Ohio State Fair Nominations
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Invincible Jumpchain- Compliant CYOA
Invincible Jumpchain- Compliant CYOA By Lord Statera Introduction Welcome to Invincible. Set in the Image comic book multiverse, this setting is home to older heroes and villains like Spawn, The Darkness, and The Witchblade. This story, however, focuses on the new superhero Invincible (Mark Grayson), the half-breed Viltrumite-Human hybrid and son of the world famous hero Omni-Man (Nolan Grayson). Invincible spends the beginning of his career working alongside the Teen Team, and with his father, to defend not only Baltimore but the Earth from many and varied threats. Little does he know that his father, rather than being an alien from a peace loving species, is actually a harbinger of war to the planet Earth. Viltrumites are actually a race bent on conquering the universe, one planet at a time. And with their level of power, not much can stop them. Fortunately, there is one secret the Viltrumite Empire has been hiding. Over 99% of the Viltrumite population had been wiped out using a plague genetically engineered by scientists of the Coalition of Planets, they are forced to wage a proxy war using their servant races against the Coalition, all the while sending individual Viltrumites out to take one world at a time, in their attempt to conquer the stars. As humans are the closest genetic match for the Viltrumite race outside of another Viltrumite, the remnants of this mighty alien race turn their sights on Earth in the hopes of using it as a breeding farm to repopulate their race. To help you survive in this universe, here are 1000 Choice Points. -
Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences. -
Invincible: Volume 22: Reboot Free
FREE INVINCIBLE: VOLUME 22: REBOOT PDF Ryan Ottley,Cliff Rathburn,Jean-Francois Beaulieu,Robert Kirkman | 152 pages | 23 Feb 2016 | Image Comics | 9781632156266 | English | Fullerton, United States Invincible, Vol. Reboot? by Robert Kirkman Noble Causes: Family Secrets 3 Nov. Created by writer Robert Kirkman and artist Cory Walker and illustrated by artist Ryan OttleyInvincible first appeared Invincible: Volume 22: Reboot a preview as part of Tech Jacket 1 Novemberbefore graduating to his own self-titled regular series inas the premier title in Image's then-new superhero line. Invincible is the Invincible: Volume 22: Reboot of Omni-Manan extraterrestrial superhero of the Viltrumite race. Invincible inherited his father's superhuman strength and ability to fly and he has sworn to protect the Earth. As a teenager he had trouble adjusting to his newfound powers and coping with the reality of his origins. Cory Walker co-created the book and provided art from 1 to 7, as well as — Ryan Ottley assumed art duties with issue 8 and has been pencilling since. Kirkman has provided back-up space for a few aspiring comic creators, most notably Benito Cereno and Nate Bellegarde. The book is notorious for being graphically violent despite its colorful nature and visuals. In AugustRobert Kirkman announced that the series would end late in Invincible: Volume 22: Reboot issuewith Ryan Ottley "coming back to the book" for the final twelve-issue sequence. When Mark is seven years old, Nolan reveals that he is a member of Invincible: Volume 22: Reboot race of peaceful aliens called Viltrumites, who came to Earth to help mankind, and that one day, Mark will develop Invincible: Volume 22: Reboot powers of his own. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Collection Highlights
COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Big Mama and the Whistlin' Woman: a Theory of African
BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES A DISSERTATION SUBMHTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIRMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY JAN ALEXIA HOLSTON DEPARTMENT OF ENGLISH ATLANTA, GEORGIA DECEMBER 2010 ABSTRACT ENGLISH HOLSTON, JAN A. B.S. GA SOUTHERN UNIVERSITY, 1998 M.ED. MERCER UNIVERSITY, 2005 BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES Committee Chair: Georgene Bess-Montgomery, Ph.D. Dissertation dated December 2010 This study introduces a literary Theory of African-American Archetypes, which is an outgrowth of two parent theories, Archetypal Criticism and African-American Literary Criticism. The theory posits that the folklore of Africana peoples created and inform culturally specific archetypes, which are deeply seeded in the collective unconscious of many African Americans. As in life, such archetypes are prevalent in African-American literature, which is momentous because they are both historic and perpetual within the community. The African-American Archetypal Big Mama is the character that will be used to demonstrate the theory as a viable form of literary criticism, using Gloria Naylor’s Mama ~y. Examination of her opposite, the Whistlin’ Woman, in Tina McElroy Ansa’s Ugly Ways and Taking After Mudear will substantiate and define the African-American Archetypal Big Mama by negation. Elucidation and application of the theory to African American literature are significant because they widen the criticism particularly for texts I by and for African Americans. Additionally, the application opens the doors for critics of multi-ethnic literature to examine their own cultural idiosyncrasies and subsequent lore for archetypes explicit to their literary traditions. -
The Liberty Champion, Volume 16, Issue 10)
Scholars Crossing 1998 -- 1999 Liberty University School Newspaper 11-10-1998 11-10-98 (The Liberty Champion, Volume 16, Issue 10) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_98_99 Recommended Citation "11-10-98 (The Liberty Champion, Volume 16, Issue 10)" (1998). 1998 -- 1999. 8. https://digitalcommons.liberty.edu/paper_98_99/8 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1998 -- 1999 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Liberty University, Lynchburg, Va. Tuesday, November 10, 1998 Vol. 16, No. 10 f\ T H E LIBERTY CHAMPION NATIONAL SGA votes to loosen LlTs movie code u DATE BY JENNIFER PILIATH which passed Senate with a 25-10 also Included." ued. "I think is purely ludicrous." Editor in Chief vote, would allow Liberty students Bingham claims that the Motion Now that the bill has been vetoed to watch R-rated movies. The cur Picture Association of America by Thompson, Senate will have the GOP faces leadership fight Liberty's Student Government rent policy, as stated in the Liberty (MPAA) rates movies according to opportunity to override the veto if a The resignation of House Speaker Newt Gingrich Association (SGA) attempted to Way, prohibits viewing of any who the viewers should be. two thirds majority is reached. If has touched off a scramble to succeed him and to change school policy this past movies rated R, NC-17 or X. Therefore, movies which contain this occurs, the bill will head to challenge other House Republican leaders. -
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01/02 - Happy New Year: Comic Books, Toys, Books, & More! 1/2/2021 This session will be begin closing at 6PM on 01/02/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Rules 1 13 DC Comics Toys/Collectibles Box Lot 1 Catwoman PVC statue and figures. New in sealed packages. 2 Thor: God of Thunder #2/Key 1 1st appearance of Gorr, the God Butcher and the 1st appearance 14 Superman #123 (x3)/Key 1 of the Necrosword. Gorr was a recurring big bad writer Jason 3 copies. First appearance of the "Electric Blue" Superman. Direct Aaron's six year run on Thor, notably acting as the catalyst for Thor Edition. VF/NM condition. Odinson's loss of Mjölnir and Jane Foster's ascension to being the 15 Comic Book Box Lot 1 Goddess of Thunder. The Necrosword, AKA All-Black, was later Box contains 250-300 mostly Modern Age Comics. Condition is folded into Donny Cates' King in Black mythos as the 1st symbiote overall VF/NM. Most are NM. created by Knull, God of Symbiotes, and an ancestor of Venom. 16 Indy Comic Book Figure Box Lot 1 Gorr The God-Butcher has just been announced as the villain in the You get all pictured. -
Read an Excerpt
SHAKIN' THE MESS OUTTA MISERY A Play by SHAY YOUNGBLOOD Dramatic Publishing Wocxhtock, lllioois • London, England • ldeIboume, Austmlia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** 1be amateur and stock acting rights to this wa-k are cootrolled exclusively by THE DRAMATIC PUBUSIUNG COMPANY without whose remUssioo in writing no perfcnnance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be JXlid every time a play is perfooned whether or not it is JreSeIlted for profit and whether or not admissicn is charged A play is perfamed anytime it is acted befcre an audience. All inquiries calCeIning amateur and stock rights should be ~ to: DRAMATIC PUBliSHING P. O. Box 129, Woodstock, lllinois 60098. COPYRIGHT UW GIVES THE AlTI1IOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGlIT TO MAKE COPIES. This law provides at.Jthoo; with a fair retmn for their creative efforts. Autin's earn their living fum the royalties they receive fum book sales and fn:m the perfcnnance of their wOOc. CooscientiolE ob5ervance of cqJyright law is not ooly ethical, it encour ages autin's to continue their creative work This work is fully putected by cq>yrighl No altelations, deletioos or substitutions may be made in the work without the ¢cr vvritten coosent of the publisher. No IXUt of this work may be reproduced <X' transmitted in any fann or by any means, electrooic or me charJcal, including photocopy, recording, videotape, fllm, or any infonnatioo skrage and retrieval system, without remUssion in writing fn:m the publisher. -
Graphic Novels in Your School Library
GRAPHIC NOVELS IN YOUR SCHOOL LIBRARY Jesse Karp ILLUSTRATED BY Rush Kress AMERICAN LIBRARY ASSOCIATION CHICAGO 2012 For more than ten years, JESSE KARP has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan’s oldest independent schools and a long-standing leader in progressive education. He works with students across the cur- riculum, from beginning readers to high school students, with all kinds of material, includ- ing graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine’s yearly graphic novel best list roundup; he has written articles for Book Links and American Libraries as well. He has delivered seminars on the sequen- tial art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA’s Great Graphic Novels for Teens committee from 2009 to 2012. He cocreated the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters. Please visit his website at www.beyondwhereyoustand.com. RUSH KRESS graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City.