone Roses 13 Father John Misty 51 The Strokes 12 Courtney Barnett Fawn Spots 25 The Symposium 25 – ‘Sometimes I Sit And Think, Fever Dream 24 Tim Burgess 10 Florence + The Machine 8 Tony Volker 24 And Sometimes I Just Sit’ Formation 45 Toro Y Moi 6 Modest Mouse – ‘Strangers 32 Catfish & The Gengahr 6 Us The Band 25 To Ourselves’ The Go! Team 43 Vant 7, 23 Haim 6 Vetiver 44 and more Bottlemen Holly Herndon 7 The Walters 25 Holly Miranda 7 Warpaint 13 ► FILM The Llandudno band hit America to I Need A Dodge Jarvis Cocker 13 What Tyrants 25 play Letterman, meet Bill Murray and The Jesus And The Whig Whams 24 and more make new friends in Chicago Mary Chain 21 Wolf Alice 51 ► LIVE Kanye West 7 The Wytches 48 Kelela 7 Yak 53 Palma Violets 36 Fat White Family Björk ***SHAMELESS PLUG!!!*** ***SHAMELESS Pond Collaborators and friends discuss SHAMELESS PLUG!!!*** how the Icelandic star conquered SUBSCRIBE TO The Maccabees heartbreak on new album ‘Vulnicura’ TODAY FROM £20.49 Death From Above 1979 SAVE UP TO 39% and more Subscribe now at 40 WWW.NMESUBS.CO.Uk/16H Enter Shikari Or call on 0330 333 4555 quoting code 16H 58 Lines are open from 8am to 9pm, 7 days a week CROSSWORD/ PLUG!!! ***SHAMELESS *ofer opened to new subscribers only. Final closing date for all orders is March 31, 2015. In Glasgow and Manchester with Rou, Please allow up to 6 weeks for delivery of your first subscription issue, 8 weeks for overseas orders. For full terms and conditions please visit www.magazinesdirect.com/terms. For enquiries and THINGS WE LIKE Chris, Rory and Rob as they spread overseas rates contact [email protected] or call +44 330 333 0233. their message in the circle pits COVER: CHARLES HAMELIN COVER: BLACK YELLOW MAGENTA CYAN 93NME15011105.pgs 06.03.2015 16:59 TELL US WHAT’s Answering you ON YOUR this week: MIND Lucy Jones LETTER OF THE WEEK EMAIL [email protected] TWITTER twitter.com/nme WINS £50 OF VOUCHERS! FACEBOOK www.seetickets.com facebook.com/nmemagazine POST NME, 110 Southwark St, HOOKED ON London SE1 0SU NEW MUMFORDS Judging from the trailers, GUITAR Mumford & Sons’ new album MUSIC LIVES will be drastically diferent to There’s been much talk of the last album, ‘Babel’. The lack guitar music fading away of banjo and acoustic guitar in recently, but I look at it the most recent teaser was diferently. 2015 has a huge a definite shock when I watched roster of albums coming out it for the first time. I was that are gonna be brilliant: bemused about the electric Drenge, The Vaccines, The sound they were going for, but Maccabees, Palma Violets. after 10 seconds of listening All these bands have and watching I could hear the massive followings that are familiarity of Mumfords’ classic keeping this mothership tunes, just played on electric afloat. Then you’ve got guitars. Now I can’t stop playing it. I’m already hooked! Lucy Jones: Mumford & Sons’ schtick has been way more bands like Ride, Sleater- I adore Mumfords’ previous releases, but I completely successful than most people might have predicted when Kinney and The Pop Group get why they wish to change their sound. The band have they first glimpsed Marcus in his tweed waistcoat, and it who are reforming because developed a name for themselves on acoustic guitars would’ve been easy for them to make similar records they know that guitar and banjos that some people appreciate while others over and over again. So good on them. But from where music is alive and kicking. do not. I appreciate their diversity. It’s clear they aren’t I’m sitting I see no reason for them to stop at the The critics are singing the 4 limiting their possibilities, and I have utter respect for electric guitar. Album four: go gabba. Album five: get wrong verse. Guitar music this. I am excited to hear their new ideas. Winston dropping some terrorcore verses. Album six: will last forever! Alysa O’Connor, via email time for Ted to play about with some drum’n’bass beats. Declan Roberts, via email LJ: Add albums from this THE CRIBS’ NEW whole review Ruby (I hope out Sunhouse, Clayhill, ALL HAIL HYDE PARK lot to your list, Declan, and SONGS: INSTANT you enjoy our sensitive UNKLE, Toy Drum and Over the years, Hyde Park you’ll have the best year of CLASSICS edit), but your description Shane Meadows’ films has been the home to so music of your life: Grimes, Me and a few friends of a moshpit is A+. Can (a great friend of Gavin’s many iconic shows by iconic Courtney Barnett, Kendrick went to The Cribs’ show smell it from here. Please who featured his music in bands. Not only have The Lamar, Lana Del Rey, Blur. at Manchester Ritz on accept this excellent most of his films). Please Libertines made a comeback Some with guitars, some February 25. It was hot. picture, below, from their pay tribute to a great artist. there, but other bands without, all sure to be fine It was sweaty. It was show at the London’s Helen Buckley-Hofmann, such as Blur, The Who and pieces of work. moshing mayhem. But it Electric Ballroom last via email The Strokes have been was amazing. They opened month as a reward for getting involved too. 2015 is with ‘Mirror Kissers’, and your endeavours. LJ: You’re absolutely definitely going to be a year the crowd raged to all the right, Helen. Gavin of pleasantly unexpected new songs, even though PAY TRIBUTE Clark was a remarkable headliners, reformed bands they’re not out yet – surely TO GAVIN CLARK songwriter. His work with and new music, so let’s just a sign that they’re instant I can’t believe that your last Shane Meadows on the hope it’s as good as we all classics… As final song ‘City issue had no mention of the soundtracks to This Is expect – bring on the music! Of Bugs’ was being played, tragic and untimely death England, Somers Town Kate Tacey, via email a huge area of the moshpit of Gavin Clark on February and Dead Man’s Shoes cleared, ready for everyone 15. To those who knew him was fantastic, as his solo LJ: Blur at Hyde Park LOOK WHO’S to have a final jump as personally, professionally work and everything he in 2009 was one of the STALKING the chorus built. Every or just through did with the bands you greatest gigs of my steaming-hot member of loving his music, mention in your letter. The entire life, so I share I met Ben and Mike from the crowd ran in like it the shock and vulnerability of his voice your excitement, Kate. Royal Blood after their was full of ice-cold water.
Load more

Recommended publications
  • Mrs. Chase Among Highest-Paid Prep School Heads; It’S About the Individual’S Safety.” 1968
    VISIT US ON THE WEB AT www.phillipian.net Volume CXXVIII, Number 24 Phillips Academy, Andover, Massachusetts January 6, 2006 SMOYERʼS $1M INTERNET SAFETY DONATION TO FIX CONCERNS PROMPT ATHLETIC FIELDS E-MAIL WARNING By EMMA WOOD By STEVE BLACKMAN The Andover Athletic and ALEXA REID Department received a generous In light of recent events, Phillips “Christmas present” of $1 million Academy issued a warning to parents from Stanley Smoyer. and students about the danger of Mr. Smoyer requested that using popular networking websites his donation go directly towards like MySpace.com. renovating the drainage system In an e-mail message to parents of the Boys Varsity Soccer fi eld, and faculty sent on December 12, which fl oods often. Dean of Students and Residential “For years, now, the water Life Marlys Edwards clarifi ed school problems have interfered with policy on non-academic computer practices and forced us to cancel use, warning students about the games. The varsity teams deserve dangers inherent in posting personal to have a fi eld they can be proud information on public webpages. of, so we couldn’t be more pleased She wrote, “The safety concerns about this extraordinary gift,” said arising from use of these Internet sites Athletic Director Martha Fenton, are numerous, and they include the according to Director of Public real fear that young people are making Information Steve Porter. themselves vulnerable to predators.” Instructor in Math and Boys’ “[Sites like MySpace] are not Varsity Soccer Coach Bill Scott a bad thing, not at all, but there said to Mr. Porter, “It is our goal is incredible potential for [their] and dream to create the best natural misuse,” said Ms.
    [Show full text]
  • Tesi Di Fabio Marchi
    II Dal 1993 Al 1997: le prime tre evoluzioni di Björk L’idea originaria era che ogni traccia di Debut doveva avere un produttore diverso, in realtà dopo l’incontro con Nellee Hooper ogni singola traccia del disco ebbe vita a se ma con un unico produttore. Esotico, eclettico ma anche coerente e fluido, l’album dimostrava una maturità poetica con reminiscenze classiche e palpiti di dance-music meno commerciale. Björk dava vita così ad un pop elettronico sofisticato, emozionante e davvero innovativo. Singolo guida di Debut fu Human beheaviour . I timpani che aprivano il brano, davano alla canzone un sapore arabeggiante. Il singolo dimostra una interpretazione vocale piuttosto originale, in un ritmo quasi spiazzante rispetto ai canoni di una cultura pop dei primi anni 90. Con l’esordio di Björk da solista va associato anche il suo ingresso nella videoarte. All’inizio degli anni ‘90, anche la politica e il palinsesto di MTV, subiva un’importante cambiamento: il videoclip si inseriva con una certa predominanza negli investimenti e consequenzialmente nelle promozioni delle major discografiche. Regista e apripista di questa nuova immagine di Björk fu Michel Gondry, figura allora emergente ma molto richiesta nel mondo dei videoclip. L’idea del video, nata principalmente da Björk, la ritraeva in una casetta di legno immersa in un bosco illuminato da stelle attorno al quale ruotava un orso gigante di peluche. Il tutto in un ambiente surreale e molto naif. Il video, nonostante le paure di un qualcosa di troppo azzardato fu un successo. La One Little Indian puntava a 40 mila copie vendute per Debut (più o meno il numero dei fan degli Sugarcubes); non si aspettava che nei soli primi tre mesi il disco avrebbe venduto 600 mila copie e che il milione, sarebbe arrivato molto presto.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Pete Doherty (Ebury)
    Early in 2004 Alan Mc introduced Pete to D Hart, who had played in the Creation Recor band The Jesus and M Chain. Hart had follow The LibertinesTEN to the of England on the tra with hisALBUM Super TWO 8 cam with a view to making music video for the ba Hart would later fly o Paris to direct the Fo‘ Lovers’ video to accom the single Pete was on verge of releasing wit Wolfman in the spring Pete was still playing Early in 2004 Alan McGee introduced Pete to Douglas Hart, who had played bass in the Creation Records band The Jesus and Mary Chain. Hart had followed The Libertines to the North of England on the train with his Super 8 camera with a view to making a music video for the band. Hart would later fly out to Paris to direct the ‘For Lovers’ video to accompany the single Pete was on the verge of releasing with Wolfman in the spring. Pete was still playing solo gigs, advertising them on his website a day or two before they took place. He’d already recorded ‘For Lovers’ and was desperate to record the B-side; it was a beautiful song and he was convinced it would be a hit. He’d also finished recording the debut Babyshambles single. But Pete and Carl still wanted to write together. They needed to collaborate and bond after the debacle of their trip to the Welsh valleys, and they had a second Libertines album to write. So they decided to head to Paris.
    [Show full text]
  • Building Cold War Warriors: Socialization of the Final Cold War Generation
    BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
    [Show full text]
  • 2015 Year in Review
    Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros.
    [Show full text]
  • A Descriptive and Comparative Study of Conceptual Metaphors in Pop and Metal Lyrics
    UNIVERSIDAD DE CHILE FACULTAD DE FILOSOFÍA Y HUMANIDADES DEPARTAMENTO DE LINGÜÍSTICA METAPHORS WE SING BY: A DESCRIPTIVE AND COMPARATIVE STUDY OF CONCEPTUAL METAPHORS IN POP AND METAL LYRICS. Informe final de Seminario de Grado para optar al Grado de Licenciado en Lengua y Literatura Inglesas Estudiantes: María Elena Álvarez I. Diego Ávila S. Carolina Blanco S. Nelly Gonzalez C. Katherine Keim R. Rodolfo Romero R. Rocío Saavedra L. Lorena Solar R. Manuel Villanovoa C. Profesor Guía: Carlos Zenteno B. Santiago-Chile 2009 2 Acknowledgements We would like to thank Professor Carlos Zenteno for his academic encouragement and for teaching us that [KNOWLEDGE IS A VALUABLE OBJECT]. Without his support and guidance this research would never have seen the light. Also, our appreciation to Natalia Saez, who, with no formal attachment to our research, took her own time to help us. Finally, we would like to thank Professor Guillermo Soto, whose suggestions were fundamental to the completion of this research. Degree Seminar Group 3 AGRADECIMIENTOS Gracias a mi mamá por todo su apoyo, por haberme entregado todo el amor que una hija puede recibir. Te amo infinitamente. A la Estelita, por sus sabias palabras en los momentos importantes, gracias simplemente por ser ella. A mis tías, tío y primos por su apoyo y cariño constantes. A mis amigas de la U, ya que sin ellas la universidad jamás hubiese sido lo mismo. Gracias a Christian, mi compañero incondicional de este viaje que hemos decidido emprender juntos; gracias por todo su apoyo y amor. A mi abuelo, que me ha acompañado en todos los momentos importantes de mi vida… sé que ahora estás conmigo.
    [Show full text]
  • Marie Collier: a Life
    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
    [Show full text]
  • Vide O Clipe: Forças E Sensações No Caos
    UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO Vide o clipe: forças e sensações no caos Autor: Pamela Zacharias Sanches Oda Orientador: Prof. Dr. Antonio Carlos Rodrigues de Amorim Este exemplar corresponde à redação final da Dissertação defendida por Pamela Zacharias Sanches Oda e aprovada pela Comissão Julgadora. Data: 15 / 02 / 2011 2011 ii iii Ao Lucas, Meu amor, amigo e companheiro, que possibilitou através de seu incentivo, de seu olhar crítico e de sua imensa paciência a concretização deste trabalho. iv AGRADECIMENTOS Agradecer é estar em estado de graça. Assim me sinto ao traçar as últimas linhas dessa dissertação. Nesse momento, rememoro todo o trajeto do mestrado e percebo que o que me trouxe aqui se iniciou bem antes da escrita do projeto, bem antes de fazer minha inscrição para o processo seletivo. O início de tudo está em um tempo não situável e deve-se a tantos corpos que não haveria espaço para agradecê-los nestas páginas. Por isso o estado de graça, a gratidão ampla e imensurável por estar onde estou e poder deixar um registro de um pedacinho de minha vida no mundo, mesmo que perdido entre as estantes de uma biblioteca acadêmica. Isso porque este texto é apenas a materialidade simbólica de tudo o que este trabalho me trouxe e vai além, muito além do que ele apresenta. Agradeço, portanto, ao prof. dr. Antônio Carlos de Amorim, por ter se interessado em me orientar e ter me possibilitado tantos encontros teóricos e principalmente humanos; ao grupo de pesquisa OLHO e, em especial ,ao Humor
    [Show full text]
  • Citizen Culture Issue #6
    corrections 11/22/05 11:17 AM Page 117 corrections 11/30/05 12:14 PM Page 3 38 106 75 TIDBITS JOURNALISM The Meth Mess Idiotic Inventive Crimes 8 Grace Carter 38 Mark Peters Must-Have Tech Gadgets 2005 8 Agha Khan TABLET: Fiction Recording in a Free World Phantom of Havana: 10 Paul Rouse 50 The Forgotten Legend of C.J. Fuentes El Rushbo, Gentle Arbiter Chris Wilson 12 Michael Serazio Flight 117, Tampa to Providence Insomnia Corner 55 Jennifer Farmer 15 Moisture Therapy Docents Against Darwin 59 Krista Jarmas 16 R.M Schneiderman ON THE FENCE TOCFrom the Left THE CCM INTERVIEW Sen. John McCain on 60 Dmitry Tuchinsky 18 Young Pros in 2006 65 From the Right Igor Finkel and Jonathon Scott Feit Ben Barron First Person SATIRE 70 Jill Dudones 21 A Good Day for John Bolton Seth Reiss 75 THE “F” WORD APHRODISIA CCM INVESTIGATES On Camping and Childbirth The NYC Security Paradox 23 Jen Karetnick 82 Team Coverage TRAVEL LOCAL FLAVOR: Anecdote Bluffed by Bali Adventures in Designer 26 Nicholas Gill 88 Handbag Shopping Amanda Joyce GLOBAL FOCUS Murder in Mongolia ARCHITECTURE 32 Claudia B. Flisi In Pursuit of Luxury issue92 Molly Klais #6 corrections 11/22/05 11:14 AM Page 4 124 102 92 MAGAZINES CONTRIBUTORS New York’s Arbiter of Cool JEN KARETNICK is a Miami-based freelance writer 99 Jonathon Scott Feit and poet. She works as the features editor for Wine 102 THE 6*4*6 News, the Miami stringer for Gayot.com and the restaurant critic for So.Florida Magazine, Las Olas LINES AND LISTS Magazine and Lincoln Road Magazine.
    [Show full text]
  • Young Adult Library Services Association
    THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION five ye ng ar ti s a o r f b y e a l l e s c young adult c e s l l e a b y r 5 f a t o in rs librarylibrary services services g five yea VOLUME 6 | NUMBER 2 WINTER 2008 ISSN 1541-4302 $12.50 INSIDE: INFORMATION TOOLS MUsiC WEB siTes TOP FIFTY GAMinG CORE COLLECTION TITLES INTERVIEW WITH KIMBERLY NEWTON FUSCO INFORMATION LITERACY AND MUCH MORE! TM ISSUE! TEEN TECH WEEK TM TM TEEN TECH WEEK MARCH 2-8, 2008 ©2007 American Library Association | Produced in partnership with YALSA | Design by Distillery Design Studio | www.alastore.ala.org march 2–8, 2008 for Teen Tech Week™ 2008! Join the celebration! Visit www.ala.org/teentechweek, and you can: ã Get great ideas for activities and events for any library, at any budget ã Download free tech guides and social networking resources to share with your teens ã Buy cool Teen Tech Week merchandise for your library ã Find inspiration or give your own ideas at the Teen Tech Week wiki, http://wikis.ala.org/yalsa/index.php/ Teen_Tech_Week! Teen Tech Week 2008 National Corporate Sponsor www.playdnd.com ttw_fullpage_cmyk.indd 1 1/3/2008 1:32:22 PM THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION young adult library services VOLUME 6 | NU MBER 2 WINTER 2008 ISSN 1541-4302 YALSA Perspective 33 Music Web Sites for Teen Tech Week 6 Margaret Edwards Award Turns 20 and Beyond By Betty Carter and Pam Spencer Holley By Kate Pritchard and Jaina Lewis 36 Top Fifty Gaming Core Collection Titles School Library Perspective Compiled by Kelly Czarnecki 14 Do We Still Dewey? By Christine Allen Literature Surveys and Research 39 Information Literacy As a Department Teen Perspective Store 15 Teens’ Top Ten Redux Applications for Public Teen Librarians Readers from New Jersey Talk about the By Dr.
    [Show full text]
  • Babyshambles Albums Download Janie Jones (Strummerville) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
    babyshambles albums download Janie Jones (Strummerville) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £0.99. Janie Jones (Strummerville) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Mick Jones, ComposerLyricist - JOE STRUMMER, ComposerLyricist - Tom Aitkenhead, Engineer, StudioPersonnel - Drew McConnell, Producer - The Kooks, Additional Vocals, AssociatedPerformer - We Are Scientists, Additional Vocals, AssociatedPerformer - Babyshambles, MainArtist - Mystery Jets, Additional Vocals, AssociatedPerformer - Ladyfuzz, Additional Vocals, AssociatedPerformer - Pete Doherty, Vocalist, AssociatedPerformer - Larrikin Love, Additional Vocals, AssociatedPerformer - Iain Gore, Mixer, StudioPersonnel - Statik, Producer, Engineer, StudioPersonnel - Jeremy Warmsley, Additional Vocals, AssociatedPerformer - Jamie T, Additional Vocals, AssociatedPerformer - Laura Marling, Additional Vocals, AssociatedPerformer - The Paddingtons, Additional Vocals, AssociatedPerformer - Dirty Pretty Things, Additional Vocals, AssociatedPerformer - Guillemots, Additional Vocals, AssociatedPerformer - The Maccabees, Additional Vocals, AssociatedPerformer - Andy Boyd, Producer, Executive Producer - The Rakes, Additional Vocals, AssociatedPerformer - Matt Paul, Assistant Mixer, StudioPersonnel
    [Show full text]