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Conference Program & Book of Abstracts The 8th International Conference on Media Art, Science, and Technology Aalborg University, Aalborg, Denmark August 20-23, 2019 CONFERENCE PROGRAM & BOOK OF ABSTRACTS www.mediaarthistory.org/resound CONFERENCE TRACKS Track 1 RESOUNDING MEDIA ART: ARCHAEOLOGIES, INDETERMINATE TEXTUALITIES, AND POSSIBLE FUTURES Chair: Tanya Toft Ag Track 2 SOUNDING DIFFERENCE: GENDER, SOUND, AND TECHNOLOGY Chairs: Gabriela Aceves Sepúlveda & Freya Zinovieff Track 3 SOUND AND VOICE: ART PRACTICES AND POLITICS Chair: Luz María Sánchez Cardona Co-Chairs: Luis Sotelo Castro, Iris Garrelfs, Jordan Lacey, Polly Stanton, Jennifer Stoever & Dolores Inés Casillas Track 4 ART AND TECHNOLOGY: METHODOLOGIES, PRACTICES, HISTORIES Chairs: Magdalena Zdrodowska & Daniel CerMak Track 5 SOUND ART CURATING: CRITICAL HISTORIES, STRATEGIES AND PRACTICES Chairs: Liora Belford & Jason van Eyk Track 6 SOUND WITHIN BODIES, MOIST MEDIA PRACTICES, ENVIRONMENT AND LIFE-WORLD: ORGANISMS, GEOLOGY AND ECOLOGICAL NICHES Chairs: Laura Beloff, Dolores SteinMan, Michelle Lewis-King & Anna Nacher Track 7 THE RETURN OF THE SONIC REAL Chair: Rahma Khazam Track 8 ARCHIVE, ARCHIVES, ARCHIVING Chairs: Morten Søndergaard & Rodrigo GuzMan Track 9 GENERAL TOPICS Chairs: Morten Søndergaard & Laura Beloff RE:SOUND 2019 Morten Søndergaard, General Conference Chair Laura Beloff, Conference Co-chair Book of Abstracts edited by Rodrigo GUzman, Assistant Conference Chair Day 1 - Tuesday August 20, 2019 updated: Aug. 19, 2019 08:00 Registration 09:00 Conference Introduction. Morten SØNDERGAARD (DK) (General Chair) & Oliver GRAU (AT) (Head of the MAH conference series board) // Auditorium-CREATE 09:30 KEYNOTE Jamie ALLEN (CA): Beyond the Media Reveal: Full of Sound and Fury, Signifying…What? // Auditorium-CREATE 10:30 Break 11:00 Track 5 Sound Art Curating Track 2 Sounding Difference Track 4 Art & Technology Track 8 Archives Track 9 General Topics Track 3 Sound & Voice Auditorium Room B Room C Room D Room E Room F Session 5.2. Curatorial Strategies & Session 2.1. Feminist Interventions in Session 4.1. Performative Practices. Session 8.1. Archives and Session 9.1. Media Arts: Histories, Session 3.1. Performative Arts, Practices I. Chair: Liora BELFORD (CA) the Histories and Archives of Sound Chair: Daniel CERMAK (DK) Machines. Chair: Harald Actions, Practices I. Chair: Laura Voice, and Construction of Me- Art. Chair: Gabriela ACEVES S. (CA) KRAEMER (HK) BELOFF (DK) mory I. Chair: Iris GARRELFS (UK) THE INSTITUTIONAL SITUATION OF SO- “FABRICACIÓN ES UNIVERSO” FEAR OF FLIGHT: EXPANDED PRESENCE WAYBACK SOUND MACHINE. SOUND FROM READING TO SENSING: THE ART SOUND ART AND ORAL HISTORY CALLED SOUND ART VANGUARD, SILENCE AND OBLIVION AND INTER-SENSORY GESTURE IN THROUGH TIME, SPACE, AND PLACE OF TECHNOLOGICAL NARRATIVES IN A POST-CONFLICT Rasmus HOLMBOE (DK) Adriana S. MELGAREJO (UY) MULTIMEDIA PERFORMANCE Maile COLBERT (PT) GRAMMATIZATION PERFORMANCE OF MEMORY: Freida ABTAN (UK) Kyungso MIN (US) ENGAGING PUBLICS AS LISTENERS OF REHEARSING SENSORY REPERTOIRES: SONIC EXPERIMENTATION AND AVANT- DEMAGNETISED DISKETTES, PAINFUL PERSONAL PASTS SOUND ART CURATING AT ALTERNATIVE GARDISM IN THE INTERDISCIPLINARY AND SOCIO-SONIC INTERVENTIONS DISAPPEARING ARCHIVES: THE BETWEEN THE SENSES: WHAT OUR Luis SOTELO CASTRO (CA) ART SPACES 1980S-2000S ELECTRONIC WORKS OF ALICIA URRETA Tullis RENNIE (UK) CHALLENGES OF VIDEO GAME BRAINS REVEAL ABOUT OUR Linnea SEMMERLING (NL) (MEXICO, 1930-1986) PRESERVATION CONNECTION BETWEEN SOUND AND MICTLAN: A CYBER-CARTOGRAPHY Iracema DE ANDRADE (MX) Filip JANKOWSKI (PL) COLOUR THE SEARCH FOR THE LOVED ONES. A Umut ELDEM (BE) COLLABORATIVE SOCIALLY-ENGAGED SOUNGUI KIM’S ARTISTIC PRACTICE AND APPROACHES, STRATEGIES AND ART PROJECT VISION—SOUND AND SILENCE SINCE THEORETICAL AND PRACTICE-BASED Luz María SÁNCHEZ (MX) 1970S UP TO NOW RESEARCH METHODS TO INVESTIGATE Soojung YI (KR) AND ARCHIVE EARLY VIDEO ART. “ELLOS NO ESTÁN ENTENDIENDO NA- SOME REFLECTIONS FROM THE DA” [“THEY ARE NOT UNDERSTANDING REWIND RESEARCH PROJECTS ANYTHING”]: LISTENING TO EMBODIED Laura LEUZZI (UK), Stephen MEMORIES OF COLOMBIAN MIGRANT PARTRIDGE (UK) & Adam WOMEN, REFLECTING ON CONFLICT LOCKHART (UK) AND MIGRATION. Ximena ALARCÓN-DÍAZ (NO) & Alexander R. JENSENIUS (NO) 12:00 Lunch Break 13:00 Track 1 Resounding Media Art Track 1 Resounding Media Art Track 4 Art & Technology Track 6 Sound within Bodies Track 9 General Topics Track 3 Sound & Voice Auditorium Room B Room C Room D Room E Room F Session 1.1. Digital Dynamics in Nordic Session 1.2. Sound and the Session 4.2. Sound-visuals. Chair: Session 6.1. Sound, Bodies and the Session 9.2. Media Arts: Histories, Session 3.2. Performative Arts, Contemporary Art: Art's New Development of Visual Media Art. Daniel CERMAK (DK) Life-world I. Chair: Laura Actions, Practices II. Chair: Jens Voice, and Construction of Me- Environments. Chair: Tanya TOFT (HK) Chair: Jan THOBEN (DE) BELOFF (DK) HAUSER (DK) mory II. Chair: Luis SOTELO CASTRO (CA) REPRESENTATION, COMPLEXITY AND DRAWING AND SCANNING WAVEFORMS: TO BE LOOKED AT / TO BE LISTENED BIRTH LISTENING TO THE WORLD. TECHNO- THE LISTENING WALL: A JOURNEY CONTROL OPTICAL SYNTHESIS OF TONE COLOR IN TO. RAUSCHENBERG’S PAINTING WITH Diana CHESTER (AU) SONIC MEDIATIONS OF REALITY INTO SCORED LISTENING Jøran RUDI (NO) THE 1950S AND 60S A VOICE Lars BOTIN (DK) Iris GARRELFS (UK) ZHENG: NEGOTIATING ART, SOUND Stefanie BRÄUER (CH) Anne-Grit BECKER (DE) AN AESTHETICS AFTER CONCEPTUALISM AND MEDICINE CULTURES SOUNDING IMMATERIAL. SOUND AND FLÂNEUSE>LA CAMINANTA Ulla Angkjær JØRGENSEN (NO) SIGNAL ARCHAEOLOGY: POSTWAR COCCOLITH Michelle LEWIS-KING (CN) LISTENING IN THE EXHIBITION “LES Amanda GUTIÉRREZ (MX) ELECTROACOUSTICS AND ELECTRONIC Christopher BROWN (UK) & IMMATÉRIAUX” (PARIS, 1985) POST-IMMERSION: TOWARDS A DISCURSIVE (RE)SOUNDING BLOOD FLOW GAMAL ABDEL NASSER THE RADIO IMAGING Andrew KNIGHT-HILL (UK) Andreas BROECKMANN (DE) SITUATION IN SOUND AND MEDIA ART COMPLEXITY STAR AND MUSIC CULTURE Andrew Jared ASHBURN (US) Budhaditya CHATTOPADHYAY (LB) ECHO AND SPACE DESCRIPTION OF THE D. STEINMAN (CA), D. MACDO- Afif ARABI (LB) & Sahar PROGRAMMED: HISTORIES OF THE POST- BEHIND BACK REALITY NALD (CA), T. NATARAJAN (CA), SHARARA (LB) DIGITAL NOW Ana PERAICA (HR) R. WINDEYER (CA), P. COPPIN Christiane PAUL (US) (CA) & Da. STEINMAN (CA) 14:00 Break 14:30 Track 3 Sound & Voice Track 1 Resounding Media Art Track 4 Art & Technology Track 6 Sound within Bodies Track 7 Return of the Sonic Real Track 2 Sounding Difference Auditorium Room B Room C Room D Room E Room F Session 3.3. Performative Arts, Voice, Session 1.3. We Have Always Been Session 4.3. Theories and Practices. Session 6.2. Sound, Bodies and the Session 7.4. Simulations, Fictions, Session 2.2. Gendering the and Construction of Memory III. Posthuman. Chairs: J. ERIKSEN (DE) & Chair: Nina CZEGLEDY (CA) Life-world II. Chair: Anna and Futures. Chair: Ulrik Soundscapes of Media Arts I Chair: Luz María SÁNCHEZ (MX) S. SCHWESINGER (DE) NACHER (PL) SCHMIDT (DK) (Archives and Exclusion). Chair: Freya ZINOVIEFF (CA) PERFORMING THE MIGRANTS ARCHIVE: A A DISCUSSION OF POSTHUMANISM IN CONTRA ADORNO’S CRITIQUE OF LOCATING THE SOUND OF TRAUMA PARAFICTIONS AND CONTEMPORARY ALISON KNOWLES’ “SOUND POETRY”: CASE STUDY RELATION TO AN URBAN SOUND ART TECHNICS IN MUSIC: AFFECT, WITHIN ME MEDIA ART 2008-2018 THE INFLUENCE OF MYCOLOGICAL AND Vanina Y. HOFMAN (ES) & Pau INSTALLATION PRACTICE ALIENATED LABOR, AND CAGE’S Anna WALKER (UK) Rebecca SMITH (UK) AESTHETIC DISCUSSIONS WITH JOHN ALSINA (ES) Jordan LACEY (AU) AESTHETICS OF INDETERMINACY CAGE ON EARLY WOMEN’S FLUXUS SEX, LABOR, AND AUDIO TAPE: LYNN DARK SITUATIONISM AT RAND: A Andrew LIM (US) AESTHETICS THE INHABITANTS OF COLOSSEUM (2018): (RE)MAKING SYNTHETIC VOICES: HERSHMAN LEESON’S BREATHING MEDIA ARCHAEOLOGY OF SCENARIO Viola RÜHSE (AT) CREATING HISTORICAL CONSCIOUSNESS BY REVERSED POSTHUMAN VENTRILOQUISM OPEN, HIGH AND LOW. GETTING DEEP MACHINES BUILDING AND THE AESTHETIC A SOUNDING SOCIAL SCULPTURE Monika GÓRSKA-OLESIŃSKA (PL) IN THE SOUND SOURCE CODE Megan HINES (US) FORMALISMS OF FUTUROLOGY PRESERVING THE LEGACY OF Solveig OTTMANN (DE) Hernani VILLASEÑOR R. (MX) Brett ZEHNER (US) PIONEERING WOMEN IN ART AND KIRCHER’S ARCA MUSARITHMICA SON ET LUMIÈRE: THE BODY AS A TECHNOLOGY IN NEW YORK CITY YOUR TONGUE IN MY MOUTH: LIP SYNCH, BEYOND COMBINATORICS: LANGUAGE, SHIFTING SONORITIES: TECHNOLOGY PERFORMANCE INSTRUMENT SENSIBILITY AND TECHNOLOGY: MAYA (1970-90S) DUBBING, VENTRILOQUISM, AND THE PLAYFULNESS, AND AMATEURISM AND PERSPECTIVES ON TIMBRE Claudia AROZQUETA (AU) DEREN AND JOHN CAGE’S NOTES Rachel WARD (US) OTHERING OF VOICE IN DOCUMENTARY Rodrigo GUZMAN (AT) José C. S. CASTANHEIRA (BR) ABOUT TECHNOLOGY MEDIA Dami KIM (FR) Patrik SJÖBERG (SE) 15:30 Break 16:00 Track 6 Sound within Bodies Track 1 Resounding Media Art Track 4 Art & Technology Track 7 Return of the Sonic Real Catch Summer Camp 2019 Auditorium Room B Room C Room D Room E Session 6.3. Sound, Bodies and the Life- Session 1.4. Echoes of Rituals. Chair: Session 4.4. Discourses and Session 7.5. Electronic Music as Poster Session world III. Chair: Dolores STEINMAN (CA) Nina CZEGLEDY (CA) Practices: Laura BELOFF (DK) Human Machine Interface. Chair: Rasmus HOLMBOE (DK) “BREATH-TAKING”: SOUND-WRITING TO THE SOUND OF SHAMANS IN THE WORKS THE HUMAN OBJECT: NEW CREATING SONIC TOPOLOGIES WITH PHD POSTER SESSION SOUND-KNOWING OF NAM JUNE PAIK AND EARLY KOREAN MATERIALIST MODELS TO RESIST ELECTRONIC MUSIC TO DEVELOP A Catch Summer Camp 2019 Julieanna PRESTON (NZ) VIDEO ARTISTS OBSOLESCENCE
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