The Dark Side of Hollywood
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The Strange Love of Martha Ivers
The Strange Love of Martha Ivers t was 1946 and film noir was everywhere, counter, The Jolson Story, Notorious, The and into the 70s and 80s, including King of from low budget quickies to major studio Spiral Stair-case, Anna and the King of Kings, El Cid, Sodom and Gomorrah, The Ireleases. Of course, the studios didn’t re - Siam , and more, so it’s no wonder that The V.I.P.s, The Power, The Private Life of Sher - alize they were making films noir, since that Strange Love of Martha Ivers got lost in the lock Holmes (for Wilder again), The Golden term had just been coined in 1946 by shuffle. It did manage to sneak in one Acad - Voyage of Sinbad, Providence, Fedora French film critic, Nino Frank. The noirs of emy Award nomination for John Patrick (Wilder again), Last Embrace, Time after 1946 included: The Killers, The Blue Dahlia, (Best Writing, Original Story), but he lost to Time, Eye of the Needle , Dead Men Don’t The Big Sleep, Gilda, The Postman Always Clemence Dane for Vacation from Marriage Wear Plaid and more. It’s one of the most Rings Twice, The Stranger, The Dark Mirror, (anyone heard of that one since?). impressive filmographies of any film com - The Black Angel , and The Strange Love of poser in history, and along the way he gar - Martha Ivers. When Martha Ivers, young, orphaned nered an additional six Oscar nominations heiress to a steel mill, is caught running and another two wins. The Strange Love of Martha Ivers was an away with her friend, she’s returned home “A” picture from Paramount, produced by to her aunt, whom she hates. -
GA Company List
List of CA Grants & Annuities Companies CA Company Name Company Code AARP FOUNDATION G4857 ACLU FOUNDATION OF SOUTHERN CALIFORNIA G2891 ACTORS' FUND OF AMERICA (THE) G5084 ADVENTIST FRONTIER MISSIONS, INC. G4797 AFRICA INLAND MISSION INTERNATIONAL, INC. G4921 ALBANY MEDICAL CENTER HOSPITAL G5892 ALBANY MEDICAL COLLEGE G5891 ALLEGHENY COLLEGE G5977 ALLIANCE HEALTHCARE FOUNDATION G4616 ALTA BATES SUMMIT FOUNDATION G4349 ALZHEIMER'S DISEASE AND RELATED DISORDERS ASSOCIATION, INC. G4701 AMERICAN ASSOCIATES, BEN-GURION UNIVERSITY OF THE NEGEV, INC. G5134 AMERICAN ASSOCIATION OF UNIVERSITY WOMEN, INC. G5870 AMERICAN BAPTIST FOUNDATION G5049 AMERICAN BAPTIST HOMES FOUNDATION OF THE WEST, INC. G2650 AMERICAN BAPTIST SEMINARY OF THE WEST G2651 AMERICAN BIBLE SOCIETY G2652 AMERICAN CANCER SOCIETY, INC. G4420 AMERICAN CIVIL LIBERTIES UNION FOUNDATION, INC. G5590 AMERICAN COMMITTEE FOR THE WEIZMANN INSTITUTE OF SCIENCE, INC. G4480 AMERICAN DIABETES ASSOCIATION G5105 AMERICAN FRIENDS OF MAGEN DAVID ADOM G6220 AMERICAN FRIENDS OF TEL AVIV UNIVERSITY, INC. G4840 AMERICAN FRIENDS OF THE HEBREW UNIVERSITY, INC. G4957 AMERICAN FRIENDS SERVICE COMMITTEE, INCORPORATED G2653 AMERICAN HEART ASSOCIATION, INC. G3598 AMERICAN HUMANE ASSOCIATION (THE) G5163 AMERICAN INSTITUTE FOR CANCER RESEARCH (THE) G4684 AMERICAN KIDNEY FUND, INC. G4643 AMERICAN LEBANESE SYRIAN ASSOCIATED CHARITIES, INC. G4610 AMERICAN LUNG ASSOCIATION G4282 AMERICAN MISSIONARY FELLOWSHIP G2656 AMERICAN SOCIETY FOR TECHNION-ISRAEL INSTITUTE OF TECHNOLOGY, INC. G5910 AMERICAN SOCIETY FOR THE -
La Dolce Vita Actress Anita Ekberg Dies at 83
La Dolce Vita actress Anita Ekberg dies at 83 Posted by TBN_Staff On 01/12/2015 (29 September 1931 – 11 January 2015) Kerstin Anita Marianne Ekberg was a Swedish actress, model, and sex symbol, active primarily in Italy. She is best known for her role as Sylvia in the Federico Fellini film La Dolce Vita (1960), which features a scene of her cavorting in Rome's Trevi Fountain alongside Marcello Mastroianni. Both of Ekberg's marriages were to actors. She was wed to Anthony Steel from 1956 until their divorce in 1959 and to Rik Van Nutter from 1963 until their divorce in 1975. In one interview, she said she wished she had a child, but stated the opposite on another occasion. Ekberg was often outspoken in interviews, e.g., naming famous people she couldn’t bear. She was also frequently quoted as saying that it was Fellini who owed his success to her, not the other way around: "They would like to keep up the story that Fellini made me famous, Fellini discovered me", she said in a 1999 interview with The New York Times. Ekberg did not live in Sweden after the early 1950s and rarely visited the country. However, she welcomed Swedish journalists into her house outside Rome and in 2005 appeared on the popular radio program Sommar, and talked about her life. She stated in an interview that she would not move back to Sweden before her death since she would be buried there. On 19 July 2009, she was admitted to the San Giovanni Hospital in Rome after falling ill in her home in Genzano according to a medical official in the hospital's neurosurgery department. -
Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
Community Engagement and Educational Outreach
Community Engagement and Educational Outreach In November 1977, 20,000 women and men left their jobs and homes in cities and small towns around the country to come together at the fi rst National Women’s Conference in Houston, Texas. Their aim was to end dis- crimination against women and promote their equal rights. Present were two former fi rst ladies–Lady Bird Johnson and Betty Ford—and the current fi rst lady, Rosalyn Carter. Also present were grandmothers and lesbians, Republicans and Democrats, African Americans, Asian Americans, Latinas, and Native Ameri- can women—and the most infl uential leaders of the burgeoning women’s movement—Bella Abzug, Betty Friedan, Gloria Steinem, Eleanor Smeal, Ann Richards, Coretta Scott King, Barbara Jordan and others. SISTERS OF ’77 provides a fascinating look at that pivotal weekend and how it changed American life and the lives of the women who attended. Using the fi lm as a focus piece, ITVS’s Community Connections Project (CCP), community engagement and educational outreach campaign, reaches out to: • Organizations that invest in building young women leaders • University and high school students who participate in gender studies, political science, history and social studies • Organizations that promote women’s equal rights, reproductive freedom, lesbian and minority rights • Internet groups that focus on democracy in action, social change and human rights Independent Television Service (ITVS) 501 York Street San Francisco, CA 94110 phone 415.356.8383 email [email protected] web www.itvs.org The goals -
Various Disney Classics Mp3, Flac, Wma
Various Disney Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Children's / Stage & Screen Album: Disney Classics Country: US Released: 2013 Style: Soundtrack, Theme, Musical MP3 version RAR size: 1692 mb FLAC version RAR size: 1570 mb WMA version RAR size: 1324 mb Rating: 4.8 Votes: 145 Other Formats: WAV AU MMF VQF APE AIFF VOC Tracklist Timeless Classics –Mary Moder, Dorothy Who's Afraid Of The Big, Bad Wolf (From "Three 1-1 Compton, Pinto Colvig & Billy 3:06 Little Pigs") Bletcher Whistle While You Work (From "Snow White 1-2 –Adriana Caselotti 3:24 And The Seven Dwarfs") 1-3 –Cliff Edwards When You Wish Upon A Star (From "Pinocchio") 3:13 –Cliff Edwards, Jim 1-4 Carmichael & The Hall When I See An Elephant Fly (From "Dumbo") 1:48 Johnson Choir* 1-5 –Disney Studio Chorus* Little April Shower (From "Bambi") 3:53 –Joaquin Garay, José Olivier & 1-6 Three Caballeros (From "The Three Caballeros") 2:09 Clarence Nash 1-7 –James Baskett Zip-A-Dee-Doo-Dah (From "Song Of The South") 2:18 Lavender Blue (Dilly Dilly) (From "So Dear To 1-8 –Burl Ives 1:02 My Heart") A Dream Is A Wish Your Heart Makes (From 1-9 –Ilene Woods 4:35 "Cinderella") –Disney Studio Chorus* & All In The Golden Afternoon (From "Alice In 1-10 2:41 Kathryn Beaumont Wonderland") –Kathryn Beaumont, Bobby You Can Fly! You Can Fly! You Can Fly! (From 1-11 Driscoll, Paul Collins , Tommy 4:23 "Peter Pan") Luske & Jud Conlon Chorus* What A Dog / He's A Tramp (From "Lady And 1-12 –Peggy Lee 2:25 The Tramp") 1-13 –Mary Costa & Bill Shirley Once Upon A Dream (From "Sleeping -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
Probablemente El Diablo: El Terror Elíptico De La Séptima Víctima
PROBABLEMENTE EL DIABLO: EL TERROR ELÍPTICO DE LA SÉPTIMA VÍCTIMA Francisco García Gómez Universidad de Málaga RESUMEN La séptima víctima, la primera película dirigida por Mark Robson, constituye un magnífico ejemplo de la concepción del terror que tenía el productor Val Lewton. Su cuarto filme para la RKO, el primero no dirigido por Jacques Tourneur, pone de manifiesto que Lewton era el auténtico responsable de su ciclo fantástico. PALABRAS CLAVE: RKO, Val Lewton, Mark Robson, serie B, terror, satanismo, paladismo. ABSTRACT «Probably the Devil: The Elliptical Terror in The Seventh Victim». The Seventh Victim, first film directed by Mark Robson, is a magnificent example of the producer Val Lewton’s terror concept. His fourth RKO film, the first without Jacques Tourneur, reveals that Lewton was the genuine responsible of his fantastic cycle. KEY WORDS : RKO, Val Lewton, Mark Robson, B Film, terror, satanism, paladism. 163 Una película a redescubrir y reivindicar, ése es el caso de La séptima víctima (The Seventh Victim, 1943), la cuarta del ciclo de nueve cintas de terror de serie B producidas por Val Lewton en la RKO entre 1942 y 19461. Dirigida por Mark Robson en su debut como realizador, fue además la primera cuya dirección no corrió a cargo de Jacques Tourneur, tras La mujer pantera (Cat People, 1942), Yo anduve con un zombi (I Walked with a Zombie, 1943) y El hombre leopardo (The Leopard Man, 1943). Precisamente a consecuencia de los grandes éxitos de público obtenidos con estas tres, el estudio decidió separar al tándem Lewton-Tourneur, convencido de que rendirían el doble por separado, poniendo en seguida al francés al frente de mayores presupuestos. -
LCCC Thematic List
LONDON CIGARETTE CARD COMPANY LIMITED Last Updated: 17th September 2021 Sutton Road, Somerton, Somerset TA11 6QP, England. Website: www.londoncigcard.co.uk Telephone: 01458 273452 Fax: 01458 273515 E-Mail: [email protected] Please tick items required. Prices, which include VAT (UK tax), are for very good condition unless otherwise stated. Orders for cards and albums dispatched to outside the United Kingdom will have 15% deducted. Size abbreviations: EL = Extra Large; LT = Large Trade (Size 89 x 64mm); L = Large; M = Medium; K = Miniature. Please see our catalogue for details of our stocks of 17,000 different series. 24-hour credit/debit card ordering 01458 273452. Why not sign up to our Free Newsletter giving you up to date special offers and Discounts not to mention new additions to stock and information on our current auctions. To sign up enter your e-mail address below and tick here _____ Please Note: Orders are sent post free to UK addresses, but for orders under £25.00 (or £15.00 for LCCC's Card Collectors Club members) please add a handling fee of £2.00. Overseas postage will be charged at cost with no handling fee. Please send items marked on enclosed pages. I enclose remittance of £ or we can accept Visa, Mastercard, Maestro, Visa Delta, Electron, JCB & American Express, credit/debit cards. Please quote Credit/Debit Expiry Valid From CVC Number Card Number...................................................................... Date .................... (if stated).................... (last 3 on back) .................. Name