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Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
16Mm WALTER O. CUTLOHN, Inc
IW16 16mm SOUND UHFILM WALTER O. CUTLOHN, Inc. 35 WEST 45th STREET NEW YORK, N. Y. Gentlemen: et The filo Ti^ to a i ,aS shown stu< faculty and I tcust com hold in getting i* It is a very a. tionally and able From the bave teen collection n V m li East reinger v Jjibrary Dear Mrs. I intone Please fi B ;ictur;7which cc the special on June 5. best t of the e in genetic poychology. school systen San Francisco, California sour an having a, grateful for having set-i fine film. of this 2006 preview this Gratefully/yours, BOARD OF EDUCATION COLLEGE BUFFALO 1940 February 3, cooper- your kind to would like il program. i our "^Jir^^assrtsation with &3S*3~*:3 -sr-sss* teaching S n.r.. ^tending In the*. - ..... falconer, INTRODUCTION The subjects listed in this catalogue were selected because of their excellence from the standpoint of subject matter, photography, sound quality and intelligent presentation. They are composed of feature productions with well-known actors, and short subjects which consist of musicals, cartoons, sports, comedies, travels and miscellaneous films. A number of these are in color. We have particularly stressed pictures suitable for schools, churches and general audiences, but in addition have added a number of programs which will appeal more to mature groups. Pictures marked (*) have been approved by THE NATIONAL BOARD OF REVIEW and/or THE LEGION OF DECENCY as partic- ularly suited for Family, Church or School presentation. Feature pictures marked have been approved by a selected committee of experienced reviewers as suitable for general audiences. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
University of Oklahoma Libraries Western History Collections Bob
University of Oklahoma Libraries Western History Collections Bob Burke Autographs of Western Stars Collection Autographed Images and Ephemera Box 1 Folder: 1. Roy Acuff Black-and-white photograph of singer Roy Acuff with his separate autograph. 2. Claude Akins Signed black-and-white photograph of actor Claude Akins. 3. Alabama Signed color photograph of musical group Alabama. 4. Gary Allan Signed color photograph of musician Gary Allan. 5. Rex Allen Signed black-and-white photograph of singer, actor, and songwriter Rex Allen. 6. June Allyson Signed black-and-white photograph of actor June Allyson. 7. Michael Ansara Black-and-white photograph of actor Michael Ansara, matted with his autograph. 8. Apple Dumpling Gang Black-and-white signed photograph of Tim Conway, Don Knotts, and Harry Morgan in The Apple Dumpling Gang, 1975. 9. James Arness Black-and-white signed photograph of actor James Arness. 10. Eddy Arnold Signed black-and-white photograph of singer Eddy Arnold. 11. Gene Autry Movie Mirror, Vol. 17, No. 5, October 1940. Cover signed by Gene Autry. Includes an article on the Autry movie Carolina Moon. 12. Lauren Bacall Black-and-white signed photograph of Lauren Bacall from Bright Leaf, 1950. 13. Ken Berry Black-and-white photograph of actor Ken Berry, matted with his autograph. 14. Clint Black Signed black-and-white photograph of singer Clint Black. 15. Amanda Blake Signed black-and-white photograph of actor Amanda Blake. 16. Claire Bloom Black-and-white promotional photograph for A Doll’s House, 1973. Signed by Claire Bloom. 17. Ann Blyth Signed black-and-white photograph of actor and singer Ann Blyth. -
CORRESPONDENCE, DOCUMENTS, FILES, ETC SHOULD NOW REFLECT the NEW CORPORATE NAME)* 0 ^ '/ a F a E Robert L
BEFBCTIVE flKPTEMBER 15. 1QRH ECHO BAY MINES, INC. CHANGED ITS CORPORATE NAME TO ALTA GOLD COMPANY CORRESPONDENCE, DOCUMENTS, FILES, ETC SHOULD NOW REFLECT THE NEW CORPORATE NAME)* 0 ^ '/ A f A e Robert L. Leclerc MILNER & STEER 2900 MANULIFE PLACE 10 1 8 0 • \Q\ ST R EET EDMONTON, CANADA TSJ 3V5 TELEPHONE (403) 423-7100 CABLE ADDRESS "MILMAT" TELEX 037-2684 TELECOPIER (403) 425-8369 OATALINE (403) 425-9063 July 24, 1986 Phil, Regarding my admission to the Colorado Bar, I thought you would be interested in this recent Canadian decision (B.C. Court of Appeal), MEMORANDUM TO: PGDufford, PDBarber, WCRobtf/SFitz john,) CHensel, PHutchinson, JBerry \I FROM: CSt. Romain DATE: December 8, 1985 SUBJECT: Sunnyside Gold Corporation During the week of December 9, 1985, Sunnyside Gold Corporation will open its Durango office: 484 Turner Drive Durango, CO 81301 (303) 259-1091 CS:cae Head Office: SUNNYSXDE GOLD CORPORATION Silverton Office: P.O. Box 177 484 TurnerD Driven • AM E C H 0 BAY COMPANY Durango, CO 81301 Silverton, CO 81433 Phone (303) 259-1091 Phone (303) 387-5533 To: All Concerned From: Greg Sparks, General Manager Date; 12/27/85 Re: Durango Office We are pleased to announce the establishment of the basic f°5 Sunny side Corp. Included herein ¿re working witiTsGC. ^ 0nnatl0n Mhlch y°u should find helpful in Durancro office: * address - (as noted above) * phone - (as noted above). * telecopier - (303) 259-1094 (temporary only) * acceptable courier service - any * office hours - 8:00a to 5:00p mountain time, Mon - Fri * functions performed -
Cowboy Way Jubilee
eryt ng Ev hing ati Cow br b le o e y C A Cowboy Way Jubilee P re reser Cultu ving Cowboy ATribune Triannual Publication, Oleeta Jean, LLC, Publisher VOLUME 3, ISSUE 1—SUMMER 2020 Celebrating Everything Cowboy—New & Old! Event Sponsors The Cowboy Way Code — Meet George Stamos TO BECOME A SPONSOR, CALL LESLEI 580.768.5559 FORT CONCHO Charlene & George Stamos with Leslei Fisher & Gene Ford @ the 2017 National Rodeo Finals, Las Vegas, Nevada THE COWBOY WAY, Code, Creed, Rules who was in the wrong, would say, “oh gosh, to Live By, Ethics, whatever you want to yes! I broke the code. I am sorry!” and gen- call it, is a set of rules or guidelines around uinely mean it. These codes mattered to us. which one attempts to fashion his life. Our Heros followed them, they certainly There are many ‘sets’ of these rules. appeared to whenever they were in public, • Roy Rogers’ Riders Rules so we were religious about following them • Gene Autry’s Cowboy Code as well. • Hopalong Cassidy’s Creed for Boys I can recall more than once an argument and Girls breaking out amongst the kids on the play- • The Lone Ranger’s Creed ground as to WHO’S code was THE ONE. And at least a dozen more. Those of us Gene’s or Roy’s or Hoppy’s or the Lone born in the 1940s to 1960s grew up on Ranger’s or… but since all the codes were these codes of conduct. They were import- very similar we simply agreed to disagree. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E. -
The Webfooter
August 2016 Happy Trails of the Wild, Wild West Cowboy King Roy Rogers – Honorary Grand Marshal – 1954 Rose Festival Grand Floral Parade. Happy Trails of the Wild, Wild West – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Happy Trails of the Wild, Wild West For more than three decades, the western genre dominated what we saw on the silver screen. We grew up with western movie stars like John Wayne, Gene Autry, Roy Rogers, Audie Murphy, Randolph Scott and many more. Western actor Bob Steele was born Robert Adrian Bradbury on January 23, 1907 in Portland, Oregon, into a vaudeville family. After about ten years of touring, the family settled in Hollywood, California, where his father soon found work in the movies, first as an actor and later as a director. Bradbury actually directed John Wayne in more westerns than any other director, albeit low-budget ones. By 1920, Robert Bradbury hired his son Bob and Bob's twin brother, Bill (1907–1971), as juvenile leads for a series of adventure movies titled The Adventures of Bob and Bill. Steele's career began to take off for good in 1927, when he was hired by production company Film Booking Offices of America (FBO) to star in a series of westerns. Renamed Bob Steele at FBO, he soon made a name for himself by working for almost every film studio, including Monogram, Supreme, Tiffany, Syndicate, Republic (including several films of the Three Mesquiteers series) and Producers Releasing Corporation (PRC) (including the initial films of their "Billy the Kid" series), plus he had a role in an adaptation of John Steinbeck's novel, Of Mice and Men in 1939. -
Best B-Westerns-2
B-Western Round Up Best of the best Hollywood series westerns with Cowboy Stars. Roy Rogers Red River Valley (1941) with Gabby Hayes, Gale Storm and Pat Brady. Roy helps ranchers raise money to build a reservoir but loses it to a gambler through a crooked stock deal. The Song of Texas (1943) with Pat Brady. Roy entertains at a children's hospital. Big stagecoach race. Heldorado (1946) with Gabby Hayes and Dale Evans. Roy is guard at Boulder Dam, who helps celebrate Las Vegas’ H2eldorado festival while capturing racketeers with the local casinos. Roll On Texas Moon (1946) with Gabby Hayes and Dale Evans. Roy tries to prevent a range war between cattlemen and sheepherders. Springtime in the Sierras (1947, color) with Andy Devine, Roy Barcroft and Jane Frazee. A THE THREE MESQUITEERS gang headed by evil Stephanie Bachelor is Popular Republic Pictures series with a trio of slaughtering game out of season. heroes -- Robert Livingstone, Ray Corrigan, Max Terhune and his ventriloquist dummy! Bells of San Angelo (1947, color) with Dale Evans, Andy Devine. Along the Mexican border, Ghost Town Gold (1936) The Three Mesquiteers Roy joins Western novelist Dale in a search for try to recover gold stolen by a gang in its effort to smugglers. They discover a silver mine. ruin the banker/mayor. GENE AUTRY Riders of the Whistling Skull (1937) A The Big Show (1936) At the Texas Centennial in supernatural western! The Three Mesquiteers Dallas Gene confuses two girls by being himself and accompany an archeological expedition to a lost his own movie stunt double. -
FILM CREDITS Last Update: 7/08
KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
Edgar Allan Poeâ•Žs •Œthe Black Catâ•Š on Film
Studies in English, New Series Volume 6 Article 15 1988 Edgar Allan Poe’s “The Black Cat” on Film Kenneth von Gunden The Pennsylvania State University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation von Gunden, Kenneth (1988) "Edgar Allan Poe’s “The Black Cat” on Film," Studies in English, New Series: Vol. 6 , Article 15. Available at: https://egrove.olemiss.edu/studies_eng_new/vol6/iss1/15 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. von Gunden: Edgar Allan Poe’s “The Black Cat” on Film EDGAR ALLAN POE’S “THE BLACK CAT” ON FILM Kenneth Von Gunden The Pennsylvania State University “For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence.” With those lines, Poe’s narrator begins his tale of madness and murder. “The Black Cat,” published in the United States Saturday Post, 19 August 1843, has not only been one of Poe’s most enduring works but also one of the most filmed. Reasons for the popularity of “The Black Cat” are many: some obvious, some obscure, and some eminently arguable. The story is popular among filmmakers, despite its interior nature, because it is a riveting tale of a precipitous descent into nightmare and filled with dreamlike archetypical signposts—like black cats.