Abraham Fabert, Governor of Sedan
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Mathematics and Science: Last Essays
HENRI POINCARE Mathematics and Science: Last Essays (Dernieres Pensees) Translated from the French by JOHN W. BOLDUC State Teachers College at Westfield, Massachusetts Dover Publications, Inc., New York Copyright 1963 by Dover Publications, Inc Origmally published in French under the title of Demises Pensdes, copyright (P) 1913 by Ernest Flammanon All rights reserved under Pan American and Inter national Copyright Conventions. Published simultaneously in Canada by McClelland and Stewart, Ltd. Published in the United Kingdom by Constable and Company Limited, 10 Change Stieet, London, W.C.2. This Dover edition, firsL published in 1963, is a new English translation of the first edition of Demises Fences, published by Ernest Flammanon in 1913. This English translation is published by special arrangement with Ernest Flammarion. Library of Congress Catalog Card Number: 63-31678 Manufactured in the United Stales of America Dover Publications, Inc, i So Varick Street New York 14, N.Y. TRANSLATOR'S NOTE Just as the poet must seek the appropriate word to convey an idea with sufficient vigor and yet obtain the cadence and rhyme necessary for the finished product, so also the translator must achieve the proper expression in one language to convey accurately and with equal vigor the author's ideas as expressed in his original language. In this process the languages in the translator's mind tend to lose their identity and one language easily assumes the idiosyncrasies of the other. I am therefore particularly grateful to Dr. Wallace L. Goldstein for his assistance in indicating flaws in grammatical constructions which would have resulted from the merging of the two languages. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no. -
The Cambridge Edition of the Works of Joseph Conrad
Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information UNDER WESTERN EYES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD General Editors J. H. Stape and Allan H. Simmons St Mary’s University College, Twickenham, London Editorial Board Laurence Davies, University of Glasgow Alexandre Fachard, UniversitedeLausanne´ Robert Hampson, Royal Holloway, University of London Jeremy Hawthorn, The Norwegian University of Science and Technology Owen Knowles, University of Hull Linda Bree, Cambridge University Press Textual Advisor Robert W. Trogdon, Institute for Bibliography and Editing Kent State University Founding Editors †Bruce Harkness Marion C. Michael Norman Sherry Chief Executive Editor (1985–2008) †S. W. Reid © in this web service Cambridge University -
Richelieu00lodgiala Bw.Pdf
f dforagn &tattfmnt KICHELIEU KICHELIEU BY RICHARD LODGE, M.A. PROFESSOR OF HISTORY IN THE UNIVERSITY OF GLASGOW, FORMERLY FELLOW AND TUTOR OF BRASENOSE COLLEGE, OXFORD MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1908 First Edition 1896 Reprinted 1908 CONTENTS INTRODUCTION Rise of the French monarchy The new appanaged nobles and tho Hundred Years' War Charles VII. expels the English The standing army and the permanent taille Louis XL humili- ates the nobles Strength of the monarchy under Francis I. Evil results of the sale of offices The wars of religion De- cline of the royal power Successes of Henry IV. Victory of the crown only partial Independence of the nobles, the Huguenots and the sovereign courts The minority of Louis XIII. Greatness of Richelieu's work Difficulty of his biography Page 1 CHAPTER I HICHELIEU'S EARLY LIFE 1585-1614 The family of du Plessis The du Plessis do Richelieu Career of Fran9ois du Plessis Birth of Armand Jean His life at Richelieu He enters the College of Navarre Transferred to the Academy The bishopric of Lu9on Armand returns to the University Consecrated bishop at Rome He quits Paris for Lu9on Motives for this step Letters to Madame de Bourges His conduct as bishop His religious attitude Early relations with Jansenism Connection with Berulle and vi RICHELIEU Father Joseph Death of Henry IV. Richelieu in Paris- Acquaintance with Barbin and Concini Returns to his diocese His attitude towards parties at court Letter to Concini Election to the States-General Personal appearance Feeble health Character -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
GIPE-003904-Contents.Pdf (482.4Kb)
SUBJECT INDEX. Abbot, l'be, 470. Apology for Poetry, 111, 133. Absalom and Acbitopbel, 255, lL Appeal from the New to the Old 261, 262. Whigs, 387. Absentee, The, 466. Arcades, 230, 231. Account of the Greatest English Arcadia, The, 110, lll, 134, 168. Poets, 286, 287. Areopagitica, 234, 235, 292. Adam Bede, 406, 407. Ar$Ument against abolishing Chris- Adonais, 439. tianity, 281. Advancement of Leat•ning, 115, Arraignement of Paris, 145. 116. Art of English Poesie, 111. Agnes Grey, 503. Artevelde, Philip van, 475. Alastor, 437, 438. Asolando, 479. Alchemist, The, 181, 182, IS.?. Assignation, The, 262. Alexander and Campaspe, 144. Astrea. Redux, 253. Alexander's Fea.st, 258. Astrophel (Spenser's), 139. All's Well tbatEndsWell,157 ,166. As You Like It, 147, 163, 164. Alma, 309. Atalanta in Calydon, 488. Alton Locke, 504. Atom, Adventures of a.n, 372. Atnboyna, 262. Augustan Age, 277 ff. Amelia, 370. Aurung-Zebe,262; Prologueto,265. Amphityon, 263. Aurora Leigh, 480. Anacreontics, Cowley's, 223. Autobiographic Sketches, 461,465. Anarchy of Mixed or Limited Autobiography of Leigh Hunt, 456. Monarchy, 274. Autobiograpby, Trollope's, 508. Anatomy of Melancholy, 210. Autumn (see The Seasons). Ancient Mariner, 430. Autumn, Ode to, 444. Ancren Riwle, 27, 28, 45. Ayenbite of lnwyt (Remorse ol Andrews, Joseph, 368. Conscience}, 38, 45. Andromeda, 504. Animated Nature, 345. Balade of Charitie, 331. Anne of Geierstein, 470. Ba.laustion's Adventure, 479. Annus Mirabilis, 253, 254. Balder Dead, 482. Antiquary, The, 468, 470, 514. Ballads, Kingsley's, 504. Antony and Cleopatra, 154, 170, Barbary, West, 286. 171; Dryden's adaptation of, Barchester Towers, 509, 510. -
J H Stape Conrad Publications
J H Stape Conrad Publications Monographs and edited volumes Joseph Conrad. The Rover. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Forthcoming Cambridge: Cambridge University Press, 2018 Joseph Conrad. Victory. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2016 Awarded the Seal of the Committee of Scholarly Editing of the Modern Language Association of America The New Cambridge Companion to Joseph Conrad, ed. J. H. Stape. Cambridge: Cambridge University Press, 2015 Conrad ‘The Duel’: Sources/Text. Ed. J. H. Stape and John G. Peters. Rodopi: Amsterdam, 2015. The New Cambridge Companion to Joseph Conrad. Ed. J. H. Stape. Cambridge University Press, forthcoming 2014. Joseph Conrad. The Shadow-Line. Ed. J. H. Stape and Allan H. Simmons, with Introduction and Notes by Owen Knowles. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2013 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad. Tales of Unrest. Ed. Allan H. Simmons and J. H. Stape. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2012 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad: The Contemporary Reviews. 4 vols. General editors: Allan H. Simmons, J. G. Peters, and J. H. Stape. Cambridge University Press, 2012 “Under Western Eyes‟: Centennial Essays, edited with Jeremy Hawthorn and Allan H. Simmons. Rodopi: Amsterdam, 2011 Joseph Conrad. Lord Jim, A Tale, ed. J. H. -
Hollywood Abroad: Audiences and Cultural Exchange
Hollywood Abroad: Audiences and Cultural Exchange By Melvyn Stokes and Richard Maltby (eds.) London, British Film Institute 2004. ISBN: 1-84457-018-5 (hbk), 1-84457-051-7 (pbk). 164 pp. £16.99 (pbk), £50 (hbk) A review by Martin Barker, University of Wales, Aberystwyth This is the fourth in a line of excellent books to have come out of two conferences held in London, on Hollywood and its audiences. This fourth collection deals specifically with the reception of Hollywood films in some very different counties and cultural contexts. The quality and the verve of the essays in here (they are all, without exception, beautifully written) is testimony to the rise and the potentials of the new historical approaches to audiences (which has, I am pleased to see, sedimented into some on-going cross-cultural research projects on local film exhibition histories). I recommend this book, unreservedly. Its contributors demonstrate so well the potential for many kinds of archival research to extend our understanding of film reception. In here you will find essays on the reception of the phenomenon of Hollywood, and sometimes of specific films, in contexts as different as a mining town in Australia in the 1920s (Nancy Huggett and Kate Bowles), in and through an upmarket Japanese cinema in the aftermath of Japan's defeat in 1946 (Hiroshi Kitamura), in colonial Northern Rhodesia in the period leading up to independence (Charles Ambler), and in and around the rising nationalist movements in India in the 1920-30s (Priya Jaikumar). It is important, in understanding this book, that we pay attention to the specificities of these contexts. -
Martyrology 12 09 19
Martyrology An Anglican Martyrology - for the British Isles 1 of 160 Martyrology Introduction The base text is the martyrology compiled by Fr. Hugh Feiss, OSB. Copyright © 2008 by the Monastery of the Ascension, Jerome, ID 83338 and available online at the website of the Monastery of Christ in the Desert. The calendars of each of the three Anglican churches of the British isles contain varied group commemorations, I suggest these entries are read only in the province where they are observed and have indicated that by the use of italics and brackets. However, people, particularly in the Church of England, are woefully ignorant of the history of the other Anglican churches of our islands and it would be good if all entries for the islands are used in each province. The Roman dates are also indicated where these vary from Anglican ones but not all those on the Roman Calendar have an entry. The introductions to the saints and celebrations in the Anglican calendars in England, Ireland, Scotland and Wales in Exciting Holiness, ed. Brother Tristam SSF, The Canterbury Press, 1997, have been added where a saint did not already appear in the martyrology. These have been adapted to indicate the place and date of death at the beginning, as is traditional at the reading of the martyrology. For the place of death I have generally relied on Wikipedia. For Irish, Welsh and Scottish celebrations not appearing in Exciting Holiness I have used the latest edition of Celebrating the Saints, Canterbury Press, 2004. These entries are generally longer than appear in martyrologies and probably need editing down even more than I have done if they are to be read liturgically. -
JOSEPH CONRAD: a CITIZEN of a GLOBAL WORLD. Review of Maya
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 129–134 JOSEPH CONRAD: A CITIZEN OF A GLOBAL WORLD Review of Maya Jasanoff, The Dawn Watch: Joseph Conrad in a Global World, Penguin Press 2017, pp. 376, with Index, maps and illustrations Agnieszka Adamowicz-Pośpiech University of Silesia “One day, putting my finger on a spot in the very middle of the then white heart of Africa, I declared that some day I would go there.”1 On the dust jacket one can see a silhouette of a well-built man against the stormy sea (definitely too tall to be Conrad himself), standing on a downward spiral (symbol- izing the downfall of civilization?) and next to it the blurb “enlightening, compas- sionate, superb,” a recommendation by John le Carré—surely, as we shall see, the author of The Tailor of Panama would know what to recommend… but first things first. Nowadays we observe a boom in popularizing biographies that try to bring us closer to the classic writers (e.g. S. Greenblatt’s Will in the World, or A. Sismon’s John le Carré: The Biography). An impressive example of such a book is Maya Jasanoff’s The Dawn Watch which is an expansion of the biographical convention with one major difference. Instead of placing Joseph Conrad in the centre, it locates world history there and views Conrad as “an object of history” so as to “shape his biography from outside in” (10). Maya Jasanoff is Coolidge Professor of History at Harvard University who received several prestigious awards for her historical books (the 50th Duff Cooper Prize and the Windham-Campbell Literature Prize, among oth- ers). -
Pioneers of France in the New World Francis Parkman
The University of Maine DigitalCommons@UMaine Maine History Documents Special Collections 1902 Pioneers of France in the New World Francis Parkman Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistory Part of the History Commons Repository Citation Parkman, Francis, "Pioneers of France in the New World" (1902). Maine History Documents. 30. https://digitalcommons.library.umaine.edu/mainehistory/30 This Book is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History Documents by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. tfrancia $arinnan'a Morfca. NEW LIBRARY EDITION. VOL. I. FRANCIS PARKMAN'S WORKS. Nero Einrarg lEJition. Pioneers of France in the Hew World. I vol. The Jesuits In north America . I vol. La Salle and the Discovery of the Great West I vol. The Old Regime in Canada I vol. Count Frontenac and Mew France under Louis XTV. I vol. A Half Century of Conflict 2 vols. Montcalm and Wolfe 2 vols. The Conspiracy of Fontlac and the Indian War after the Conquest of Canada 2 vols. The Oregon Trail . 1 vol. Off U# hi & L Opt/riala l$yj by ltttU-3roivn.& C° PIONEERS OF FRANCE IN THE NEW WORLD. FRANCE AND ENGLAND IN NORTH AMERICA. PAKT FIRST. BY FRANCIS PARKMAN. BOSTON: LITTLE, BROWN, AND COMPANY. 1902. Copyright, 1865, 1885, BY FRANCIS PARKMAN. Copyright, 1897, BY LITTLE, BROWN, AND COMPANY. Kmtoersitg $rcss: JOHN WILSON AND SON, CAMBRIDGE, U. S. A. TO THE MEMORY OF THEODORE PARKMAN, ROBERT GOULD SHAW, AND HENRY WARE HALL, SLAIN IN BATTLE, THIS VOLUME IS DEDICATED BY THEIR KINSMAN, THE AUTHOR. -
The Martyrology of the Monastery of the Ascension
The Martyrology of the Monastery of the Ascension Introduction History of Martyrologies The Martyrology is an official liturgical book of the Catholic Church. The official Latin version of the Martyrology contains a short liturgical service the daily reading of the Martyrology’s list of saints for each day. The oldest surviving martyologies are the lists of martyrs and bishops from the fourth-century Roman Church. The martyrology wrongly attributed to St. Jerome was written in Ital in the second half of the fifth century, but all the surviving versions of it come from Gaul. It is a simple martyrology, which lists the name of the saint and the date and place of death of the saint. Historical martyrologies give a brief history of the saints. In the eighth and ninth centuries, St. Bede, Rhabanus Maurus, and Usuard all wrote historical martyrologies. The Roman Martyrology, based primarily on Usuard’s, was first published in 1583, and the edition of 1584 was made normative in the Roman rite by Gregory XIII. The post-Vatican II revision appeared first in 2001. A revision that corrected typographical errors and added 117 people canonized by Pope John Paul II between 2001 and 2004, appeared in 2005.1 The Purpose and Principles of This Martyology The primary purpose of this martyrology is to provide an historically accurate text for liturgical use at the monastery, where each day after noon prayer it is customary to read the martyrology for the following day. Some things in this martyrology are specific to the Monastery of the Ascension: namesdays of the members of the community, anniversaries of members of the community who have died, a few references to specific events or saints of local interest.