DOCSLIB.ORG

Sub-Regional Network Meeting on The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sub-Regional Network Meeting on The ISSN 2092-7959 Intangible Cultural Heritage Centre for Asia and the Pacific VOL.7 Sub-regional Network Meeting on the Safeguarding of Intangible Cultural Heritage in the Pacific ICH, Mirror of Cultural Identity CHA's New Administrator Shares Strategy for Multinational Nominations of ICH in the Pacific Region Choe, Kwang-shik (Administrator of the Cultural Heritage Administration) Pacific Asia Observatory for Cultural Diversity in Human Development). Professor Galla analysed Cultural heritage is a multinational nomination cases of the UNESCO priceless treasure and an asset which holds ICH Lists and provided his insight regarding the the prescience and meaning of nominations among the Pacific States. sprit of mankind. As He also raised the issue of the importance of intangible elements traditional agricultural skills in the Pacific, and how can be considered it is in danger of disappearance. the mirror of cultural In the second session, country reports identity, I must say The 2nd Sub-regional Network Meeting on the that its safeguarding Safeguarding of ICH in the Pacific (Photo by ICHCAP) illustrating the status of current ICH safeguarding efforts were presented by representatives from the ⓒYonhapnews Agency, ROK is one of the most he 2nd Sub-regional Network Meeting on Cook Islands (Ms Justina Nicholas), Fiji (Mr Simione significant tasks the Safeguarding of Intangible Cultural Tuimalega), PNG (Dr Jacob Simet), and Tonga (Ms needed to be carried out for the development of cultural heritage as a whole. Heritage (ICH) in the Pacific took place Pulupaki Ika). Participants shared information T When I recall my position as Director in Nuku’alofa, Tonga from 29 to 30 March 2011. concerning the safeguarding activities in each of the National Museum of Korea, I placed The meeting was co-organised by ICHCAP and country such as cultural mapping, documentation, much of my efforts in awareness-raising, the UNESCO National Commission for Tonga in and so on. These presentations provided a capacity-building and information-sharing for collaboration with the UNESCO Office for the Pacific better understanding of the current status of ICH safeguarding cultural heritage through various States in Apia and was designed in accordance with safeguarding in the Pacific. activities for the wide spread management the Action Plan which was adopted at the 1st Sub- During the discussion session, participants of museums. As the new Administrator of the regional meeting held in Fiji last year. raised several issues which they are currently Cultural Heritage Administration of Korea, I The meeting kicked off with an opening experiencing; above all, it was declared that will continue to put forth my utmost effort and speech by Hon Dr ‘Ana Maui Taufe ‘ulungaki, awareness raising among decision makers and the conviction towards enhancing the relationship between heritage and the public. To this end, I Minister of the Ministry of Education, Women general public is a priority in this field. However, plan to develop informational systems on ICH Affairs and Culture in Tonga. She welcomed all Pacific Islanders would like to approach the matter for a better understanding and accessibility for the participants to Tonga and highlighted the of safeguarding from the community’s point people all along the societal continuum, and importance of this meeting for the Pacific. of view, not only for the promotion of tourism. supporting effective safeguarding activities at In the first session, Dr Seong-Yong Park Participants also explored possible measures the national and international levels. (Executive Director, ICHCAP) delivered his keynote including the promotion of cultural festivals and The Intangible Cultural Heritage Centre speech where he briefly introduced ICHCAP’s multinational nominations to the UNESCO ICH Lists. for Asia and the Pacific was established by the activities and emphasised the importance of At the final session of the meeting, chaired government of the Republic of Korea for the information sharing and building a cooperative by Dr Park, participants developed and agreed to purpose of safeguarding the living heritage environment for the field of ICH. He also underlined the preparation of an Outcomes Document of the of humanity, based on the spirit of the 2003 UNESCO Convention. I am confident that the that ICHCAP would take a pivotal role in supporting meeting, along with a 5-year Strategy and Action Centre will play a key role in the promotion ICH safeguarding efforts in the Asia-Pacific. Plan for ICH Safeguarding in the Pacific. To briefly of international cooperation for safeguarding Ms Akatsuki Takahashi (Programme summarise, each Member State will promote the ICH which symbolises cultural identity and the Specialist, UNESCO Apia Office) also presented 2003 UNESCO Convention; increase awareness history of each society in the region through its a paper in which she pointed out key aspects and participation among Pacific Member States main functions of ‘information and networking’ of ICH from the 2003 UNESCO Convention of UNESCO in regards to information sharing and in this field. It is my hope that the readers of and recalled the current status of the Pacific networking of ICHCAP activities; prepare nominations this periodical send their interest and support region in relation to the implementation of the for the ICH Lists and the Register of UNESCO; and to the Centre so that we can further expand Convention. The next presentation was followed continue to update the draft Mid-term Strategy and with more interactive and inclusive activities for safeguarding ICH throughout the region. by Professor Amareswar Galla (Convener, Action Plan for ICH Safeguarding in the Pacific. 아태뉴스레터vol7.indd 1 2011-04-13 오전 9:19:42 ICH Issues Expert Network Meeting on an Integrated Approach to Tangible and Intangible Heritage in the Safeguarding of Cultural Heritage n 14 February, experts in the field of undistorted study when integrating tangible and Dr Seong-Yong Park, Executive Director of ICHCAP, cultural heritage discussed issues on an intangible cultural heritage. added that it should be also considered how to O 'Integrated Approach to Tangible and The practices on existing cultural heritage solve the political boundary between tangible Intangible Heritage in the Safeguarding of Cultural safeguarding which were raised at the meeting let and intangible heritage. Moreover, he highlighted Heritage' in Andong, South Korea. the participants know how cultural heritage has that communication and cooperation among This meeting was prepared as a preliminary focused on monuments and sites and provided government organisations, experts, communities, study to seek for a solution on integrated conser- an opportunity to broaden bias perspectives. Mr and local people are indispensable. Also, every vation and management of tangible and intangible Hee Woong Park, Deputy Director of CHA, pointed participant agreed that the integrated approach cultural heritage. The Intangible Cultural Heritage out that public officials and expert’s interest in should be based on each local society and each Centre for Asia and the Pacific (ICHCAP) and the the value of folk villages has been focused on community's respective situation. International Mask Arts and Culture Organization tangible elements, and argued that integrated As Professor Galla stated that the most (IMACO) participated in the meeting as management should be carried out for proper important thing for integration is harmony and coorganisers, while professor Amareswar Galla from transmission and conservation of cultural heritage. balance, it was reconfirmed that the solution of the the University of Queensland and domestic experts This shift in notion has already been promoted integrated approach starts from the fundamental from the Cultural Heritage Administration (CHA) in the museum field. Professor Jongho Choi from truth. Finally, the meeting was closed with Dr Park’s of Korea, National Research Institute of Cultural NUCH stated that museums are moving towards remarks emphasising that the centre of integration Heritage (NRICH), Korean National University of a new type of museum which cover intangible is people of a community and he hopes to continue Cultural Heritage (NUCH), and the Korea Cultural cultural heritage from relic exhibition. It has become this study with various entities of the ICH field. Heritage Foundation debated about an integrated an essential element to develop experience study approach to heritage safeguarding through programmes which are able to lead the visitor’s CONTENTS presentations and discussions. participation and satisfy their senses using tangible ICH Issues 01 Integration, which has become more popular and intangible heritage holistically. Director's Note in the 21st century, has continuously been Tangible and intangible cultural heritage is 02 discussed in the field of cultural heritage from the a complex body, and needless to say tangible Expert Remarks 03 1990s. With this effort, an integrated approach to heritage comes from intangible heritage. In this Windows to ICH 04 tangible and intangible heritage has partly been meeting, the participants gathered their opinions Field Report 08 attempted not only in the activities of cultural on how to connect both and keep the existing Inventory Making Efforts 10 heritage safeguarding, but also in the fields of intangible cultural heritage integrated with other ICHCAP Inside 12 museum and academic research. elements. Ms Kyoung Soon Hwang, researcher from
Load more

Recommended publications
  • Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO
    Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO 7 -9 July 2017 Tokyo, Japan Center for Glocal Studies (CGS), Seijo University and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Proceedings of the International Symposium on Glocal Perspectives on Intangible Cultural Heritage: Local Communities, Researchers, States and UNESCO 7 -9 July 2017 Tokyo, Japan Center for Glocal Studies (CGS), Seijo University and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Published by Center for Glocal Studies, Seijo University (CGS) Seijo 6-1-20, Setagaya-ku, Tokyo 157-8511, Japan E-mail: [email protected] website: http://www.seijo.ac.jp/research/glocal-center/ and International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) c/o Sakai City Museum, 2 Cho Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802 Japan E-mail: [email protected] website: http://www.irci.jp © Center for Glocal Studies, Seijo University (CGS) © International Research Centre for Intangible Cultural Heritage in the Asia-Pacifi c Region (IRCI) Published on 30 November, 2017 Contents Foreword Wataru IWAMOTO and Tomiyuki UESUGI ………………………………………………………ⅳ Welcome Remarks Junichi TOBE …………………………………………………………………………………… 3 Opening Remarks 1.Tomiyuki UESUGI ……………………………………………………………………………… 4 2 .Wataru IWAMOTO………………………………………………………………………………… 6 3.Tim CURTIS ………………………………………………………………………………………
    [Show full text]
  • Exploring Aspects of Korean Traditional Music in Young Jo Lee's
    EXPLORING ASPECTS OF KOREAN TRADITIONAL MUSIC IN YOUNG JO LEE’S PIANO HONZA NORI Jin Kim, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Adam Wodnicki, Major Professor Elvia Puccinelli, Committee Member Joseph Banowetz, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies John Murphy, Interim Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Kim, Jin. Exploring Aspects of Korean Traditional Music in Young Jo Lee’s Piano Honza Nori. Doctor of Musical Arts (Performance), August 2013, 29 pp., 4 tables, 9 figures, 13 musical examples, bibliography, 32 titles. Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 1943), have been internationally acclaimed for their work. In Western countries, however, there has been a scarcity of academic studies examining the artistry of the music of these Korean composers. Nonetheless, as one of today’s most recognized composers in Korea, Young Jo Lee has been invited to numerous international concerts, conferences, and festivals where his works have been played and discussed. A salient feature of his compositions is the fusion of Korean traditional music and the elements of Western compositions, such as in, for one distinctive example, his piano composition, Piano Honza Nori. This musical study describes and analyzes how Lee integrates Korean traditional elements with Western musical ideas in Piano Honza Nori. Results of this study will contribute to the limited literature on the analysis of contemporary piano composition that integrates Korean traditional elements.
    [Show full text]
  • The Concept of Self and the Other
    Tel Aviv University The Yolanda and David Katz Faculty of the Arts Department of Theatre Studies The Realm of the Other: Jesters, Gods, and Aliens in Shadowplay Thesis Submitted for the Degree of “Doctor of Philosophy” by Chu Fa Ching Ebert Submitted to the Senate of Tel Aviv University April 2004 This thesis was supervised by Prof. Jacob Raz TABLE OF CONTENTS TABLE OF ILLUSTRATIONS................................................................................................vi INTRODUCTION...................................................................................................................... 1 ACKNOWLEDGEMENTS ....................................................................................................... 7 I. THE CONCEPT OF SELF AND THE OTHER.................................................................... 10 Introduction ............................................................................................................................ 11 The Multiple Self .................................................................................................................... 12 Reversal Theory...................................................................................................................... 13 Contextual Theory ................................................................................................................. 14 Self in Cross‐Cultural Perspective ‐ The Concept of Jen................................................... 17 Self ..........................................................................................................................................
    [Show full text]
  • Yama, Hoko, Yatai, Float Festivals in Japan
    Yama, Hoko, Yatai, float festivals in Japan UNESCO inscribed “Yama, Hoko, Yatai, float festivals in Japan” on the representative list of intangible cultural heritage of humanity. A total of 33 float festivals from around Japan are included as a single entry on the UNESCO list, among them two previously inscribed festivals, the Gion Festival yamahoko parade and the Hitachi Furyumono, now part of the new listing. The Japanese government proposed the 33 float festivals not just because they are centuries-old traditions, but also for the role they play bringing together many members of the community and preserving the traditional crafts of carpentry, lacquer work and fabric dyeing. Much work by many people goes into making and maintaining, and preparing and parading the floats. Foreign Minister Fumio Kishida expressed his hope that more people would be interested in the various regions of Japan thanks to the inscription, explaining that while the 33 festivals of “Yama, Hoko, Yatai, float festivals in Japan” share common features, they have their own character, displaying many kinds of attractions of their region. © JNTO© Q. Sawami/ Probably the best known of the festivals in the joint inscription prefecture. Many are covered in lanterns for evening parades is Kyoto’s Gion Festival [top right]. The highlight of the festival is such as the Chichibu Night Festival in Saitama prefecture. the yamahoko parade. Japanese festivals often have their The largest of Japan’s festival floats are the Dekayama (‘giant origins in communities’ attempts to placate the gods or ask for mountains’) of the Seihaku Festival in Nanao city, Ishikawa their blessings.
    [Show full text]
  • BUNRAKU Puppet Theater Brings Old Japan to Life
    For more detailed information on Japanese government policy and other such matters, see the following home pages. Ministry of Foreign Affairs Website http://www.mofa.go.jp/ Web Japan http://web-japan.org/ BUNRAKU Puppet theater brings old Japan to life The puppet theater unraku is Japan’s professional puppet of the operators make the puppet characters stage B theater. Developed primarily in the 17th and their stories come alive on stage. The bunraku (puppet and 18th centuries, it is one of the four forms theater) stage is specially constructed of Japanese classical theater, the others being History of Bunraku to accommodate kabuki, noh, and kyogen. The term bunraku three-person puppets. The puppeteers operate comes from Bunraku-za, the name of the only Already in the Heian period (794–1185), from a pit behind a railing commercial bunraku theater to survive into at the front of the stage. itinerant puppeteers known as kugutsumawashi © Degami Minoru the modern era. Bunraku is also called ningyo traveled around Japan playing door-to- joruri, a name that points to its origins and door for donations. In this form of street essence. Ningyo means “doll” or “puppet,” entertainment, which continued up through and joruri is the name of a style of dramatic the Edo period, the puppeteer manipulated narrative chanting accompanied by the three- two hand puppets on a stage that consisted stringed shamisen. of a box suspended from his neck. A number Together with kabuki, bunraku developed of the kugutsumawashi are thought to have as part of the vibrant merchant culture of settled at Nishinomiya and on the island of the Edo period (1600–1868).
    [Show full text]
  • Footnotes Issue 68 [Excerpt] Bereishit Dance
    4 Footnotes • Issue 68 • Spring 2021 A Taste of Seoul Concludes Our Virtual Home Season tool, creating a dance that pulls from the old traditions of South Korea to Bereishit Dance Company make something new. BOW_Control and Balance and Imbalance Park is also interested in how sounds affect movement and how we April 8–11, 2021 communicate with others. You’ll notice that Balance and Imbalance includes Pansori (Korean: ), a Korean genre of musical storytelling performed by a singer and a drummer. Park uses pansori Genesis comes from the Hebrew word to meld forms of past and present. He isn’t concerned if you / תישארב>’The word ‘Bereishit ‘Bereishit’, the first word in the Torah meaning ‘in the beginning’. It is understand the story and can understand the language. Instead, he pronounced “BRESH-IT”, if you are curious…you can only imagine the focuses on the sounds of the pansori and how it affects the pronunciations going around our office since last fall! The company’s movement. work focuses on the dynamic relationship related to humanity and Five dancers, one vocalist, and two janggu (traditional Korean drum) sociality. In that sense, the word Bereishit is a symbolic word for performers interact with the sounds and gestures of the piece to humans and the beginning of human civilization. For our final maximize the emotion in Balance and Imbalance. To make Balance presentation, the program explores the boundaries of sport and dance. and Imbalance, the choreographer combined Korean percussion Choreographer and Artistic Director Soon-ho Park has created two (Samulnori), Korean singing (Pansori), Korean folk music, dance and intensely physical works: BOW_Control and Balance and Imbalance.
    [Show full text]
  • Acta Philologica 49
    Uniwersytet Warszawski Wydział Neofi lologii ACTA PHILOLOGICA 49 Jubileusz 200-lecia Uniwersytetu Warszawskiego Warszawa 2016 Rada Redakcyjna: prof. dr hab. Barbara Kowalik (przewodnicząca) dr Katarzyna Foremniak dr Anna Górajek prof. dr hab. Jacek Perlin dr Anna Pochmara dr Magdalena Roguska dr hab. Judyta Zbierska-Mościcka Rada naukowa: Prof. Janusz Bańczerowski, Eötvös Loránd Tudományegyetem (Węgry) Prof. Maria Bonaria Urban, Universiteit van Amsterdam (Holandia) Prof. Jean-Paul Engélibert, Université Bordeaux-Montaigne (Francja) Prof. Juan Antonio Moya, Universidad de Granada (Hiszpania) Prof. Hans Sauer, Ludwig-Maximilians Universität München (Niemcy) Prof. Yuri Stulov, Minsk State Linguistic University (Białoruś) Prof. László Szörényi, Szegedi Tudományegyetem (Węgry) Prof. Claudia Wich-Reif, Rheinische Friedrich-Wilhelms-Universität Bonn (Niemcy) Prof. Halina Widła, Uniwersytet Śląski Redakcja: prof. dr hab. Barbara Kowalik – redaktor naczelna dr Anna Górajek dr Anna Pochmara dr Magdalena Pypeć dr Magdalena Roguska dr hab. Judyta Zbierska-Mościcka Redakcja techniczna: Monika Szymczak-Kordulasińska Ewa Grajber Jakub Wardęga Adres redakcji: ul. Hoża 69, 00–681 Warszawa Wydawca: Wydział Neofi lologii Uniwersytetu Warszawskiego ISSN 0065–1524 Nakład: 150 egz. Strona internetowa: http://www.acta.neofi lologia.uw.edu.pl Projekt: Bartosz Mierzyński Łamanie: Dariusz Górski Dystrybucja: CHZ Ars Polona S.A. ul. Obrońcow 25, 03–933 Warszawa tel. 22 509 86 43, fax 22 509 86 40 Druk i oprawa: Sowa – Druk na życzenie www.sowadruk.pl, tel. 22 431 81 40 Spis treści Barbara Kowalik Z kart warszawskiej neofi lologii: dwieście lat i dobry początek . 7 Anna Wierzbicka Terms of Address as Keys to Culture and Society: German Herr vs. Polish Pan . 29 Ewa M. Th ompson Searching for the Proper Foundation, or Mortimer Adler versus John Locke .
    [Show full text]
  • Bulletin POLISH NATIONAL COMMISSION
    biuletyn 2013 PRZEGLÑD POLSKIEGO KOMITETU DO SPRAW UNESCO PRZEGLÑD POLSKIEGO KOMITETU DO SPRAW UNESCO biuletynbiuletyn|| 2013 2013 POLISH NATIONAL COMMISSION for UNESCO Reviev bulletin | bulletin | for UNESCO Review UNESCO for POLISH NATIONAL COMMISSION COMMISSION NATIONAL POLISH bulletin 2013 covBIUL13gr.indd 1 14-11-03 14:34 POLISH NATIONAL COMMISSION for UNESCO Review bulletin| 2013 Table of Contents Andrzej Rottermund Workshop for Restorers A Few Words 53 in Nesvizh 5 About Our Activities Last Year Marek Konopka UNESCO 55 Anamnesis – Re-minding Programme Priorities 8 for the Coming Years 61 Kraków – UNESCO City of Literature What We Dealt with Sławomir Ratajski 12 in 2013 UNESCO 2005 Convention 63 A Tool of Cultural Policy Why and How to Protect Cultural 21 Heritage by Modern Means? Intercultural Education Workshops 72 for Teachers Bogusław Szmygin Protecting Our Heritage Libyan Journalists 25 – Contemporary Approach 73 on a Study Visit to Poland Leszek Kolankiewicz The Concept of Intangible Euro-Arab Dialogue Conference Cultural Heritage “Our Commonly Shared Values” 32 in the 2003 Convention 75 held in Algarve Mariusz Czuba Anna Kalinowska Wooden Orthodox Churches Contemporary Man In Dialogue (Tserkvas) of the Polish 77 With The Environment? and Ukrainian Carpathian Region 43 on the World Heritage List Magdalena Machinko-Nagrabecka How to Teach Katarzyna Piotrowska 85 on Sustainable Development? Wieliczka and Bochnia Royal Salt Mines Educating in Dialogue 46 on UNESCO World Heritage List 90 with the Environment 93 ASPnet for Global
    [Show full text]
  • Facts & Figures
    As of August 2015 KEY FACTS AND FIGURES ON JAPAN / UNESCO COOPERATION 1. Membership in UNESCO: since 2 July 1951 2. Membership on the Executive Board: Yes Note: Japan has had uninterrupted membership on the Board since 1952. 3. Membership of Intergovernmental Committees, Commissions, etc.: • Intergovernmental Council for the International Hydrological Programme (term expires in 2017) • International Coordinating Council of the Programme on Man and the Biosphere (term expires in 2015) • Intergovernmental Council of the "Management of Social Transformations" Programme (term expires in 2017) • Intergovernmental Committee for Promoting the Return of Cultural Property to its Country of Origin or its Restitution in Case of Illicit Appropriation (term expires in 2015) • Intergovernmental Committee on World Heritage (term expires in 2015) • Intergovernmental Oceanographic Commission (Executive Council Member State) 4. The Director-General’s visits to Japan: 5 • August 2015 • November 2014 • November 2012 • February 2012 • November 2010 5. Permanent Delegation to UNESCO: • H.E. Ms Kuni Sato, Ambassador, Permanent Delegate to UNESCO (since 2 April 2015) • Staff: Mr Satoshi Nara, Minister, Deputy Permanent Delegate, and 10 staff • Previous Permanent Delegate: H.E. Mr Kenjiro Monji (October 2013 – March 2015) 6. UNESCO Office in Beijing: Japan is covered by the UNESCO Office in Beijing. Director a.i.: Ms Eunice Smith (P-4, Grenade) (since 1 January 2015) You intend to appoint Ms Marielza Oliveira (Brazil) to the post of Director of the UNESCO Office in Beijing and UNESCO Representative to the People’s Republic of China, the Democratic People’s Republic of Korea, Japan, Mongolia, and the Republic of Korea. Consultation with the Chinese authorities on this appointment is underway.
    [Show full text]
  • Mindfulness Meditation (MM) and Relaxation Music (RM) in the UK and South Korea: a Qualitative Case Study Approach
    Health Practitioners’ Understanding and Use of Relaxation Techniques (RTs), Mindfulness Meditation (MM) and Relaxation Music (RM) in the UK and South Korea: a Qualitative Case Study Approach Mi hyang Hwang A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Health and Social Sciences University of the West of England, Bristol November 2017 Abstract Background: The information exchange between healthcare practitioners in South Korea and the UK has so far been limited and cross-cultural comparisons of Relaxation techniques (RTs) and Mindfulness meditation (MM) and Relaxation music (RM) within the healthcare context of Korea and the UK have previously been unexplored. This has been the inspiration for this qualitative case study focussing on understanding and use of RTs, MM and RM within the respective healthcare contexts. Methods: Data were collected through qualitative semi-structured interviews with six Korean and six UK healthcare practitioners in three professional areas: medical practice, meditation, and music therapy. Approval from the Ethics Committee was granted (Application number: HLS/13/05/68). The interviews were transcribed and a thematic analysis was undertaken. The topics explored include: a) the value and use of RTs, MM and RM; b) approaches and methods; c) practitioners’ concerns; d) responses of interventions; e) cultural similarities and differences; and f) the integration of RTs, MM and RM within healthcare. Underlying cultural factors have been considered, including education systems and approaches, practitioner-client relationships and religious influences alongside the background of cultural change and changing perspectives within healthcare in the UK and Korea.
    [Show full text]
  • The Emergence Of
    田中理恵子 Rieko TANAKA Between Art and Anthropology: The Emergence of ‘Border’ in the Musical Communication ●抄録 Folk music has recently crossed the border of its original local position where it has been situated and is diffusing into the world as a world soundscape. This article focuses on this characteristic and clarifies a part of its transborder–communication in a sense that it is handed down for generations and at the same time that it spreads all over the world with an example of Pungmul, Korean folk music. Firstly, I took critically arguments on orality as a research realm of world of music. In folk music, which is handed down for and beyond generations by the oral tradition, orality is regarded not only as a transferability of the information by verbal communication but also as a mode of communication to which succeeds techniques and memories. Moreover, I pointed out that it was necessary to focus on the coordinating aspects of body as a medium and physical movements as conditions that make transmission possible. Secondly, with such a view this article focuses on the succession process that the transmission aspect of Pungmul music is easy to be shown, analyzing it from a point of each view of the successors, canons of music, instructors. The succession process in general is likely to be thought that it is just a process of imitation and repetition. In fact, however, it can be clearly seen that it is an intensive and indeterminate communication that the successors seek for the canons shown by the instructors or the ‘border’ between good or bad as a judgement, making use of the coordination of body and all the nervous systems as a reference point.
    [Show full text]
  • A Wild Goose Flying in the Sky – Gugak from Korea
    A Wild Goose Flying in the Sky – Gugak from Korea A principal dancer in the Boston Ballet, an honored Candidate for Important Intangible Cultural Property No. 23, a boundary-crossing cellist, and a singer whose repertoire draws from ancient shaman ritual — all walk up to the barre…. No, this is not a spin-off of that classic joke, but an invitation to attend what will surely be one of the most enthralling, exuberant and flat-out gorgeous concert experiences of 2019, when the Korean Cultural Society of Boston presents “Festival of Dance and Gugak” at Jordan Hall on Sunday, September 29th at 3:00 PM. Details HERE. Gugak, Korean traditional music is one of the great classical musics of the world (see Michael Church’s inspirational volume “The Other Classical Musics: Fifteen Great Traditions” for some other examples). If you listen far enough back to any classical music, you will find two purposes for the extraordinary sound worlds we humans create: a desire to connect with the divine, and a desire to connect with one another. This is true of ‘my’ classical music, and it is also certainly true of the great repertoire of gugak. The classical music of Korean derives historically from both the Chinese court music traditions and the nuanced regional aesthetics expressing the diverse experiences of commoners. With its roots in complex and deeply expressive shaman music, gugak’s genres include the folk-inspired pansori (epic story-telling performed by a singer and a drummer), sanjo (a melodic instrument partnered with a drum), and sinawi (improvisatory instrumental performance).
    [Show full text]