Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
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25C Lansing Woman Injured in Sunday Night Crash
25C Volume 15, Issue 42 Serving Lowell Area Readers Since 1893 Wednesday, August 28,1991 Lansing woman injured in Sunday night crash Lowell and Kent County sing and Wyoming. minor head and neck injuries. McDonald did a U-turn on Weeks said McDonald his 12-yearolddaughter,Kelly, police were called to the scene Kent County Deputy Vic The police report stated that Christopher Street and then would be cited for failing to incurred minor bnrises but did at Lincoln Lake and Hudson Weeks said Lorelee both McDonald and the other proceededtopullbackoutonto yield the right of way. not need medical attention. Sunday evening (a littJeafter9 McDonald, Lansing, was trans- driver, Lawrence Kleck, were HudsonintothepathofKleck's Kleck and his passenger, p.m.) for a two-car accident ported to Blodgett Hospital for southbound on Hudson when vehicle. involving drivers from Lan- -•WyLr - - Both the driver and the passenger of this van received just minor injuries from Sunday Lorelee McDonald incurred minor head and neck injuries Sunday night following night's accident. anaccident at Hudson and Lincoln Lake. Along Main Street Kathy Paroff recognized for her life- saving CPR application on husband Friend's of Kathy Paroff times it's a citizen. This is a from the ambulance and res- stressful time for folks and Y: cue units of the Lowell Area even more stressful when it Fire Departmentrefer lovingly involves a family member." to her husband, John, as the Krohmer added that heavenly reject "Paroff s rescue was a won- As many have read and derful example of a system LOWELL MIDDLE SCHOOL heard, John Paroff suffered a working the way it should." ATHLETIC PHYSICALS heart attack on June 3 in his Krohmer was in attendance home at 591 Alden Nash. -
Billy the Kid: More Than a Legend
National Park Service White Sands U.S. Department of the Interior White Sands National Monument Billy the Kid: More than a Legend he history of the American Southwest is chock full of legends and stories that truly live up to the epithet of the TWild West. The embellishment of these stories has allowed for the development of numerous movies and books but the true facts of these accounts are more interesting than any tall tale. Yes, the West really was wild! after Tunstall. According to most doubt he and other renowned William Henry McCarthy, accounts, he was shot unarmed characters of the time came across otherwise known as Billy the which was against “the code of the largerst gypsum dunefield in Kid, is a perfect example of how the West.” After Tunstall’s murder, the world as they traveled. Who untamed the now tranquil towns Billy and the Regulators swore knows what evidence of their of New Mexico used to be. It vengeance on Jesse Evans and his passage these ever-shifting dunes was no secret that Billy had a crew. might be hiding. rough past. His mother died of tuberculosis while he was just a As a result of one of the many —Sandra Flickinger, Student-Intern young boy and he had a history of skirmishes, Sheriff William Brady working odd jobs in combination was killed, putting Billy in the hot with a few illegal activities. seat as a murderer and sending him on the run. After many daring The real beginning of Billy’s career escapes, the new sheriff, Pat as an infamous gunman, however, Garrett, was finally successful in began in 1878 after he met a young arresting Billy. -
Katie Wackett Honours Final Draft to Publish (FILM).Pdf
UNIVERSITY OF CALGARY Female Subjectivity, Film Form, and Weimar Aesthetics: The Noir Films of Robert Siodmak by Kathleen Natasha Wackett A THESIS SUBMITTED TO THE FACULTY OF ARTS IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF BA HONOURS IN FILM STUDIES DEPARTMENT OF COMMUNICATION, MEDIA, AND FILM CALGARY, ALBERTA APRIL, 2017 © Kathleen Natasha Wackett 2017 Abstract This thesis concerns the way complex female perspectives are realized through the 1940s noir films of director Robert Siodmak, a factor that has been largely overseen in existing literature on his work. My thesis analyzes the presentation of female characters in Phantom Lady, The Spiral Staircase, and The Killers, reading them as a re-articulation of the Weimar New Woman through the vernacular of Hollywood cinema. These films provide a representation of female subjectivity that is intrinsically connected to film as a medium, as they deploy specific cinematic techniques and artistic influences to communicate a female viewpoint. I argue Siodmak’s iterations of German Expressionist aesthetics gives way to a feminized reading of this style, communicating the inner, subjective experience of a female character in a visual manner. ii Acknowledgements This project would not have been possible without my supervisor Dr. Lee Carruthers, whose boundless guidance and enthusiasm is not only the reason I love film noir but why I am in film studies in the first place. I’d like to extend this grateful appreciation to Dr. Charles Tepperman, for his generous co-supervision and assistance in finishing this thesis, and committee member Dr. Murray Leeder for taking the time to engage with my project. -
Filmindex Lxxiv
Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J. -
William Witney Ùيلم قائمة (ÙÙŠÙ
William Witney ÙÙ ŠÙ„Ù… قائمة (ÙÙ ŠÙ„Ù… وغراÙÙ ŠØ§) Tarzan's Jungle Rebellion https://ar.listvote.com/lists/film/movies/tarzan%27s-jungle-rebellion-10378279/actors The Lone Ranger https://ar.listvote.com/lists/film/movies/the-lone-ranger-10381565/actors Trail of Robin Hood https://ar.listvote.com/lists/film/movies/trail-of-robin-hood-10514598/actors Twilight in the Sierras https://ar.listvote.com/lists/film/movies/twilight-in-the-sierras-10523903/actors Young and Wild https://ar.listvote.com/lists/film/movies/young-and-wild-14646225/actors South Pacific Trail https://ar.listvote.com/lists/film/movies/south-pacific-trail-15628967/actors Border Saddlemates https://ar.listvote.com/lists/film/movies/border-saddlemates-15629248/actors Old Oklahoma Plains https://ar.listvote.com/lists/film/movies/old-oklahoma-plains-15629665/actors Iron Mountain Trail https://ar.listvote.com/lists/film/movies/iron-mountain-trail-15631261/actors Old Overland Trail https://ar.listvote.com/lists/film/movies/old-overland-trail-15631742/actors Shadows of Tombstone https://ar.listvote.com/lists/film/movies/shadows-of-tombstone-15632301/actors Down Laredo Way https://ar.listvote.com/lists/film/movies/down-laredo-way-15632508/actors Stranger at My Door https://ar.listvote.com/lists/film/movies/stranger-at-my-door-15650958/actors Adventures of Captain Marvel https://ar.listvote.com/lists/film/movies/adventures-of-captain-marvel-1607114/actors The Last Musketeer https://ar.listvote.com/lists/film/movies/the-last-musketeer-16614372/actors The Golden Stallion https://ar.listvote.com/lists/film/movies/the-golden-stallion-17060642/actors Outlaws of Pine Ridge https://ar.listvote.com/lists/film/movies/outlaws-of-pine-ridge-20949926/actors The Adventures of Dr. -
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself. -
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. -
Dvds - Now on DVD, Glenda Farrell As Torchy Blane - Nytimes.Com 5/10/10 3:08 PM
DVDs - Now on DVD, Glenda Farrell as Torchy Blane - NYTimes.com 5/10/10 3:08 PM Welcome to TimesPeople TimesPeople recommended: Sex & Drugs & the Spill 3:08Recommend PM Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Get Home Delivery Log In Register Now Search All NYTimes.com DVD WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes by ZIP Code More in Movies » In Theaters The Critics' On DVD Tickets & Trailers Carpetbagger Picks Showtimes DVDS B-Movie Newshound: Hello, Big Boy, Get Me Rewrite! Warner Home Video Glenda Farrell with Tom Kennedy, left, and Barton MacLane in “Torchy Blane in Chinatown” (1939). By DAVE KEHR Published: May 7, 2010 SIGN IN TO RECOMMEND The Torchy Blane Collection TWITTER Enlarge This Image “B movie” is now SIGN IN TO E- a term routinely MAIL applied to PRINT essentially any SHARE low-budget, vaguely disreputable genre film. But it used to mean something quite specific. During the Great Depression MOST POPULAR exhibitors began offering double E-MAILED BLOGGED SEARCHED VIEWED MOVIES features in the hope of luring back their diminished audience. The 1. 10 Days in a Carry-On program would consist of an A picture, 2. Tell-All Generation Learns to Keep Things Offline with stars, conspicuous production 3. The Moral Life of Babies Shout! Factory and New Horizons Pictures 4. Paul Krugman: Sex & Drugs & the Spill Youth in revolt: P. J. Soles, center, values and a running time of 80 5. -
Exploring Movie Construction & Production
SUNY Geneseo KnightScholar Milne Open Textbooks Open Educational Resources 2017 Exploring Movie Construction & Production: What’s So Exciting about Movies? John Reich SUNY Genesee Community College Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Reich, John, "Exploring Movie Construction & Production: What’s So Exciting about Movies?" (2017). Milne Open Textbooks. 2. https://knightscholar.geneseo.edu/oer-ost/2 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Milne Open Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Exploring Movie Construction and Production Exploring Movie Construction and Production What's so exciting about movies? John Reich Open SUNY Textbooks © 2017 John Reich ISBN: 978-1-942341-46-8 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks Milne Library State University of New York at Geneseo Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Exploring Movie Construction and Production by John Reich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Dedication For my wife, Suzie, for a lifetime of beautiful memories, each one a movie in itself. -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 08-29-2016 Grit 8/29 Mon 8/30 Tue 8/31 Wed 9/1 Thu 9/2 Fri 9/3 Sat 9/4 Sun Grit 06:00A Sergeant Preston Of The Yukon: TV- Sergeant Preston Of The Yukon: TV- Sergeant Preston Of The Yukon: TV- Sergeant Preston Of The Yukon: TV- Sergeant Preston Of The Yukon: TV- Movie: The Big Gundown Zane Grey Theatre: TV-PG L, V; 06:00A 06:30A SergeantPG V; CC Preston Of The Yukon: TV- SergeantPG V; CC Preston Of The Yukon: TV- SergeantPG V; CC Preston Of The Yukon: TV- SergeantPG V; CC Preston Of The Yukon: TV- SergeantPG V; CC Preston Of The Yukon: TV- TV-14 D, L, V; 1966 Movie: Comanche Moon Part I 06:30A CC 07:00A Lassie:PG V; CC TV-PG V; Lassie:PG V; CC TV-PG V; Lassie:PG V; CC TV-PG V; Lassie:PG V; CC TV-PG V; Lassie:PG V; CC TV-PG V; TV-PG D, L, S, V; 2008 07:00A CC 07:30A Lassie: TV-PG V; Lassie: TV-PG V; Lassie: TV-PG V; Lassie: TV-PG V; Lassie: TV-PG V; 07:30A 08:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; MuscleCar: TV-PG; CC 08:00A 08:30A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Horsepower: TV-PG; CC Movie: Comanche Moon Part II 08:30A 09:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Trucks!: TV-PG; CC TV-PG D, L, V; 2008 09:00A CC 09:30A Zane Grey -
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 Min)
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 min) Directed by Raoul Walsh Screenplay by John Huston and W.R. Burnett Cinematography by Tony Gaudio Ida Lupino...Marie Humphrey Bogart...Roy Earle Alan Curtis...'Babe' Arthur Kennedy...'Red' Joan Leslie...Velma Henry Hull...'Doc' Banton Henry Travers...Pa Jerome Cowan...Healy Minna Gombell...Mrs. Baughmam Barton MacLane...Jake Kranmer Elisabeth Risdon...Ma Cornel Wilde...Louis Mendoza George Meeker...Pfiffer Zero the Dog...Pard RAOUL WALSH (11 March 1887, NYC—31 December 1980, Simi Valley, CA), directed 136 films, the last of which was A Distant Trumpet (1964). Some of the others were The Naked and the Dead (1958), Band of Angels (1957), The King and Four Queens (1956), officials they kept it under lock and key for 25 years because they Battle Cry (1955), Blackbeard, the Pirate (1952), Along the Great were convinced that if the American public saw Huston’s scenes of Divide (1951), Captain Horatio Hornblower R.N.(1951), White American soldiers crying and suffering what in those days was Heat (1949), Cheyenne (1947), The Horn Blows at Midnight called “shellshock” and “battle fatigue” they would have an even (1945), They Died with Their Boots On (1941), High Sierra more difficult time getting Americans to go off and get themselves (1941), They Drive by Night (1940), The Roaring Twenties (1939), killed in future wars. One military official accused Huston of being Sadie Thompson (1928), What Price Glory (1926), Thief of “anti-war,” to which he replied, “If I ever make a pro-war film I Baghdad (1924), Evangeline (1919), Blue Blood and Red (1916), hope they take me out and shoot me.” During his long career he The Fatal Black Bean (1915), Who Shot Bud Walton? (1914) and made a number of real dogs e.g. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.