DOCSLIB.ORG

Howard Greer Album Autos Lilyan Tashman Lois Wilson Anna Q

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Howard Greer Album Autos Lilyan Tashman Lois Wilson Anna Q Howard Greer Album autos Mary Duncan Lenore Konti Bushman Lilyan Tashman Esther Ralston Hedda Hopper Lois Wilson Edmund Goulding Dorothy Devore Anna Q. Nilsson Lila Lee Eleanor Boardman Kathlyn Williams Travis Banton Ann Christy Bessie Love Walter Plunkett Ray Brooks Greta Nissen Lillian Albertson Arthur Gregor Paulette Duval Edith Head Winnifred Westover Thelma A. Todd Louise Dresser Gardner Julanne Johnston Marie Dressler Kay Garrett Eve Southern Anna Q. Nilsson Daphne Pollard Dorothy Taylor [Dorothy Layton] Gilbert Clark Elsie Cillen Louise Brooks David Cox Alice Lake Thelma Salter Larry Hood [Lawrence] Nena Quartaro Gladys McConnell Anne Cornwall Reed Howes Vera Steadman Estelle Taylor Gloria Greer Marie Prevost Lilyan Tashman Via Hersholt Maude Wayne Enid Markey Catheryn Carver Johnnie Walker Madge Bellamy Adolphe Menjou Marion Dabney Edmund Lowe Bebe Daniels John Frederick Prince and Princess S’Mdivani Peggy Hamilton Minta Durfee Arbuckle Nancy Caroll Virginia Valli Alice L. Tildesley N[orma] Talmadge Charles D. Farrel Walter Pidgeon Phyllis Haver Margaret Livingston Alice White Mollie Malone Betty Bronson Doris Dawson Ruth Taylor Vivian Fay Jeanette Porter Meehan Jean Epstein Marcella Burke 1 Seana Owen Blanche Merrill Florence Johnson Roy D’Arcy Mrs. N. Thalberg [Norma Mrs. Samuel Goldwyn[Frances Shearer] Howard] W[illiam] R. Hearst Betty Blythe Ivy Shilling Marion Davies Colleen Moore Mrs. Leiland Atherton Dorothy Barrett Calhoun Irish[philanthropist] Grace Stafford[“Woody Evelyn Francisco Woodpecker”] Agnes Copelin[Agnes Cuppelin] Rose Davies Van Cleve Olive Cooper Lillian Webster[Lilian Webster] Elise Bartlett Blanche M. Sewell [OZ editor] John Grey Luke Cosgrave Mrs. Thomas Meighan[Francis Barbara Bedford Ring] Pauline Starke Gladys W. Brockwell Mrs. Leon Errol[Stella Corrine Griffith Chatelaine] Mrs. Sol Lesser[Fay Grunauer] Zazu Pitts Mrs. Frank Case[Bertha] Florence Lawrence Rosabelle Laemmle James Montgomery Flagg[artist] Viscountess Mandeville[British Noble] Dorothy Dwan Arthur William Brown[artist] James Cruze Miss Sue Mason Beverly Nichols May Talbot Jean Newcombe Florence Vidor M[argaret]L. Talmadge Dorothy Cumming Ruth Collier[agent] Raymond Hatton Ruth Mann [Helen Mann] Florence Allan Ellin Berlin [irving wife] Carl Van Vechten (writer, Louise Fazenda photographer) Bess Flowers O[tto] H[ermann] Kahn[banker] Jeannie Macpherson Jane Keckley Mrs. Harold Lloyd[Mildred Carmen Pantages Davis] Martha Mattox Julia Faye Evelyn Brent George James Hopkins Frances Lee Betty Compson Betsey Whitney[philanthropist] May Foster Mary Nolan Jack Pickford Madeline Hurlock Jane Warrington Jack Jordan Kathleen Key Beverly Bayne Dorothy Mackaill 2 Phoebe Foster Tristram Tupper Peggy Wood Laura La Plante Lee Patrick Cecelia Ager Pauline Lewis Gwen Wakeling Constance Talmadge Carl Laemmle Jr Bob Anderson Natalie T. Keaton[Mrs Buster Keaton] George Fitzmaurice Arthur Foster[Art Foster] Dorothy Herzog Helen Rose Mary Pickford Aileen Pringle Elizabeth Murphy[Edna Verna W. Chalif[Pickford’s Murphy] cousin] Ina Claire George Jessel Paul Poiret Fanny Heaslip Lea[author] Fanny Brice Michio Ito Johanna Mathieson Herbert Brenon Vilma Banky Barbara Stanwyck Fay Lily Damita[Lili] Viola Dana Frank Fay Mary Nash Shirley Mason Eddie Earl[Edward] May Robson Sharon Lynn Florence Moore Florence Nash Sue Carol* Kenyon Nicholson Billy Haines[William Haines] Nick Stuart* J. Neil Hamilton Harold Lloyd *husband/wife Willis Goldbeck Isabel Withers Rod La Rocque Katharine Cornell[stage] Mrs. Carroll H. Dunning H[arold]W. Greive Guthrie McClintic Max Ree John Carroll Katherine Albert Mrs. Henry Ford Jane Hall Mae Murray Alice Day Joseph Schildkraut Mrs. Alfred Hertz Mayme Ober Beak[Boston Paul Bern Mrs. Richard Globe] Boleslavsky[Boleslawski][Norma Rosa Ponselle[opera] Drury] Jacqueline Saunders[Jackie Saunders] Lenore J. Coffee Joan Bennett Blanche Sweet Mrs. Basil Rathbone[Ouida Elizabeth Patterson Bergere] Greta Garbo Juliette Compton Lillian Kemble Cooper 3 Lurene Tuttle Dale Winter Duffy Jeanette MacDonald Mrs. Jack Warner Harry Weber[Webber] Kay Johnson Kay Hammond Florence Foster Marjorie Moss Doraldina Betty Caldwell Jack Holland[John] Helen Kane[singer] Noele Francis June Knight Helen Hayes Jobnya Howland[Gibson Girl] Anna May Wong Bess Flowers Holman Armida[Vendrell] Hattie Carnegie Bernice Claire Marie Crisp Flo Brendel[Flo Bert] June Collyer Gilbert Roland El Brendel Elizabeth Meehan Norma Shearer Sylvia Sidney Carlotta King Marion Nixon Rosetta Duncan May Beatty Glenn Hunter Tony Sarg John Murray Anderson Marilyn Morgan[Marian Marsh] Sarah S. Hayden[Sara Haden] Mrs. Leslie Carter[stage] Billie Dove Noel Coward Zoe Akins Ilka Chase Charlotte Greenwood Donald Brown[Denishawn Lottice Howel Rose Hobart dancers] Marie Wilson Evelyn Brent Sally O'Neil Lillian Savin Florence Britton Mrs. Hugo Ballin[Mabel Ballin] Jack Anderson Jay Brennan Mary Philbin Pauline Neff Gwili Andre Olive Borden Kay Francis Iphigenia Lawrence- Dorothy Christie Grant[Iphigenia Hay] Sally Starr Grace Hayes Dorothy F. Rodgers Genevieve Tobin Mabel Gibson Marilyn Miller[Broadway] Ruth Martin Decla Dunning Lily Pons[opera] Cecil Beaton Frank R. Capra Irene Dunne Fay Wray Marjorie Bell[Marge Champion] Ann Harding Ralph Graves 4 Neil Curtis Billy Burke Ziegfield Dorothy Parker* Ruth Helms Nagel Katherine Alexander Alan Campbell* Katharine Hepburn Joan Blondell [*screenwriting team] Polly Moran Grace Moore Parrera Thyra Samter Winslow Shirley Barker Lois Clarke Spreckels[socialite- Robert Edmund Jones Lois Clarke de Ruyter Spreckels Helen Twelvetrees Clinton] Eleanor Barry Elizabeth Arden Jewel Cooke[swimmer] Zoe Akins Rumbold Clara Bow Annabella[Power] Mariam Hopkins George Jessel Merna Kennedy Berkeley Mrs. Frank Capra Rita Kaufman Enid Parish Alice Hughes Helen Gilmore Theda Bara Lester Gaba Marion Gering Margaret Sullavan Steffi Duna Helen MacKellar Loretta Young Pat Patterson Michael Whalen Doris Duke[heiress] Rachel Crothers Jetta Goudal Belle Daube Margaret Huston Jones Adrian[costumes OZ] Helen Ibrahim Sultanah of Veloz and Yolanda Johor[Malaysia] Natalie Talmadge Cynthia Perot[Broadway] Binnie Barnes Mona Rico Myrna Loy Rossiky Dolly[Rosie Dolly/ Dolly Zita Johann Lydia Bodrero Macy Sisters vaudeville act] Constance Talmadge Netcher Lloyd Pentages Lloyd Pantages June Hamilton Rhodes[publicist] John Villiers Farrow Herbert Sondheim[apparel Louise D. Miller[Lu Miller] mogul] Estelle Winwood Townsend Netcher Kathleen Howard G.B. Shaw[George Bernard] David Lewis Josephine Hutchinson Sally Victor Gracie Allen Marlene Dietrich Simone Simon J. Walter Ruben Al Jolson Homer Curran Ruth Waterbury[writer] Ellin Berlin[Mary Ellen Barrett] Gail Patrick 5 Yeshwant Rao Holker[India Joyce Matthews Jennifer Jones Royal] Dora Maugham Shirley Temple Lois Long[writer] Vivien Leigh Mary Livingstone Tilly Losch Charles Laughton Deanna Durbin June Lang Glenn Hunter Susan Hayward Claudette Colbert Ellen Drew Gypsy Rose Lee[“we were Alice Terry dressed”] Charles Curtis Tamara Grigoriena [Tamara Larry Adler Labova] Grand Duchess Marie Pola Negri Tatiana Riabouchinska[Tania Richard Haydn Riabouchinskaya- Ballet] Mildred Natwick Signe Hasso Basil Rathbone Ruth Hussey Jane Wyatt Ouida Rathbone Dinah Shore Montgomery Mary Taylor[Mary Ross] Tallulah Bankhead Greer Garson Rita Hayworth Rudolph Mate Joan Edwards[Hit Parade] Salvador Dali Garson Kanin Van Johnson Priscilla Lane Ruth Kanin[Ruth Gordon] Michael Romanoff Gloria Vanderbilt Lilly Dache Ann Todd Anna Lee Margot Stevenson Vera Ralston Ingrid Bergman Martha Stout[Vogue Magazine] Kay Thompson Cornelia Otis Skinner Ginger Rogers Emily Kimbrough Leonide Massine Francia White[opera] Mary Boland Vera Zorina Rosamond Pinchot Luther Adler Leni Riefenstahl Sylvia Sidney Myra Kingsley[astrologer] Lynn Bari Bernadine Szold-Fritz Eva Gabor Jane Loring Virginia Hill 6 .
Load more

Recommended publications
  • Inside Facts of Stage and Screen (September 20, 1930)
    — STAGE PRICE 10 RADIO \ CENTS SCREEN Only Theatrical Newspaper on the Pacific Coast MUSIC ESTABLISHED 1924 EDITED BY JACK JOSEPHS Entered as Second Class Matter, April 29, 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- Vol. XII office, Los Angeles, Calif., under Act of March 3, 1879. Saturday, September 20, 1930 town Building, 401 West Seventh St., Los Angeles, Calif. No. 12 LOCAL PREVIEWS ‘OUT’ MARATHON UNFINISHED DANCES IN FILMS GET BIG SPURT ‘PAN’ HERE Marathon dances, considered Elimination of previews of dead stuff around here and talking pictures in the vicinity which certain officials in the of Hollywood was a decision city have frowned upon, took a of the movie industry this sudden leap with the long dic- week. tance dance which Bill MeikeB Instead, advance public show- john promoted at the Casino in ings of pictures are to be given Balboa Beach. in San Francisco, San Diego, San Bernardino and other Contest endured for of a period points considerably distant from 1226 hours, and wound up in ex- the movie capital. citement and packed houses that, Too many wise ones in the in- notwithstanding the large overhead dustry, and their friends, have been and slow start, made a big profit for attending the local previews, and the promoters. making smart cracks about films, During last few hours of the not yet cut or actually finished. dance, excited spectators threw As' a result, many good pictures $2200 on the floor for the be- have been given the “black-eye” draggled dancers, which was in from these premature swats.
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Puvunestekn 2
    1/23/19 Costume designers and Illustrations 1920-1940 Howard Greer (16 April 1896 –April 1974, Los Angeles w as a H ollywood fashion designer and a costume designer in the Golden Age of Amer ic an cinema. Costume design drawing for Marcella Daly by Howard Greer Mitc hell Leis en (October 6, 1898 – October 28, 1972) was an American director, art director, and costume designer. Travis Banton (August 18, 1894 – February 2, 1958) was the chief designer at Paramount Pictures. He is considered one of the most important Hollywood costume designers of the 1930s. Travis Banton may be best r emembered for He held a crucial role in the evolution of the Marlene Dietrich image, designing her costumes in a true for ging the s tyle of s uc h H ollyw ood icons creative collaboration with the actress. as Carole Lombard, Marlene Dietrich, and Mae Wes t. Costume design drawing for The Thief of Bagdad by Mitchell Leisen 1 1/23/19 Travis Banton, Travis Banton, Claudette Colbert, Cleopatra, 1934. Walter Plunkett (June 5, 1902 in Oakland, California – March 8, 1982) was a prolific costume designer who worked on more than 150 projects throughout his career in the Hollywood film industry. Plunk ett's bes t-known work is featured in two films, Gone with the Wind and Singin' in the R ain, in which he lampooned his initial style of the Roaring Twenties. In 1951, Plunk ett s hared an Osc ar with Orr y-Kelly and Ir ene for An Amer ic an in Paris . Adr ian Adolph Greenberg ( 1903 —19 59 ), w i de l y known Edith H ead ( October 28, 1897 – October 24, as Adrian, was an American costume designer whose 1981) was an American costume designer mos t famous costumes were for The Wiz ard of Oz and who won eight Academy Awards, starting with other Metro-Goldwyn-Mayer films of the 1930s and The Heiress (1949) and ending with The Sting 1940s.
    [Show full text]
  • Lengthen Foxfilm's Array of Stars Philadelphia, $5000
    PERSONAL TRIUMPHS IN FINISHED 'BIG s' LENGTHEN FOXFILM'S ARRAY OF STARS 1 STREAM OF THE WHOLE SHOW- 48 Super Specials SUREFIRE HITS Fox Movietone News 1iil&iill 26 "Magic Carpets" CONTINUE A W<?ekly Newspaper Published by Fox Film Corporation in The U. S. A. IMPORTANT! VOL. VI MOVIETONE CITY, CALIF., JULY 22, 1931 No. 12 Turn to pages four and five. There you will find the very latest and official information regarding casts to appear in PHILADELPHIA, $5,000 PRIZE productions that will shortly go into pr.oduction. You will find there a wealth of material to WINNER, TARGET OF MANY further support our claims that ours is the outstanding and biggest 1931-32 entertainment bargain on the market. You IN SECOND VOLUME DRIVE will find there authentic data I that will surely open your eyes. SEPT. 19 DEADLINE OF CURRENT 100% DRIVE-J. R. GRAINGER; HAT the Foxfi Im produc­ PITTSBURGH, WASHINGTON, OKLAHOMA, MEMPHIS, tion organization is fur­ Tnishing the sales contin­ NEW HAVEN, CLEVELAND, KANSAS BIDDERS gent every means to puncture all revenue records to date is defi­ ITH Edgar Moss' Philadelphians officially named by J. R. Crainger, Vice-President in nitely established, for each and every charge of distribution, as winners of the first of the two $5,000 cash prizes to be 1931 -32 release completed to date is W awarded on the basis of volume of 1 00 percent 1931-32 situations closed, as of a bonafide surefire. July 4, announcement came from the Home Office that the deadline for the second drive But Messrs.
    [Show full text]
  • Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
    Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine,
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • “The Cuckoo School” Humor and Metropolitan Culture in 1920S America
    1 “The Cuckoo School” Humor and Metropolitan Culture in 1920s America April Fool’s Day, 1923: The Palace Theatre at 47th and Broadway is hosting National Vaudeville Artists’ Week, a fundraiser for the Keith-Albee Organization performers’ union. On the bill are such luminaries as singer Sophie Tucker, Ben Bernie and His Orchestra, musical comedy two-act Herb Williams and Hilda Wolfus, contortionists the Luster Brothers, “nut” comedians Sam Dody and Sam Lewis, and others.1 It is Dody and Lewis, we will imagine, who will make a particular impression on one member of the audience that night. No description of Lewis and Dody’s performance that night has been located. But we know from extant reports and phonograph recordings that their act from this period typically consisted of a single song—“Hello, Hello, Hello!”— extrapolated to include a variable number of stanzas, each one ending with the triple salutation and interrupted with absurdist asides. They come onto the stage, lifelessly grunt a gibberish refrain, introduce themselves with deadpan affect— “I’m Mike,” says one, “I’m Ike,” the other—and launch into a verse, delivered less as a song than as a matter of fact. Just the other night Right near from here, We saw a funny sight: A couple they were dispossessed; The wife stood there in tears. That’s the first time they’d been out together in twenty years. Hello, Hello, Hello! Hello, Hello, Hello! You can’t milk a herring. Hello, Hello, Hello! 21 22 Chapter 1 Sticking to their toneless voices, they reintroduce themselves “(“I’m Mike,” “I’m Ike”) and commence another verse: We filed our income tax.
    [Show full text]
  • Edmund Lowe Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Edmund Lowe 电影 串行 (大全) Marriage in Transit https://zh.listvote.com/lists/film/movies/marriage-in-transit-6772875/actors Ports of Call https://zh.listvote.com/lists/film/movies/ports-of-call-21869729/actors Grand Exit https://zh.listvote.com/lists/film/movies/grand-exit-19878536/actors Hot Pepper https://zh.listvote.com/lists/film/movies/hot-pepper-5910215/actors The Bad One https://zh.listvote.com/lists/film/movies/the-bad-one-3742374/actors Good Sam https://zh.listvote.com/lists/film/movies/good-sam-2943549/actors Happy Days https://zh.listvote.com/lists/film/movies/happy-days-3765965/actors East of Suez https://zh.listvote.com/lists/film/movies/east-of-suez-3046550/actors The Devil is Driving https://zh.listvote.com/lists/film/movies/the-devil-is-driving-7730017/actors Eyes of Youth https://zh.listvote.com/lists/film/movies/eyes-of-youth-3736288/actors Don't Bet on Women https://zh.listvote.com/lists/film/movies/don%27t-bet-on-women-27942945/actors Barbara Frietchie https://zh.listvote.com/lists/film/movies/barbara-frietchie-59391/actors Under Cover of https://zh.listvote.com/lists/film/movies/under-cover-of-night-18636640/actors Night Part Time Wife https://zh.listvote.com/lists/film/movies/part-time-wife-21527947/actors I Love That Man https://zh.listvote.com/lists/film/movies/i-love-that-man-19363640/actors The Crooked Road https://zh.listvote.com/lists/film/movies/the-crooked-road-21527580/actors The Winding Stair https://zh.listvote.com/lists/film/movies/the-winding-stair-20649963/actors Her Bodyguard https://zh.listvote.com/lists/film/movies/her-bodyguard-3822665/actors
    [Show full text]
  • During the 1930-60'S, Hollywood Directors Were Told to "Put the Light Where the Money Is" and This Often Meant Spectacular Costumes
    During the 1930-60's, Hollywood directors were told to "put the light where the money is" and this often meant spectacular costumes. Stuidos hired the biggest designers and fashion icons to bring to life the glitz and the glamour that moviegoers expected. Edith Head, Adrian, Walter Plunkett, Irene and Helen Rose were just a few that became household names because of their designs. In many cases, their creations were just as important as the plot of the movie itself. Few costumes from the "Golden Era" of Hollywood remain except for a small number tha have been meticulously preserved by a handful of collectors. Greg Schreiner is one of the most well-known. His wonderful Hollywood fiolm costume collection houses over 175 such masterpieces. Greg shares his collection in the show Hollywoood Revisited. Filled with music, memories and fun, the revue allows the audience to genuinely feel as if they were revisiting the days that made Hollywood a dream factory. The wardrobes of Marilyn Monroe, Elizabeth Taylor, Julie Andrews, Robert Taylor, Bette Davis, Ann-Margret, Susan Hayward, Bob Hope and Judy Garland are just a few from the vast collection that dazzle the audience. Hollywood Revisited is much more than a visual treat. Acclaimed vocalists sing movie-related music while modeling the costumes. Schreiner, a professional musician, provides all the musical sccompaniment and anecdotes about the designer, the movie and scene for each costume. The show has won critical praise from movie buffs, film historians, and city-wide newspapers. Presentation at the legendary Pickfair, The State Theatre for The Los Angeles Conservancy and The Santa Barbara Biltmore Hotel met with huge success.
    [Show full text]
  • HH Available Entries.Pages
    Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha
    [Show full text]
  • DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
    Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art.
    [Show full text]