A Longer Spoon: a Novel
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Ironic Authority
IRONIC AUTHORITY: A Rhetorical Critical Analysis of the Stability of Irony in the Fourth Gospel Passion Narrative Kevin W. Sarlow MTh, BTh, Dip Theol © March 2017 The Department of Theology, The School of Humanities and Creative Arts, The Faculty of Education, Humanities and Law, Flinders University, South Australia. This thesis is submitted to Flinders University to fulfil the requirements of the degree of Doctor of Philosophy. i For Jenn, Nath, Loz and Em and their families ii - iii TABLE OF CONTENTS ABSTRACT ................................................................................................................ vii DECLARATION ...................................................................................................... viii ACKNOWLEDGEMENTS ......................................................................................... ix ABBREVIATIONS....................................................................................................... x LIST OF TABLES AND DIAGRAMS ....................................................................... xi INTRODUCTION .......................................................................................................... 1 The Research Topic: Ironic Authority .......................................................................... 1 Contextualising the Thesis ............................................................................................ 2 The Research Question ...................................................................................................... -
Maurice Merleau-Ponty: Phenomenology of Perception
Phenomenology of Perception ‘In this text, the body-organism is linked to the world through a network of primal significations, which arise from the perception of things.’ Michel Foucault ‘We live in an age of tele-presence and virtual reality. The sciences of the mind are finally paying heed to the centrality of body and world. Everything around us drives home the intimacy of perception, action and thought. In this emerging nexus, the work of Merleau- Ponty has never been more timely, or had more to teach us ... The Phenomenology of Perception covers all the bases, from simple perception-action routines to the full Monty of conciousness, reason and the elusive self. Essential reading for anyone who cares about the embodied mind.’ Andy Clark, Professor of Philosophy and Director of the Cognitive Science Program, Indiana University Maurice Merleau-Ponty Phenomenology of Perception Translated by Colin Smith London and New York Phénomènologie de la perception published 1945 by Gallimard, Paris English edition first published 1962 by Routledge & Kegan Paul First published in Routledge Classics 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1945 Editions Gallimard Translation © 1958 Routledge & Kegan Paul All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and Much, Much More
The World’s Greatest Comic Magazine of Art, Literature and Music! Number 9 $5.95 John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and much, much more . SENSITIVE SKIN MAGAZINE is also available online at www.sensitiveskinmagazine.com. Publisher/Managing Editor: Bernard Meisler Associate Editors: Rob Hardin, Mike DeCapite & B. Kold Music Editor: Steve Horowitz Contributing Editors: Ron Kolm & Tim Beckett This issue is dedicated to Chris Bava. Front cover: Prime Directive, by J.D. King Back cover: James Romberger You can find us at: Facebook—www.facebook.com/sensitiveskin Twitter—www.twitter.com/sensitivemag YouTube—www.youtube.com/sensitiveskintv We also publish in various electronic formats (Kindle, iOS, etc.), and have our own line of books. For more info about SENSITIVE SKIN in other formats, SENSITIVE SKIN BOOKS, and books, films and music by our contributors, please go to www.sensitiveskinmagazine.com/store. To purchase back issues in print format, go to www.sensitiveskinmagazine.com/back-issues. You can contact us at [email protected]. Submissions: www.sensitiveskinmagazine.com/submissions. All work copyright the authors 2012. No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. ISBN-10: 0-9839271-6-2 Contents The Forgetting -
Russians Abroad-Gotovo.Indd
Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) The Real Twentieth Century Series Editor – Thomas Seifrid (University of Southern California) Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) GReta n. sLobin edited by Katerina Clark, nancy Condee, dan slobin, and Mark slobin Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-214-9 (cloth) ISBN 978-1-61811-215-6 (electronic) Cover illustration by A. Remizov from "Teatr," Center for Russian Culture, Amherst College. Cover design by Ivan Grave. Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Foreword by Galin Tihanov ....................................... -
5P.Qian,Part 1,Spirit and Self
∫ SPIRIT AND SELF IN MEDIEVAL CHINA Published with the support of the School of Hawaiian, Asian, and Pacific Studies, University of Hawai‘i ∫ SPIRIT AND SELF IN MEDIEVAL CHINA The Shih-shuo hsin-yü and Its Legacy Nanxiu Qian university of hawai‘i press honolulu © 2001 University of Hawai‘i Press All rights reserved Printed in the United States of America 060504030201 654321 Library of Congress Cataloging-in-Publication Data Qian, Nanxiu. Spirit and self in medieval China: the Shih-shuo hsin-yü and its legacy / Nanxiu Qian. p. cm. Includes bibliographical references and index. ISBN 0-8248-2309-5 (alk. paper)—ISBN 0-8248-2397-4 (pbk. : alk. paper) 1. Liu, I-ch’ing, 403-444. Shih shuo hsin yè. I. Title: Shih-shuo hsin-yü and its legacy. II. Title. DS736.L5363 Q25 2001 895.1'8240208—dc21 00-062949 Chapter 8 first appeared in Nan Nuu: Men, Women, and Gender in Early and Imperial China, Kononklijke Brill N.V., Leiden, The Netherlands (1999). Chapter 9 first appeared in Early Medieval China 4 (1998): 49–82. Both appear here in revised form with the permission of the publishers. University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Deborah Hodgdon Printed by The Maple-Vail Book Manufacturing Group To Richard B. Mather ∫ Contents List of Figures ix Acknowledgments xi Chinese Dynasties xiii Japanese Periods Involved in the Japanese Shih-shuo Imitations xv Introduction 1 Part 1 From Character Appraisal to Character Writing: The Formation of the Shih-shuo Genre Chapter 1. -
Poetry and Performance: Listening to a Multi-Vocal Canada
0Poetry and Performance: Listening to a Multi-Vocal Canada by Katherine Marikaan McLeod A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English, University of Toronto © Copyright by Katherine Marikaan McLeod (2010) ii Poetry and Performance: Listening to a Multi-Vocal Canada Doctor of Philosophy (2010) Katherine Marikaan McLeod Graduate Department of English, University of Toronto 1Abstract Performances of poetry constitute significant cultural and literary events that challenge the representational limits and possibilities of transposing written words into live and recorded media. However, there has not been a comprehensive study of Canadian poetry that focuses specifically on performance. This dissertation undertakes a theorizing of performance that foregrounds mediation, audience, and presence (both readerly and writerly). The complex methodology combines theoretical approaches to reading (Linda Hutcheon on adaptation, Wolfgang Iser on the reader, and Roland Barthes on the materiality of writing) with poetics as theorized by Canadian poets (namely bpNichol, Steve McCaffery, Jan Zwicky, Robert Bringhurst) in order to argue that performances of poetry are responsive exchanges between performers and audiences. Importantly, the dissertation argues that performances of poetry call for a re-evaluation of reading as listening, thereby altering the interaction between audience and performance from passive to participatory. Arranged in four chapters, the dissertation examines a range of Canadian poets and performances: The Four Horsemen (Rafael Barreto-Rivera, Paul Dutton, Steve McCaffery, and bpNichol), dance adaptations of Michael Ondaatje’s poems, George Elliott Clarke’s poetic libretti, and Robert Bringhurst’s polyphonic poetry. Following the Introduction’s iii outlining of the term performance, Chapter One examines processes of recording and adapting avant-garde sound poetry, specifically in the sound and written poetry of Nichol and McCaffery. -
A READING of BYRON's DON JUAN by CATHERINE
) "ADVENTUROUS AND CONTEMPLATIVE" A READING OF BYRON'S DON JUAN by CATHERINE ANNE ADDISON A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA 4 October 1987 © CATHERINE ANNE ADDISON, 1987 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 ABSTRACT This dissertation on Byron's Don Juan begins with a history and analysis of the stanza form. Since ottava rima is a two-fold structure, comprising an alternately rhyming sestet followed by an independent couplet, it encourages the expression of dialectical ideas. Byron's prosodic virtuosity uses this potential to create a multivalent tissue of tones which is essentially—and almost infinitely—ironic. A view of prosody is developed here which is unique in its perception of the poem's existence in terms of a reading that unfolds in "real time." For various reasons, "reader-response" critics have not yet taken much cognizance of prosody. -
The Road to Plunderphonia Plunderphonia C H R I S C U T L E R C H R I S C U T L E R 0 4
The road to The road to plunderphonia plunderphonia CHRIS CUTLER CHRIS CUTLER 0 4 2 In the pages that follow I will focus on something often neglected in accounts of musical innovation: the critical role of memory on which both the origination and reproduction of music turns. I will try to unpick to what extent the specific nature of a memory system shapes the music that it mediates, with particular reference to the third and newest of these systems: sound recording.1 PART I ‘You must remember this…’2 I Sound is energy and, like the time it sounds in, pure process; it is always vanishing, a condition both fundamental to its nature and, until very recently, axiomatic. This apparently immutable fact determined both our understanding – and the history – of music, from the first emergence of human consciousness until a little over a century ago; and underpinned its status as an art, quintessentially, of presence. So, although writing can intervene to shore up structure and complexity against loss, it does so at the cost of losing everything but structure and complexity. And since writers can work only with the imaginary and not the real, notation is always about music, but never is music.3 Sound recording, on the other hand, remembers every audible aspect of an event, retaining not only its architecture but the minutiae of its articulation, timbre and 1 This is the third part of a larger essay that examines the three memory systems associated with music to date, the first and second of which are, respectively, biological memory – what mind and body can retain and reproduce unaided – and written memory – instructions that can be stored as code. -
View Scott Walton's CV
SCOTT WALTON, D.M.A. 8196 Elphick Rd. Sebastopol, CA 95472 (707) 604-7144 [email protected] EDUCATION: University of California, San Diego (La Jolla, CA) Doctor of Musical Arts in Contemporary Music Performance 2003 Masters of Art in Music (Piano Performance) 1994 University of Florida (Gainesville, FL) Bachelor of Music with Honors (Piano Performance) 1979 TEACHING EXPERIENCE: University of San Diego (San Diego, CA) 2002-present Jazz History, Rock History, American Popular Music, Music Appreciation Applied Piano, Bass, Improvisation UCSD Extension (University of California, San Diego) 2009-2014 Jazz History, Rock History, Introduction to Music University of Colorado, Colorado Springs (Colorado Springs, CO) 2010-present History of Jazz, Music Appreciation Cuyamaca College (El Cajon, CA) 2002-present Jazz History, Rock History, Applied Piano/Class Piano, Music Technology Palomar College (San Marcos, CA) 2009-present History of Jazz, Music Appreciation San Diego City College (San Diego, CA) 2007-2019 History of Jazz (online), Applied Piano/Class Piano Southwestern College (Chula Vista, CA) 2002-present Jazz History, American Popular Music Jazz Ensemble, Improvisation, Applied Piano/Class Piano AWARDS: UCSD Teaching Excellence Award, 1998 Ruth Epstein Piano Fellowship, 1997 Jazz Society of Lower California Scholarship, 1996 Florida West Coast Chopin Competition, 1983 Reitz Award for Artistic and Academic Excellence, 1979 SELECTED DISCOGRAPHY: Larry Ochs/Aram Shelton Quartet - Continental Drift (2020, Clean Feed) Glen Whitehead Trio - The -
Arts and Culture As Parts of the Civilizing Processes at the Turn of Millennium
ARTS AND CULTURE AS PARTS OF THE CIVILIZING PROCESSES AT THE TURN OF MILLENNIUM Collective monograph Lviv-Toruń Liha-Pres 2020 Reviewers: Prof. nadzw., dr hab. Stanisław Kunikowski, Rektor of Cuiavian University in Wloclawek (Republic of Poland); Prof. dr hab. Kazimierz Pierzchała, Katolicki Uniwersytet Lubelski/Catholic University of Lublin (Republic of Poland); Prof. dr hab. Stanisław Juszczyk, Uniwersytet Śląski / University of Silesia (Republic of Poland). Arts and culture as parts of the civilizing processes at the turn of millennium : collective monograph / M. Poplavskyi, T. Humeniuk, Yu. Horban, I. Bondar, A. Furdychko, etc. – Lviv-Toruń : Liha-Pres, 2020. – 196 p. ISBN 978-966-397-197-1 Liha-Pres is an international publishing house which belongs to the category „C” according to the classification of Research School for Socio-Economic and Natural Sciences of the Environment (SENSE) [isn: 3943, 1705, 1704, 1703, 1702, 1701; prefixMetCode: 978966397]. Official website – www.sense.nl. ISBN 978-966-397-197-1 © Liha-Pres, 2020 CONTENTS PREFACE ........................................................................................................1 CONCEPTUAL FOUNDATIONS OF DUAL EDUCATION IN HIGHER EDUCATION ESTABLISHMENTS: KYIV NATIONAL UNIVERSITY OF CULTURE AND ARTS EXPERIENCE IN THE EUROPEAN VECTOR Poplavskyi Mykhailo ..................................................................................... 4 THE CULTURE AT THE BEGINNING OF THE NEW MILLENNIUM FROM THE PERSPECTIVE OF „THE SURVIVOR”: A FUNDAMENTAL BREAK IN THE SECRET CODE -
Military Professionalism
Issue 62, 3d Quarter 2011 MILITARY PROFESSIONALISM USEUCOM STRATEGIST AS HERO USEUCOM COMPLEX RELIEF OPS USNORTHCOM North Atlantic Ocean N o rth Pacific Ocean North Pacific Ocean USCENTCOM Persian Gulf Gulf of Oman Arabian Sea Red NEW DEFENSE-STATE AOR MAP Sea JOINT FORCE QUARTERLY USPACOM Gulf of Aden Pacific Ocean Indian Ocean USPACOM South Atlantic Ocean USAFRICOM South Pacific Ocean USSOUTHCOM Inside Issue 62, 3d Quarter 2011 Editor Col William T. Eliason, USAF (Ret.), Ph.D. JFQ Dialogue Executive Editor Jeffrey D. Smotherman, Ph.D. Supervisory Editor George C. Maerz From the Chairman 2 Production Supervisor Martin J. Peters, Jr. Senior Copy Editor Calvin B. Kelley Forum Book Review Editor Lisa M. Yambrick Executive Summary Visual Design Editor Tara J. Parekh 6 Copy Editor/Office Manager John J. Church, D.M.A Chairman’s Conference on Military Professionalism: An Overview 8 Internet Publications Editor Joanna E. Seich By Albert C. Pierce Design John Mitrione, Jeremy Swanston, U.S. Government Printing Office 10 Identity in the Profession of Arms By Ann E. Rondeau Who Is a Member of the Military Profession? By Matthew Moten Printed in St. Louis, Missouri 14 by 18 The Enlisted Force and Profession of Arms By Bryan B. Battaglia 20 Keeping Integrity By Leon A. Edney NDU Press is the National Defense University’s Professional Disagreement and Policy By Paul D. Eaton cross-component, professional military and 22 academic publishing house. It publishes books, A New Way of Understanding (Military) Professionalism journals, policy briefs, occasional papers, 25 monographs, and special reports on national By Thomas P. -
Platial Phenomenology and Environmental Composition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive Platial Phenomenology and Environmental Composition by Robindra Raj Parmar MA Music Technology Dissertation submitted in partial fulfilment of the requirements for a Doctorate of Philosophy at the Institute for Sonic Creativity De Montfort University May 2019 Acknowledgements Thanks to my supervisors Dr. Peter Batchelor and Prof. John Young for guid- ance throughout this process, and to all who provided critical feedback, particu- larly Dr. James Andean and Dr. Giuseppe Torre. Thanks to my examiners, Prof. Simon Emmerson and Dr. Suk-Jun Kim, for their valuable insights. This re- search was predicated on the generous contributions and inspiring work of Dal- las Simpson and Robert Curgenven. This work would not exist without the on- going support of Susannah Kelly, to whom I owe my deepest thanks. ii Abstract This study concerns field recordings, location audio gathered from unscored and unexpected sounds, which retain an indexical relationship to their origin in the natural world. The term “environmental music” describes aesthetic works that use field recordings as primary material. This practice requires an engage- ment with the ontology and phenomenology of place, but such relationships have remained under-theorised. This study addresses this lacuna by developing a rich vocabulary of place that can aid both the practice and analysis of environ- mental music. The historical development begins with the multiplicity of con- cepts of place known to the Ancient Greeks. One of these, Ptolemy’s geos, based on a God’s-eye view of the world, has dominated understandings of the world and its effects, hence the term geography.