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“He Was One of Us” – Joseph Conrad As a Home Army Author
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 17–29 doi: 0.4467/20843941YC.18.002.11237 “HE WAS ONE OF US” – JOSEPH CONRAD AS A HOME ARMY AUTHOR Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of this article is to show how Conrad’s fiction (and above all the novelLord Jim) influenced the formation of the ethical attitudes and standards of the members of the Polish Home Army, which was the largest underground army in Nazi-occupied Europe. The core of this army was largely made up of young people who had been born around the year 1920 (i.e. after Poland had regained her independence in 1918) and who had had the opportunity to become acquainted with Conrad’s books during the interwar years. During the wartime occupation, Conrad became the fa- vourite author of those who were actively engaged in fighting the Nazi regime, familiarizing young conspirators with the ethics of honour—the conviction that fighting in a just cause was a reward in itself, regardless of the outcome. The views of this generation of soldiers have been recorded by the writers who were among them: Jan Józef Szczepański, Andrzej Braun and Leszek Prorok. Keywords: Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising 1 In order to fully understand the extraordinary role that Joseph Conrad’s novels played in forming the ethical attitudes and standards of those Poles who fought in the Home Army—which was the largest underground resistance army in Nazi-occupied Europe—we must go back to the interwar years, during which most of the members of the generation that was to form the core of the Home Army were born, for it was then that their personalities were formed and—perhaps above all—it was then that they acquired the particular ethos that they had in common. -
Recollections and Notes, Vol. 1 (1887–1945) Translated by Abe
Vita Mathematica 18 Hugo Steinhaus Mathematician for All Seasons Recollections and Notes, Vol. 1 (1887–1945) Translated by Abe Shenitzer Edited by Robert G. Burns, Irena Szymaniec and Aleksander Weron Vita Mathematica Volume 18 Edited by Martin MattmullerR More information about this series at http://www.springer.com/series/4834 Hugo Steinhaus Mathematician for All Seasons Recollections and Notes, Vol. 1 (1887–1945) Translated by Abe Shenitzer Edited by Robert G. Burns, Irena Szymaniec and Aleksander Weron Author Hugo Steinhaus (1887–1972) Translator Abe Shenitzer Brookline, MA, USA Editors Robert G. Burns York University Dept. Mathematics & Statistics Toronto, ON, Canada Irena Szymaniec Wrocław, Poland Aleksander Weron The Hugo Steinhaus Center Wrocław University of Technology Wrocław, Poland Vita Mathematica ISBN 978-3-319-21983-7 ISBN 978-3-319-21984-4 (eBook) DOI 10.1007/978-3-319-21984-4 Library of Congress Control Number: 2015954183 Springer Cham Heidelberg New York Dordrecht London © Springer International Publishing Switzerland 2015 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
A 'Physics of Thought': the Modernist Materialism of James Huneker
IAN F. A. B ELL A ‘Physics of Thought’: The Modernist Materialism of James Huneker Nature geometrizes, said Emerson, and it is interesting to note the imagery of transcendentalism through the ages. It is invariably geometrical. Spheres, planes, cones, circles, spirals, tetragrams, pentagrams, ellipses, and what-not. This is Huneker’s ‘Four Dimensional Vistas’ and thoroughly in line with the modernist scientism of figures such as Ezra Pound and Remy de Gourmont (the latter was pre-eminent in his pantheon of cosmopolitan thinkers). He shores up his argument by claiming these geometrical pat- terns as products of a discernable physiology: ‘The precise patterns in our brain, like those of the ant, bee and beaver, which enable us to perceive and build the universe (otherwise called innate ideas) are geo- metrical’ (206). His displacement of ‘ideas’ by the language of construction presents a challenge to the experienced world whereby matter itself is seen to be not solidly deterministic, but subject to flow and process, as he claimed in ‘Creative Involution’: ‘Matter in the light of recent experiment is become spirit, energy, anything but gross matter’.1 Huneker’s essay on ‘Remy de Gourmont: His Ideas. The Colour of His Mind’ asserted baldly that ‘[t]hought is a physiological product; intelli- gence the secretion of matter’ while Gourmont himself was equally as bald: ‘Thought is not only a product, but a material product, measur- able, ponderable’(27; 166). In short, a crucial aspect of Huneker’s modernism is his supplanting of a mechanistic understanding of matter by invoking a plasticity sanctioned by current scientific thinking. -
THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz. -
SAVANTS GIVE WARNING on Infunon PROGRAM
■ - ATOtAOn BAILT COKTOIATION for tho Mootli of NevMiiber, IMS 5,305 of the Andtt o f PRICE THREE W i l # VOL. L in ., NO. 52. (FOURTEEN PAGES) MANCHESTER, bONN., FR ^A T, DECEMBER 1,193^. TURKEY ALSO ‘^ ob o Poet** Is Sibottsboro Witness FIRM WnUNG ENJOYED MEAL 90 SURROUNDED JOBNSONMAY OVERMILUON Vegetarian Society Had Him IMPOSE CODE TO CONFER ON As Guest of Honor At BY ARCTIC ICE Thanksgiving Banquet. C A U m H E L P ONPWNECO. U C m RATES New York, Dec. 1—(AP) :— —^The Thanksgiving dinner of the Vegetarian Society of New IN A WEEK’S York was enjoyed by one and May Ha?e to Leave Vessel A. T. & T. and AhniaBB President Samnel Fergnson an—especially by the turkey. The turkey was the guest .of Company Say They Hare of Mandiester Electric Co. honor at the affair. Presented in Far North and Take to Reports from 44 States by George Grey Barnard, it TOUHYGMGSTER strutted about its case near the No Competition — Object Tells Herald Concessions festive board, ate wheat and Floes^ In Jam for Two cehred in Washington - r apples and watched the v^e- COMMITS SUICIDE tarians devour celery, spinach, to Regnlatkma. • Administration Expects tfl Will Be Made. onions, green peppers and other Months. dishes. ’The turkey will bo cared for Washington, Dec. 1.—(AP)— Place Three Miffions M on* a Preeident Samuel Ferguson of by the society imtil it dies a Moscow, Dec. 1.— (AP)—Ninety WiDie Sharkey, Acquitted of Hugh S. Johnson today told news the Manchester EHectrlc Company, natural death. -
Humanity in Doubt
HUMANITY IN DOUBT REFLECTIONS AND ESSAYS Philip Weiss HUMANITY IN DOUBT HUMANITY IN DOUBT: REFLECTIONS AND ESSAYS Collection copyright © 2007 by Philip Weiss All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information and retrieval system know known or to be invented, without the permission in writing from the publisher, except by a reviewer who may quote brief passages in review. National Library of Canada Cataloguing in Publication Weiss, Philip Humanity in DoubtlPhilip Weiss. Includes index. ISBN 978-0-9784713-0-9 1. 2. I. Title. Printed and bound in Canada First Edition To the vibrant Jewish community ofDrohobycz, Poland, that was, but is no more To my loved parents Solomon David and Cilia Weiss To my beloved wife Gertrude Weiss To my precious daughters Francie Winograd, Shelley Weiss and Beverly Schwartz To my dearest brother, Leo Weiss, and sister, Erna Kimmel, my soulmates and witnesses to the world gone mad To my most cherished gran children, Abby, Jill, and Richard Winograd; Evan and Erin Laroque, Michael and Lainie Schwartz, With Hope for a Peacefol and Tolerant Future CONTENTS INTRODUCTION ............................................................... 11 ACKNOWLEDGMENT ............................................ , ............. 13 I. PERSONAL ODYSSEY My SPIRITUAL JoURNEY ................................. '" ................ 17 INTERVIEW ..................................................................... 51 II. EVIL TAKES ROOT THE VANISHED WORLD: THE GLORY AND DESTRUCTION OF POLISH JEWRy ..........................................................................71 THE VANISHED WORLD PART II: POLES AND JEWS, THEN AND Now .. 85 THE TRAVAILS, TRIUMPHS AND TRAGEDY OF GERMAN JEWRY ....... 99 THE CONDEMNED MASTERS OF THE GHETTOS ... '" ................... 125 POETRY OUT OF THE AsHES SMOKE ....................................................................... -
Heart of Darkness (Paginated)
Heart of Darkness (paginated) Heart of Darkness Conrad, Joseph, 1857-1924 Electronic Text Center, University of Virginia Library All on-line databases About the electronic version Heart of Darkness Conrad, Joseph, 1857-1924 Creation of machine-readable version: Judy Boss Conversion to TEI-conformant markup: University of Virginia Library Electronic Text Center ca. 225 kilobytes -- rounded up to the nearest 5KB Publisher: Charlottesville, Va. Copyright 1999, by the Rector and Visitors of the University of Virginia http://etext.lib.virginia.edu/ Commercial use prohibited; all usage governed by our Conditions of Use:http://etext.lib.virginia.edu/conditions.html 1993 About the print version Heart of Darkness Joseph Conrad Note: Checked against the Signet Classics reprint: New American Library spell-check and verification made against printed text using WordPerfect spell checker Published: 1902 Revisions to the electronic version http://chss.montclair.edu/english/furr/i2l/hod-uva.html (1 of 54) [4/5/2004 7:59:47 AM] Heart of Darkness (paginated) October 1992 corrector David SeamanSpellchecked; unambiguous line-end hyphenation removed; basic TEI tagging; paginated to the Signet Classic edition, based on source information supplied by Judy Boss. [email protected]. Commercial use prohibited; all usage governed by our Conditions of Use: http://etext.lib.virginia.edu/conditions.html Page 65 The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. -
The Duel Conrad, Joseph
The Duel Conrad, Joseph Published: 1908 Categorie(s): Fiction, Short Stories, War & Military Source: http://www.gutenberg.org 1 About Conrad: Joseph Conrad (born Teodor Józef Konrad Korzeniowski, 3 December 1857 – 3 August 1924) was a Polish-born novelist. Some of his works have been labelled romantic: Conrad's sup- posed "romanticism" is heavily imbued with irony and a fine sense of man's capacity for self-deception. Many critics regard Conrad as an important forerunner of Modernist literature. Conrad's narrative style and anti-heroic characters have influ- enced many writers, including Ernest Hemingway, D.H. Lawrence, Graham Greene, Joseph Heller and Jerzy Kosiński, as well as inspiring such films as Apocalypse Now (which was drawn from Conrad's Heart of Darkness). Source: Wikipedia Also available on Feedbooks for Conrad: • Heart of Darkness (1902) • Lord Jim (1900) • The Secret Agent (1907) • A Personal Record (1912) • Nostromo: A Tale of the Seaboard (1904) • The Nigger of the 'Narcissus' (1897) • An Outpost of Progress (1896) • The Lagoon (1897) • The Informer (1906) • Under Western Eyes (1911) Copyright: This work is available for countries where copy- right is Life+70 and in the USA. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 Napoleon I., whose career had the quality of a duel against the whole of Europe, disliked duelling between the officers of his army. The great military emperor was not a swashbuckler, and had little respect for tradition. Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. -
Ewa Kujawska-Lis (Pseudo)Polonisms in Joseph Conrad's Amy Foster and Prince Roman and Their Polish Translations
Ewa Kujawska-Lis (Pseudo)Polonisms in Joseph Conrad’s Amy Foster and Prince Roman and Their Polish Translations Acta Neophilologica 14/1, 5-17 2012 UWM(Pseudo)Polonisms Olsztyn in Joseph Conrad’s Amy Foster and PrinceActa Roman Neophilologica, and Their Polish XIV Translations (1), 20125 ISSN 1509-1619 JĘZYKOZNAWSTWO I GLOTTODYDAKTYKA Ewa Kujawska-Lis Katedra Filologii Angielskiej Uniwersytet Warmińsko-Mazurski w Olsztynie (PSEUDO)POLONISMS IN JOSEPH CONRAD’S AMY FOSTER AND PRINCE ROMAN AND THEIR POLISH TRANSLATIONS Key words: literary translation, calques, cultural setting, bilingualism, Conrad Joseph Conrad’s linguistic background is rooted in at least three different en- vironments, namely Polish, being his mother tongue, French, the first foreign lan- guage that he acquired proficiency in, and English, the second foreign language that he learned and the language of his oeuvre. These linguistic and cultural di- versities and their outcomes have been of keen interests to scholars, readers and reviewers. Conrad’s mastery in acquiring English as a foreign language was ap- preciated from the beginning of his writing career, as testified to, among others, by an anonymous reviewer who stated in 1904: Essentially a stylist in English, it is only to him a borrowed language [...]. I can think of no other instance of a foreigner learning to write English as Mr. Conrad writes it, while certainly few native writers have anything approaching his veneration for its beauties and its possibilities. [...] In a real sense he is an artist in words [“Academy”, 20 II 1904, in: Sherry 1973: 162–163]. In 1917, the reviewer of The Arrow of Gold reflected on the quality of its author’s language as follows: it should be admired, if only for the gentle and valuable persistence with which Mr. -
6. Nostromo and the Mechanics of History
6. Nostromo and the Mechanics of History The process of history becomes Nostromo’s dominant theme through Conrad’s narrative strategies concerning time, place, and characters. Despite its title the focus of Nostromo is not on a particular figure but on a whole country, the fictional South American state Costaguana. Although the central action of the novel – the events leading up to the foundation of the Occidental Republic – spans just a few days in 1890 (cf. Watts, Nostromo 61-66), there are countless references to the past as far back as the Spanish Conquest in the sixteenth and seventeenth centuries and to about ten years to the future of the secession of Sulaco from Costaguana. Conrad’s use of such a large time-scale enables him to give the reader multiple perspectives of the main events. He can zoom in on the characters involved in the War of Separation but he can show at the same time that this upheaval is just one of many similar ones that have occurred in the past and will occur again in the future. Not only the treatment of time and place thus draws attention to the process of history but also the social panorama that is presented. In the course of the narrative we come across representatives of numerous classes and ethnic groups that constitute the society of the country. This enormous canvas facilitates the identification of the characters with a certain social class and/or ethnic group and allows for the action of the novel to be analysed in abstract political and historical terms. -
Pólemos Journal of Law, Literature and Culture
2019!·!VOLUME 13!·!ISSUE 2 PÓLEMOS JOURNAL OF LAW, LITERATURE AND CULTURE MANAGING EDITORS Assoc Prof Cristina Costantini, Prof Daniela Carpi, Foreign Languages, Jurisprudence, Perugia and Literatures, Verona Assoc Prof Sidia Fiorato, Foreign Prof William MacNeil, Law & Justice, Languages, and Literatures, Verona Southern Cross (Australia) Mme Justice Hon Jeanne Gaakeer, Professor of Legal Theory, School of ADVISORY EDITORS Law, Erasmus U, Rotterdam, Justice Prof PG Monateri, Law, Sciences PO, in the Appellate Court of The Hague Paris & Comparative Law, Turin (Criminal Law Section) Prof Ian Ward, Law, Newcastle (UK) Prof Peter Goodrich, Benjamin N Cardozo School of Law, Yeshiva University ASSISTANT EDITORS Prof Desmond Manderson, College of Dr Valentina Adami, English Language Law and College of the Humanities, and Literature, Verona Australian National University Dr Cristy Clark, Law & Justice, Assoc Prof John Page, Law & Justice, Southern Cross (Australia) Southern Cross (Australia) Dr Raffaele Cutolo, English Language Prof Renata Salecl, Law, Birkbeck & and Literature, Verona Criminology, Ljubljana Mr Jonathan Harlen, Law & Justice, Prof Austin Sarat, Law, Jurisprudence Southern Cross (Australia) and Social Thought and Political Science, Amherst College, Amherst, ADVISORY BOARD Massachusetts, USA Prof Michele Bratcher-Goodwin, Law, Prof Alison Young, Social and Political UC Irvine Sciences, University of Melbourne, Assoc Prof Chiara Battisti, Foreign Melbourne, Australia, Languages, and Literatures, Verona Prof Fulvio Cortese, Jurisprudence, -
Title: Joseph Conrad's a Personal Record: an Anti-Confessional Autobiography
Title: Joseph Conrad's A Personal Record: An Anti-confessional Autobiography Author: Agnieszka Adamowicz-Pośpiech Citation style: Adamowicz-Pośpiech Agnieszka. (2008). Joseph Conrad's A Personal Record: An Anti-confessional Autobiography. W: W. Kalaga, M. Kubisz, J. Mydla (eds.), "Repetition and recycling in literary and cultural dialogues" (S. 87-98). Częstochowa: Wydawnictwo Wyższej Szkoły Lingwistycznej. Agnieszka Adamowicz-Pośpiech University of Silesia JOSEPH CONRAD’S A PERSONAL RECORD'. AN ANTI-CONFESSIONAL AUTOBIOGRAPHY? Joseph Conrad, as a well-known novelist, commencing to pen reminis cences about the beginnings of his nautical career and his first steps as an English writer, faced an essential dilemma.1 On one hand, the need to order and make meaningful the decisions and events from his past was so com pelling that it urged the writer to create his memoirs; on the other, Conrad’s distrust of direct confession, unequivocal externalization of his intimate “self’ made him choose the literary form of loose remembrances based on apparently chaotic associations referring to people and events from the past. The result was a collection of seemingly disconnected vignettes portraying different episodes from the author’s days of yore. The aim of this paper is firstly, to establish to what extent Conrad’s volume, A Personal Record, is an autobiography, secondly, to consider whether it is possible to create an anti confessional autobiography, and last but not least, to disclose the techniques that Conrad uses to reduce the confessional