The Cambridge Edition of the Works of Joseph Conrad
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Mathematics and Science: Last Essays
HENRI POINCARE Mathematics and Science: Last Essays (Dernieres Pensees) Translated from the French by JOHN W. BOLDUC State Teachers College at Westfield, Massachusetts Dover Publications, Inc., New York Copyright 1963 by Dover Publications, Inc Origmally published in French under the title of Demises Pensdes, copyright (P) 1913 by Ernest Flammanon All rights reserved under Pan American and Inter national Copyright Conventions. Published simultaneously in Canada by McClelland and Stewart, Ltd. Published in the United Kingdom by Constable and Company Limited, 10 Change Stieet, London, W.C.2. This Dover edition, firsL published in 1963, is a new English translation of the first edition of Demises Fences, published by Ernest Flammanon in 1913. This English translation is published by special arrangement with Ernest Flammarion. Library of Congress Catalog Card Number: 63-31678 Manufactured in the United Stales of America Dover Publications, Inc, i So Varick Street New York 14, N.Y. TRANSLATOR'S NOTE Just as the poet must seek the appropriate word to convey an idea with sufficient vigor and yet obtain the cadence and rhyme necessary for the finished product, so also the translator must achieve the proper expression in one language to convey accurately and with equal vigor the author's ideas as expressed in his original language. In this process the languages in the translator's mind tend to lose their identity and one language easily assumes the idiosyncrasies of the other. I am therefore particularly grateful to Dr. Wallace L. Goldstein for his assistance in indicating flaws in grammatical constructions which would have resulted from the merging of the two languages. -
The Duel Conrad, Joseph
The Duel Conrad, Joseph Published: 1908 Categorie(s): Fiction, Short Stories, War & Military Source: http://www.gutenberg.org 1 About Conrad: Joseph Conrad (born Teodor Józef Konrad Korzeniowski, 3 December 1857 – 3 August 1924) was a Polish-born novelist. Some of his works have been labelled romantic: Conrad's sup- posed "romanticism" is heavily imbued with irony and a fine sense of man's capacity for self-deception. Many critics regard Conrad as an important forerunner of Modernist literature. Conrad's narrative style and anti-heroic characters have influ- enced many writers, including Ernest Hemingway, D.H. Lawrence, Graham Greene, Joseph Heller and Jerzy Kosiński, as well as inspiring such films as Apocalypse Now (which was drawn from Conrad's Heart of Darkness). Source: Wikipedia Also available on Feedbooks for Conrad: • Heart of Darkness (1902) • Lord Jim (1900) • The Secret Agent (1907) • A Personal Record (1912) • Nostromo: A Tale of the Seaboard (1904) • The Nigger of the 'Narcissus' (1897) • An Outpost of Progress (1896) • The Lagoon (1897) • The Informer (1906) • Under Western Eyes (1911) Copyright: This work is available for countries where copy- right is Life+70 and in the USA. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 Napoleon I., whose career had the quality of a duel against the whole of Europe, disliked duelling between the officers of his army. The great military emperor was not a swashbuckler, and had little respect for tradition. Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no. -
Abraham Fabert, Governor of Sedan
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA RIVERSIDE Ex Libris C. K. OGDEN '/ ABRAHAM FABERT. r MARSHAL PABERT l-miii a prim in the U>itish Mint inn. PAINTED BY L.FERDINAND ENORAVfcD BY C F. POILLY. ABRAHAM FABERT GOVERNOR OF SEDAN: MARSHAL OF FRANCE THE FIRST WHO ROSE FROM THE RANKS nm LIFE AND TIMES 1599—1662 By GEORGE HOOPER AUTHOR OP 'WATKRLOO: THE DOWNFALL OF THE FIRST NAPOLEON," " THB CAMPAIGN OF SKDAN, "WELLINGTON," ETC. " His name <a great example stands, to show How strangely high endeavours may be blessed, Where Piety and Valour jointly go."— Dryden ^ith It Portrait LONDON LONGMANS, GREEN, AND CO. AND NEW YORK : 15 EAST IGth STREET 1892 [All riyltts j-csirved] Richard Clay & Sons, Limitkp, London & Bitnqay. AUTHOE'8 PIIEFACE. Who was Abraham Fabert, and why should an account of him be written in English ? The biography now offered to the public had this natural origin. Many years ago, while travelling for rest and recre- ation, the author picked up at an Edinburgh book-stall a copy of the Vie de Fahert par le Pere Barre, and read it for amusement. Until then he knew no more of Fabert than this—that he was a Marshal of France whose statue he had seen at Metz, that his name figures in the Appendix to Voltaire's Steele de Louis XIV., and that it was mentioned here and there by other historians. The two little brown volumes of the Canon of St. Genevieve, however, disclosed the character of a man, so difteront in many respects from that of the French soldiers of his time, that the author was led to push his inquiries farther and deeper ; and thus he came to admire, and felt constrained to write out his estimate of the adventures, attainments, and high qualities of this Fabert. -
Title: Joseph Conrad's a Personal Record: an Anti-Confessional Autobiography
Title: Joseph Conrad's A Personal Record: An Anti-confessional Autobiography Author: Agnieszka Adamowicz-Pośpiech Citation style: Adamowicz-Pośpiech Agnieszka. (2008). Joseph Conrad's A Personal Record: An Anti-confessional Autobiography. W: W. Kalaga, M. Kubisz, J. Mydla (eds.), "Repetition and recycling in literary and cultural dialogues" (S. 87-98). Częstochowa: Wydawnictwo Wyższej Szkoły Lingwistycznej. Agnieszka Adamowicz-Pośpiech University of Silesia JOSEPH CONRAD’S A PERSONAL RECORD'. AN ANTI-CONFESSIONAL AUTOBIOGRAPHY? Joseph Conrad, as a well-known novelist, commencing to pen reminis cences about the beginnings of his nautical career and his first steps as an English writer, faced an essential dilemma.1 On one hand, the need to order and make meaningful the decisions and events from his past was so com pelling that it urged the writer to create his memoirs; on the other, Conrad’s distrust of direct confession, unequivocal externalization of his intimate “self’ made him choose the literary form of loose remembrances based on apparently chaotic associations referring to people and events from the past. The result was a collection of seemingly disconnected vignettes portraying different episodes from the author’s days of yore. The aim of this paper is firstly, to establish to what extent Conrad’s volume, A Personal Record, is an autobiography, secondly, to consider whether it is possible to create an anti confessional autobiography, and last but not least, to disclose the techniques that Conrad uses to reduce the confessional -
Apollo Nałęcz-Korzeniowski As Critic and Translator
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository APOLLO NAŁĘCZ-KORZENIOWSKI AS CRITIC AND TRANSLATOR Grzegorz Zych The Jagiellonian University, Cracow 1. APOLLO KORZENIOWSKI AS A LITERARY CRITIC Apollo Nałęcz-Korzeniowski (1820–1869) was not only one of the most distinc- tive Polish playwrights of the second half of the 19th century, but also one of the best informed about new currents in literature. After his premature death, however, his poetry and plays were soon forgotten and for almost a century he was known only as the father of Konrad Korzeniowski, otherwise known as the distinguished English writer Joseph Conrad. It is only since the middle of the 20th century that his life and work have once again begun to attract the attention of scholars and literary critics. Apollo Nałęcz-Korzeniowski is known above all for being a Polish patriot. A couple of years before the outbreak of the 1863 January Uprising, he helped to organize the underground anti-tsarist “Committee of the Movement” in Warsaw – the forerunner of the later 1863 “National Central Committee qua Provisional National Government” (Komitet Centralny Narodowy jako Tymczasowy Rząd Narodowy). Although the tsarist police never discovered the true extent of his political activity – and in particular his involvement in organizing the “Committee of the Movement” – he was arrested on much lesser charges in 1861 and he and his wife Ewa were subse- quently sentenced to a term of exile in Russia.1 Together with their four-year-old son Konradek, the Korzeniowskis were eventually sent to Vologda. -
The Cambridge Edition of the Works of Joseph Conrad
Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information UNDER WESTERN EYES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82407-1 - Joseph Conrad: Under Western Eyes Edited by Roger Osborne and Paul Eggert Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF JOSEPH CONRAD General Editors J. H. Stape and Allan H. Simmons St Mary’s University College, Twickenham, London Editorial Board Laurence Davies, University of Glasgow Alexandre Fachard, UniversitedeLausanne´ Robert Hampson, Royal Holloway, University of London Jeremy Hawthorn, The Norwegian University of Science and Technology Owen Knowles, University of Hull Linda Bree, Cambridge University Press Textual Advisor Robert W. Trogdon, Institute for Bibliography and Editing Kent State University Founding Editors †Bruce Harkness Marion C. Michael Norman Sherry Chief Executive Editor (1985–2008) †S. W. Reid © in this web service Cambridge University -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
GIPE-003904-Contents.Pdf (482.4Kb)
SUBJECT INDEX. Abbot, l'be, 470. Apology for Poetry, 111, 133. Absalom and Acbitopbel, 255, lL Appeal from the New to the Old 261, 262. Whigs, 387. Absentee, The, 466. Arcades, 230, 231. Account of the Greatest English Arcadia, The, 110, lll, 134, 168. Poets, 286, 287. Areopagitica, 234, 235, 292. Adam Bede, 406, 407. Ar$Ument against abolishing Chris- Adonais, 439. tianity, 281. Advancement of Leat•ning, 115, Arraignement of Paris, 145. 116. Art of English Poesie, 111. Agnes Grey, 503. Artevelde, Philip van, 475. Alastor, 437, 438. Asolando, 479. Alchemist, The, 181, 182, IS.?. Assignation, The, 262. Alexander and Campaspe, 144. Astrea. Redux, 253. Alexander's Fea.st, 258. Astrophel (Spenser's), 139. All's Well tbatEndsWell,157 ,166. As You Like It, 147, 163, 164. Alma, 309. Atalanta in Calydon, 488. Alton Locke, 504. Atom, Adventures of a.n, 372. Atnboyna, 262. Augustan Age, 277 ff. Amelia, 370. Aurung-Zebe,262; Prologueto,265. Amphityon, 263. Aurora Leigh, 480. Anacreontics, Cowley's, 223. Autobiographic Sketches, 461,465. Anarchy of Mixed or Limited Autobiography of Leigh Hunt, 456. Monarchy, 274. Autobiograpby, Trollope's, 508. Anatomy of Melancholy, 210. Autumn (see The Seasons). Ancient Mariner, 430. Autumn, Ode to, 444. Ancren Riwle, 27, 28, 45. Ayenbite of lnwyt (Remorse ol Andrews, Joseph, 368. Conscience}, 38, 45. Andromeda, 504. Animated Nature, 345. Balade of Charitie, 331. Anne of Geierstein, 470. Ba.laustion's Adventure, 479. Annus Mirabilis, 253, 254. Balder Dead, 482. Antiquary, The, 468, 470, 514. Ballads, Kingsley's, 504. Antony and Cleopatra, 154, 170, Barbary, West, 286. 171; Dryden's adaptation of, Barchester Towers, 509, 510. -
J H Stape Conrad Publications
J H Stape Conrad Publications Monographs and edited volumes Joseph Conrad. The Rover. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Forthcoming Cambridge: Cambridge University Press, 2018 Joseph Conrad. Victory. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2016 Awarded the Seal of the Committee of Scholarly Editing of the Modern Language Association of America The New Cambridge Companion to Joseph Conrad, ed. J. H. Stape. Cambridge: Cambridge University Press, 2015 Conrad ‘The Duel’: Sources/Text. Ed. J. H. Stape and John G. Peters. Rodopi: Amsterdam, 2015. The New Cambridge Companion to Joseph Conrad. Ed. J. H. Stape. Cambridge University Press, forthcoming 2014. Joseph Conrad. The Shadow-Line. Ed. J. H. Stape and Allan H. Simmons, with Introduction and Notes by Owen Knowles. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2013 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad. Tales of Unrest. Ed. Allan H. Simmons and J. H. Stape. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2012 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad: The Contemporary Reviews. 4 vols. General editors: Allan H. Simmons, J. G. Peters, and J. H. Stape. Cambridge University Press, 2012 “Under Western Eyes‟: Centennial Essays, edited with Jeremy Hawthorn and Allan H. Simmons. Rodopi: Amsterdam, 2011 Joseph Conrad. Lord Jim, A Tale, ed. J. H. -
Yearbook 12-2-Lam.Indd
Yearbook of Conrad Studies (Poland) Vol. 12 2017, pp. 7–26 doi: 10.4467/20843941YC.17.001.8658 RAFAŁ MARCELI BLÜTH AS A CONRAD SCHOLAR1 Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of the present article is to present the achievements of Rafał Marceli Blüth (1891-1939) in the fi eld of Conrad scholarship. During the period between the First and Second World Wars, Blüth was a prominent Catholic intellectual and—along with Prof. Józef Ujejski and the well-known writer Maria Dąbrowska—was one of Poland’s foremost Conrad critics. As well as interpreting Conrad’s novels, Blüth researched the writer’s biography, particularly with regard to the role played by family tradition in the Polish eastern borderlands. He also put forward a de- tailed interpretation of the factors which might have infl uenced Conrad’s decision to leave Poland while he was still in his teens. Blüth’s greatest achievements as a literary critic include interpreta- tions of novels such as Victory, The Rover and Nostromo, an attempt to classify the main charac- ters of Conrad’s novels and a study comparing Conrad’s writing and view of the world with those of Dostoevsky. Keywords: Rafał Marceli Blüth, Polish Conrad scholarship between the wars, Joseph Conrad’s biography, Joseph Conrad’s writing, Joseph Conrad’s novels Anyone who has but a cursory knowledge of the history of commentaries on the writing and biography of Joseph Conrad-Korzeniowski in his partitioned homeland can say without a doubt that the fi rst Polish manifestations of interest in Conrad date back to the 1890s. -
Critical Responses: 1950-1975
Critical Responses: 1950-1975 Following his positioning as a major English novelist by F.R. Leavis in The Great Tradition (1948), Conrad became a central figure in academic literary criticism in the 1950s and 1960s with the publication of a series of seminal works on the writer. With studies by Thomas Moser, Albert Guerard and Edward Said, the period saw the beginning of the Conrad industry in international academe, with several biographies undertaken or written and the hunt for every possible scrap of extant Conradiana under way. This resulted in societies and journals dedicated to Conrad’s life and works in the USA, Britain, France, and Poland, the first steps in the daunting but now completed collected letters of Conrad, and a stubbornly unassailable interpretation of Conrad’s literary career, captured in the title of Thomas Moser’s influential Joseph Conrad: Achievement and Decline (1957). The period between 1950-75 also saw groundbreaking work on Conrad by Polish scholar Zdzisaw Najder, and with the unprecedented attention given to his life and works by gifted international scholars, these years constitute a true golden age of Conrad criticism. In the aftermath of WW2, philosophical and political criticism, conscious of the catastrophic results of nationalist and supremacist ideologies throughout the world, adopted Conrad as a writer transcending national boundaries, one representative of a sceptical voice on international politics. Hannah Arendt’s The Origins of Totalitarianism (1951), ‘written against a background of both reckless optimism and reckless despair’ (Arendt, p. vii), isolated ‘Heart of Darkness’ as ‘the most illuminating work on actual race experience in Africa’ (Arendt, p.