Inside Facts of Stage and Screen (October 4, 1930)
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Report on Designation Lpb 559/08
REPORT ON DESIGNATION LPB 559/08 Name and Address of Property: MGM Building 2331 Second Avenue Legal Description: Lot 7 of Supplemental Plat to Block 27 to Bell and Denny’s First Addition to the City of Seattle, according to the plat thereof recorded in Volume 2 of Plats, Page 83, in King County, Washington; Except the northeasterly 12 feet thereof condemned for widening 2nd Avenue. At the public meeting held on October 1, 2008, the City of Seattle's Landmarks Preservation Board voted to approve designation of the MGM Building at 2331 Second Avenue, as a Seattle Landmark based upon satisfaction of the following standard for designation of SMC 25.12.350: C. It is associated in a significant way with a significant aspect of the cultural, political, or economic heritage of the community, City, state or nation; and D. It embodies the distinctive visible characteristics of an architectural style, period, or of a method of construction. STATEMENT OF SIGNIFICANCE This building is notable both for its high degree of integrity and for its Art Deco style combining dramatic black terra cotta and yellowish brick. It is also one of the very few intact elements remaining on Seattle’s Film Row, a significant part of the Northwest’s economic and recreational life for nearly forty years. Neighborhood Context: The Development of Belltown Belltown may have seen more extensive changes than any other Seattle neighborhood, as most of its first incarnation was washed away in the early 20th century. The area now known as Belltown lies on the donation claim of William and Sarah Bell, who arrived with the Denny party at Alki Beach on November 13, 1851. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Probablemente El Diablo: El Terror Elíptico De La Séptima Víctima
PROBABLEMENTE EL DIABLO: EL TERROR ELÍPTICO DE LA SÉPTIMA VÍCTIMA Francisco García Gómez Universidad de Málaga RESUMEN La séptima víctima, la primera película dirigida por Mark Robson, constituye un magnífico ejemplo de la concepción del terror que tenía el productor Val Lewton. Su cuarto filme para la RKO, el primero no dirigido por Jacques Tourneur, pone de manifiesto que Lewton era el auténtico responsable de su ciclo fantástico. PALABRAS CLAVE: RKO, Val Lewton, Mark Robson, serie B, terror, satanismo, paladismo. ABSTRACT «Probably the Devil: The Elliptical Terror in The Seventh Victim». The Seventh Victim, first film directed by Mark Robson, is a magnificent example of the producer Val Lewton’s terror concept. His fourth RKO film, the first without Jacques Tourneur, reveals that Lewton was the genuine responsible of his fantastic cycle. KEY WORDS : RKO, Val Lewton, Mark Robson, B Film, terror, satanism, paladism. 163 Una película a redescubrir y reivindicar, ése es el caso de La séptima víctima (The Seventh Victim, 1943), la cuarta del ciclo de nueve cintas de terror de serie B producidas por Val Lewton en la RKO entre 1942 y 19461. Dirigida por Mark Robson en su debut como realizador, fue además la primera cuya dirección no corrió a cargo de Jacques Tourneur, tras La mujer pantera (Cat People, 1942), Yo anduve con un zombi (I Walked with a Zombie, 1943) y El hombre leopardo (The Leopard Man, 1943). Precisamente a consecuencia de los grandes éxitos de público obtenidos con estas tres, el estudio decidió separar al tándem Lewton-Tourneur, convencido de que rendirían el doble por separado, poniendo en seguida al francés al frente de mayores presupuestos. -
TORRANCE HERALD November 11, 1926
THURSDAY TORRANCE HERALD November 11, 1926 TO ENTERTAIN SCHOOLS OF CONDITION Safeway Merges Kntertalnlng skits nnd musical Ruth Roland To STATEMENT IH will combine with serious and in Tin: (tructlonal talks about college With 2 Other d university life In programs Play Next Week n student "Deputations Commlt- Beacon Drug Co " of the University of Southern Torrance Mitfoa! Biilding and Chain Stores California, to be presented In niull- At the Orpheum toriums of high schools throughout Consolidated Stores Covo the Pacific southwest this year. Famous Star in* Person as TORRANCE Net Assets IVHlgned to fulfill the desire' for a Vaudeville Feature, Loan Association Ten States; first-hand Information about cam Over Five Million pus and classroom, college skits Starting Sunday written «nd enacted hy Trojnn stu Of Torrance, Los Angeles Ctfunty. California Ton fli nt iii lors, curreli dents. In co-opcratlon with the S. Ruth Roland, the e(aff l .Ime, Involving tlie con. V. School of Speech, will supple screen star, after a three year' AS OF Till-. CI.USK (IK Hi;S'INKS« ON (H'TOIUOII 30, 192B sollrtntion of Pacific const nm ment short talks hy representative ahsenee froip the stage, returnn n university men and women In sec week, Sunday, November 14, I'uciflr . m thwesl chain store in. ondary school assemblies. Paulin and w with thi headline one of the. brightest terests. is had today Klene, William H enley. Eleanor most promising bills of the $ IS.C'riH joint am iuncr>ment by M. B Loans On Mormusi-K ............... Veale. Grant LaMont, Arthur pheum season. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
TTANTAGE Pany Narrowly Escaped Death Recently, T7n Equaled V a a D E 1 1 1 E - Broadway Mt Aider
TILE SUNDAY OKEGOXIAN, PORTLAND, SEPTEMBER 15, 1918. 3 PORTLAND BOYS SERVING THEIR COUNTRY WHEREVER CALL TO COLORS TAKES THEM t Youth of Pacific Northwest Represented on Shipboard in Training Camps of Home Land and in Far-O- ff France At HEILIG nJ Where Task of Driving Back Enemy Calls for America's Best. , .st? MORRISON AT .1 i lltf ig4THEATER 00? PLAYS THAT PLEASE L I THIS SUNDAY AFTERNOON CM Vai TONIGHT AND ALL WEEK t THAT WONDERFUL NEW PLAY '. K-r- teMauaaisiJ t.Minr'jmJ LJti(lltjJ LjJrf IjsJl LA f S&hZj i I eMSsasssa. JOHNNY 4 MATINEES 4 NIGHTS ll Starting Sunday Matinee, September 15 MRS. THOMAS FLORENZE WHIFFEN TEMPEST GET In "Foxy Grandma" America's Most Lovable Boy - a- K2' With , - - and PeBgy Dale Whiff en Vaudeville's Daintiest Girl YOUR EDDIE FOYER The Man of a Thousand Poems STELLA TBACEY & CARL McBRIDE Offering Their Own CLARENCB LIKINS. assistant ond Lieutenant of Field Artillery at that his son, Frank Bino, has been se ' city circulation manager, is the Camp Zachary Taylor, Ky. He will be verely wounded in action. The young Exclusive Material GUN c. latest Oregonian employe to stationed, for the present at least, at man was a member of Company F that camp. Third Oregon, before leaving here last ianswer the call to the colors. Last Before enlisting Lieutenant Henshaw December, and was later transferred to tweek he left for Seattle and from there was a Oregon Agricultural 162d to Pa-- , student at the Infantry and thence Com rhe will so to Gettysburg:. to enter College. -
Vaudeville Trails Thru the West"
Thm^\Afest CHOGomTfca3M^si^'reirifii ai*r Maiiw«MawtiB»ci>»«w iwMX»ww» cr i:i wmmms misssm mm mm »ck»: m^ (sam m ^i^^^ This Book is the Property of PEi^MYOcm^M.AGE :m:^y:^r^''''< .y^''^..^-*Ky '''<. ^i^^m^^^ BONES, "Mr. Interlocutor, can you tell me why Herbert Lloyd's Guide Book is like a tooth brush?" INTERL. "No, Mr, Bones, why is Herbert Lloyd's Guide Book like a tooth brush?" BONES, "Because everybody should have one of their own". Give this entire book the "Once Over" and acquaint yourself with the great variety of information it contains. Verify all Train Times. Patronize the Advertisers, who I PLEASE have made this book possible. Be "Matey" and boost the book. This Guide is fully copyrighted and its rights will be protected. Two other Guide Books now being compiled, cover- ing the balance of the country. Digitized by the Internet Archive in 2012 with funding from Brigham Young University http://archive.org/details/vaudevilletrailsOOIIoy LIBRARY Brigham Young University AMERICANA PN 3 1197 23465 7887 — f Vauaeville Trails Thru tne ^iV^est *' By One vC^Jio Knows' M Copyrighted, 1919 by HERBERT LLOYD msiGimM wouNG<uNiveRSBtr UPb 1 HERBERT LLOYD'S VAUDEVILLE GUIDE GENERAL INDEX. Page Page Addresses 39 Muskogee 130-131 Advertiser's Index (follows this index) New Orleans 131 to 134 Advertising Rates... (On application) North Yakima 220 Calendar for 1919.... 30 Oakland ...135 to 137 Calendar for 1920 31 Ogden 138-139 Oklahoma City 140 to 142 CIRCUITS. Omaha 143 to 145 Ackerman Harris 19 & Portland 146 to 150 Interstate . -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Appendix B Biography: Hank Halstead
Appendix B Biography: Hank Halstead Henry Halstead was born November 16, 1897 in and died on March 19, 1984 As a young boy, Halstead learned to play violin. After studying the violin for 10 years, Hank Halstead turned professional when 19, playing clubs and hotels at the tables. In 1919, Henry Halstead played violin with 2 other men that went on to become famous Big Band Leaders, Abe Lyman and.Gus Amheim The 3 young men played in a band together at the Sunset Inn in Santa Monica, California. Abe Lyman played drums and Gus Arnheim played piano. Roy Fox, not well known in America but later a ranking bandmaster in England, played the trumpet on occasion with them. Even early on Halstead dressed the part, a tuxedo was a must and he must have worn out a few of them over the next 20 years. Henry Halstead was married to blues vocalist Marjorie Whitney. Marjorie went on to be the female singer in a group known as the King’s Jesters that played together in the 1930s. Marjorie died in 1994. The early Henry Halstead Orchestra was enormously successful at the St. Francis Hotel in San Francisco during the early 1920s for about three years. This was the early days of radio, and the group had the good fortune to broadcast over the very powerful (for those days) KGO in San 8/20/2014 Appendix B 1 | P a g e Francisco. The orchestra was "on" for about an hour a night, six nights a week. As a consequence, his band became the best known organization in the western United States and Hawaii. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
Enemyenemy By, Jason Weissby
Presents Presents EnemyEnemy By, Jason WeissBy, With (in alphabetical order) Allie Anderson, Derek Bellard, Mariale Chiribao, Joseph Fernandez, Daniel Gipson, JamesWith Jason Weiss Martin, (in alphabetical order) Sara Moncada, Shanel Premdas, Grace Allie Serrano, Anderson, Danayia Stedham, Derek Kevin Bellard, Stidham*, Mariale Anthony Chiribao, Willis Joseph Fernandez, Daniel Gipson, James Martin, Sara Moncada, Shanel Premdas, Scenic Grace Design Serrano, Lighting Danayia Design Stedham, Production Kevin Stidham*, Stage Manager Anthony WillisScenic Designer Lighting Designer Production Stage omas Brown Martha Carter MadisonManager Miller Thomas Brown Martha Carter Fight DirectionFight Director Vocal CoachVocal Coach FightMadison MillerFight Captain Captain Henry Layton Nicolette Chaey Kevin Stidham Henry Layton Nicolette Chaffey Kevin Stidham Casting Graphic Design Michael Jury Mattias Ramos Produced by eatre of Arts & Hisatake Shibuya Directed by Jason Weiss CAST (alphabetical) Allie Anderson CAT Derek Bellard MAYOR Mariale Chiribao SOFIA Joseph Fernandez PABLO Daniel Gipson DOC James Martin ALFRED Sara Moncada HANNAH Shanel Premdas NINA Grace Serrano CAPTAIN Danayia Stedham MONIQUE Kevin Stidham* JAMES Anthony Willis MILES *Member of Actors’ Equity Association, e Union of Professional Actors and Stage Managers in the United States Enemy was inspired by Henrik Ibsen’s An Enemy of the People, published in 1882. Scene One: Doc’s living room in the evening. Scene Two: e following morning. Scene ree: Later that day in the lounge of e People’s -
Hooray for Hollywood the Sequel
Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).