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The Arrival of the First Film Sound Systems in Spain (1895-1929)
Journal of Sound, Silence, Image and Technology 27 Issue 1 | December 2018 | 27-41 ISSN 2604-451X The arrival of the first film sound systems in Spain (1895-1929) Lidia López Gómez Universitat Autònoma de Barcelona [email protected] Date received: 10-01-2018 Date of acceptance: 31-03-2018 PALABRAS CLAVE: CINE MUDO | SONIDO | RecepcIÓN | KINETÓFONO | CHRONOPHONE | PHONOFILM KEY WORDS: SILENT FILM | SOUND | RecepTION | KINETOPHONE | CHRONOPHONE | PHONOFILM Journal of Sound, Silence, Image and Technology | Issue 1 | December 2018. 28 The arrival of the first film sound systems in spain (1895-1929) ABSTracT During the final decade of the 19th century, inventors such as Thomas A. Edison and the Lumière brothers worked assiduously to find a way to preserve and reproduce sound and images. The numerous inventions conceived in this period such as the Kinetophone, the Vitascope and the Cinematograph are testament to this and are nowadays consid- ered the forerunners of cinema. Most of these new technologies were presented at public screenings which generated a high level of interest. They attracted people from all social classes, who packed out the halls, theatres and hotels where they were held. This paper presents a review of the newspa- per and magazine articles published in Spain at the turn of the century in order to study the social reception of the first film equip- ment in the country, as well as to understand the role of music in relation to the images at these events and how the first film systems dealt with sound. Journal of Sound, Silence, Image and Technology | Issue 1 | December 2018. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
F Rom Screen to Page
The principal players in Greed (right to left), Zasu Pitts, Gibson Gowland, Jean Hersholt. F rom Screen to Page Richard Whitehall One of the more encouraging trends in that from Wilder's previous collaborations. Nothing publishers' gold-rush into books on film has by Sidney Buchman, Jules Furthman, Ben been a growing commitment to the film script. Hecht, Norman Krasna, Frances Marion (The The screen writer, these days, has a good Scarlet Letter was anthologized in 1928, but chance of film and script coming out together, nothing since), Nunnally Johnson, John Lee although there's still a long way to go before Mahin, Donald Ogden Stewart, Sidney Boehm, he achieves parity with the playwright. But Isobel Lennart, George Axelrod, to name a ran since, I think, there is much more imaginative dom dozen important American screen writers. writing presently going into film than into the On the other hand there has been the un ater, this is a step in the right direction. filmed script of Jesus, which Carl Dreyer had The general emphasis is still on the tried and spent the last twenty years of his life planning; true, the classic film. And there is still a bias in there has been Stanley Kubrick's Clockwork favor of the European (although Viking has be Orange script, a model of presentation in that gun to publish the M.G.M. library). No Preston each word is linked to its pictorial image; and Sturges, for instance. Some of the Billy Wilder there has been a major contribution to film I.A. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
1934-11-30 [P C-6]
assigned by Paramount to write RUSSIAN in Dietrich's next film. Which doesn't Back to Pioneer Days Best-Dressed Film Girls look as If that company expected her MALE Columbia's New Film to leave it, as has been rumored. CHORUS Other rumors are to the effect that Film Wheels' Classified for Directors Metro-Goldwyn-Mayer is testing Rosa- Story,'Wagon mund Plnchot for a part in "The Good Earth," though she is supposed to be scheduled to appear in "The «eat· BSc. SI.10. Sl.SS. Sî.tn. Mrs. Some Hard Fighting and Riding in New Picture Committee Will Select Smartest-Looking Extras •Brave Live On." Porter » (Dr—»·«)■ IMP Gi NA. 71St (Copyright. 1934, by the North American CeneUtntl·· Ball· Tact· 4:40 f. a. at the Metropolitan—The Star's Santa to Receive More Money for Appearing Newspaper Alliance, Inc.) in Claus Expedition by Plane. Society Scenes. Mammoth School of Fish. World-famous Vlellnlat. TAMPA, Fla. OP).—Aviators flying S1.6S. S2.20, W.Î5. SS.S0. over the Gulf of Mexico recently Mrs. Dtmr'· (Or··»'·) WHEELS." film in the accepted manner, accomplish- BY MOLLIE MERRICK. ous casting men from the studios and isoo o. s "Τ TAGON sighted a school of kingfish extending able a hard- two fashion artists, as unan- Comtitotlon Ball. 8m.. Dm. ». 4 P.m. ol the hard only by clean-living, calif., November yet a front. It / saga fighting along 35-mile appeared Firit Tim· mt Per alar Price·: \/\ fighting son of the West. In so doing 30 (N.A.NA.).—One of the nounced. -
Torrance Herald
TinmsnAY, APRIL TH \ Park Playground AT THE END OF THE TRAIL Six Stars in IT'S A NICE SPOT FOR HUGH Air Show is Draws Youngsters Hi school pi All-Color Film Basis of Film the Sprint; cation" Millions of people all over week, tin- municipal par); he- r^ — — Most pictures which come- to New came the center of Juvenile ac- ' America listen tit "Hollywood ' Redondo's the- local theatres boast two or Hotel" air program every, week. tivity here this week. The Kern mayhe three stars at the head i Show Place! "R on Avenue playground wils closed I of their casts, hut thc feature 1 Tlli Nn» IMuvllli,'! last Friday afternoon because •s. II was a "natural" i presentation at the Plaza the that a pi.-tur.- hy the same till.- the director is hired on the atre next Sunday entitled "Gold. IJAIHO I TIT KKVKI.S' same ha*is MS school teachers, would he "hox office." flul | IB Where You Find It" has gone, "Hollvwond Hotel". wa:i only an according to Mrs. Oda Vans. I overboard * with a roster which •I:\DKK srsi'iriov principal. | Imaginary hostelry, and for the includes six outstanding play to he ma- Dale Ullcy, city recreation di .screen it would have ers. tonight a! put all of the city park lifelike Tech llerialized. It opens rector, A production in Torrance theatre. nicolor, "Col.! IN Where You fthe Ti.l. TAKK KOMANfK' youngsters for their holiday nnd Find It"" co-stars Olivia d'e Havll-I Robert Haas was assigned as inul tlir grounds presented a busy land and George Brent In the! art director and given 'carle •IKM.LVVVOOn HOTEL' scene as boys and girls swarmed romantic leads. -
Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage Futuristic City Photograph F
Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage futuristic city photograph from Fritz Lang’s Metropolis. $1,200 3 Mary Philbin “Christine Daae” photograph from The Phantom of the Opera. $300 4 Louise Brooks publicity portrait. $2,500 5 Louise Brooks portrait for Now We’re in the Air. $400 9 Alfred Cheney Johnston nude portrait of Peggy Page. $1,000 10 Alfred Cheney Johnston oversize nude portrait of Julie Newmar. $1,200 11 Alfred Cheney Johnston Portrait of unidentified seated nude. $600 13 Vintage Carroll Borland as “Luna” photograph from Mark of the Vampire $325 16 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 17 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,100 18 Pair of Katharine Hepburn oversize gallery portraits by Ernest A. Bachrach. $1,700 19 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 20 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $475 21 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $650 22 Katherine Hepburn oversize gallery portrait for Sylvia Scarlett by Ernest A. Bachrach. $300 23 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 24 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 25 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 26 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $225 27 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 28 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 29 Pair of Katherine Hepburn oversize gallery portraits by Ernest A. -
Films from the Archives of the Museum of Modern Art and the George Eastman House
'il The Museum of Modem Art FOR ™IATE RRLEASF yvest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart KINO EYE OF THE 20s FEATURES FILM MASTERPIECES Films from the Archives of The Museum of Modern Art and The George Eastman House The Museum of Modern Art, in collaboration with the George Eastman House in Roches ter, will present several film masterpieces as part of its program "Kino Eye of the 20s," starting July 23 with Ilya Trauberg's "China Express." The program, scheduled through August 26, will also include such film classics as Carl Dreyer's "The Passion of Joan of Arc;" Pudovkin's "Mother;" Erich von Stroheim's "Greed;" F.W. Murnau's "The Last Laugh;" Eisenstein's "Potemkin;" and "The Cabinet of Dr. Caligari," one of the most controversial films of its time. Thirty-seven pictures were selected by Beaumont Newhall, Director of the George Eastman House, who is responsible for organizing the current photographic exhibition, "Photo Eye of the 20s," to which "Kino Eye of the 20s" is a companion program. Mr. Newhall will appear at the Thursday evening performance, July 30 at 8 p.m., fjhen he will introduce the Murnau film "Sunrise" and discuss the series. A strong kinship between photography and film existed in this decade, when the film found its syntax and structure, according to Mr. NeT;hall. "In a quarter of a century the movies had grown from a vaudeville novelty to a distinct and po';erful art form." The decade saw the production of some of the greatest films ever made. -
Hobart Bosworth 1OOO to 1 Qrifr^Lth'8 L«Teftt 8UCCE88 S Clean on Tuesday Evening Next
, . Br Mall. SUM DM w. Hanunonton, N. j., APRIL $9, 192J. Th Plac for "FOR THE GOOD OF LOCAJ, BOVS BIG ODD FELLOWS MEET * *, Good Eats ' JL A JL HAMMONTON.'; ' - Hammonton HigJ dents Hammonton Odd Fellows will ipeet "To emr man there openeth • way. were unUeual)y iubl ek be- to arronga^ans for attending tie big 'A And the high tonl climbs the Men way. cause of a decisive . ! by meet of O*l Fellows to be held on s s And the low *>nl gropes the low; s the Hrimmonton Hij leball Saturday night this week in the Cam- PABACE THEATRE np"l_ • ' iv '• * - i In * 'i» And In between an tne mbtjr flats, team on their, riv Saddon den armory. Hammonton expects to The rent drift to and fro.. Heighta team, Hat tnrry off the honor of having the old- But to every man there openeth tha score of 8 to I field- ' This Saturday Night 1 f Tina Dried Beef A Ugh way and »law. est Odd Fellow at the meeting, Wil- " ' „ * * And every man detidrth ing better thurt KMT; liam Bernshouse, • who has , been a The way MJ-Mul shall to." member of the order for 64 years. "CLEAN The Chamber of Commerce meets Hobart Bosworth 1OOO to 1 QRIFr^lTH'8 L«TEftT 8UCCE88 s clean on Tuesday evening next. Come. TASTES BETTER up week at Hammo eh but LONG RIDE .TO FIRE Chester Comedy Torchy Toms Capfd The latest production made by 1). VT. the Griffith, "Drctm Street" foiraflwl «u little Interest is bete Hammonton firemen Sunday night storlto by Thomns Burks IB n fcreat project this year, it M t con- took ft. -
First National News Dated May 1
- COLLEEN-A'-- GEORGE MOORE ^- FITZMAURICE- \€ fill M t* •' j 7 Vol. III. No. 8. April 15/1928 " and then in 1928 came a great turning point in the history of the picture industry* "That year First National broke with FIVE famous record- breakers right off the bat! "Colleen Moore in 'Her Wild Oat', Richard Barthelmess in 'The Patent Leather Kid', 'The Private Life of Helen of Troy', 'Shepherd of the Hills' by Harold Bell Wright, and Richard Barthelmess in 'The Noose'— one right after another! And each one better than the last. "Of course everybody remembers these great hits today, just as they remember 'Abraham Lincoln/ 'The Sea Hawk,' and 'Birth of a Nation'. But the thing few people realize is that these five pictures that have come down in history were released in A SINGLE MONTH by A SINGLE COMPANY. "And on top of that First National followed right up with "I made more a dozen others just as big, including Colleen Moore in 'Lilac with 'The Time', Richard Barthelmess in 'The Little Shepherd of King- money dom Come', Charlie Murray in 'Vamping Venus', Johnny Patent Leather Hines in 'Chinatown Charlie', Harry Langdon in 'The Kid' than with Chaser', 'Ladies' Night in a Turkish Bath' with Jack Mulhall and Dorothy Mackaill, and Charlie Murray and George Sidney in 'Flying Romeos'. or ff "What a season that was! *Fill in here the titles of any "Of course all my house records were knocked sky-high. two of the greatest Specials "I remember as though it were yesterday how completely of the past or present and these great hits took the trade by storm.