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BULLETIN of the INTERNATIONAL COUNCIL for TRADITIONAL MUSIC No. 122, April 2013 ISSN (Online): 2304-4039 Including Preliminary Programme for 42nd ICTM World Conference in Shanghai, China, 11-17 July 2013 Contents FROM THE SECRETARIAT ICTM Study Group on Music of CALENDAR OF EVENTS Jumbie. Mémoire sociale et Message from the Secretary the Turkic Speaking World. Pages 84-85 musicale dans les steelbands General; Gerlinde Haid Pages 30-35 (Trinidad et Tobago); Sounds of RECENT PUBLICATIONS BY ICTM Secrets. Field Notes on Ritual (1943-2012); Katalin Kovalcsik Announcements — Related MEMBERS (1954-2013). Organisations: El Oído Music and Musical Instruments Pages 2-5 Pensante, new peer-reviewed Bellows and Bows: Historic on the Islands of Vanuatu; Recordings of Traditional Fiddle Soundscape of Bosnia and ICTM ELECTIONS 2013 journal; Annual Conference Journées d’Etude 2013; and Accordion Music Across Herzegovina (CD); Staging Message from the Nomination International Conference Canada; Collection of Papers of Socialist Femininity: Gender Committee; Candidates’ Beyond the East-West Divide: 7th International Symposium Politics and Folklore Statements Rethinking Balkan Music’s "Music in Society"; Flower Performance in Serbia; 4tajeri3. Pages 6-11 Poles of Attraction. World: Music Archaeology of Podoba in kontekst slovenskega ljudskega plesa; Svadbene pesme 42nd ICTM WORLD CONFERENCE Pages 36-37 the Americas / Mundo Florido: i obi5aji Srba u Kikindi i okolini; IN SHANGHAI, CHINA Arqueomusicología de las REPORTS Américas, vol. 1; Historija Tradicionalni plesovi Srba u Preliminary Programme of the Reports from ICTM National muzike u Bosni i Hercegovini; Banatu; Un bruit pieux. Bandas, next ICTM World Conference. and Regional Representatives: Italy in Australia’s Musical musique et fête dans un village Pages 12-29 Belgium; Bosnia and Landscape; Multipart Music. A maltais (Zabbar). ANNOUNCEMENTS Herzegovina; France; Georgia; specific mode of musical Pages 86-92 Hungary; Japan; Malawi; thinking, expressive behavior Announcements — ICTM: Joint ICTM WORLD NETWORK Malaysia; Mexico; Montenegro; and sound; Music and Healing Meeting of the ICTM National Papua New Guinea; Rituals of Sri Lanka: Their Pages 93-94 Committees of Austria, Italy, Switzerland; Turkey; Ukraine; Relevance for Community ICTM STUDY GROUPS and Switzerland; 20th Venezuela; Vietnam. Music Therapy and Medical Symposium of the ICTM Study Page 95 Pages 38-75 Ethnomusicology; Music and Group on Historical Sources of Memory - UPM Book Series on ICTM AUTHORITIES Traditional Music; Call for Reports from ICTM Study Music Research IV; Musical Papers: 4th Symposium of the Groups: Ethnochoreology; The President, Vice Presidents, Practices in the Balkans: ICTM Study Group on Music Iconography of the Performing Secretary General, Executive Ethnomusicological and Dance in Southeastern Arts; Maqām; Mediterranean Assistant, and Executive Board Perspectives; Muzika 38 Europe; Programme: 3rd Music Studies; Music in the Members. (Journal); Музикалната Symposium of the ICTM Study Arab World; Music in the Page 96 пародия в края на 20 и Group on Multipart Music; Turkic Speaking World GENERAL INFORMATION началото на 21 век; Nina, buba Programme: 13th Symposium of Pages 76-83 Pa3ljo sine; Pa se sli3… About ICTM; Membership; the ICTM Study Group on Pritrkavanje v slovenskem in Institutional Subscriptions; Music Archaeology; Call for evropskem prostoru; Pan Publications by ICTM. Papers: 4th Symposium of the Pages 97-100 Bulletin of the ICTM Vol. 122 — April 2013 — Page 1 FROM THE SECRETARIAT Message from the (ictm2013.shcmusic.edu.cn) to check memories of many ICTM members, for updates in the Programme, and with gratitude for who they were and Secretary General make sure you arrange your visa, what they did for the Council and for by Svanibor Pettan transportation, and accommodation in ethnomusicology in general. time. Dear members and non- World Network news member friends and ICTM Elections 2013 As much as we regret the losses of sympathisers of the In- One of the very essential democratic some colleagues, we also cherish the ternational Council for standards within the Council refers to enrichment of the ICTM World Net- Traditional Music! elections. With this Bulletin, we are work with colleagues from countries The main focus of this Bulletin is the presenting the very first electronic elec- which for various reasons were not yet Council’s major scholarly event—the tions in the history of our society. represented in the Council. This time, forthcoming 42nd ICTM World Con- Please read the candidates’ statements we proudly announce as many as eight ference, which will take place in on pages 7-11, and follow the voting new Liaison Officers and their coun- Shanghai from 11 to 17 July 2013. instructions on page 6. tries: María Gabriela López Yánez Thanks to the joint efforts of the Pro- (Ecuador), Joseph Jordania (Georgia), The Nomination Committee, led by gramme Committee, the Local Ar- Lisa Urkevich (Kuwait), Robert Cha- convener Stephen Wild, produced a rangements Committee, and the Secre- nunkha (Malawi), Zlata Marjanović ballot with 14 strong candidates: nine tariat, this Bulletin is providing you (Montenegro), Mohammed Adam Su- for the positions of three Ordinary with the Preliminary Programme of laiman Abo-Albashar (Sudan), Marita Members of the Executive Board, three the World Conference, along with sev- Fornaro (Uruguay), and Jerry Rutsate for the position of one Vice President, eral other useful pieces of information (Zimbabwe). Reports from three of and two for the position of President. related to the Conference. The photo- these newly included countries (Geor- Please do not hesitate to contact Execu- graph below demonstrates the mood gia, Malawi, and Venezuela) are pre- tive Assistant Carlos Yoder in case of shared by J. Lawrence Witzleben, Xiao sented in this Bulletin on pages 44, 53, any technical questions related to the Mei, Qin Si, and the author of these and 72 respectively. voting process. lines at the end of the first week of Since the last Bulletin, six new Chairs of January, after completing the first draft Farewell to Gerlinde Haid and Katalin National Committees and one Liaison of the Programme at the Shanghai Kovalcsik Officer were elected, so we take the Conservatory of Music. Those days of opportunity to thank the previous rep- hard work were counterbalanced by Behind us is a period in which the resentatives and welcome their succes- the kind hospitality of our hosts, and world of ethnomusicology has lost two sors. In Denmark, Lene Halskov Han- our shared overall impression is that in remarkable scholars, who left strong sen was succeeded by Eva Fock, in front of us there is a memorable and imprints within their national, re- Hungary Katalin Kovalcsik by János perhaps the biggest World Conference gional, and international realms: Ger- Sipos, in Ireland Liz Doherty by in the history of ICTM. linde Haid from Austria and Katalin Kovalcsik from Hungary. Please read Orfhlaith Ní Bhriain, in Italy Leonardo about them in their respective obituar- D’Amico by Ignazio Machiarella, in Japan KANESHIRO Atsumi by KOMODA ies on pages 4 and 5. Haruko, in Norway Siri Mæland by On a personal note, I considered both Anne Murstad, and in Peru Raúl Ro- not only as respected colleagues, but mero by Efraín Rozas. also as dear friends. Gerlinde Haid in- cluded my earliest field recordings (of Finally, three countries have opened my grandmother in her late nineties their sections within the ICTM website: singing the Austro-Hungarian national Bosnia and Herzegovina, Italy, and the Thanks to the efforts of Xiao Mei and Philippines. Representatives of other anthem in the middle of the night) in the LAC on the one hand, and to the countries and regions are cordially in- Barbara Barnard Smith Travel Award the project focused on Kaiserlied, pub- lished in Vienna in 2009, while Katalin vited to open their own sections at the on the other, we were able to finan- ICTM website as well. cially support 13 delegates altogether, Kovalcsik edited my first book, and who would otherwise not be able to published it in her respected series Gypsy Folk Music of Europe in Budapest attend the Conference. Please use the World Conference’s website in 2002. Both are kept in the best Bulletin of the ICTM Vol. 122 — April 2013 — Page 2 FROM THE SECRETARIAT New UNESCO representative Council in a number of different ca- Going from 2/2 to 4/4? pacities over a period of four decades.” UNESCO is an essential part of the of- Totalling 100 pages and 61,302 words, ficial definition of ICTM. The Council’s this is without a doubt the largest Bul- long-term representative in UNESCO, letin of the ICTM ever distributed. Its Wim van Zanten, who excelled at this new online format and the intensified capacity and is subject to immense communication within the Council gratitude from the Council, was re- contributed to the steady growth of cently succeeded by Naila Ceribašić. information which needed to reach the Naila is an ethnomusicologist with membership. In this number you will several publications linked to various find as many as 16 national or regional aspects of the 2003 UNESCO Conven- reports, 6 Study Group reports, and 21 tion for the Safeguarding of the Intan- new publications by ICTM members. gible Cultural Heritage, as well as an Membership Support Therefore, the proposal for turning the Ordinary Member of the ICTM Execu- In an attempt to contribute to member- Bulletin’s metro-rhythmical design tive Board. She has already attended ship development, we urge those of from the current two half-notes (two two experts’ meetings, and proved to you who can afford to support col- heavy issues per year) into four be the right choice for this position in leagues from soft-currency countries to quarter-notes (four lighter issues per the coming years. do so. At the moment you can pay an year) will be discussed at the next Ex- additional 30 EUR fee per year to sup- ecutive Board meeting.
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  • Is Eastern Insulindia a Distinct Musical Area? L’Est Insulindien Est-Il Une Aire Musicale Distincte ?

    Is Eastern Insulindia a Distinct Musical Area? L’Est Insulindien Est-Il Une Aire Musicale Distincte ?

    Archipel Études interdisciplinaires sur le monde insulindien 90 | 2015 L’Est insulindien Is Eastern Insulindia a Distinct Musical Area? L’Est insulindien est-il une aire musicale distincte ? Philip Yampolsky Electronic version URL: http://journals.openedition.org/archipel/373 DOI: 10.4000/archipel.373 ISSN: 2104-3655 Publisher Association Archipel Printed version Date of publication: 15 October 2015 Number of pages: 153-187 ISBN: 978-2-910513-73-3 ISSN: 0044-8613 Electronic reference Philip Yampolsky , « Is Eastern Insulindia a Distinct Musical Area? », Archipel [Online], 90 | 2015, Online since 01 May 2017, connection on 14 November 2019. URL : http://journals.openedition.org/archipel/ 373 ; DOI : 10.4000/archipel.373 Association Archipel PHILIP YAMPOLSKY 1 Is Eastern Insulindia a Distinct Musical Area? 1In this paper I attempt to distinguish the music of “eastern Insulindia” from that of other parts of Insulindia.2 Essentially this is an inquiry into certain musical features that are found in eastern Insulindia, together with a survey of where else in Insulindia they are or are not found. It is thus a distribution study, in line with others that have looked at the distribution of musical elements in Indonesia (Kunst 1939), the Philippines (Maceda 1998), Oceania (McLean 1979, 1994, 2014), and the region peripheral to the South China Sea (Revel 2013). With the exception of McLean, these studies have focused exclusively on material culture, namely musical instruments, tracing their geographical distribution and the vernacular terms associated with them. The aim has been to reveal cultural continuities and discontinuities and propose hypotheses about prehistoric settlement and culture contact in Insulindia and Oceania.
  • Footnotes Issue 68 [Excerpt] Bereishit Dance

    Footnotes Issue 68 [Excerpt] Bereishit Dance

    4 Footnotes • Issue 68 • Spring 2021 A Taste of Seoul Concludes Our Virtual Home Season tool, creating a dance that pulls from the old traditions of South Korea to Bereishit Dance Company make something new. BOW_Control and Balance and Imbalance Park is also interested in how sounds affect movement and how we April 8–11, 2021 communicate with others. You’ll notice that Balance and Imbalance includes Pansori (Korean: ), a Korean genre of musical storytelling performed by a singer and a drummer. Park uses pansori Genesis comes from the Hebrew word to meld forms of past and present. He isn’t concerned if you / תישארב>’The word ‘Bereishit ‘Bereishit’, the first word in the Torah meaning ‘in the beginning’. It is understand the story and can understand the language. Instead, he pronounced “BRESH-IT”, if you are curious…you can only imagine the focuses on the sounds of the pansori and how it affects the pronunciations going around our office since last fall! The company’s movement. work focuses on the dynamic relationship related to humanity and Five dancers, one vocalist, and two janggu (traditional Korean drum) sociality. In that sense, the word Bereishit is a symbolic word for performers interact with the sounds and gestures of the piece to humans and the beginning of human civilization. For our final maximize the emotion in Balance and Imbalance. To make Balance presentation, the program explores the boundaries of sport and dance. and Imbalance, the choreographer combined Korean percussion Choreographer and Artistic Director Soon-ho Park has created two (Samulnori), Korean singing (Pansori), Korean folk music, dance and intensely physical works: BOW_Control and Balance and Imbalance.