Inside Facts of Stage and Screen (February 21, 1931)
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Lengthen Foxfilm's Array of Stars Philadelphia, $5000
PERSONAL TRIUMPHS IN FINISHED 'BIG s' LENGTHEN FOXFILM'S ARRAY OF STARS 1 STREAM OF THE WHOLE SHOW- 48 Super Specials SUREFIRE HITS Fox Movietone News 1iil&iill 26 "Magic Carpets" CONTINUE A W<?ekly Newspaper Published by Fox Film Corporation in The U. S. A. IMPORTANT! VOL. VI MOVIETONE CITY, CALIF., JULY 22, 1931 No. 12 Turn to pages four and five. There you will find the very latest and official information regarding casts to appear in PHILADELPHIA, $5,000 PRIZE productions that will shortly go into pr.oduction. You will find there a wealth of material to WINNER, TARGET OF MANY further support our claims that ours is the outstanding and biggest 1931-32 entertainment bargain on the market. You IN SECOND VOLUME DRIVE will find there authentic data I that will surely open your eyes. SEPT. 19 DEADLINE OF CURRENT 100% DRIVE-J. R. GRAINGER; HAT the Foxfi Im produc PITTSBURGH, WASHINGTON, OKLAHOMA, MEMPHIS, tion organization is fur Tnishing the sales contin NEW HAVEN, CLEVELAND, KANSAS BIDDERS gent every means to puncture all revenue records to date is defi ITH Edgar Moss' Philadelphians officially named by J. R. Crainger, Vice-President in nitely established, for each and every charge of distribution, as winners of the first of the two $5,000 cash prizes to be 1931 -32 release completed to date is W awarded on the basis of volume of 1 00 percent 1931-32 situations closed, as of a bonafide surefire. July 4, announcement came from the Home Office that the deadline for the second drive But Messrs. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
1931 Article Titles and Notes Vol. III, No. 1, January 10, 19311
1931 article titles and notes Vol. III, No. 1, January 10, 19311 "'The Youngest' Proves Entertaining Production of Players' Club. Robert W. Graham Featured in Laugh Provoking Comedy; Unemployed to Benefit" (1 & 8 - AC, CO, CW, GD, and LA) - "Long ago it was decided that the chief aim of the Players' Club should be to entertain its members rather than to educate them or enlighten them on social questions or use them as an element in developing new ideas and methods in the Little Theatre movement."2 Philip Barry's "The Youngest" fit the bill very well. "Antiques, Subject of Woman's Club. Chippendale Furniture Discussed by Instructor at School of Industrial Art. Art Comm. Program" (1 - AE and WO) - Edward Warwick, an instructor at the Pennsylvania Museum School of Industrial Art, spoke to the Woman's Club on "The Chippendale Style in America." "Legion Charity Ball Jan. 14. Tickets Almost Sold Out for Benefit Next Friday Evening. Auxiliary Assisting" (1 & 4 - CW, LA, MO, SN, VM, and WO) - "What was begun as a Benefit Dance for the Unemployed has grown into a Charity Ball sponsored by the local America Legion Post with every indication of becoming Swarthmore's foremost social event of the year." The article listed the "patrons and patronesses" of the dance. Illustration by Frank N. Smith: "Proposed Plans for New School Gymnasium" with caption "Drawings of schematic plans for development of gymnasium and College avenue school buildings" (1 & 4 - BB, CE, and SC) - showed "how the 1.035 acres of ground just west of the College avenue school which was purchased from Swarthmore College last spring might be utilized for the enlargement of the present building into a single school plant." "Fortnightly to Meet on Monday" (1 - AE and WO) - At Mrs. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Looking at Hollywood with Ed Sullivan Will the Movi'e Industry Return to Chicago? by ED SUWVAN Hollywood, Cal
Paae Two CJaicaao SUI1day TribuI1e Looking at Hollywood with Ed Sullivan Will the Movi'e Industry Return to Chicago? By ED SUWVAN Hollywood, Cal. FTIiURMAN ARNOLD, as- slstant United States attor- Iney general, Is as successful as the movie Industry fears he w1ll be In his anti-trust suits against the major companies, It means that moving picture corn- panles w1ll have to abandon or get rid of their theater chains. It means, too, that the movie field w1ll then be open to Inde- A FEW OF THE MOVIE COLONY OF CHICAGO A QUARTER OF A CENTURY AGO pendent movie companies, be- Be?erly Bayne. heroine of many of Believe it or notl This i. Wallace Franci. X. Bushman, idol of the film Clara Kimball Young. a celebrate cause Arnold's plan is to force the old Chicago productions. Beery of away back when. fan. of another generation. star of the early pictures. the movie magnates to get out I of distribution and exhibition of Beery could have made amend pictures. Under the plan an .for this social grievance whe open market for films would be he returned to Chicago year produced. It all sounds very later to make a personal appear involved, but actually It isn't at ahce at the Chicago theater. Th all involved. It simply means stagehands were prepared t that under such a setup Chicago forget all about his previou 1••aancters could very well estab- curtness. When he came back 11sh great movie studios right stage one of the veterans wh there in Hlfnois and add an Im- had worked at Essanay wit portant industry to that area. -
CHALLENGER No
CHALLENGER no. 38 Guy & Rosy Lillian, editors Autumn, 2014 1390 Holly Avenue Merritt Island FL 32952 [email protected] Cover by AL SIROIS CONTENTS 1 Editorial: what Future?/Contraflow GHLIII 2 Our Old Future Gregory Benford 5 “I Never Repeat a Joke …” Joseph Major 9 The Challenger Tribute: JoAnn Montalbano GHLIII (Art by Charlie Williams) 13 The Predictions of Jules Verne / The Predictions of H.G. Wells Joseph L. Green 14 The Infamous Baycon Mike Resnick (Art by Kurt Erichsen) 20 A Marvelous House GHLIII (Photos by Guy & Rosy Lillian) 23 A Brief (Cinematic) History of the Future Jim Ivers 26 The Chorus Lines everyone 39 Afoot at Loncon … Gregory Benford 51 Zeppelin Terror W. Jas. Wentz (Illustration by Taral Wayne) 55 Chicon 7 Guest of Honor Speech Mike Resnick 62 Poem David Thayer 76 “We are all interested in the future, because that is where we are going to spend the rest of our lives.” Criswell, Plan 9 from Outer Space Challenger no. 38 is © 2014 by Guy H. Lillian III. All rights to original creators; reprint rights retained. GHLIII Press Publication #1160. what FUTURE? Fifty years ago, as a blushing youth of 14, I read the first volume of The Hugo Winners – a series I fervently wish some publisher would revive. Within, no less an authority than Isaac Asimov heaped praise on a novel originally published in 1939, Sinister Barrier by Erik Frank Russell. In subsequent years I never got around to reading the book until, aground in Florida in forced retirement, I thought to correct this lifelong lapse and ordered a cheap reading copy from eBay. -
Dec/Jan 2012
MAFC MONMOUTH A REA FLYING CLUB NEWSLETTER December 2012 /January 2013 C O-E DITED BY C HARLES B URKE AND ADAM L ANG Club Meetings Happenings General Meeting: 12/15/12– 9:00AM Deer on N12 Runway N12 CAP Building There have been several reports of deer scampering across the runway especially at night so keep a watchful eye out during Board Of Trustees: takeoffs and landings. If there is any degree of satisfaction on 01/03/13– 7:15 PM having the tables turned on this topic, the National Geographic provided it. They recently featured a story about the Komodo Dragons and the final part was seeing two of them taking out a General Meeting: deer. All it took was one quick bite on the deer's leg and the 01/19/13– 9:00AM poison did the trick in short order. Then the two lizards cut N12 CAP Building through the deer as if it were warm butter. Maybe we should suggest this deer control method to Matt Applegate at N12. Changes to N12 Runway As we all know, the runway at N12 was closed recently for a few days while work was being performed to some of the lighting. To gain a better understanding of what was done and why, a call was placed to Mr. Steve Reinman, Manager of Lakewood Airport. According to Mr. Reinman, the work is being done in cooperation with the FAA and NJDOT to regain several hundred feet of active runway space. In the works are plans to remove obstacles that now prevent usage of this space and also increase safety dur- ing approach. -
Win ''Ad'' Sales Race
VOL. 3 MARCH 14, 1931 NO. 11 Norway--- Phi Ii pp in es Win ''Ad'' Sales Race 1930 II AD" SALES RACE ENGLAND-CHILE CLOSE SECONDS IN FINAL ST ANDING 'OLD UNS' & 'YOUNG UNS' DIVISIONS Old 'Uns Young 'Uns NEW YORK- The big "Ad" Sales Race for 1930 is over and the 1. Philippines 1. orway honors in their respective groupings go to the Philippines and Nor~"ay . 2. England 2. Chile 3. Poland England and Chile, however, the runners-up were so close to the leaders 4. Egypt 3. Greece that the race almost resulted in a quadruple tie. 5. Singapore 4. Denmark In the interests of fairness it was found --'-~~ -~~~~~~~~~~~~~- 6. Hungary 5. Jugo ·Iavia necessary to divide the branches of the large percentage of increase over their 7. Sweden world into two groups, the "Old 'Uns" and past year than branches which for years 8. China the "Young 'Uns." This course was de have been striving to the limit and have ci ded upon because new branches natur thoroughly combed their territories for 9. Australia all y have a better chance of showing a 10. Czecho prospects. 11. France Follo\ving this idea it mu t truthfully be said that the showing of Great Britain was 12. Holland HOLDOVERS ON remarkable. Doing an enormous business 13. Argentine No Previous Basis "EAST LYNNE" for years this territory was yet able dur 14. Italy of Comparison ing 1930 to increase that business over fifty NEW YORK-"East Lynne" is continu per cent. 15. Mexico Turkey 16. P orto Rico ing its record smashing way holding over in Chile and Grnece both more than doubled 17. -
Wings of Desire
August 28, 2012 (XXV:1) William A. Wellman, WINGS (1927, 144 min) 1929 Academy Awards for Best Picture (Wellman) and Best Effects, Engineering Effects (Roy Pomeroy) 1997 Selected for National Film Registry Directed by William A. Wellman Based on a story by John Monk Saunders Screenplay by Hope Loring and Louis D. Lighton Produced by B.P. Schulberg (associate producer) and Lucien Hubbard (producer, uncredited) Original Music by J.S. Zamecnik Cinematography by Harry Perry Film Editing by E. Lloyd Sheldon (editor-in-chief) and Lucien Arlette Marchal...Celeste Hubbard Hedda Hopper...Mrs. Powell Art Direction by Hans Dreier Carl von Haartman...German Officer Costume Design by Travis Banton and Edith Head Gloria Wellman...Peasant Child Conductor (2012 restored score): Peter Boyer William A. Wellman...Doughboy Arranger and orchestrator (2012 restoration): Dominik Hauser F.M. Andrews.... commander: military pilots William A. Wellman (February 29, S.C. Campbell....supervisor: flying sequences 1896, Brookline, Massachusetts – Sterling Campbell....technical director: flight sequences December 9, 1975, Los Angeles, James A. Healy.... supervisor: flying sequences California) directed 83 films, some of A.M. Jones.... supervisor: ground troop maneuvers which are 1958 Lafayette Escadrille, E.P. Ketchum.... supervisor: trench system reproduction 1958 Darby's Rangers, 1955 Blood F.P. Lahm.... commander: military pilots Alley, 1954 Track of the Cat, 1954 The Robert Mortimer.... ordnance supervisor High and the Mighty, 1953 Island in the Ted Parson.... supervisor: flying sequences Sky, 1952 My Man and I, 1951 Carl von Haartman.... supervisor: flying sequences Westward the Women, 1951 It's a Big Country, 1951 Across the Wide Clara Bow...Mary Preston Missouri, 1950 The Next Voice You Charles 'Buddy' Rogers...Jack Powell Hear..., 1949 Battleground, 1948 Yellow Sky, 1948 The Iron Curtain, Richard Arlen...David Armstrong 1947 Magic Town, 1946 Gallant Journey, 1945 Story of G.I. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
Catalogo Giornate Del Cinema Muto 2015
165 Cinema delle origini / Early Cinema Fregoli Colléccion Sagarmínaga Tonbilder 189 Riscoperte e restauri / Rediscoveries and Restorations Drifting; Flickorna Gyurkovics; Der Märchenwald; Ramona; Sherlock Holmes; Show Girl; Thirty Years of Motion Pictures; Der Tunnel; The Haghefilm Digitaal-Selznick School Fellowship; Bambini al lavoro / Children at Work; Primi film a colori / Early Colour Films; 11 Presentazione / Introduction Le ragazze saranno ragazzi / Girls Will Be Boys; Amore tra le rovine (Love Among the Ruins) 14 Premio Jean Mitry / The Jean Mitry Award 227 Ritratti / Portraits 15 The 2015 Pordenone Masterclasses The Champion: A Story of America's First Film Town 16 The Jonathan Dennis Memorial Lecture Gaston Méliès and His Wandering Star Film Company 18 Collegium 2015 231 Muti del XXI secolo / 21st Century Silents Junk Girl 21 Eventi speciali / Special Events Prologue A colpi di note / Striking a New Note Romeo und Julia im Schnee 237 Indice dei titoli / Film Title Index Maciste alpino Chuji tabinikki The Battle of the Century Picture The Phantom of the Opera 37 Les Misérables 43 Victor Fleming 59 Risate russe / Russian Laughter 79 Muscoli italiani in Germania / Italian Muscle in Germany 91 Bert Williams and Company 103 Altre sinfonie delle città / Other City Symphonies 115 América Latina: Argentina, Bolivia, México 125 Origini del western / Beginnings of the Western 145 Il centenario della Grande Guerra / The Great War – 100 Years Luca Comerio On the Firing Line with the Germans 153 Il canone rivisitato / The Canon Revisited 9 EVENTI SPECIALI / SPECIAL EVENTS Evento di pre-apertura / Pre-Festival Event A colpi di note Il tradizionale appuntamento degli allievi delle locali Striking a New Note The Giornate is pleased and proud that the scuole medie con il pubblico delle Giornate, giunge quest’anno alla IX very popular annual presentation of film comedies accompanied by edizione ed è cresciuto a tal punto da aver bisogno di un suo spazio local school orchestras, now in its 9th year, has this year succeeded autonomo. -
The Films of Nicholas Ray
ISSUE 55ISSUE 55 AFI SILVER THEATRE AND CULTURAL CENTER JANUARY 26–APRIL 12, 2012 Gene Kelly Centennial Screen Valentines: Great Movie Romances Nicholas Ray Charles Dickens in the Cinema Soviet Shakespeare Things to Come: The City Imagined on Film AFI.com/Silver Contents Gene Kelly Centennial Retrospective Gene Kelly Centennial Retrospective ..........2 February 4–April 5 The Films of Whit Stillman ......................4 Electric, athletic and always has ensured the lasting appeal of their work (also on The Films of Nicholas Ray .......................5 inventive, Gene Kelly defined display in the choreography for LIVING IN A BIG WAY, Charles Dickens in the Cinema .................8 the Golden Age of the movie COVER GIRL, ANCHORS AWEIGH, and TAKE ME Screen Valentines ..................................9 musical, not only as the genre’s OUT TO THE BALL GAME). In later years, Kelly played biggest star after WWII, an ambassadorial role for the movie musical through Special Engagements ..............10,11,16 but as an innovative dance his involvement with and appearances in the MGM Things to Come: choreographer and director anthologies THAT’S ENTERTAINMENT and THAT’S The City Imagined on Film ....................12 (with underrated acting skills, DANCING, and his all-around tireless approach to Soviet Shakespeare ............................13 to boot). His collaborations show business. Among his many accolades, Kelly was AFI & Montgomery College/Talk Cinema/ with choreographer/director awarded an Honorary Oscar in 1952 (“In appreciation Environmental Film Festival ..................14 Stanley Donen — including ON of his versatility as an actor, singer, director and dancer, THE TOWN, SINGIN’ IN THE and specifically for his brilliant achievements in the art Calendar ............................................15 RAIN, and IT’S ALWAYS FAIR of choreography on film”), and received the AFI Life WEATHER — revolutionized Achievement Award in 1985.