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In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (G-M) 7000.1B
http://oac.cdlib.org/findaid/ark:/13030/c80v8b5j No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) 7000.1b Finding aid prepared by Rebecca Hirsch. Data entry done by Nick Hazelton, Rachel Jordan, Siria Meza, Megan Sallabedra, Sarah Schreiber, Brian Whitaker and Vivian Yan The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1b 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) Collection number: 7000.1b Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters G-M of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters N-Z is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1c . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives. -
WOODBRIDGE TOWNSHIP NEEDS a DAILY PAPER the INDEPENDENT 22 Pages Today WILL PUBLISH DAILY Three Sections VOL
WHEN WOODBRIDGE TOWNSHIP NEEDS A DAILY PAPER THE INDEPENDENT 22 Pages Today WILL PUBLISH DAILY Three Sections VOL. XII, No. 48 VVOODI'.IUDCK, N. .1., FRIDAY, FEBRUARY G, l!t:i PRICE THREE CENT8L Fords Minstrel Show I.inni to Meet «l Log Cabin The Linns Club will meet nn Woodbridge Police Solve iiiuip in the Middlesex Hotel. From now on the jolly meet- Draws Big Audience ings of this popular service club will be held in Gray's Egan, Jensen and Miss Genevieve Ryan Of Fords Section I,ofr Cabin, on Amboy avenue Fords Holdup In One Day Score Hit» In Two Day Show Given Monday and Tuesday near the Cloverleaf. Meetings will be held on NEW COMMODORE Band Getting $125 At Gunpoint From Hopeiawn Man Round- At Fords School By Firemen — Lady "End Men" Monday, as heretofore, with Make Crowds Laugh—Dance Numbers Applauded. ilinner being nerved at f>:30 ed Up By Woodbridge Officers — Two Arrested In Perth p. m. Amboy and Third Walk* Into Police Station and GIYM The Fords Frolic, a minstrel nhow given Monday and The change in meeting place Himself Up—All Held For Grand Jury Without Bail. was decided upon at the regu- Tuesday at the auditorium of School No. 14, by the Fords Fire i lar meeting held Monday. ( nrnpany, was an entire success. Large crowds heard both par- i I'etor Peterson, Health Officer By quick detective work on the part of Woodbridge and lurmances. of the township, was chosen to Perth Amboy police, a $125 holdup in Fords was solved Sun- act. -
Florenz Ziegfeld
Florenz Ziegfeld: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Ziegfeld, Florenz, 1867-1932 Title: Florenz Ziegfeld Collection Dates: 1893-1979 (bulk 1910-1930) Extent: 4 document boxes, 20 oversize boxes (11.81 linear feet) Abstract: The Florenz Ziegfeld Collection, 1893-1979 (bulk 1910-1930), documents Ziegfeld's career as a producer and, to a lesser extent, the contributions of some of the theater professionals associated with him. The bulk of the collection is made up of photographs and sheet music. A complete index of composers, lyricists, arrangers, performers, and song titles concludes the finding aid. Catalog Record TXRC05-A0 #: Language: English Access: Open for research Administrative Information Acquisition: Sheet music purchased, 1973 (R5756); other materials assembled from the Albert Davis Collection and W. H. Crain purchases Provenance: In 1973 the Ransom Center purchased the Ziegfeld sheet music and the Fanny Brice songbook from Robert Baral. Many of the photographs in the Florenz Ziegfeld Collection were culled from the Albert Davis Collection; others are thought to have been in the possession of the Ziegfeld family at one time. Some of the programs were purchased by W. H. Crain. Processed by: Helen Adair and Antonio Alfau, 1999, 2005 Repository: The University of Texas at Austin, Harry Ransom Center Ziegfeld, Florenz, 1867-1932 Biographical Sketch Florenz Ziegfeld was born in 1867 in Chicago. His father, Florenz, Sr., was head of the Chicago Musical College and a significant figure in the cultural life of the city. The junior Ziegfeld worked at his father's conservatory while in high school, earning a promotion to assistant manager in 1885. -
Shell Game at the Seashore 1932–1936
5 Shell Game At the Seashore 1932–1936 EARLY IN 1932 the dynamic and always headstrong Camille Rossi, San Simeon’s construction superintendent since 1922, finally wore his welcome thin with Hearst and Julia Morgan. George Loorz rose to the occasion. He was the young builder from Berkeley (b. 1898) whose past credits included nine months on the Beach House job in 1927–28. Loorz was as much a typist as Hayes Perkins was but one imbued with a deeper respect for the truth and with far fewer axes to grind. Letters, not diary entries, were his writerly stock in trade. We can rely on George Loorz for some glimpses of Beach House history in the 1930s. Midway through 1932, Morgan described him to Hearst as “simple, direct and capable,” as a man “with a natural manner.” In contrast, the often cynical Perkins described Loorz at the outset of 1932 as “a back slapper if there ever was one.” You decide. To most old-timers conversant with the San Simeon or the Santa Monica of that era (not many are left), Loorz was a man who could do no wrong, a mortal who all but walked on water. Before we move past the first month of this new year, Alice Head must be heard from again, silent in these pages since the summer of 1931. She has no peer, no equal in these circles—not even George Loorz and surely not Hayes Perkins—when it comes to recounting Los Angeles and sometimes the Beach House (though still not by name) during what technically were the worst years of the Great Depression: Mid-January, 1932, saw me once more setting forth for the States, this time on the Samaria, one of the smaller Cunard boats. -
Director George Cukor Honored Five-Week-21-Film
The Museum of Modern Art ^^ ^^ I 11%^ iwiM^^^Miii VI ivawMX^l •• f-mi % ^^^ IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart DIRECTOR GEORGE CUKOR HONORED FIVE-WEEK-21-FILM RETROSPECTIVE A Five-Week Tribute to George Cukor, including 22 films by the American director, will commence on August 27, 1970 at The Museum of Modern Art. Starting with THE ROYAL FAMILY OF BROADWAY, the 1930 movie based on the famous Barrymore clan, with Ina Claire and Fredric March, the Cukor show covers more than three decades in the director's career. In the thirties, stars such as Gary Grant were familiar fixtures in his pictures; the late forties and fifties were marked by the film-maker's frequent collaboration with screenwriters Garson Kanin and his actress wife Ruth Gordon, as well as his pictures co- starring Katharine Hepburn and Spencer Tracy. The final film of the series, THE CHAPMAN REPORT, was made in 1963. The retrospective was assembled by Gary Carey, former Assistant Curator of the Museum's Department of Film and author of a forthcoming book entitled Cukor & Co., to be pub lished this fall by the Museum. According to Carey, Cukor was most sympathetic to comic material which had "a strong undercurrent of humanity." Cukor emphasized the roles of his writing collaborators, as well as his actors, because he was primarily influenced by the theater, which he entered in Chicago in 1918. He was a stage manager when stars such as Sarah Bernhardt, Isadora Duncan, Yvette Guilbert, Alia Nazimova, and Elsie Ferguson reigned. -
BVC M010546 Cine Y Teatro. Guía De Largometrajes Adaptados De Obras
Guía de Largometrajes 2009 cine y teatro introducción La GUÍA DE CINE Y TEATRO es una compilación de una amplia selección de largometrajes que son adaptaciones de obras teatrales a la pantalla cinematográfica. Se encuadra en la colección Guías de Cine, editadas por la Comunidad de Madrid, presentándose ahora en formato CD, con el fin de proporcionar un formato más adecuado para una obra de referencia, ya que facilita la realización de consultas y búsquedas automáticas útiles para los interesados en el tema. La mayoría de los títulos incluidos han sido estrenados comercialmente y figuran por ello en la base de datos de películas del Ministerio de Cultura. En esta guía se ha optado por reflejar también obras que han sido estrenadas en festivales, aunque no hayan llegado a las pantallas comerciales, así como algunos títulos señalados que, por causas diversas, no han llegado a verse en proyección pública alguna en España. La GUÍA DE CINE Y TEATRO consta de dos partes: 1) Referencias fílmicas. Se relacionan los autores teatrales por orden alfabético y, en caso de que el autor tenga más de una adaptación a la pantalla, las películas se ordenan por orden alfabético de título. 2) Índices. - De autores - De películas En cada ficha se proporcionan los datos básicos de cada película (director, intérpretes principales, guión, argumento, música, director de fotografía, año de producción, nacionalidad, duración, datos técnicos, género, calificación, productora y distribuidora), así como un breve resumen. obras por autor 16 A Argumento: Basado en la obra teatral “No te ofendas, Beatriz” de Carlos ABATI Y DÍAZ, JOAQUÍN (1856-1936) Arniches y Joaquín Abati (1926) Música: Juán Durán Alemany Escritor y libretista de zarzuelas, nacido en Madrid en 1865. -
Academy of Motion Picture Arts and Sciences
ACADEMY OF MOTION PICTURE ARTS AND SCIENCES MEMBERSHIP LIST AS OF SEPTEMBER 25, 1929 ACTORS George K. Artnur Chester Conklin George Fawcett Lucien L. Littlefteld Mabel Normand M ary Astor Hallam Cooley Loulse Fazenda Harold Lloyd Ramon Novarro Vilma Banky Ricardo Cortez Ralph R. Forbes Edmund Lowe Wedgwood Nowell John Barrymore Dolores Costello Alec B. Francis May McAvoy Warner Oland Richard Barthelmess Bebe Daniels John Gilbert . Douglas McLean Gertrude Olmsted Noah Beery AUceDay Claude Gillingwater Victor McLaglen Aileen Pringle Wallace Beery Marceline Day Lillian Glsh Dorothy Mackaill Anders Randolf Lionel Belmore Sam de Grasse Joseph W. Girard Tully Marshall Irene Rich Monte Blue Dolores Del Rio William Haines Thomas Meighan Norma Shearer John Bowers A. de Segurola Creigh tou Hale John Miljan Milton Sills W. L. Boyd Reginald L. Denny Raymond Hatton Tom Mix Gloria Swanson Hobart Bosworth Richard Dix Holmes Herbert Collen Moore Blanche Sweet Francis X. Bushman Billie Dove Jean HershoIt Lois Moran Norma Talmadge Harry Carey Louise Dresser Jack Holt Jack Mulhall Lilyan Tashman Lon Chaney Marie Dressler Lloyd E . Hughes Edna Murphy Ernest Torrence Charles Chaplin Robert Edeson Leatrice Joy Mae Murray Richard W. Tucker Lew Cody Douglas Fairbanks Buster Keaton Conrad Nagel Victor Varconi Ronald Colman Douglas Fairbanks. Jr. Rod La Rocque Poll' Negri Bryant Washburn Lois Wilson DIRECTORS John G. Adolfl Alan Crosland E. Mason Hopper Harry Millarde Edward Sloman George Archainhaud Michael Curtiz Wm. K. Howard Walter Morosco Edward Sutherland Lloyd F. Bacon Roy Del Ruth F. Richard Jones Marshall Neilan Sam Taylor Reginald Barker Cecil B. de Mille Rupert Julian Fred Niblo Norman Taurog William Beaudine William C. -
The Production of an Amateur Musical Revue
This dissertation has been 64—6939 microfilmed exactly as received NOVAK, Elaine Adams, 1922- THE PRODUCTION OF AN AMATEUR MUSICAL REVUE. The Ohio State University, Ph.D.,1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan THE PRODUCTION OP AN AMATEUR MUSICAL REVUE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elaine Adams Novak, A. B., A. M. ****** The Ohio State University 1963 Approved by jTffi Adviser ' Department of Speech CONTENTS Page LIST OP T A B L E S ..................................... Ill LIST OP ILLUSTRATIONS............................. Iv Chapter I. INTRODUCTION .................................. 1 The Purpose Definitions of Terms Organization of Remainder of Dissertation II. THE PROFESSIONAL MUSICAL REVUE IN NEW YORK .. 10 Survey of the Professional Musical Revue in New York Organization for a Professional Musical Revue Procedure for Producing a Professional Musical Revue III. THE LOCALLY-PRODUCED AMATEUR MUSICAL REVUE .. 66 The Gay Capers Organization for the Gay Capers Procedure for Producing the Gay Capers IV. THE PACKAGED AMATEUR MUSICAL REVUE ............ 124 The Jerome H. Cargill Producing Organization Organization for a Cargill Revue Procedure for Producing a Cargill Revue V. A SUGGESTED ORGANIZATION AND PROCEDURE FOR THE LOCAL PRODUCTION OP AN AMATEUR MUSICAL REVUE . 131 Organization Procedure Summary BIBLIOGRAPHY ..................................... 209 AUTOBIOGRAPHY ..................................... 216 il LIST OP TABLES Table Page 1. Income and Expenses for the Gay Capers of I960, 1961, and 1962 ....................... 73 2. Budget for the Gay Capers of * 6 0 ............. 94 lil / LIST OF ILLUSTRATIONS Figure Page 1. Organization for the Gay Oarers ................ 77 2. Rehearsal Schedule for the Gay Capers.............113 3. -
Howard Greer Album Autos Lilyan Tashman Lois Wilson Anna Q
Howard Greer Album autos Mary Duncan Lenore Konti Bushman Lilyan Tashman Esther Ralston Hedda Hopper Lois Wilson Edmund Goulding Dorothy Devore Anna Q. Nilsson Lila Lee Eleanor Boardman Kathlyn Williams Travis Banton Ann Christy Bessie Love Walter Plunkett Ray Brooks Greta Nissen Lillian Albertson Arthur Gregor Paulette Duval Edith Head Winnifred Westover Thelma A. Todd Louise Dresser Gardner Julanne Johnston Marie Dressler Kay Garrett Eve Southern Anna Q. Nilsson Daphne Pollard Dorothy Taylor [Dorothy Layton] Gilbert Clark Elsie Cillen Louise Brooks David Cox Alice Lake Thelma Salter Larry Hood [Lawrence] Nena Quartaro Gladys McConnell Anne Cornwall Reed Howes Vera Steadman Estelle Taylor Gloria Greer Marie Prevost Lilyan Tashman Via Hersholt Maude Wayne Enid Markey Catheryn Carver Johnnie Walker Madge Bellamy Adolphe Menjou Marion Dabney Edmund Lowe Bebe Daniels John Frederick Prince and Princess S’Mdivani Peggy Hamilton Minta Durfee Arbuckle Nancy Caroll Virginia Valli Alice L. Tildesley N[orma] Talmadge Charles D. Farrel Walter Pidgeon Phyllis Haver Margaret Livingston Alice White Mollie Malone Betty Bronson Doris Dawson Ruth Taylor Vivian Fay Jeanette Porter Meehan Jean Epstein Marcella Burke 1 Seana Owen Blanche Merrill Florence Johnson Roy D’Arcy Mrs. N. Thalberg [Norma Mrs. Samuel Goldwyn[Frances Shearer] Howard] W[illiam] R. Hearst Betty Blythe Ivy Shilling Marion Davies Colleen Moore Mrs. Leiland Atherton Dorothy Barrett Calhoun Irish[philanthropist] Grace Stafford[“Woody Evelyn Francisco Woodpecker”] Agnes Copelin[Agnes Cuppelin] Rose Davies Van Cleve Olive Cooper Lillian Webster[Lilian Webster] Elise Bartlett Blanche M. Sewell [OZ editor] John Grey Luke Cosgrave Mrs. Thomas Meighan[Francis Barbara Bedford Ring] Pauline Starke Gladys W. -
Stanley Donen and Gene Kelly SINGIN' in the RAIN (1952)
March 2, 2018 (XXXVI:6) Stanley Donen and Gene Kelly SINGIN’ IN THE RAIN (1952), 103 min. The online version of this Goldenrod handout has color images. Directed by Stanley Donen and Gene Kelly Written by Betty Comden and Adolph Green Produced by Arthur Freed Non-Original Music by Nacio Herb Brown ( “Broadway Melody Ballet,”; “All I Do is Dream of You”; “Good Morning”; “You Were Meant for Me,”; “Temptation”) and Al Goodhart (“Fit as a Fiddle”) Cinematography Harold Rosson Film Editing Adrienne Fazan Art Direction by Randall Duell and Cedric Gibbons Choreography Gene Kelly, Stanley Donen, Gwen Verdon (assistant choreographer) National Film Preservation Board, USA 1989 National Film Registry Academy Awards, USA 1953: Nominated Best Actress in a Supporting Role, Jean Hagen; Best Music, Scoring of a Musical found escapist sanctuary every afternoon in the local movie Picture, Lennie Hayton theaters. “I saw Fred Astaire in Flying Down to Rio when I was nine years old, and it changed my life. It just seemed wonderful, CAST and my life wasn’t wonderful. The joy of dancing to music! And Gene Kelly...Donald 'Don/Donnie' Lockwood Fred was so amazing, and Ginger— oh, God! Ginger!” When he Donald O'Connor...Cosmo Brown talks about his transition from dancer to director, he recalls: Debbie Reynolds...Kathy Selden “sound was still a fairly new thing when I came into movies. And Jean Hagen...Lina Lamont the reason musicals happened is because of sound. They could Millard Mitchell...R.F. Simpson (President, Monumental put music in the picture! That’s how it all began.” Between 1949 Pictures) and 1959, Donen was either the key creative force behind or an Cyd Charisse...Dancer essential element in the production almost all of Hollywood’s Douglas Fowley...Roscoe Dexter (Director, Monumental critically acclaimed musicals.