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Introduction 1 Literature and Fascination Notes Introduction 1. S –– (1890), 2. Quoted from Connor (1998), 12. 2. This is confirmed by the recent proliferation of popular manuals on the art of fascination, for example Hogshead (2010). 3. Mitchell (2005), 36. 4. See Albrecht (2009), Werckmeister (2005), McCance (2004). 5. See Baumbach et al. (2012), Neumann and Nünning (2012). 6. Yeats, ‘The Fascination of What’s Difficult’ (1912). 7. See Pearson (1999), Littau (2006). 8. Taylor (1990), 27 and 29. 9. See esp. Hahnemann and Weyand (2009a) and Seeber (2010a, 2012). 10. Bredekamp (2010). 1 Literature and Fascination 1. This distinction has already been suggested by Seeber (2012), 12. 2. Blanchot (1982), 32. 3. See Hahnemann and Weyand (2009b), 30. 4. See esp. Hogan (2003), Herman (2011, 2003), Stockwell (2002) and Palmer (2004). 5. See Lakoff and Johnson (1999). 6. Gumbrecht (2008b), 215–16. 7. See Holtz (1984) or Moore and Larkin (2006). 8. Hahnemann and Weyand (2009a). 9. See Degen (2009), Hippe (2009), Seeber (2009). 10. Seeber (2010a), also (2012, 2010b, 2009, 2007, 2004). 11. Bredekamp (2010). 12. See Elkins (1998), Lacan (1977), 65–119. 13. See Chapter 1 ‘Of magic, love and envy’. 14. See Chapters 3 ‘The fascination with representation’ and 6 ‘The fascination with terror’ respectively. 15. See Lurie (2006), Harris (2007). 16. See Elleström (2010). 17. See Kress and Van Leuven (1996), Mitchell (2005). 18. See Hjort and Laver (1997). 19. See Arm strong (2001), Cohn (2008), van Al phen (2005) and Funch (1997). 20. See Bogh et al. (2010), Gumbrecht and Marrinan (2003). 21. Gell (1998), esp. 12–27, also Freedberg (1989), Osborne and Tanner (2007). 22. See Kosslyn (2006), Es rock (1994), Findlay (2003), Benson (1993). 23. See Burggraeve et al. (2003). 24. See Weber (1968), also Jaeger (2012). 25. Lyotard (1984), 21; also Gomart and Hennion (1999). 26. See Burns (2009). 27. See Naremore and Brantlinger (1991). 255 256 Notes to Chapter 1 28. See Žižek (1992). 29. See Linfield (2010), Birkenstein et al. (2010), Monahan (2010), and Goldstein (1998). 30. See Costello and Willsdon (2008), Glowacka and Boos (2002) and Hughes (2010). 31. See Landy and Saler (2009), During (2002). 32. See Feagin (1992), Silvia and Brown (2007). 33. See Alt (2010), Eagleton (2010). 34. See Todorov (1975), von Mücke (2003). 35. See Häring and Tracy (1998). 36. See Jaeger (2012), also Hoffmann and Whyte (2011), Morley (2010), Shaw (2006), Kirwan (2005). 37. See Seeber (2007). 38. See Arnheim (2004), Higgins (2002) and Eco (2007). 39. See Burggraeve et al. (2003). 40. See Carroll (1990), Heller (1987). 41. See Borgmeier and Wenzel (2001), Vorderer et al. (1996) and Bloom et al. (1988). 42. See Moretti (1983), 83–108. 43. See esp. Willis and Wynne (2006), DeLong (2012), Winter (1998), Kaplan (1975) and Tatar (1978). 44. See Gilmore (2004). 45. Rudy (2009). 46. See esp. Mildorf et al. (2006), Schenkel and Welz (1999), Thurschwell (2001). 47. See Sher (2004), Rouget (1985). 48. See Gaderer (2007). 49. See Grabes (1982), Mundkur (1983), also Hollander (1995) and Seppänen (2006). 50. See Hanson and O’Rawe (2010), Rummel (2008), Binias (2007), Menon (2006), Stott (1992), Hallissy (1987), Dijkstra (1986) and Auerbach (1982). 51. See Bernstock (1991), Segal (1993), Spaas (2000), Garber and Vickers (2003), Wilk (2000) and Siebers (2000). 52. See Heinrich (1995), 12–17. 53. Mitchell (1994), 78. 54. See Albrecht (2009). 55. DeLong (2012), 101. 56. See Horlacher et al. (2010). 57. See Jaeger (2012), Landy and Saler (2009), Gell (1992) and Hanegraaf (2003). 58. Dixon (1994), also Casetti (1998) and Coates (1991). 59. Carroll (1990). 60. Hills (2005). 61. See Gumbrecht (2004). 62. Pollock (1999), 17–18. 63. Blanchot (1982), 33. 64. See Gumbrecht (2011) and (2008b). 65. See Staiger (1951), 63. 66. Gumbrecht (2008b), 215–16. 67. See ibid., 216. 68. Gumbrecht (2006), 16. 69. See Wellbery (2003). 70. Gumbrecht (2008b), 220. 71. Ibid. 72. Gumbrecht (2011), 71. Notes to Chapter 1 257 73. Blanchot (1982), 32–3. 74. Hogan (2011), also Vermeule (2010), Zunshine (2006) and Herman (2003). 75. See Phelan (2006), Gerrig and Egidi (2003), Gerrig (1993), Nell (1988) and Oatley (2002). 76. Bortolussi and Dixon (2003), 2. 77. See Hogan (2003), esp. 140–1. 78. See Oatley (1992), 3. 79. See Chapter 1 ‘Of magic, love and envy’. 80. Emotions and affect are used synonymously in this study since the use of the term ‘emotion’ today embraces the terms ‘affect’ and ‘affective’. See Oatley (2004), 3. 81. Even though they are very much distinct from each other, fascination and fear share some common ground: they are both emotional reactions that increase our attentional focus and, as a result, frequently interlinked, as for instance by Münkler (1997). 82. Oatley (2004), 90 and 4. 83. Ibid., 4. 84. Ibid., 90. 85. See Johnson-Laird and Oatley (1989). 86. Oatley (1992), 19. 87. Connor (1998), 12. 88. Ibid. 89. Ibid., 21. 90. See Hogan (2003), 148. 91. See Carroll (1990). 92. Tan (1996), 98. 93. Hogan (2003), 149. 94. Seeber (2006), 229. 95. Hogan (2003), 152. 96. Ibid., 172. 97. Ibid., 152. Hogan, however, refers to this crash in a different context. 98. Ibid., 173. 99. Oatley (2011), 819–20. 100. See Ishizu and Zeki (2011), Zeki (2009); on attention see Posner (1990), Corbetta and Shulman (2002) and Heijden (2004). 101. Hogan (2003), 166. 102. Ibid., 167. 103. See ibid., 185. 104. Ibid., 186. 105. Ibid., 187. 106. Oatley (2004), 96. 107. Izard (1977), 85. 108. Hogan (2003), 173. 109. Ibid., 171–3. 110. See Budick and Iser (1987). 111. Arvidson (2006), 164. 112. See Levinas (1969), 213. 113. Harris (2003), 17 and 15. 114. Hogan (2003), 12. 115. See Ryan (1992, 2003), Eco (1994), 99. 258 Notes to Chapter 1 116. See Ryan (2004). 117. See Bal (1997), 64. 118. Herman (2009), also Nünning et al. (2010). 119. See Turner (1996). 120. Bender (1987), 1. 121. See Zillmann (1988). 122. Fradenburg (2002), 69. 123. See Drügh (2001). 124. Phelan (2006), 300. 125. Rosenwein (2006). 126. Carroll (1990). 127. Hogan (2003), 187. 128. Gumbrecht (2006), 151–2. 129. See Chapter 1 ‘Of magic, love and envy’. 130. Fludernik (1996), 12. 131. See Carroll (2001a), 22. 132. Seeber (2006), 230. 133. Genette (1980 [1972]), 186. 134. Bal (1997), 64. 135. Fludernik and Olson (2011), 3. See also Nünning (2005). 136. Abbas (1989), 51. 137. Nishimata (2008), 28. 138. With the exception of Felski’s definition of ‘shock’, which verges on the concept of fascination. Distinguishing it from ‘enchantment’, which she describes as the pleasurable experience of total, self-forgetting immersion in a text, Felski understands ‘shock’ as a profoundly ‘paradoxical allure’ (Felski [2008], 134). 139. See Bloom et al. (1988). 140. Elkins (1998), 48. 141. Prince (2003 [1987]), 61. 142. See Kintsch (1998). 143. See Chapter 1 ‘Fascination, myth and medusamorphoses’. 144. This investment connects to the activation of gap-filling activities, as described by Iser (1980). 145. See Chapter 4. 146. Hogan (2003), 185. 147. See Massey (2009), esp. 93–132. 148. Stevenson, ‘A Gossip on Romance’, 139. 149. See Seeber (2012), 114. 150. See Moog-Grünewald (2001), 2–3. 151. See Homer, The Iliad, XVIII.462–613. 152. Ibid., XVIII.590–606. 153. See Stanley (1993), esp. 9–13. 154. See Girard (2000 [1991]), 22. 155. Benjamin (1969), 188. Insofar as aura, for Benjamin, is ‘the unique manifesta- tion of a distance’ of the art object, which ultimately remains inapproachable (ibid., 148), the concept ultimately differs from fascination, which arises from the tension between proximity and distance. They connect, however, in the context of the returned gaze. 156. For Jaeger, the reciprocal gaze is a key element of ‘charismatic painting’ (2012: 200). Notes to Chapter 1 259 157. Homer, Odyssey, XIII.1–2. 158. Nell (1988), 48. 159. Jaeger (2012), 215. 160. Ibid., 11. See Chapter 1 ‘Of magic, love and envy’. 161. Jaeger (2012), 216. 162. See ibid., 220. 163. Ibid., 223. 164. Ibid. 165. See Fournier (2005). 166. Dabney (1980), 167–8. 167. See Pearson (1999). 168. Green et al. (2002). 169. See Alcorn (1994), 12. 170. See Sarbin (1982), 176. 171. Nell (2002), 17. 172. Ibid. 173. Ibid., 17–18. 174. Nell (1988), 201. 175. See LeDoux (1996), 69. 176. Solomon (2006), 143–4. Though Solomon lists fascination among other intense emotions which exceed the control of the will, he does not further enlarge on its nature or mechanisms. 177. Felski (2008), 54. 178. See Bennett (2001). 179. Felski (2008), 54. 180. Miller (2002), 21. 181. Felski (2008), 62. 182. Oxford English Dictionary, ‘fascination’, 1–3. 183. See Valpy (1828), 148. A detailed account of the etymology of ‘fascination’ is provided in Johann Christian Frommann’s Tractatus de Fascinatione (1675). 184. Oxford English Dictionary, ‘fascination’, 1. 185. Story (2003 [1877]), 149. 186. See Hahnemann and Weyand (2009b), 30. 187. Jolly et al. (2002), 22. 188. Ibid., 13. 189. Gumbrecht (2008a), 3. 190. Ibid. 191. Luther, Table Talk no. 2982b, in: Luther’s Works, 188. See Kors and Peters (2001), 262. 192. See Plutarch, Symposium, v.7, 680c. 193. For the evil eye tradition, see Siebers (2000), Rakoczy (1996), Dundes (1992 [1981]), Maloney (1976), Gifford (1958) and Elworthy (1895). 194. See Pliny, Natural History, VIII.32; 281–2. 195. See M. Baumbach (2010), Sammer (1998). 196. Spenser, Fairie Queene, IV.39. 197. Ripa, Iconologia, 47. 198. See Chapter 2 ‘The theatre of infection’. 199. Story (2003 [1877]), 155–6. 200. See Kors and Peters (2001), 176–7. 201. Kramer and Sprenger, Malleus Maleficarum, Part I, 1.2, 17. 260 Notes to Chapter 1 202. Ibid. 203. Delrio, Disquisitionum Magicarum Libri Sex, quoted from Elworthy (1895), 35–6. 204. Pliny, Natural History, VII.2; 127.
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