A Holmes and Doyle Bibliography
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®\Jt Fonktjbl Gttouitte Something Will Be Done
V Well, Engineers— ®\jt fonktjBL GTtouitte Something Will Be Done Thirty-Fourth Year rsity, Durham, N. C, Tuesday, Dec. 6, 1938 Number Twenty-One Not the Old Ray... Some weeks ago, the A ciated Press, under a 1 Ormandy and the Famous Philadelphia Symphony York date-line, ran the fol "Y" Plans Resolution Reopens ing paragraphs on a Xmas Fund Frosh Relations Plan orld: pugilistic professioi Campaign und a handsome young 300 I'Yi'es Im ion Sign ho threatens Joe Louis As Yet, No Change Petition Provoking Money Will Go • as heavyweight cham In Vacation Plans Paii-Helleiiie Aetion snd Jack Doyle's niclu To Durham's e klui. Needy Families On the force of a petition tions and phone calls that have igoed by approximately 300 reshmen the Pan-Hellenic coun- sile change in the regular il has again opened the fresh- Christmas vacation schedule, lich ' s defeated i Octo- i-& ^fiPf^a^^«i nouncement had been made. This plan, which has provoked In accordance with the pre great deal of discussion both n and checks may be madi viously announced plans the 1 to him and dropped in thf vacation will begin December by freshmen and fraternity men, nl boxes distributed over Ihe 20 and end January 3, triple again brought to the floor in ot Hamlet—with tl cuts lo be recorded before and the torn * nfor ided b as a Shakespearean His Mark Isotes Explains Capacity Crowd Expected Reasons Behind kiar shortly alter Clirisimi poses the above is enough o add lo his difficulties. I Organization . -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future
SINGLES CHART: P.9: ALBUMS CHART: P.20 APRIL 25,1981 The record of the future mugENwa a 1 n 0 EXHIBITORS' STANDS are filling up fast for the 3rd annual Dealer Tour, organised by Music & Video Week and scheduled to visit seven regional centres during THE COMPACT disc, lipped by its developing companies as the record of the September. Europe's leading music business paper 90p future, seen alongside a conventional LP and the Sony and Philips CD players. Judging by (he bookings coming in, it looks as if dealers Dealer asks attending the shows will be able to meet exhibitors when is RRP THE LASER BEAM from large and small record companies as well as the newly opened not RRP? video companies. A DISPUTE over whether telling Note the dates in your the public what they can "expect COMPACT DISC to pay" for a record is the same diary now: September 15, as re-imposing RRP has been Bristol Holiday Inn; aired by dealers who object to September 17, price stickers on two recent WEA Birmingham, Albany releases. The Saxon picture disc of And MAKES ITS BOW Hotel; September 21 The Bad Played On, and the Newcastle, Gosforth Park SALZBURG: The compact the compact disc's development, to be no more expensive than a Hotel; September 22 Echo and the Bunnymen describe these as "revolutionary conventional high-class record Crocodiles 12-inch four-track disc digital audio system was improvements" which, coupled with player. J. J. G. Ch. van Tilburg of Glasgow, Albany Hotel; single, were both stickered by introduced to the September 24 Leeds, WEA with the wording "expect "substantially better sound Philips expressed confidence that to pay around £1.05". -
BULLETIN Vol 50 No 1 January / February 2016
CINEMA THEATRE ASSOCIATION BULLETIN www.cta-uk.org Vol 50 No 1 January / February 2016 The Regent / Gaumont / Odeon Bournemouth, visited by the CTA last October – see report p8 An audience watching Nosferatu at the Abbeydale Sheffield – see Newsreel p28 – photo courtesy Scott Hukins FROM YOUR EDITOR CINEMA THEATRE ASSOCIATION (founded 1967) You will have noticed that the Bulletin has reached volume 50. How- promoting serious interest in all aspects of cinema buildings —————————— ever, this doesn’t mean that the CTA is 50 years old. We were found- Company limited by guarantee. Reg. No. 04428776. ed in 1967 so our 50th birthday will be next year. Special events are Registered address: 59 Harrowdene Gardens, Teddington, TW11 0DJ. planned to mark the occasion – watch this space! Registered Charity No. 1100702. Directors are marked ‡ in list below. A jigsaw we bought recently from a charity shop was entitled Road —————————— PATRONS: Carol Gibbons Glenda Jackson CBE Meets Rail. It wasn’t until I got it home that I realised it had the As- Sir Gerald Kaufman PC MP Lucinda Lambton toria/Odeon Southend in the background. Davis Simpson tells me —————————— that the dome actually belonged to Luker’s Brewery; the Odeon be- ANNUAL MEMBERSHIP SUBSCRIPTIONS ing built on part of the brewery site. There are two domes, marking Full Membership (UK) ................................................................ £29 the corners of the site and they are there to this day. The cinema Full Membership (UK under 25s) .............................................. £15 Overseas (Europe Standard & World Economy) ........................ £37 entrance was flanked by shops and then the two towers. Those Overseas (World Standard) ........................................................ £49 flanking shops are also still there: the Odeon was demolished about Associate Membership (UK & Worldwide) ................................ -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley Was the Third Son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley Nee Burt
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley was the third son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley nee Burt. He was born 7-5-1909 in Dunedin, one of 6 children, 5 sons followed by a daughter. Colin was educated in NZ and in the 1930s won a contest of which the prize was a Hollywood audition. He went on to be a supporting actor in several Metro Goldwyn Mayer and Paramount films during the 1930s but joined the air force in Canada when WW2 broke out, later moving to Britain where he was in a non fighting role. He had taken up flying before the war. He returned to NZ to Wanaka for a short time but then resumed his acting career, appearing in “the Dam Busters,” 1954. In England he married socialite Patsie Lyon nee Hambro. He retired from Acting in 1983 and they lived in the village of Coates in Gloucestershire. He died on 23-11-1995 and is buried at Wanaka beside the body of his second son, Martin, who died of Leukemia in 1947 Filmography from Wikipedia In the cinema American period (1934-1949) • 1934 : Double Door of Charles Vidor : Dr. John Lucas • 1934 : Wagon Wheels by Charles Barton : mountain • 1934 : Rhymes of love ( Murder at the Vanities ) by Mitchell Leisen : director • 1935 : The Crusades ( The Crusades ) of Cecil B. DeMille : foreign messenger • 1935 : Intelligence Service ( The Last Outpost ) by Charles Barton and Louis J. Gasnier : Lieutenant Prescott • 1935 : Henry Hathaway's Three Lancers of Bengal ( The Lives of a Bengal Lancer ) : Lieutenant Barrett • 1935 : Baron Gregor ( The Black Room ) by Roy William Neill : Lieutenant Hassel • 1935 : Becky Sharp of Rouben Mamoulian and Lowell Sherman : William Dobbin • 1935 : My Marriage of George Archainbaud : Sir Philip Burleigh • 1935 : Peter Ibbetson of Henry Hathaway : official • 1936 : Too Many Parents (en) by Robert F. -
Scuttlebutt from the Spermaceti Press 2015
Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
A Midsummer Nights Dream 11 'T} S , O(;;)-2 by Wilham Shakespeare
A Midsummer NightS Dream 11 't} s , o(;;)-2 by WilHam Shakespeare ~ BAm~ Tiieater BRooKLYN AcADEMY oF Music Compa11y ~~~~~~~~~ \.. ~ , •' II I II Q ,\.~ I II 1 \ } ( "' '" \ . • • !I II'" r )DO I \ ., : \ I ~\ } .. \ ;; .; 'I' ... .. _:..,... 1t ; rJ ,.I •\ y v \ YOUR MONEY GROWS LIKE MAGIC AT THE THE DIME SAVINGS BANK DF NEW YORK -..1-..ett•O•C MANHATTAN • DOWNTOWN BROOKLYN • BENSONHURST • FLATBUSH CONEY ISLAND • KINGS PLAZA • VALLEY STREAM • MASSAPEQUA HUNTINGTON STATION TABLE OF Old CONTENTS Hungary "An authentic ~ ounpany~~~~~~~ Hungarian restaurant right here in Brooklyn" Beef Goulash, Ch1cken Papnka, St uffed Cabbage, Palacsinta and other traditional dishes " Live Piano Music Nightly" The Actors 5-8 PRE-T HEATRE AND AFTER THEATRE DINNER 142 Montague St., Bklyn . Hghts. Notes on the Play 9-14 625· 1649 Production Team 15 § The Staff 16 'R(!tauranb The Actors 17-19 tel: 855-4830 Contributors 20-21 UL8-2000 Board of Directors 22 open daily for lunch and dinner till 9 P. M. Italian and A m erican Cuisine special orders upon request Flowers, plants and fruit baskets for all occasions (212) 768-6770 25th Street & 768-0800 5th Avenue Deluxe coach service following DIRECTORY BAM Theater Company Directory of Facilities a nd Services Box Office: Monday 10 00 to &.00 Tue.day throu~h ~tur performances day 10 00 to Y 00 Sunday Performance limes only Lost ond ~o und : Telephone &36-4 150 Restroom: Operu We pick you up and take you back llouse Women .ond Men. Mezzanme level. HandKapp<.·d Or c h c~t r a level Ployh ou,e: Women Orchestra l~vcl ,\.1cn .'Ae1 (to Manhattan) 1.anme lt•vel llandocapped Orchestra level Lepercq Spucc: The BAMBus Express will pick-up BAM Theater Company Wom en ,,nd Men Tht•c.H e r level Public T ele phon es. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
'Movie Memories'
‘MOVIE MEMORIES’ …USA…..1930s….1940s ‘THE GOLDEN AGE’ 1950s….1960s…..UK… SUSAN HAYWARD ISSUE 67 – SPRING 2010 MOVIE MEMORIES MAGAZINE HONORARY MEMBERS DINAH SHERIDAN – DORA BRYAN – DEBBIE REYNOLDS – ROBERT OSBORNE – MURIEL PAVLOW – PEGGY CUMMINS GOOGIE WITHERS – BELLA EMBERG – RENEE ASHERSON – ANNE AUBREY – PATRICIA DAINTON – JULIE HARRIS JANETTE SCOTT – FAITH BROOK – ELAINE SCHREYECK – JOANNA McCALLUM – ANN RUTHERFORD – LIZABETH SCOTT BERNARD CRIBBINS – SUSANNAH YORK – JEAN KENT – BRYAN FORBES – NANETTE NEWMAN – MICHAEL CRAIG Whilst welcoming everyone to the first issue of 2010, it is with much regret and sadness to have to announce the death of one of MVM’s longest serving honorary members – John McCallum. John, along with his wife of 62 years – the delightful Googie Withers and their charming eldest daughter Joanna McCallum, helped to thoroughly enthral and entertain many MVM members at the annual gathering back in September 2007, giving us all an afternoon to remember for a very long time. On that occasion, John kindly signed my copy of his excellent book ‘Life With Googie’ which naturally I will treasure even more now, along with his thoughtful and most gracious letters regarding MVM – and the enjoyment each magazine gave both Googie and himself. Not only a talented actor of the stage and screen, John went into the production side of the business in Australia – especially with the popular TV series ‘Skippy’ in the 1960s, which I remember with affection. John and Googie (pictured here in the 1950s) appeared together many times on the screen – and more so on the stage in a wide variety of successful productions spanning some fifty years.