DOCSLIB.ORG

GIPE-003904-Contents.Pdf (482.4Kb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GIPE-003904-Contents.Pdf (482.4Kb) SUBJECT INDEX. Abbot, l'be, 470. Apology for Poetry, 111, 133. Absalom and Acbitopbel, 255, lL Appeal from the New to the Old 261, 262. Whigs, 387. Absentee, The, 466. Arcades, 230, 231. Account of the Greatest English Arcadia, The, 110, lll, 134, 168. Poets, 286, 287. Areopagitica, 234, 235, 292. Adam Bede, 406, 407. Ar$Ument against abolishing Chris- Adonais, 439. tianity, 281. Advancement of Leat•ning, 115, Arraignement of Paris, 145. 116. Art of English Poesie, 111. Agnes Grey, 503. Artevelde, Philip van, 475. Alastor, 437, 438. Asolando, 479. Alchemist, The, 181, 182, IS.?. Assignation, The, 262. Alexander and Campaspe, 144. Astrea. Redux, 253. Alexander's Fea.st, 258. Astrophel (Spenser's), 139. All's Well tbatEndsWell,157 ,166. As You Like It, 147, 163, 164. Alma, 309. Atalanta in Calydon, 488. Alton Locke, 504. Atom, Adventures of a.n, 372. Atnboyna, 262. Augustan Age, 277 ff. Amelia, 370. Aurung-Zebe,262; Prologueto,265. Amphityon, 263. Aurora Leigh, 480. Anacreontics, Cowley's, 223. Autobiographic Sketches, 461,465. Anarchy of Mixed or Limited Autobiography of Leigh Hunt, 456. Monarchy, 274. Autobiograpby, Trollope's, 508. Anatomy of Melancholy, 210. Autumn (see The Seasons). Ancient Mariner, 430. Autumn, Ode to, 444. Ancren Riwle, 27, 28, 45. Ayenbite of lnwyt (Remorse ol Andrews, Joseph, 368. Conscience}, 38, 45. Andromeda, 504. Animated Nature, 345. Balade of Charitie, 331. Anne of Geierstein, 470. Ba.laustion's Adventure, 479. Annus Mirabilis, 253, 254. Balder Dead, 482. Antiquary, The, 468, 470, 514. Ballads, Kingsley's, 504. Antony and Cleopatra, 154, 170, Barbary, West, 286. 171; Dryden's adaptation of, Barchester Towers, 509, 510. 262. Bard, The, 365, 366. 523 524 HISTORY OF ENGLISH LITERATURE. Barnaby Rudge, 500. Catriona, 512. Barry Lyndon, 497. Cecilia, 377. Barsetshire Novels, 509. Cenci, The, 438. Bartholomew Fair, 182, 185. Century of Roundels, A, 488. Bastard, The, 318. Changeling, The, 197. Battle of the Books, 278 f., 283. Character of Holland, 226. Beaux' Stratagem, The, 391. Characters of Shakspere's Pla.ys, Beggar's Opera, The, 311, 392. 451. Belinda, 466. Charity, 396. Bells and Pomegranates, 479. Charters, 9. Beowulf, 1, 3 ff., 10. Cba.rtism, 493. Beppo, 441. Chastelard, 488. Betrothed, The, 470. · Childe Harold, 441, 442. Bible, Translations of the, 107,108, Child's Garden of Verse, 513. 109. Choice Collection of old Scotch Bickerstaff, Isaac, 290. Songs, 335. Black Dwarf, The, 470. Chollerton, 508. Bleak House, 500. Christ, The, 10. Blessed Damozel, The, 483, 484. Cbl'ist's Victory and Triumph, 204. Border Minstrelsy, 435. Christabel, 331, 430 f., 437. Borough, The, 409. Christian Hero, The, 289. Boswell's Life of Dr. Johnson, 318. Christmas Eve, 479. Bothwell, 488. Chronicle, Anglo-Saxon, The, 13, Bowge of Court, 96. 16, 24. Brennoralt, 214. Chronicle of Edward the First, 145. Bride of Abydos, The, 441. Chronicle of Geoffrey of Monmouth, Bride of Latnmermoor, 470. 19. Bridge of Sighs, 472, 475. Chronicle, Holinshed's, 168. British Magazine, 343. Chronicles, 159. Broken Heart, The, 199 f. Church History of Britain, 212. Bronte, Charlotte, Life of, 512. Citizen of the World, 343, 344, Bruna.nburh, Battle of, 16. 347, 348. Brut, 25, 26, 45, 92. Cleomenes, 263. Clerke's Tale, 50, 70 . Cadzow Castle, 436. Clinker, Humphrey, 371, 372. Ca.in, 441. Cloister and the Hearth, The, 511 .. Caleb Williams, 437. Crelebs in Search of a Wife, 466. Ca.lidore, 443. Colin Clout (Skelton's), 97. Caligula, 392. Colin Clout's Come Home Again, Caroilla, 377. 137. Ca.mpaigt1, The, 288. Comedy, 142. Canon's Y eoma.n's Tale, 74, 81, 82. Comedy of Errors, 151, 157, 185. Can You Forgive Her? 510. Comical Revenge, The, 388. Captain Ja.ck, 298. Commedia. {Dante's), 89, 230, 231. Captain Singleton, 298. Complaint of Rosamund, 159. Castle of Indolence,. 321, 322. Compleat Angler, The, 212. Castle Rackrent, 466. Compleynt to his Empty Purse, Castle Spectre, The, 466. 83. Catherine, 497. · Comus, 145, 230 ff. Cato, 288 f., 392. Conduct of the Allies, 283. SUBJECT INDEX. 525 Confederacy, 390. Decamerone, 166. Confessions of an English Opium Defence of Guenevere and other Ea.ter i 462, 464, 465. Poems, 487 •. Conquest of Granada., 261. Denis Duval, 497. Conscious Lovers, The, 289. De Quincey Memorials, 465. Consolation of Philosop by, 13, 50, Deserted Village, The, 346, 350, 52. 354. Constance, Story of, 50, Despondency and Aspiration, 474. Constant Couple, The, 391. Deth of Blaunche tbe Duchesse, Constitutional History, Hallam's, 47, 49. 490. Devil is a.n Ass, The, 182. Contention of Ajax an(l Ulysses, Diana, Hymn to, 191. 201. Dictionary {Dr. Johnson's), 338, Contests and Discussions between 339. the Nobles and Commous in Difference between Absolute and Athens and Rome, 280. Limited Monarchy, 85. Contrat Socia~ 416, 417. Discourse concerning Government, Controversies of the Church, Trea- 274 f. tise on, 115. Dispensary, The, 308. Con versa.tion, 396. Doctor, The, 434. Cook's Tale, The, 72. Doctor Jekyll and Mr. Hyde, 513. Cooper's Hill, 225. Dombey and Son, 500. Coriolanus, 154, 172. Don Quixote, 196. Cornhill Magazine, 497. Don Roderick, 433. Corn Law Rhymes, 472. Don Sebastian, 263: Corsair, The, 441. Double Dealer, The, 390. Cotter's Saturday Night, The, 402. Douglas, 892. Count Robert of Paris, 470. Domestic Manners of tbe Am'eri· Country Mouse and the City Mouse, cans, 508. The, 309. Drama-- Country Wife, The, 389. Early History of the, 140, 141. Country World, The, 324. Second Stage of the, 142-144. Curse of Kehama., 433. · Fina!Developmentof the, 144 fl'. Cursor Mundi, 34, 36, 37, 38, 45, Stages from ~ackville to Shirley, 160. 202. Cranford, 5ll. Last Days of the, 387·392. Critic, The, 392. Drama of Exile, The, 480. Cromwell's Letters and Speeches, Dramatic Literature of the Age of 493, 495. Elizabeth, 452, 454. Cry of the Children, 472. Dramatic Poesy, Essay on, 259, Cymbe1ine, 154, 174 ff. 265. Cymon and lpbigenia., 259. Dra.matis Personre, 479. Cynthia's Revels, 179, 184, 185. Dra.pier's Letters, 2t:l3. Dream of the Rood, 11. Daniel Deronda, 506, 508. Dreme, 'l'he, 101. David and Bethsabe, 145. Duchess of Malfi, 197. })avid Copperfield, 500, Duellist, The, 329. Da.videis, 'l'he, 223. Duke of Guise, 263. Death of Pan, TM, 480. Duke of Milan, 199. Death of Marlowe, Thq, 475, Dunciad, aoo, 303. 526 HISTORY OF ENGLISH LITERATURE. Earthly Paradise, The, 487. Evergreen, The, 325. Easter Day, 479. Every-Day Characters, 473, 474. Eastward Ho! 181. Every Man in His Humour, 153, Ecclesiastical Polity, Laws of, 112, 179. 113. Every Man out of His Humour, Edinburgh Review, 489. 179,189. Edward tbe Second, 148, !59. Examiner, The, 282, 295, 309. Edward Drood, 501. Excla.macion of the Dethe of Pite,. Elegy written in a. Country Church- 49. yard, 361, 363. Excursion, The, 420,421 ff. Elene, II. Exeter Cook, 10. Elia, Essays of, 445 ff., 450. Expostulation, 396. Elia, Last Essays of, 446 f. Emma., 469. Fables, Dryden's, 258, 259. Empress of Morocco, The, 392. Fables, Dryden's Preface to, 266. Endymion, 331, 442, 444. Fables, Gay's, 311. English Bards and Scotch Re· Faerie Queene, The, 104, 123, 130 viewers, 440, 441. ff., 196, 442. English Comic Writers, 452. Fair Maid of Perth, The, 470. English Hnmourists of the Eigh· Faithful Shepherdess, 195. teenth Century, 497. Falls of Princes, The (Boccaccio's)1 English Poets, 452, 454. · 104. Enquiry concerning the Principles Falls of Princes (Lydga.te's), 90. of Morals, 379. Fates of the Apostles, ll. Epicene, or the Silent Woman, 181. Faustus, 148. Epipsycbidion, 193. Fears in Solitude, 428. Epistle tn Dr. Arbuthnot, 305 ff. Felix Holt, 506. Epistle to Hogarth, 328. Ferrex and Pollux (see Gorboduc): Epistle to the Whigs, 266. Festus, 475. Epistles, Gay's, 311. Fifine at the Fair, 479. Epithalamion, 137. Fight at Finnesburg, 1 ff. Erechtheus, 488. First of April, The, 333. Esmond, 288, 497, 498, 514. Flaming Heart, The, 220. Essay on Criticism, 299, 301, 302. Fleece, The, 324. Essay on Man, 300, 303, 304;, 412. Flowers of History, 89. Essayists, Later, 444-465. Former Age, The, 83. Essays, Bacon's, 115, 117, 118.. Fortunes of Nigel, 470. Essays, Hume's, 378, 379. Framley Parsonage, 509, 510. Essays, Macaulay's, 489, 490. Frederick the Great, History of, Essays on Men, Manners and 493, 495. Things, 325. , Freeholder, The, 289. Euphues, 110. Frost at Midnight, 427. Eurydice, 482. Funera.l, The, or Grief 3.-la-Mode, Eve of St. Agnes, 3.11. 289. Eve of St. John, 436. Eve of St. Mark, 444. Game of.Chess, The, 197. Evelina, 376 ff.. Gamester,; The, 201. Evening, Ode to, 359. Genesis and Exodus, 45. Evening's Love, or the Mock Gentilesse, 83. · Astrologer, ~0, 261. Gentle Shepherd, The, 325, . SUBJECT INDEX. 527 Germ, The, 483. Hesperides, 218. "Ghost, The, 329. Hind and Panther, The, 258. Giaour, The, 441. Historia Novella, 19. Giles, Overreach, Sir {see New Historical Poem, Essay on the, Way to pay Old Debts). 265. Gilpin, John, 397. History of Animated N a.ture, 342, Glenfinlas, 436. 352. Goblin Market, 485. History of Charles the Fifth, 380. Golden Legend, 50, 92. History of Decline and Fall of Golias, ConfeSsion of, 21. the Roman Empire, 380, 382- Good-Natured Man, 'l'he, 345, 385. 392 f. History of Ed ward the Fifth, 93. Gorboduc (Ferrex. and Pollux), History of the Earth, 345. 142, 143, 245. History of England (Smo!lett's), Government, Locke's Treatises of, 371 ; (Hume's), 379; (Mac­ 274, 276. aulay's), 489, 490. Graal, Holy, Quest of the, 22. History of the English Church Graal, Holy, Romance of the, 21. (Bede's), 9, 13. Grandison, Sir Charles, 367.
Load more

Recommended publications
  • Mathematics and Science: Last Essays
    HENRI POINCARE Mathematics and Science: Last Essays (Dernieres Pensees) Translated from the French by JOHN W. BOLDUC State Teachers College at Westfield, Massachusetts Dover Publications, Inc., New York Copyright 1963 by Dover Publications, Inc Origmally published in French under the title of Demises Pensdes, copyright (P) 1913 by Ernest Flammanon All rights reserved under Pan American and Inter national Copyright Conventions. Published simultaneously in Canada by McClelland and Stewart, Ltd. Published in the United Kingdom by Constable and Company Limited, 10 Change Stieet, London, W.C.2. This Dover edition, firsL published in 1963, is a new English translation of the first edition of Demises Fences, published by Ernest Flammanon in 1913. This English translation is published by special arrangement with Ernest Flammarion. Library of Congress Catalog Card Number: 63-31678 Manufactured in the United Stales of America Dover Publications, Inc, i So Varick Street New York 14, N.Y. TRANSLATOR'S NOTE Just as the poet must seek the appropriate word to convey an idea with sufficient vigor and yet obtain the cadence and rhyme necessary for the finished product, so also the translator must achieve the proper expression in one language to convey accurately and with equal vigor the author's ideas as expressed in his original language. In this process the languages in the translator's mind tend to lose their identity and one language easily assumes the idiosyncrasies of the other. I am therefore particularly grateful to Dr. Wallace L. Goldstein for his assistance in indicating flaws in grammatical constructions which would have resulted from the merging of the two languages.
    [Show full text]
  • Bibliography and References
    Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle­ wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti­ cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark­ ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no.
    [Show full text]
  • Abraham Fabert, Governor of Sedan
    THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA RIVERSIDE Ex Libris C. K. OGDEN '/ ABRAHAM FABERT. r MARSHAL PABERT l-miii a prim in the U>itish Mint inn. PAINTED BY L.FERDINAND ENORAVfcD BY C F. POILLY. ABRAHAM FABERT GOVERNOR OF SEDAN: MARSHAL OF FRANCE THE FIRST WHO ROSE FROM THE RANKS nm LIFE AND TIMES 1599—1662 By GEORGE HOOPER AUTHOR OP 'WATKRLOO: THE DOWNFALL OF THE FIRST NAPOLEON," " THB CAMPAIGN OF SKDAN, "WELLINGTON," ETC. " His name <a great example stands, to show How strangely high endeavours may be blessed, Where Piety and Valour jointly go."— Dryden ^ith It Portrait LONDON LONGMANS, GREEN, AND CO. AND NEW YORK : 15 EAST IGth STREET 1892 [All riyltts j-csirved] Richard Clay & Sons, Limitkp, London & Bitnqay. AUTHOE'8 PIIEFACE. Who was Abraham Fabert, and why should an account of him be written in English ? The biography now offered to the public had this natural origin. Many years ago, while travelling for rest and recre- ation, the author picked up at an Edinburgh book-stall a copy of the Vie de Fahert par le Pere Barre, and read it for amusement. Until then he knew no more of Fabert than this—that he was a Marshal of France whose statue he had seen at Metz, that his name figures in the Appendix to Voltaire's Steele de Louis XIV., and that it was mentioned here and there by other historians. The two little brown volumes of the Canon of St. Genevieve, however, disclosed the character of a man, so difteront in many respects from that of the French soldiers of his time, that the author was led to push his inquiries farther and deeper ; and thus he came to admire, and felt constrained to write out his estimate of the adventures, attainments, and high qualities of this Fabert.
    [Show full text]
  • The Cambridge Edition of the Works of Joseph Conrad
    Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information UNDER WESTERN EYES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD General Editors J. H. Stape and Allan H. Simmons St Mary’s University College, Twickenham, London Editorial Board Laurence Davies, University of Glasgow Alexandre Fachard, UniversitedeLausanne´ Robert Hampson, Royal Holloway, University of London Jeremy Hawthorn, The Norwegian University of Science and Technology Owen Knowles, University of Hull Linda Bree, Cambridge University Press Textual Advisor Robert W. Trogdon, Institute for Bibliography and Editing Kent State University Founding Editors †Bruce Harkness Marion C. Michael Norman Sherry Chief Executive Editor (1985–2008) †S. W. Reid © in this web service Cambridge University
    [Show full text]
  • Joseph Conrad
    Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore
    [Show full text]
  • J H Stape Conrad Publications
    J H Stape Conrad Publications Monographs and edited volumes Joseph Conrad. The Rover. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Forthcoming Cambridge: Cambridge University Press, 2018 Joseph Conrad. Victory. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2016 Awarded the Seal of the Committee of Scholarly Editing of the Modern Language Association of America The New Cambridge Companion to Joseph Conrad, ed. J. H. Stape. Cambridge: Cambridge University Press, 2015 Conrad ‘The Duel’: Sources/Text. Ed. J. H. Stape and John G. Peters. Rodopi: Amsterdam, 2015. The New Cambridge Companion to Joseph Conrad. Ed. J. H. Stape. Cambridge University Press, forthcoming 2014. Joseph Conrad. The Shadow-Line. Ed. J. H. Stape and Allan H. Simmons, with Introduction and Notes by Owen Knowles. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2013 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad. Tales of Unrest. Ed. Allan H. Simmons and J. H. Stape. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2012 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad: The Contemporary Reviews. 4 vols. General editors: Allan H. Simmons, J. G. Peters, and J. H. Stape. Cambridge University Press, 2012 “Under Western Eyes‟: Centennial Essays, edited with Jeremy Hawthorn and Allan H. Simmons. Rodopi: Amsterdam, 2011 Joseph Conrad. Lord Jim, A Tale, ed. J. H.
    [Show full text]
  • Hollywood Abroad: Audiences and Cultural Exchange
    Hollywood Abroad: Audiences and Cultural Exchange By Melvyn Stokes and Richard Maltby (eds.) London, British Film Institute 2004. ISBN: 1-84457-018-5 (hbk), 1-84457-051-7 (pbk). 164 pp. £16.99 (pbk), £50 (hbk) A review by Martin Barker, University of Wales, Aberystwyth This is the fourth in a line of excellent books to have come out of two conferences held in London, on Hollywood and its audiences. This fourth collection deals specifically with the reception of Hollywood films in some very different counties and cultural contexts. The quality and the verve of the essays in here (they are all, without exception, beautifully written) is testimony to the rise and the potentials of the new historical approaches to audiences (which has, I am pleased to see, sedimented into some on-going cross-cultural research projects on local film exhibition histories). I recommend this book, unreservedly. Its contributors demonstrate so well the potential for many kinds of archival research to extend our understanding of film reception. In here you will find essays on the reception of the phenomenon of Hollywood, and sometimes of specific films, in contexts as different as a mining town in Australia in the 1920s (Nancy Huggett and Kate Bowles), in and through an upmarket Japanese cinema in the aftermath of Japan's defeat in 1946 (Hiroshi Kitamura), in colonial Northern Rhodesia in the period leading up to independence (Charles Ambler), and in and around the rising nationalist movements in India in the 1920-30s (Priya Jaikumar). It is important, in understanding this book, that we pay attention to the specificities of these contexts.
    [Show full text]
  • JOSEPH CONRAD: a CITIZEN of a GLOBAL WORLD. Review of Maya
    Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 129–134 JOSEPH CONRAD: A CITIZEN OF A GLOBAL WORLD Review of Maya Jasanoff, The Dawn Watch: Joseph Conrad in a Global World, Penguin Press 2017, pp. 376, with Index, maps and illustrations Agnieszka Adamowicz-Pośpiech University of Silesia “One day, putting my finger on a spot in the very middle of the then white heart of Africa, I declared that some day I would go there.”1 On the dust jacket one can see a silhouette of a well-built man against the stormy sea (definitely too tall to be Conrad himself), standing on a downward spiral (symbol- izing the downfall of civilization?) and next to it the blurb “enlightening, compas- sionate, superb,” a recommendation by John le Carré—surely, as we shall see, the author of The Tailor of Panama would know what to recommend… but first things first. Nowadays we observe a boom in popularizing biographies that try to bring us closer to the classic writers (e.g. S. Greenblatt’s Will in the World, or A. Sismon’s John le Carré: The Biography). An impressive example of such a book is Maya Jasanoff’s The Dawn Watch which is an expansion of the biographical convention with one major difference. Instead of placing Joseph Conrad in the centre, it locates world history there and views Conrad as “an object of history” so as to “shape his biography from outside in” (10). Maya Jasanoff is Coolidge Professor of History at Harvard University who received several prestigious awards for her historical books (the 50th Duff Cooper Prize and the Windham-Campbell Literature Prize, among oth- ers).
    [Show full text]
  • Essays À La Montaigne 2001-2016 LAST ESSAYS (57 To
    1 Yuri Tarnopolsky Essays à la Montaigne 2001-2016 LAST ESSAYS (57 to 60) 2 ESSAY 57. THE FEW AND THE MANY Pattern chemistry of 2012 Elections Essay 58. ALL RATIONAL MINDS ARE ALIKE; EACH IRRATIONAL MIND IS RATIONAL IN ITS OWN WAY Pattern chemistry of rationality Essay 59. THE KNOT HUMANS, IDEAS, THINGS, AND EVOLUTION OF ECOSPHERE Essay 60. Art and Nexistence Essays 1 to 56: Essays complete. Simplicity. Spirospero.net 3 ESSAY 57. THE FEW AND THE MANY Pattern chemistry of 2012 Elections It is the last quarter of 2012 and I am celebrating my 25 years in America. It is a quarter century, over 10% of entire USA history as independent nation, and about one third of my own life. I am coming back to my Essays à la Montaigne five years later after my ESSAY 56: OUT OF ONE MANY (2007). But the problem of ONE, FEW, and MANY keeps haunting me. It is the last big mystery of America after my 25 years here. During the break, the core ideas of Essays 51 to 56 have been developed into : INTRODUCTION TO PATTERN CHEMISTRY http://www.spirospero.net/INTRODUCTION_TO_PATTERN_CHEMISTRY_ parts1to4.pdf or http://www.spirospero.net/INTRODUCTION_TO_PATTERN_CHEMISTRY_parts1to4.pdf or: http://www.scribd.com/doc/55173251/Introduction-to-Pattern-Chemistry-Parts-1-4 (SCRIBD) This Essay uses many ideas of the INTRODUCTION TO PATTERN CHEMISTRY, a direction of thought influenced by Pattern Theory of Ulf Grenander, which I had discovered by chance in 1980. Here I continue some threads and weave in some new ones. This time the key words are power, politics, vital interests, inequality, and voting.
    [Show full text]
  • A Bibliography of Books, Pamphlets, and Broadsides About Joseph Conrad
    A Bibliography of Books, Pamphlets, and Broadsides about Joseph Conrad Compiled by John G. Peters, University of North Texas 1910–1919 Commentaries Curle, Richard. Joseph Conrad: A Study. London: Kegan Paul, Trench, Trübner; Garden City, New York: Doubleday, Page, 1914. Follett, Wilson. Joseph Conrad: A Short Study of his Intellectual and Emotional Attitude toward his Work and of the Chief Characters of his Novels. Garden City, New York: Doubleday, Page, 1915. Walpole, Hugh. Joseph Conrad. London: Nisbet; New York: Henry Holt, [1916]. New and revised edn. London: Nisbet, 1924; 3rd (and revised) edn. London: Nisbet, 1929. Introductions Huneker, James Gibbons, and Alfred A. Knopf. Joseph Conrad. [Garden City, New York]: Doubleday, Page, [1913]. ——, E. F. Saxton, and Richard Curle. Joseph Conrad. [Garden City, New York]: Doubleday, Page, [1915]. Correspondence A New Book by Joseph Conrad. Garden City, New York: Doubleday, Page, 1918. 1920–1929 Commentaries Bendz, Ernst. Joseph Conrad: An Appreciation. Gothenburg: N. J. Gumpert, 1923. Clifford, Sir Hugh. A Talk on Joseph Conrad and his Work. [Colombo]: The English Association, Ceylon Branch, 1927. Mégroz, R. L. A Talk with Joseph Conrad and a Criticism of his Mind and Method. London: Elkin Mathews, 1926. Powys, John Cowper. Essays on Joseph Conrad and Oscar Wilde, edited by E. Haldeman-Julius. Girard, Kansas: Haldeman-Julius Company, 1923. Randall, John Herman. Joseph Conrad: His Outlook on Life. New York: Community Church, [1925]. Stauffer, Ruth M. Joseph Conrad: His Romantic-Realism. Boston: Four Seas, 1922. Symons, Arthur. Notes on Joseph Conrad, with Some Unpublished Letters. London: Meyers, 1925. Introductions Jean-Aubry, G., ed. Twenty Letters to Joseph Conrad: An Introduction and Some Notes.
    [Show full text]
  • Portraying “Privileged” Jews in Fiction Films the Potential to Suspend Judgment?
    CHAPTER 4 PORTRAYING “PRIVILEGED” JEWS IN FICTION FILMS THE POTENTIAL TO SUSPEND JUDGMENT? R In one of his last essays, which was fi rst presented at an academic conference on the grey zone, Raul Hilberg emphasizes the inevitable incompleteness of empirical historiography, noting that in contrast to written history’s “scattered images,” more complete “descriptions” are attempted by novelists and fi lmmakers.1 In relation to literary and fi lmic works that represent the Holocaust, Hilberg writes: “To fi ll the gap they promise an imaginative reconstruction, but given the manifest diffi cul- ties it is often imaginary.”2 Considerable scholarly attention has been directed at fi ction fi lms dealing with the Holocaust, particularly Steven Spielberg’s Schindler’s List (1993) and Roberto Benigni’s Life Is Beau- tiful (1998), with many commentators condemning their apparently reassuring messages of spiritual triumph and selfl ess heroism.3 Such ar- guments are refl ected in the title of Lawrence L. Langer’s essay “Life Is Not Beautiful,”4 and chapter 1 of this book highlights how Primo Levi’s skepticism toward Holocaust fi lms partly motivated him to develop his concept of the grey zone in the fi rst place. Nonetheless, Holocaust cin- ema has had a signifi cant impact on collective memories of the war and for this reason alone is an important topic of discussion. This chapter This open access library edition is supported by Knowledge Unlatched. Not for resale. 150 Judging “Privileged” Jews explores representations of “privileged” Jews in fi ction fi lms—of which there have been many—through a comparative analysis of Spielberg’s Schindler’s List and Tim Blake Nelson’s The Grey Zone (2001).
    [Show full text]
  • Narrative Theory and the Poetics of Story and Plot 169
    THEORY AND INTERPRETATION OF NARRATIVE THE FOR OF PLOT POETICS A James Phelan, Peter J. Rabinowitz, and Katra Byram, Series Editors TWENTY-FIRST CENTURY TWENTY-FIRST “Brian Richardson’s ever-expanding knowledge of world historical li terature—ancient and contemporary, arcane and canonical—allows him, seemingly without effort, to put things in a fresh light—a rare pleasure in academic prose.” —H. PORTER ABBOTT A POETICS OF Story, in the largest sense of the term, is arguably the single most important aspect of narrative. But with the proliferation of antimimetic writing, traditional narrative theory has been inadequate for conceptualizing and theorizing a vast body of innovative narratives. In A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives, Brian Richardson proposes a new, expansive model PLOT for understanding story and plot, including beginnings, endings, temporality, and FOR THE unusual narrative progressions. While he focuses on late modernist, postmodern, and contemporary narratives, the study also includes many earlier works, unruly narratives theorizing spanning from Aristophanes and Shakespeare through James Joyce and Virginia TWENTY-FIRST Woolf to Salman Rushdie and Angela Carter. By exploring fundamental questions about narrative, Richardson provides a CENTURY detailed, nuanced, and comprehensive theory that includes neglected categories of storytelling and significantly enhances our treatment of traditional areas of analysis. Ultimately, this book promises to transform and expand the study of story and plot. theorizing unruly narratives RICHARDSON BRIAN RICHARDSON is Professor of English and Comparative Literature at the University of Maryland, College Park, and author of Unnatural Narrative: Theory, History, and Practice (OSU Press, 2015). COVER DESIGN: Laurence J.
    [Show full text]