DOCSLIB.ORG

Looking at Hollywood with Ed Sullivan Will the Movi'e Industry Return to Chicago? by ED SUWVAN Hollywood, Cal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Looking at Hollywood with Ed Sullivan Will the Movi'e Industry Return to Chicago? by ED SUWVAN Hollywood, Cal Paae Two CJaicaao SUI1day TribuI1e Looking at Hollywood with Ed Sullivan Will the Movi'e Industry Return to Chicago? By ED SUWVAN Hollywood, Cal. FTIiURMAN ARNOLD, as- slstant United States attor- Iney general, Is as successful as the movie Industry fears he w1ll be In his anti-trust suits against the major companies, It means that moving picture corn- panles w1ll have to abandon or get rid of their theater chains. It means, too, that the movie field w1ll then be open to Inde- A FEW OF THE MOVIE COLONY OF CHICAGO A QUARTER OF A CENTURY AGO pendent movie companies, be- Be?erly Bayne. heroine of many of Believe it or notl This i. Wallace Franci. X. Bushman, idol of the film Clara Kimball Young. a celebrate cause Arnold's plan is to force the old Chicago productions. Beery of away back when. fan. of another generation. star of the early pictures. the movie magnates to get out I of distribution and exhibition of Beery could have made amend pictures. Under the plan an .for this social grievance whe open market for films would be he returned to Chicago year produced. It all sounds very later to make a personal appear involved, but actually It isn't at ahce at the Chicago theater. Th all involved. It simply means stagehands were prepared t that under such a setup Chicago forget all about his previou 1••aancters could very well estab- curtness. When he came back 11sh great movie studios right stage one of the veterans wh there in Hlfnois and add an Im- had worked at Essanay wit portant industry to that area. him hailed him cordially. Beer If such comes to pass it w1ll\ managed a look of complet be poetic justice, because back Gloria Swan. on when .he was about 17 year. old and an extra of the blankness. So the stagehand around 1912 Chicago shared the old Eaaanay company. At right, above: Ben Turpin. the man with the have their own opinion of th movie Industry with Hollywood. comical ero•• eyea. (Euanay photo.) M·G·M he-man star; and it i The Essanay company, long one not exactly flattering. Glori of the leaders In film production, Swanson, who had been an extr was based in Chicago in a lodge girl at Essanay, also indicate hall at 62 Clark street. It made she didn't want any "I remem the scenery on the third floor, ber when" references from th carted it down to the second stagehands. floor, and posed the actors In e e e front of the sets. Then business prospered and Essanay moved Lon Chaney, who had a car into more spacious studio quar- in the stagehands' union out 0 ters in Argyle street. In the Denver, was their idol. Chane meantime Selig, the animal man, had no hifalutin' ideas of' hi was making silent pictures at own importance. Even when h the corner of Western avenue was world -famous he'd com and Irving Park boulevard. backstage and tug at ropes with Ben Turpin, Francis X. Bush- the stagehands. man, Beverly Bayne, Wallace Francis X. Bushman is anoth- Beery, Henry B. Walthal, Char- er "regular" in the opinion 0 lie Chaplin, Lon Chaney, J. War· the men who pull the backstage ren Kerrigan, Rod La Rocque, A .cene from a movie production. The background here might well have been photographed in a side street in Paris. so deft are producers today in patching foreign background. into American-made film•. pullles and lifts. Bushman, when Bryant Washburn, and Clara he was in the chips, was regular, Kimball Young were just a few new celluloid setup, because once game, but there had been no so that the audience wouldn't and just as regular when his of the movie colony who lived, the government cracks down the poker chips showing, ahd it was realize they were Intruding in fortune was wiped out. worked, and movies will be a wide-open prop- imperative that poker chips be the name of mechanical art. If the movie industry returns played in Chi- osition. displayed for the purpose of the The stagehands of Chicago to Chicago, even a considerable cago a quar- Older generations of Chicago- story. It was Sunday and no almost to a man have very little part of it, it would be a great ter of a centu- ans will have no difficulty in reo stores were open where poker to say in honor of Wallace Beery. thing for the city and the state. ry ago. An calling the movie colony as it chips could be purchased. An They remember an experience It would spread employment. extra girl was existed in 1912 in their city. unsung hero solved the dilern- they had with him when he was Musicians, stagehands, painters, Gloria Swan- Those who remember it best, I rna. He went to the commissary leaving Essanay in Argyle street sound technicians, hotels, apart- so n. A bit think, are the veteran stage- and got some ginger snaps and for the lush celluloid pastures ments, business s tor e s - all p l a yer was hands you find backstage at Chi- cut them down to poker chip of California. They determined would profit. If the Chicago Ed ward Ar· cago theaters. Most of them size. Necessity mothered Inven- to touch off a party in honor of Association of Commerce is as nold. Top sal- Geoyge It. Spoor. worked as set carpehters for tion. To get a hill effect camera- his trek west. They took up a astute as I believe it is, it'll probe ary was $200 Essanay and Selig. Their expe- men prostrated themselves on collection so that they could this thought carefully and go Ander.on'. part· a week. When nero riences are fresh in mind. They the ground and filmed the heads , send a taxicab for Beery at his into every phase of it exhaustive- Bushman remember the day when Web- of actors who stood on chairs. lodgings. He refused to ride in ly. The Thurman Arnold investi· commanded $750 a week the ster was directing a poker game Thus was won the 1llusion of it, allegedly demanding a limou- gatlon creates an entirely new nation whistled Its incredulity. on the second-floor studio. Sud- height. In mob scenes, where sine. So he didn't show up at movie horizon, and mechanical ir Director Harry Webster, denly there was a shout of dis- prop men had work, to do, they the party, and the stagehands inventions make Chicago a log- one of the first of the movie dl- Bronco Billy Anderson, the" A" of .. S & A" (Essanay). may. They had filmed a poker dressed as Indians or cowboys never have forgotten it. ical bidder for the studios. rectors, wanted to film a desert sequence, he carted his players to the Indiana dunes. If he want- ed to shoot ravines he took them Letters published in this department should be written on one side of the paper. to Starved Rock. Then the war Voi£e of .Le ~o..,ie FAn If you wish a personal reply please inclose a stamped, selj-addressed. envelope. came along to k1ll the goose that laid the golden eggs for George Dear Mae Tin~e; In the picture "Little ed Oxfordian scenery. But after about Ing combination? Something that makes tangible part of the personality that rnani- K. Spoor and Bronco B1lly An- Miss Broadway" I saw EI Brendel for the the fifth scene I suddenly became aware up for the weak plot Is the scene In which fests Itself involuntarily. I don't think derson, who had combined their fir s t tl m e in that I wasn't looking at the scenery, and Ginger Is hypnotized and goes around the any actress can simulate this quality; .talents and names to produce s eve r a I years. I found myself engrossed in the perform- skeet club shooting people. That was the when she tries you get something like EssanaY. Selig retreated from The first time I ance of a tall, slender Brltisher with a best part of the film. Janet Gaynor, and I think her true per- shy, quiet smile and a subtle, vibrant act- As a by-note to that weak plot colum- the flring line, too. Thus the saw him was in sonality has never been projected on the "JU,lit Imagine." ing abillty that shone all over the screen nist, let me say If you want a weak plot screen. My nornlnatlons for the possessors movie industry quit Illinois. Could you find and over and around Mr. Taylor, complete- go to see "Tropic Holiday." I couldn't of sweetness are these: Myrna Loy, Dean. e • e space for his pic- ly eclipsing him. even FIND the plot. na Durbin, Joan Davis, Fannie Brice, ture, biography, I'm speaking of Griffith Jones, of course. Yours very truly, ED CHESTER. Spring Byington, and, among the men, The movies went to California and the cast of Imperceptibly he stole that picture Inch Editm'>s note: Say fans, just give us Jhnmle Stewart. for two succinct reasons-one, characters 0 f by Inch from Taylor till no one In the Rogers and Astaire. To see them dance' Another thlrtg I'd like to comment on is the climate and scenery; two, " Just Imagine"? theater was aware of the fact that Taylor is all we care. A plot and trimmings we this discussion about the screwball com. because the state of California BILL GUSTAV was In the cast.
Load more

Recommended publications
  • Lengthen Foxfilm's Array of Stars Philadelphia, $5000
    PERSONAL TRIUMPHS IN FINISHED 'BIG s' LENGTHEN FOXFILM'S ARRAY OF STARS 1 STREAM OF THE WHOLE SHOW- 48 Super Specials SUREFIRE HITS Fox Movietone News 1iil&iill 26 "Magic Carpets" CONTINUE A W<?ekly Newspaper Published by Fox Film Corporation in The U. S. A. IMPORTANT! VOL. VI MOVIETONE CITY, CALIF., JULY 22, 1931 No. 12 Turn to pages four and five. There you will find the very latest and official information regarding casts to appear in PHILADELPHIA, $5,000 PRIZE productions that will shortly go into pr.oduction. You will find there a wealth of material to WINNER, TARGET OF MANY further support our claims that ours is the outstanding and biggest 1931-32 entertainment bargain on the market. You IN SECOND VOLUME DRIVE will find there authentic data I that will surely open your eyes. SEPT. 19 DEADLINE OF CURRENT 100% DRIVE-J. R. GRAINGER; HAT the Foxfi Im produc­ PITTSBURGH, WASHINGTON, OKLAHOMA, MEMPHIS, tion organization is fur­ Tnishing the sales contin­ NEW HAVEN, CLEVELAND, KANSAS BIDDERS gent every means to puncture all revenue records to date is defi­ ITH Edgar Moss' Philadelphians officially named by J. R. Crainger, Vice-President in nitely established, for each and every charge of distribution, as winners of the first of the two $5,000 cash prizes to be 1931 -32 release completed to date is W awarded on the basis of volume of 1 00 percent 1931-32 situations closed, as of a bonafide surefire. July 4, announcement came from the Home Office that the deadline for the second drive But Messrs.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • 1931 Article Titles and Notes Vol. III, No. 1, January 10, 19311
    1931 article titles and notes Vol. III, No. 1, January 10, 19311 "'The Youngest' Proves Entertaining Production of Players' Club. Robert W. Graham Featured in Laugh Provoking Comedy; Unemployed to Benefit" (1 & 8 - AC, CO, CW, GD, and LA) - "Long ago it was decided that the chief aim of the Players' Club should be to entertain its members rather than to educate them or enlighten them on social questions or use them as an element in developing new ideas and methods in the Little Theatre movement."2 Philip Barry's "The Youngest" fit the bill very well. "Antiques, Subject of Woman's Club. Chippendale Furniture Discussed by Instructor at School of Industrial Art. Art Comm. Program" (1 - AE and WO) - Edward Warwick, an instructor at the Pennsylvania Museum School of Industrial Art, spoke to the Woman's Club on "The Chippendale Style in America." "Legion Charity Ball Jan. 14. Tickets Almost Sold Out for Benefit Next Friday Evening. Auxiliary Assisting" (1 & 4 - CW, LA, MO, SN, VM, and WO) - "What was begun as a Benefit Dance for the Unemployed has grown into a Charity Ball sponsored by the local America Legion Post with every indication of becoming Swarthmore's foremost social event of the year." The article listed the "patrons and patronesses" of the dance. Illustration by Frank N. Smith: "Proposed Plans for New School Gymnasium" with caption "Drawings of schematic plans for development of gymnasium and College avenue school buildings" (1 & 4 - BB, CE, and SC) - showed "how the 1.035 acres of ground just west of the College avenue school which was purchased from Swarthmore College last spring might be utilized for the enlargement of the present building into a single school plant." "Fortnightly to Meet on Monday" (1 - AE and WO) - At Mrs.
    [Show full text]
  • Selling Masculinity at Warner Bros.: William Powell, a Case Study
    Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape.
    [Show full text]
  • Hobart Bosworth 1OOO to 1 Qrifr^Lth'8 L«Teftt 8UCCE88 S Clean on Tuesday Evening Next
    , . Br Mall. SUM DM w. Hanunonton, N. j., APRIL $9, 192J. Th Plac for "FOR THE GOOD OF LOCAJ, BOVS BIG ODD FELLOWS MEET * *, Good Eats ' JL A JL HAMMONTON.'; ' - Hammonton HigJ dents Hammonton Odd Fellows will ipeet "To emr man there openeth • way. were unUeual)y iubl ek be- to arronga^ans for attending tie big 'A And the high tonl climbs the Men way. cause of a decisive . ! by meet of O*l Fellows to be held on s s And the low *>nl gropes the low; s the Hrimmonton Hij leball Saturday night this week in the Cam- PABACE THEATRE np"l_ • ' iv '• * - i In * 'i» And In between an tne mbtjr flats, team on their, riv Saddon den armory. Hammonton expects to The rent drift to and fro.. Heighta team, Hat tnrry off the honor of having the old- But to every man there openeth tha score of 8 to I field- ' This Saturday Night 1 f Tina Dried Beef A Ugh way and »law. est Odd Fellow at the meeting, Wil- " ' „ * * And every man detidrth ing better thurt KMT; liam Bernshouse, • who has , been a The way MJ-Mul shall to." member of the order for 64 years. "CLEAN The Chamber of Commerce meets Hobart Bosworth 1OOO to 1 QRIFr^lTH'8 L«TEftT 8UCCE88 s clean on Tuesday evening next. Come. TASTES BETTER up week at Hammo eh but LONG RIDE .TO FIRE Chester Comedy Torchy Toms Capfd The latest production made by 1). VT. the Griffith, "Drctm Street" foiraflwl «u little Interest is bete Hammonton firemen Sunday night storlto by Thomns Burks IB n fcreat project this year, it M t con- took ft.
    [Show full text]
  • Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema
    Performing Resistance: Myrna Loy, Joan Crawford, and Barbara Stanwyck in Postwar Cinema Asher Benjamin Guthertz Film and Digital Media March 23, 2018 Thesis Advisor: Dr. Shelley Stamp This thesis has been completed according to the Film and Digital Media department's standards for undergraduate theses. It is submitted in partial fulfillment of the degree of Bachelor of Arts in Film and Digital Media. Introduction: Performing Resistance In the sunny California town of Santa Lisa, amidst a round of applause, veteran Frank Enley (Van Heflin) hands his toddler to his wife and struts onto a makeshift stage. In front of a crowd gathered to celebrate the opening of a new housing complex, he declares: “It was you fellas, you and your families, that really put this thing over. You stuck together and you fought for what you wanted, and if I gave you any help at all, well believe me, I am very happy.” His wife, holding their young son, beams. Frank musters all the spirit of war time camaraderie, and expresses that American belief that with hard work and a communal effort, anything is possible. But as Act of Violence (1949) unfolds, Frank’s opening speech becomes sickeningly hypocritical. A former army comrade sets out to murder Frank, and halfway through the film, Frank tells his wife Edith (Janet Leigh) why. The revelation takes place on an outdoors stairway at night. The railing and fences draw deep angular shadows on the white walls, and the canted angles sharpen the lines of the stairs and floor. A sense of enclosure looms; Frank mutters that he betrayed his troop.
    [Show full text]
  • UNSOLD ITEMS for - Hollywood Auction Auction 89, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 382 MARION DAVIES (20) VINTAGE PHOTOGRAPHS BY BULL, LOUISE, $600 $800 $600 AND OTHERS. 390 CAROLE LOMBARD & CLARK GABLE (12) VINTAGE $300 $500 $300 PHOTOGRAPHS BY HURRELL AND OTHERS. 396 SIMONE SIMON (19) VINTAGE PHOTOGRAPHS BY HURRELL. $400 $600 $400 424 NO LOT. TBD TBD TBD 432 GEORGE HURRELL (23) 20 X 24 IN. EDITIONS OF THE PORTFOLIO $15,000 $20,000 $15,000 HURRELL III. 433 COPYRIGHTS TO (30) IMAGES FROM HURRELL’S PORTFOLIOS $30,000 $50,000 $30,000 HURRELL I, HURRELL II, HURRELL III & PORTFOLIO. Page 1 of 27 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 444 MOVIE STAR NEWS ARCHIVE (1 MILLION++) HOLLYWOOD AND $180,000 $350,000 $180,000 ENTERTAINMENT PHOTOGRAPHS. 445 IRVING KLAW’S MOVIE STAR NEWS PIN-UP ARCHIVE (10,000+) $80,000 $150,000 $80,000 NEGATIVES OFFERED WITH COPYRIGHT. 447 MARY PICKFORD (18) HAND ANNOTATED MY BEST GIRL SCENE $800 $1,200 $800 STILL PHOTOGRAPHS FROM HER ESTATE. 448 MARY PICKFORD (16) PHOTOGRAPHS FROM HER ESTATE. $800 $1,200 $800 449 MARY PICKFORD (42) PHOTOGRAPHS INCLUDING CANDIDS $800 $1,200 $800 FROM HER ESTATE. 451 WILLIAM HAINES OVERSIZE CAMERA STUDY PHOTOGRAPH BY $200 $300 $200 BULL. 454 NO LOT. TBD TBD TBD 468 JOAN CRAWFORD AND CLARK GABLE OVERSIZE PHOTOGRAPH $200 $300 $200 FROM POSSESSED.
    [Show full text]
  • Ben-Hur Trivia
    IMDb All | IMDb Apps | Help Movies, TV Celebs, Events News & & & Photos Community Watchlist Login Showtimes Edit Ben-Hur: A Tale of the Christ (1925) Ben-Hur: A Tale of the Christ Trivia Did You Know? Trivia Goofs Crazy Credits Showing all 38 items Quotes Alternate Versions Connections Despite the fact that there is nudity in this film, it was passed by censors of that time Soundtracks because it dealt with Christianity, as it was originating. 9 of 10 found this interesting | Share this Explore More Share this page: The troubled Italian set was eventually torn down and a new one built in Culver City, California. The famed chariot race was shot with 42 cameras were and 50,000 feet of film consumed. Second-unit director B. Reeves Eason offered a bonus to the winning driver. Like You and 217 others like this.217 people like The final pile-up was filmed later. No humans were seriously injured during the US Like this. Sign Up to see what your friends like. production, but several horses were killed. 7 of 8 found this interesting | Share this User Lists Create a list » Future stars Gary Cooper, Clark Gable, Joan Crawford, and Myrna Loy were uncredited Related lists from IMDb users extras in the chariot race scenes. Crawford and Loy also played slave girls. (ebop) 2015 Seen Movies: 1925 7 of 8 found this interesting | Share this 5, v. Google a list of 35 titles on June created 31 May 2012 in Garcia According to The Guinness Book of World Records (2002), thearchived movie contains the most edited scene in cinema history.
    [Show full text]
  • Variety Club International Valenti Dinner, January 16, 1968
    I Tuesday Evening January 16, 196S DAIS A (in order of seating) REV. JOHN M. CULKIN SCHUYLER CHAPIN JAMES F. GOULD ARTHUR TOLCHIN JEAN GOLDWURM MYRNA LOY H.H, MARTIN STANLEY ADAMS RODDY MC.DOWALL LEONARD GRUENBERG ARLENE FRANCIS MARTIN GABEL EUGENE PICKER IRVING DOLLINGER SALAH M. HASSANEIN SAMUEL SCHULMAN BERNARD MYERSON GEORGE STEVENS, JR. HERMIONE GINGOLD SAMUEL H. CLARK FREDERICK O'NEAL RALPH HETZEL DAIS B (in order of seating) ROGER VI. HURLOCK BURTON ROBBINS WALTER D. SCOTT S. H. FABIAN JAMES H. NICHOLSON JOSEPH M. SUGAR ELIOT HYMAN SPYROS P. SKOURAS SHERRILL C. CORWIN LEW R. WASSERMAN CHARLES G. BLUHDORN ARTHUR B. KRIM ROBERT H. O'BRIEN JACK J. VALENTI LOUIS NIZER RALPH PRIES JULIAN RIFKIN LEONARD H. GOLDENSON ABE LASTFOGEL JOSEPH E. LEVINE ANNA ROSENBERG HOFFMAN ROBERTS. BZNJAMIN JACK L. WARNER BARNEY BALABAN EDWIN L. WEISL RICHARD F. WALSH EMANUEL L. WOLF DAIS C (in order of seating) MANUEL A. CASIANO, JR. NAT NATHANSON FIELDER COOK KEIR DULLEA SEYMOUR POE SIMON SIEGEL VIRGIL GLADIEUX LEONARD C. LANE WILLIAM FORMAN DAVID N. JUDELSON OTTO PREMINGER CHARLES C. TILLINGHAST MO ROTHMAN HENRY FONDA EUGENE V. KLEIN GENE SAKS MARTIN DAVIS DUSTIN HOFFMAN MATTHEW POLON BENJAMIN MELNIKER GODREY CAMBRIDGE RICHARD BERLIN THOMAS MOORE MARTIN ACKERMAN T:C:RRY SAUl\TDERS REV. PATRICK J. SULLIVAN • Name Name Table A Abbott, Roy 16 Casiano, Mrs. Manuel A. 57 ABC Consolidated Corp 18 Cassar, Anthony 64 Ackerman, Martin Dais Century Theatres 42 Ackerman, ~~s. Martin 41 Chaiken, Howard 64 Adams, Stanley Dais Chapin, Schuyler Dais AGFA-Gevaert, Inc. 65 Chiocco, Louis 51 Alicoate, Charles 20 Cinerama, Inc.
    [Show full text]
  • Keep It Down
    COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history.
    [Show full text]
  • Tor Johnson Elisabeth Thorsell
    Swedish American Genealogist Volume 32 | Number 3 Article 12 9-1-2012 A BIG Swedish actor--Tor Johnson Elisabeth Thorsell Follow this and additional works at: https://digitalcommons.augustana.edu/swensonsag Part of the Genealogy Commons, and the Scandinavian Studies Commons Recommended Citation Thorsell, Elisabeth (2012) "A BIG Swedish actor--Tor Johnson," Swedish American Genealogist: Vol. 32 : No. 3 , Article 12. Available at: https://digitalcommons.augustana.edu/swensonsag/vol32/iss3/12 This Article is brought to you for free and open access by Augustana Digital Commons. It has been accepted for inclusion in Swedish American Genealogist by an authorized editor of Augustana Digital Commons. For more information, please contact [email protected]. A BIG Swedish actor – wrestler Tor Johnson acted in many movies Tor Johnson (1902–1971) has a solid reputation as an actor in so-called horror movies. Here follows an obit- uary that was found on the web site www.findagrave.com. No author is mentioned: “Actor. Born in Sweden in 1903, the husky son of Karl J. Johansson and Lovissa Petersson, he became a professional wrestler while in his early teens. Shortening his name to “Tor Johnson,” the young man jour- neyed to the United States and Cali- fornia in 1928. He immediately found work on the wrestling circuit as “The Super Swedish Angel,” a large econ- omy size version of the Internation- al Villain, Frenchman Maurice Tillet, who was wrestling in the U. S. at the time as “The French Angel”. In 1934 Johnson made his American film de- but in “Kid Millions” with popular Tor Johnson in “Plan 9 from Outer Space.” comic Eddie Cantor, then, while continuing to wrestle, appeared in “You Bet Your Life” with Groucho heart problems most of his life, he over thirty films, including “Man on Marx and George Fenneman, “Peter passed away at the age of 67, at San the Flying Trapeze” with W.C.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Fine Printing, Artist’s Books, And Books & Manuscripts In Related Fields. Catalogue 329 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]