A Bibliography of Books, Pamphlets, and Broadsides About Joseph Conrad
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“He Was One of Us” – Joseph Conrad As a Home Army Author
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 17–29 doi: 0.4467/20843941YC.18.002.11237 “HE WAS ONE OF US” – JOSEPH CONRAD AS A HOME ARMY AUTHOR Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of this article is to show how Conrad’s fiction (and above all the novelLord Jim) influenced the formation of the ethical attitudes and standards of the members of the Polish Home Army, which was the largest underground army in Nazi-occupied Europe. The core of this army was largely made up of young people who had been born around the year 1920 (i.e. after Poland had regained her independence in 1918) and who had had the opportunity to become acquainted with Conrad’s books during the interwar years. During the wartime occupation, Conrad became the fa- vourite author of those who were actively engaged in fighting the Nazi regime, familiarizing young conspirators with the ethics of honour—the conviction that fighting in a just cause was a reward in itself, regardless of the outcome. The views of this generation of soldiers have been recorded by the writers who were among them: Jan Józef Szczepański, Andrzej Braun and Leszek Prorok. Keywords: Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising 1 In order to fully understand the extraordinary role that Joseph Conrad’s novels played in forming the ethical attitudes and standards of those Poles who fought in the Home Army—which was the largest underground resistance army in Nazi-occupied Europe—we must go back to the interwar years, during which most of the members of the generation that was to form the core of the Home Army were born, for it was then that their personalities were formed and—perhaps above all—it was then that they acquired the particular ethos that they had in common. -
Who Put Kurtz on the Congo? Harry White, Irving L
Who Put Kurtz on the Congo? Harry White, Irving L. Finston Conradiana, Volume 42, Number 1-2, Spring/Summer 2010, pp. 81-92 (Article) Published by Texas Tech University Press DOI: https://doi.org/10.1353/cnd.2010.0010 For additional information about this article https://muse.jhu.edu/article/452495 Access provided at 9 Oct 2019 05:10 GMT from USP-Universidade de São Paulo Who Put Kurtz on the Congo? HARRYWHITEANDIRVINGL.FINSTON Our article included in this issue, “The Two River Narratives in ‘Heart of Darkness,’” showed that Joseph Conrad imagined Kurtz’s Inner Station to be located on the Kasai River and not on the Congo as has been gener- ally assumed. We now ask how one of the most important, influential, and widely read and studied works of modern fiction has been so con- sistently and unquestioningly misread for so long on such a basic level. In what follows we show that something akin to a cover-up was initi- ated by the author regarding the location and direction of Charlie Mar- low’s voyage. We will then reveal the primary source for many of the current interpretations and misinterpretations of “Heart of Darkness” by showing how one very influential scholar was the first to place Kurtz’s station on the wrong river. Nowhere in any of his writings did Conrad report that Marlow’s venture into the heart of darkness followed his own voyage from Stan- ley Pool to Stanley Falls. Nowhere in “Heart of Darkness” does it say that Marlow voyages up the Congo to find Kurtz. -
Xerox University Microfilms
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Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 11-2003 A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Sharon Crozier-De Rosa University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Crozier-De Rosa, Sharon, "A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914" (2003). Faculty of Law, Humanities and the Arts - Papers. 1593. https://ro.uow.edu.au/lhapapers/1593 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Novel Approach to History: Arnold Bennett, Marie Corelli and the Interior Lives of Single Middle-Class Women, England, 1880-1914 Abstract There are many ‘gaps’ or ‘silences’1 in women’s history – especially in relation to their interior lives. Historians seeking to penetrate the thoughts and emotions of ‘ordinary’ single middle-class women living during the Late Victorian and Edwardian years have a challenging task. These women rarely left personal documents for historians to analyse. Novels, particularly popular or bestselling novels, represent one pathway into this realm. Popular novels are numbered among the few written sources that are available to help historians to fill in some of the absences in the conventional historical record. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
Mathematics and Science: Last Essays
HENRI POINCARE Mathematics and Science: Last Essays (Dernieres Pensees) Translated from the French by JOHN W. BOLDUC State Teachers College at Westfield, Massachusetts Dover Publications, Inc., New York Copyright 1963 by Dover Publications, Inc Origmally published in French under the title of Demises Pensdes, copyright (P) 1913 by Ernest Flammanon All rights reserved under Pan American and Inter national Copyright Conventions. Published simultaneously in Canada by McClelland and Stewart, Ltd. Published in the United Kingdom by Constable and Company Limited, 10 Change Stieet, London, W.C.2. This Dover edition, firsL published in 1963, is a new English translation of the first edition of Demises Fences, published by Ernest Flammanon in 1913. This English translation is published by special arrangement with Ernest Flammarion. Library of Congress Catalog Card Number: 63-31678 Manufactured in the United Stales of America Dover Publications, Inc, i So Varick Street New York 14, N.Y. TRANSLATOR'S NOTE Just as the poet must seek the appropriate word to convey an idea with sufficient vigor and yet obtain the cadence and rhyme necessary for the finished product, so also the translator must achieve the proper expression in one language to convey accurately and with equal vigor the author's ideas as expressed in his original language. In this process the languages in the translator's mind tend to lose their identity and one language easily assumes the idiosyncrasies of the other. I am therefore particularly grateful to Dr. Wallace L. Goldstein for his assistance in indicating flaws in grammatical constructions which would have resulted from the merging of the two languages. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no. -
Ships and Sailors in Early Twentieth-Century Maritime Fiction
In the Wake of Conrad: Ships and Sailors in Early Twentieth-Century Maritime Fiction Alexandra Caroline Phillips BA (Hons) Cardiff University, MA King’s College, London A Thesis Submitted for the Degree of Doctor of Philosophy Cardiff University 30 March 2015 1 Table of Contents Abstract 3 Acknowledgements 4 Introduction - Contexts and Tradition 5 The Transition from Sail to Steam 6 The Maritime Fiction Tradition 12 The Changing Nature of the Sea Story in the Twentieth Century 19 PART ONE Chapter 1 - Re-Reading Conrad and Maritime Fiction: A Critical Review 23 The Early Critical Reception of Conrad’s Maritime Texts 24 Achievement and Decline: Re-evaluations of Conrad 28 Seaman and Author: Psychological and Biographical Approaches 30 Maritime Author / Political Novelist 37 New Readings of Conrad and the Maritime Fiction Tradition 41 Chapter 2 - Sail Versus Steam in the Novels of Joseph Conrad Introduction: Assessing Conrad in the Era of Steam 51 Seamanship and the Sailing Ship: The Nigger of the ‘Narcissus’ 54 Lord Jim, Steam Power, and the Lost Art of Seamanship 63 Chance: The Captain’s Wife and the Crisis in Sail 73 Looking back from Steam to Sail in The Shadow-Line 82 Romance: The Joseph Conrad / Ford Madox Ford Collaboration 90 2 PART TWO Chapter 3 - A Return to the Past: Maritime Adventures and Pirate Tales Introduction: The Making of Myths 101 The Seduction of Silver: Defoe, Stevenson and the Tradition of Pirate Adventures 102 Sir Arthur Conan Doyle and the Tales of Captain Sharkey 111 Pirates and Petticoats in F. Tennyson Jesse’s -
6. Nostromo and the Mechanics of History
6. Nostromo and the Mechanics of History The process of history becomes Nostromo’s dominant theme through Conrad’s narrative strategies concerning time, place, and characters. Despite its title the focus of Nostromo is not on a particular figure but on a whole country, the fictional South American state Costaguana. Although the central action of the novel – the events leading up to the foundation of the Occidental Republic – spans just a few days in 1890 (cf. Watts, Nostromo 61-66), there are countless references to the past as far back as the Spanish Conquest in the sixteenth and seventeenth centuries and to about ten years to the future of the secession of Sulaco from Costaguana. Conrad’s use of such a large time-scale enables him to give the reader multiple perspectives of the main events. He can zoom in on the characters involved in the War of Separation but he can show at the same time that this upheaval is just one of many similar ones that have occurred in the past and will occur again in the future. Not only the treatment of time and place thus draws attention to the process of history but also the social panorama that is presented. In the course of the narrative we come across representatives of numerous classes and ethnic groups that constitute the society of the country. This enormous canvas facilitates the identification of the characters with a certain social class and/or ethnic group and allows for the action of the novel to be analysed in abstract political and historical terms. -
Arnold Bennett, Transport and Urban Development
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Hudson, Brian (2016) Arnold Bennett, transport and urban development. Geography, 101(2), pp. 85-92. This file was downloaded from: https://eprints.qut.edu.au/98529/ c Copyright 2016 Geographical Association This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.geography.org.uk/ Journals/ Journals.asp?articleID=1418 ARNOLD BENNETT, TRANSPORT AND URBAN DEVELOPMENT Brian J Hudson ABSTRACT: Literary geography, pioneered in the first half of the twentieth century, is now a well-established field of research. -
The Real Cinema of Malaysia
SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA a SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA CONTENTS IN-CONVERSATION WITH PHILIP CHEAH 4 WELCOME PROFESSOR HERMAN VAN EYKEN 6 OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA DR NICO MEISSNER 11 IT’S BEEN A LONG TIME COMING!! TEN QUESTIONS WED 28 SEPTEMBER, 4-6PM WITH U-WEI BIN HAJI SAARI… Philip Cheah & U-Wei Haji Saari on AND THEN SOME… Local Storytelling in Films PHILIP CHEAH 16 JOGHO 18 NOVA (TERBAIK DARI LANGIT) 20 JAGAT 22 THE SHORT FILMS OF EDMUND YEOH WED 5 OCTOBER, 12-1PM 24 BUNOHAN Nandita Solomon & Philip Cheah on Working Across Borders: multi-national 26 MEN WHO SAVE THE WORLD crews and international festival journeys (LELAKI HARAPAN DUNIA) THURS 6 OCTOBER, 1-4PM 28 MALAYSIAN NON-FICTION: Philip Cheah & Nandita Solomon on A SHORT PROGRAM Making Shorts/Features for Festivals (Philip) and Building Careers in the film 32 ACKNOWLEDGEMENTS business (Nandita) SHOWCASE CINEMA MALAYSIA JOGHO (1999) BUNOHAN (2011) U-WEI HAJI SAARI DAIN SAID 94 MINUTES 97 MINUTES SCREENING: SCREENING: 28 SEPTEMBER, 6–8PM 5 OCTOBER, 6–8PM NOVA (TERBAIK DARI MEN WHO SAVE THE LANGIT, 2014) WORLD (LELAKI NIK AMIR MUSTAPHA HARAPAN DUNIA, 2014) 109 MINUTES SENG TAT LIEW SCREENING: 97 MINUTES 30 SEPTEMBER, 4–6PM SCREENING: 6 OCTOBER, 6–8PM JAGAT (2015) SHANJHEY KUMAR PERUMAL MALAYSIAN NON- 90 MINUTES FICTION: A SHORT SCREENING: PROGRAM 4 OCTOBER, 6–8PM MULTIPLE DIRECTORS 85 MINUTES THE SHORT FILMS OF SCREENING: EDMUND YEOH 10 OCTOBER, 9–11AM EDMUND YEOH SCREENING: 5 OCTOBER, 10AM–12PM SELAMAT DATANG! “Cinema is all about Identity” Lord David Puttnam, Griffith Film School, Brisbane, Autumn 2015 Welcome to our last but not least effort between tradition and modernity, the current to understand yet another great Cinema training needs and other very substantial Showcase, our vehicle for Screen Culture: government incentives to bring Malaysia Of Identity and Vibrancy, the Real Cinema of up to speed with the other ‘rich’ and high Malaysia. -
Abraham Fabert, Governor of Sedan
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA RIVERSIDE Ex Libris C. K. OGDEN '/ ABRAHAM FABERT. r MARSHAL PABERT l-miii a prim in the U>itish Mint inn. PAINTED BY L.FERDINAND ENORAVfcD BY C F. POILLY. ABRAHAM FABERT GOVERNOR OF SEDAN: MARSHAL OF FRANCE THE FIRST WHO ROSE FROM THE RANKS nm LIFE AND TIMES 1599—1662 By GEORGE HOOPER AUTHOR OP 'WATKRLOO: THE DOWNFALL OF THE FIRST NAPOLEON," " THB CAMPAIGN OF SKDAN, "WELLINGTON," ETC. " His name <a great example stands, to show How strangely high endeavours may be blessed, Where Piety and Valour jointly go."— Dryden ^ith It Portrait LONDON LONGMANS, GREEN, AND CO. AND NEW YORK : 15 EAST IGth STREET 1892 [All riyltts j-csirved] Richard Clay & Sons, Limitkp, London & Bitnqay. AUTHOE'8 PIIEFACE. Who was Abraham Fabert, and why should an account of him be written in English ? The biography now offered to the public had this natural origin. Many years ago, while travelling for rest and recre- ation, the author picked up at an Edinburgh book-stall a copy of the Vie de Fahert par le Pere Barre, and read it for amusement. Until then he knew no more of Fabert than this—that he was a Marshal of France whose statue he had seen at Metz, that his name figures in the Appendix to Voltaire's Steele de Louis XIV., and that it was mentioned here and there by other historians. The two little brown volumes of the Canon of St. Genevieve, however, disclosed the character of a man, so difteront in many respects from that of the French soldiers of his time, that the author was led to push his inquiries farther and deeper ; and thus he came to admire, and felt constrained to write out his estimate of the adventures, attainments, and high qualities of this Fabert.