Paper XI: the 20Th Century Unit I Joseph Conrad's Heart of Darkness
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Arak and Gwydion (Some Thoughts on the Shadow Elves' History) By R. Sweeney Gwydion isn't a 'real' demon, but rather a creature of great power from the plane of shadow. Gwydion's evil was his enslavement of the ShadowElves. His torment is his betrayal by Arak. Unlike Vecna, he was not on the prime and could only be 'trapped' because he was trying to follow the Shadow Elves into RL. (Presumably to kill them or re-enslave them). I wonder what Arak was thinking, however. Would there be anyplace he could take the Shadow elves into exile where Gwydion could not follow? Did he think he could hide from such a powerful creature? Gwydion must have had an enemy. A sibling perhaps. The Shadow Elves must have acted as some sort of armed forces for him. Arak must have believed that if Gwydion suddenly found himself without his Slaves, he would have been destroyed by his rivals. However, there other.. less satisfying, perhaps, ways of re-writing ShadowElf history. Gwydion, the shadow-being, falls 'in love' with an elf from some other world. They mate, bear children. Woman dies, Gwydion takes his children and their children as slaves. Millenia pass. Arak was Gwydion's favorite. Perhaps, Gwydion had mated with one of the Shadow elves of unsurpassed beauty and begat Arak. Thus, he set his son above all the other slaves. Arak, however, desired more than to be the head of the slaves. He managed to betray his father to his enemies. Arak had intended patricide. He was going to take away Gwydion's protective armed forces, leaving him vulnerable to attack by his other enemies. -
The Evolution of the Vampire Figure in English and American Literature As Social and Economic Symbol of Contemporary Western Masculine Identity”
DOCTORAL THESIS 2015 “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate UNED Department of Foreign Philologies and their Linguistics Philology Faculty Thesis Director: Dr. Antonio Andrés Ballesteros González Department of Foreign Philologies and their Linguistics Philology Faculty “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate Thesis Director: Dr. Antonio Andrés Ballesteros González Acknowledgements I would like to express my deepest gratitude and respect, first and foremost, to my thesis director, Dr. Antonio Andrés Ballesteros, whose careful and wise guidance, counselling, and patience have shown me the necessary tools when tackling such research endeavour. Alongside his academical guidance, his passion must be addressed regarding vampires as creatures of the human mind with literary and/or anthopological significance, for that is what the ultimate target of this research thesis is, beyond its academical value and significance; to give account of a myth rooted deep in the human soul. Without any of the mentioned here would this thesis be the same. Equal gratefulness is deserved by my friend beyond appreciation, Dr. Rodrigo Carcedo, whose guidance was paramount when addressing whatever aspect regarding vampire psychology. Besides a great psychologist and scholar, he bears a especial place in my heart. True example of friendship. My deepest gratefulness to Itziar Mujika as well, amazing and challenging student of mine, true friend, and superb journalist and researcher into women’s role in peaceful resolutions of war conflicts. -
Invincible Jumpchain- Compliant CYOA
Invincible Jumpchain- Compliant CYOA By Lord Statera Introduction Welcome to Invincible. Set in the Image comic book multiverse, this setting is home to older heroes and villains like Spawn, The Darkness, and The Witchblade. This story, however, focuses on the new superhero Invincible (Mark Grayson), the half-breed Viltrumite-Human hybrid and son of the world famous hero Omni-Man (Nolan Grayson). Invincible spends the beginning of his career working alongside the Teen Team, and with his father, to defend not only Baltimore but the Earth from many and varied threats. Little does he know that his father, rather than being an alien from a peace loving species, is actually a harbinger of war to the planet Earth. Viltrumites are actually a race bent on conquering the universe, one planet at a time. And with their level of power, not much can stop them. Fortunately, there is one secret the Viltrumite Empire has been hiding. Over 99% of the Viltrumite population had been wiped out using a plague genetically engineered by scientists of the Coalition of Planets, they are forced to wage a proxy war using their servant races against the Coalition, all the while sending individual Viltrumites out to take one world at a time, in their attempt to conquer the stars. As humans are the closest genetic match for the Viltrumite race outside of another Viltrumite, the remnants of this mighty alien race turn their sights on Earth in the hopes of using it as a breeding farm to repopulate their race. To help you survive in this universe, here are 1000 Choice Points. -
Massive Darkness Rulebook
RULES & QUESTS MASSIVE DARKNESS - RULES CHAPTERS GAME COMPONENTS ................... 3 ENEMIES’ PHASE........................ 28 Step 1 – Attack . 28 STORY: THE LIGHTBRINGERS’ LEGACY......... 5 Step 2 – Move . 28 SETUP ............................ 6 Step 3 – Attack . 28 Step 4 – Move . 28 GAME OVERVIEW ..................... 11 EXPERIENCE PHASE ....................... 31 BASIC RULES . 12 EVENT PHASE.......................... 32 ACTORS............................... 12 END PHASE ........................... 33 ZONES ............................... 13 COMBAT.......................... 33 SHADOW MODE.......................... 13 COMBAT ROLL ......................... 33 LINE OF SIGHT .......................... 14 Step 1 – Rolling Dice . 33 MOVING .............................. 15 Step 2 – Resolve The Enchantments . 34 LEVELS AND LEVEL TOKENS .................. 15 Step 3 – Inflict Pain! . 35 COMBAT DICE........................... 16 MOB RULES ........................... 36 HEROES ........................... 17 ADDITIONAL RULES ................... 37 HERO CARD ............................ 17 ARTIFACTS............................ 37 HERO DASHBOARD ........................ 17 OBJECTIVE AND PILLAR TOKENS .............. 37 CLASS SHEET ........................... 18 STUN ............................... 37 EQUIPMENT CARDS ................... 19 STORY MODE .......................... 38 COMBAT EQUIPMENT ...................... 19 Experience And Level . 38 Event Cards . 38 ITEMS .............................. 20 Inventory . 38 CONSUMABLES ........................ -
Thus Spake Zarathustra
1 1892 THUS SPAKE ZARATHUSTRA Friedrich Nietzsche translated by Thomas Common Nietzsche, Friedrich (1844-1900) - German philosopher and poet. He rejected religion and believed that people should concentrate on this world rather than the next. His ideas are said to have influenced German attitudes in the Third Reich. Thus Spake Zarathustra (1883-1892) - Zarathustra, an ancient Persian philosopher, is used to express Nietzsche’s most famous theory of the Ubermensch (Superman or Overman). 2 Table Of Contents PROLOGUE . 6 CHAPTER 1 The Three Metamorphoses . 18 CHAPTER 2 The Academic Chairs of Virtue . 20 CHAPTER 3 Backworldsmen . 23 CHAPTER 4 The Despisers of the Body . 26 CHAPTER 5 Joys and Passions . 28 CHAPTER 6 The Pale Criminal . 30 CHAPTER 7 Reading and Writing . 32 CHAPTER 8 The Tree on the Hill . 34 CHAPTER 9 The Preachers of Death . 37 CHAPTER 10 War and Warriors . 39 CHAPTER 11 The New Idol . 41 CHAPTER 12 The Flies in the Market-Place . 44 CHAPTER 13 Chastity . 47 CHAPTER 14 The Friend . 48 CHAPTER 15 The Thousand and One Goals . 50 CHAPTER 16 Neighbour-Love . 52 CHAPTER 17 The Way of the Creating One . 54 CHAPTER 18 Old and Young Women . 57 CHAPTER 19 The Bite of the Adder . 59 CHAPTER 20 Child and Marriage . 61 3 CHAPTER 21 Voluntary Death . 63 CHAPTER 22 The Bestowing Virtue . 66 SECOND PART CHAPTER 23 The Child with the Mirror . 70 CHAPTER 24 In the Happy Isles . 73 CHAPTER 25 The Pitiful . 76 CHAPTER 26 The Priests . 79 CHAPTER 27 The Virtuous . 82 CHAPTER 28 The Rabble . 85 CHAPTER 29 The Tarantulas . -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Invincible: Volume 22: Reboot Free
FREE INVINCIBLE: VOLUME 22: REBOOT PDF Ryan Ottley,Cliff Rathburn,Jean-Francois Beaulieu,Robert Kirkman | 152 pages | 23 Feb 2016 | Image Comics | 9781632156266 | English | Fullerton, United States Invincible, Vol. Reboot? by Robert Kirkman Noble Causes: Family Secrets 3 Nov. Created by writer Robert Kirkman and artist Cory Walker and illustrated by artist Ryan OttleyInvincible first appeared Invincible: Volume 22: Reboot a preview as part of Tech Jacket 1 Novemberbefore graduating to his own self-titled regular series inas the premier title in Image's then-new superhero line. Invincible is the Invincible: Volume 22: Reboot of Omni-Manan extraterrestrial superhero of the Viltrumite race. Invincible inherited his father's superhuman strength and ability to fly and he has sworn to protect the Earth. As a teenager he had trouble adjusting to his newfound powers and coping with the reality of his origins. Cory Walker co-created the book and provided art from 1 to 7, as well as — Ryan Ottley assumed art duties with issue 8 and has been pencilling since. Kirkman has provided back-up space for a few aspiring comic creators, most notably Benito Cereno and Nate Bellegarde. The book is notorious for being graphically violent despite its colorful nature and visuals. In AugustRobert Kirkman announced that the series would end late in Invincible: Volume 22: Reboot issuewith Ryan Ottley "coming back to the book" for the final twelve-issue sequence. When Mark is seven years old, Nolan reveals that he is a member of Invincible: Volume 22: Reboot race of peaceful aliens called Viltrumites, who came to Earth to help mankind, and that one day, Mark will develop Invincible: Volume 22: Reboot powers of his own. -
Guide to Bram Stoker Holdings in the Rosenbach Museum & Library 29
Guide to Bram Stoker holdings in the Rosenbach Museum & Library 29 January 2021 HISTORICAL NOTE: The Rosenbach began its Bram Stoker collection in 1970 with the purchase of Stoker’s notes and outline for Dracula. The Rosenbach continues to collect works by and about Stoker and the guide is updated as new material is acquired. Objects acquired since 2014 are marked with a “+”. SCOPE AND CONTENT This guide contains only the manuscripts and books written by Bram Stoker in the Rosenbach collections. For source and inspiration material related to Dracula and other vampire literature, please see our Dracula-Vampire guide. Bram Stoker (1847-1912) The Bram Stoker holdings at the Rosenbach consist of I.Manuscripts II.Books I. Bram Stoker Manuscripts EL3 .S874d MS Dracula: notes and outline, [ca. 1890 ca. 1896]. ca. 119 l. in case; 29 cm. Summary: Manuscript and typescript notes, photographs, and a newspaper clipping, comprising both background research and an outline for the book. The first section consists of 49 leaves of manuscript: a list of characters, notes on vampires, outlines for the whole book and for most chapters (all 7 chapters for each of books 1 3 and ch.26 27), chronologies, and miscellaneous notes on characters and events. The second section consists of 30 manuscript leaves tipped onto 10 sheets, 2 photo-graphs, and a clipping: reading notes on vampires and werewolves; and shipwrecks, weather, geography, and language in the area of Whitby, North Yorkshire, where part of the story takes place. The last section consists of 37 leaves of typescript notes with manuscript corrections, being reading notes on various works about the history and geography of the Carpathians, dream theory, and tombstones at Whitby. -
THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Heart of Darkness (Paginated)
Heart of Darkness (paginated) Heart of Darkness Conrad, Joseph, 1857-1924 Electronic Text Center, University of Virginia Library All on-line databases About the electronic version Heart of Darkness Conrad, Joseph, 1857-1924 Creation of machine-readable version: Judy Boss Conversion to TEI-conformant markup: University of Virginia Library Electronic Text Center ca. 225 kilobytes -- rounded up to the nearest 5KB Publisher: Charlottesville, Va. Copyright 1999, by the Rector and Visitors of the University of Virginia http://etext.lib.virginia.edu/ Commercial use prohibited; all usage governed by our Conditions of Use:http://etext.lib.virginia.edu/conditions.html 1993 About the print version Heart of Darkness Joseph Conrad Note: Checked against the Signet Classics reprint: New American Library spell-check and verification made against printed text using WordPerfect spell checker Published: 1902 Revisions to the electronic version http://chss.montclair.edu/english/furr/i2l/hod-uva.html (1 of 54) [4/5/2004 7:59:47 AM] Heart of Darkness (paginated) October 1992 corrector David SeamanSpellchecked; unambiguous line-end hyphenation removed; basic TEI tagging; paginated to the Signet Classic edition, based on source information supplied by Judy Boss. [email protected]. Commercial use prohibited; all usage governed by our Conditions of Use: http://etext.lib.virginia.edu/conditions.html Page 65 The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no.