Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700

Total Page:16

File Type:pdf, Size:1020Kb

Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700 Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700 Introduction This collection contains the papers of Ransom Roswell Chaplin (1878-1955), a Spanish American War veteran who farmed in Montgomery and Vershire, Vermont. Lois E. Jackson gave the collection to the Vermont Historical Society in 2004. A scrapbook came with the collection but became separated from the collection between receipt and processing. The collection is stored in one archival flip-top box and consumes .25 linear feet of shelf-space. Biographical Notes Ransom Roswell Chaplin was born to Roderick and Sybil Tracy Chaplin on 23 October 1878 in Montgomery Center, Vermont. Chaplin’s middle name was in honor of his grandfather, Roswell Allen Chaplin, who served with the 13th Vermont Regiment in the Civil War, including during the Battle of Gettysburg. Ransom Chaplin’s father, Roderick Chaplin, also served in the Civil War. Ransom Chaplin served in the US Army during the Philippine–American War. He enlisted on 8 September 1899 and served with the infantry, in Company B, 43rd Regiment, US Volunteers. A detachment of Chaplin’s company fought the Battle of Jaro, Leyte, in the Philippines on 15 April 1900. Chaplin received his discharge from military service on 1 July 1901. At 24 years of age, Ransom Chaplin married 15 year old Lizzie Ordina Deary (1887- 1970), the daughter of Antoine and Margaret Duso Deary, on 24 August 1903, also in Montgomery, Vermont. Ransom Chaplin applied for and received an Army Invalid pension for rheumatism and heart disease. A payment card shows him paid at a rate of $14 beginning on 18 Oct 1905; he received an increase to $17 commencing on 1 April 1908 (Pension application no. 1,276,683 and certificate no. 1,131,943). An additional information card showed Philippine Volunteers could get an extra two months pay, Chaplin received $26 under this program but had to pay $5.20 to lawyers to collect it. As required, he also registered for the drafts for the 1st and 2nd World Wars. After returning to Vermont, Ransom Chaplin had several encounters with the law. He paid a fine for illegally killing deer, paid another fine for assaulting his uncle after the uncle’s cows got into Chaplin’s cornfield, and became a suspect in an arson fire at a barn in Montgomery Center. No outcome of the arson investigation appeared in the newspaper and apparently he faced no charges. None of his legal problems seem to have affected his public life as voters in Orange County voted him in as a Justice of the Peace for a term beginning on 1 February 1927. Sometime between 1920 and 1927, Chaplin had moved his family from Montgomery to Vershire, Vermont, in Orange County. Vermont Historical Society • Barre 05641-4209 Ransom Chaplin Papers 2 Problems followed the Chaplins to Vershire where they went into farming. The farm operated successfully for a while, but later records indicate something happened that resulted in an insurance settlement with most of the money going to mortgage holders. The sheriff also confiscated property from the couple. The Chaplins had at least eight children: Arthur (b. 1904), Nellie (b. 1907), Harry (b. 1909), Clyde (b. 1911), Bernie (b. 1913), James (b. 1915), Jessie (b. 1917), and Harold (b. 1919). In 1935, the Chaplins were living in Chelsea, Vermont; by the late 1940s, they lived in Washington, Vermont. Ransom Chaplin died at the Veterans Administration Hospital on 3 September 1955, after being confined to a hospital bed for a little more than a month. His wife had his remains buried at the Highland Cemetery in Chelsea, Vermont, complete with a flat, granite marker provided by the Veterans Administration. Scope and Content The collection consists of documents from the life of Montgomery, Vershire, Chelsea, and Washington, Vermont resident, Ransom Roswell Chaplin (1878-1955). Several documents related to Chaplin’s efforts to obtain a military pension and follow-up benefits from the government. There are also several original insurance policies on the farm and an automobile held by the Vermont Mutual Fire Insurance Company of Montpelier, Vermont. Instructions are included on where and when fuel could be added to the car’s fuel reservoir. Other documents illustrate the family’s legal problems although not in very great depth. Some legal documents also hint at a charitable side to the Chaplin family as they acted as sureties to ensure the court appearance of some local men and also provided a home for a pregnant woman, Mrs. Ralph Perkins, in 1933 and 1934. A folder contains Chaplin’s tax bills and herd certifications for the period 1930 to 1940. Another folder provides glimpses into his business interests: at one point, Chaplin considered selling tires to supplement his income from the farm. The final folder in the collection contains miscellaneous items including a report card of Roswell Chaplin’s son, Clyde Chaplin, and a letter from Ordina Comstock to Lizzie Chaplin in 1908. Inventory MSA 700:01: Military Pension :02: Insurance Documents :03: Legal Papers :04: Receipts, Tax Bills, Herd Certification, 1930-1940 :05: Business Items: Sterlingworth Tire Company De Laval Sales and Service, Inc. Vershire Creamery Company Randolph newspaper :06: Miscellaneous Items: Vermont Historical Society • Barre 05641-4209 Ransom Chaplin Papers 3 Letter, Ordina Comstock to Lizzie Chaplin Report card, Clyde Chaplin, grade 8, Vershire, Vt. Postcard, “25,000 gifts,” White River Junction, 1948 Appointment, Ransom R. Chaplin, Justice of the Peace, 1927 Letter of Administration, estate of Sybil Chaplin, 1909 Inventory, estate of Sybil Chaplin, 1909 Harry Harrington June 2014 ChaplinRansom.doc Vermont Historical Society • Barre 05641-4209 .
Recommended publications
  • Charlie Chaplin: the Genius Behind Comedy Zuzanna Mierzejewska College of Dupage
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. ESSAI Volume 9 Article 28 4-1-2011 Charlie Chaplin: The Genius Behind Comedy Zuzanna Mierzejewska College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Mierzejewska, Zuzanna (2011) "Charlie Chaplin: The Genius Behind Comedy," ESSAI: Vol. 9, Article 28. Available at: http://dc.cod.edu/essai/vol9/iss1/28 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. Mierzejewska: Charlie Chaplin: The Genius Behind Comedy Charlie Chaplin: The Genius Behind Comedy by Zuzanna Mierzejewska (English 1102) he quote, “A picture with a smile-and perhaps, a tear” (“The Kid”) is not just an introduction to Charlie Chaplin’s silent film, The Kid, but also a description of his life in a nutshell. Many Tmay not know that despite Chaplin’s success in film and comedy, he had a very rough childhood that truly affected his adult life. Unfortunately, the audience only saw the man on the screen known world-wide as the Tramp, characterized by: his clown shoes, cane, top hat and a mustache. His humor was universal; it focused on the simplicity of our daily routines and the funniness within them. His comedy was well-appreciated during the silent film era and cheered soldiers up as they longed for peace and safety during World War I and other events in history.
    [Show full text]
  • Page 13 Musici / Musiciens
    Nederlands: pagina 3 Français : page 8 English: page 13 Musici / Musiciens: pagina / page 19 2 “One happy thing about sound was that I could control the music, so I composed my own. I tried to compose elegant and romantic music to frame my comedies in contrast to the tramp character, for elegant music gave my comedies an emotional dimension. Musical arrangers rarely understood this. They wanted the music to be funny. But I would explain that I wanted no competition, I wanted the music to be a counterpoint of grave and charm, to express sentiment, without which, as Hazlitt says, a work of art is incomplete. (...) Nothing is more adventurous and exciting than to hear the tunes one has composed played for the first time by a fifty piece orchestra.“ - Charles Chaplin 3 WELKOM De magie van Charlie Chaplin blijft ook na bijna 100 jaar fantastisch indrukwekkend, ontroerend en hilarisch. De sympathieke zwerver, die ondanks zijn goede bedoelingen toch steeds weer in de problemen raakt, laat ons allemaal, klein én groot, lachen en nadenken. De meester zorgt gelukkig steeds voor een happy end, en componeerde ook voor The Kid zelf de prachtige muziek. Een pareltje. PROGRAMMA The Kid (1921) Charles Chaplin, regie & muziek (arr. Carl Davis) Charlie Chaplin als The Tramp Jackie Coogan als The Kid (John) Edna Purviance als The Woman FILMPHILHARMONIC EDITION Film ter beschikking gesteld door Roy Export S.A.S. Muziek ter beschikking gesteld door Bourne Co. Music Publishers. Brussels Philharmonic · Dirk Brossé, dirigent · Otto Derolez, concertmeester 4 SYNOPSIS Een verwarde vrouw legt haar pasgeboren baby te vondeling in een limousine.
    [Show full text]
  • UNIVERSITY of CALIFORNIA, IRVINE Allegories of Industry And
    UNIVERSITY OF CALIFORNIA, IRVINE Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Erik Watschke Dissertation Committee: Associate Professor Catherine L. Benamou, Chair Associate Professor Kristen Hatch Associate Professor Bliss Cua Lim 2014 © 2014 Erik Watschke DEDICATION To my dad who introduced me to the movies ii TABLE OF CONTENTS Page LIST OF TABLES iv ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER ONE: “He Made the Whole World Laugh and Cry”: 23 The Mythologization of the Film Artist in Chaplin CHAPTER TWO: “Love Never Dies”: The Status of the Image and 65 Cinephilic Reaction in Bram Stoker's Dracula CHAPTER THREE: “There Are No Boundaries”: The Status of Sound 109 and the Transnational in The English Patient CHAPTER FOUR: “From the Creator of Being John Malkovich, Comes the 171 Story of the Creator of Being John Malkovich”: Adaptation. CHAPTER FIVE: “Are You Watching Closely?”: The Status of Story in 223 The Prestige CONCLUSION 277 BIBLIOGRAPHY 310 FILMOGRAPHY 324 APPENDIX: Industrial Chronology of the New New Hollywood 337 iii LIST OF TABLES Page Table 5.1 Narrative Structure of The Prestige 235 iv ACKNOWLEDGMENTS I wish to thank my committee chair, Professor Catherine Benamou, who encouraged me to pursue a film historical project in the first place, and whose guidance and tireless support helped transform and strengthen my study at every stage. I am also indebted to Professor Bliss Cua Lim and Professor Kristen Hatch, who served on the committee and contributed important advice and encouragement throughout my research and writing.
    [Show full text]
  • Presskit Opening - April 2016
    PRESSKIT OPENING - APRIL 2016 Chaplin's World™ © Bubbles Incorporated. 3.2 The Studio A. Easy Street: London childhood B. The Circus: the beauty of silence INDEX C. The film studio: quiet on the set! D. Production secrets: behind the clown, a genius of the seventh art E. Hollywood Boulevard - F. Wax that creates illusions 3.3 The park 1. WELCOME MESSAGES 06 4. STAGING 22 2. FOREWORD 12 4.1 The Savoir-faire of Grévin 2.1 A manor as a backdrop 4.2 The Savoir-faire of the Compagnie des Alpes 2.2 The children and family life 2. 3 The integration of Charlie Chaplin into the community 5. GENERAL PLAN: WITH THE SUPPORT 3. CLOSE UP: CHAPLIN’S WORLD, DISCOVERING THE MAN OF CHAPLIN’S WORLD PARTNERS 24 AND THE ARTIST 16 5.1 Principal partner 3.1 The Manoir 5.2 Strategic partners A. Ground floor 5.3 Event partner a. Chaplin and topicality: a citizen of the world b. The library: a self-taught writer c. The living room: music at all costs B. First floor a. Family albums: a family not so different from others b. Celebrities: recognition without frontiers 2 3 9. WIDE-ANGLE SHOT: PRACTICAL INFORMATION 35 9.1 The museum space 9.2 Adress ANNEX 9.3 Opening hours 9.4 Prices 9.5 Access 9.6 The gift shop - 9.7 “The Tramp” café-restaurant 6. MONTAGE: CHRONOLOGY OF THE PROJECT 26 9.8 Events 6.1 History 9.9 Press contacts 6.2 Thanks 6.3 Partners in the development of the museum project 6.4 Major dates 7.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • Geraldine Chaplin
    Geraldine Chaplin 66422_Rybin.indd422_Rybin.indd i 008/07/208/07/20 111:001:00 AAMM International Film Stars Series Editors: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin www.euppublishing.com/series/ifs 66422_Rybin.indd422_Rybin.indd iiii 008/07/208/07/20 111:001:00 AAMM Geraldine Chaplin The Gift of Film Performance Steven Rybin 66422_Rybin.indd422_Rybin.indd iiiiii 008/07/208/07/20 111:001:00 AAMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge
    [Show full text]
  • Chaplin Family YMCA Monday Chaplinfamilyy.Ca
    A CENTRE OF COMMUNITY WHERE POTENTIAL GROWS, EVERYONE BELONGS, AND HEALTH GOALS ARE ACHIEVED EVERY DAY. Learn a new skill, make a new friend July 4 – September 4, 2016 Chaplin Family YMCA Monday ChaplinFamilyY.ca Gym 1 Gym 2 Studio Cycle Room Pool Leisure Pool MPR 2/3 Wellness Center Jay’s Room Kids Zone Childcare 6:00 am Lane Swim (13+) Whirlpool 5:45 – 8:15 7:00 am (13+) 5:45 – 9:00 8:00 am AquaFit 8:15 – 9:00 Cardio Fit - Low Cycle Lane Swim (13+) HH/LS/FFB* 9:00 am Impact Family Swim 9:00 – 9:45 9:05 – 9:55 9:00 – 10:00 9:00 – 9:55 9:05 – 9:55 Playnasium (0-5) Group Active® Gentle Yoga HH/LS/FFB* 10:00 am Rise n” Shine 10:00 – 11:00 10:10 – 11:10 Camp Swim 10:10 – 11:00 10:05 – 11:05 (2.5-5) 10:00 – 11:30 Rise n’ Shine (2.5-5) 10:00 – 11:30 11:00 – 11:30 Fitness for 11:00 am Function/Breath Kid’s Zone Lane Swim (13+) Gentle Fit 11:15 – 12:15 (6-12) 11:20 – 12:00 10:45 – 11:30 (2 lanes) Private/Advanced Whirlpool 10:00 – 1:00 11:30 – 12:25 (3 lanes) Aquatics (13+) Zumba® 10:45 – 12:30 10:45 – 12:25 Wellness Drop-in 12:00 pm 12:10 – 1:00 12:15 – 1:15 Gentle Exercise Camp Swim Camp 1:00 pm 1:15 – 1:45 12:30 – 3:00 9:00 – 5:00 Camp *Basketball (13+) Neuro Fit 2:00 pm 12:00 – 5:00 12:00 – 5:00 2:00 – 3:00 Fitness for 3:00 pm Open/Lane Swim Function/Breath 3:15 3:05 – 4:15 –4:15 4:00 pm Bubblers & Splashers Active Games (0-3) Soccer (6-9) 5:00 pm (3-5) 5:00 – 5:30 5:15 – 6:00 5:15 – 6:00 TRX® 5:30 – 6:15 Group Power® Active Soccer (3-5) 5:25 – 6:25 Swim Lessons Games (6-9) 6:00 – 6:30 4:30 – 8:00 6:00 pm 6:00 – 6:30 Family Tae Kwon Do Total
    [Show full text]
  • Eternal-Tramp.Pdf
    FREE AND FUN: THE CHAPLIN HOT AIR Built by the Barcelona-based BALLOON manufacturer UltraMagic, the hot air CHAPLIN balloon has been under construction Creating the kind of marvellous, since early October and will be fun, fairground atmosphere Chaplin tested before being delivered to cherished, Chaplin’s World has Switzerland in early November. purchased a hot air balloon. Visitors The balloon’s official unveiling, REACHES attended by its sponsor, Eugene to the museum will be able to enjoy a ten-minute static flight, high Chaplin, will take place in the park above the Manoir de Ban, with a of Chaplin’s World on the evening of breathtaking panoramic view of the DECEMBER 5TH, 2017. NEW Alps and Lake Geneva. Sponsored by Cornèrcard, the Chaplin’s World hot air balloon will be on site at the museum for HEIGHTS special occasions such as Easter and Christmas. This coming winter, it will be the star attraction of the - February 2nd 2018. Night Glow sound and light show, held during the 40th International Hot Air Balloon Festival A STATUE OF THE TRAMP “ A portrait always tells of Château-d’Oex (Switzerland), which will be dedicated to the AT 13,642 FEET a story, with a specific memory of Charlie Chaplin. outlook. ” British sculptor John Doubleday, Doubleday said. A symbol of freedom and aspiration, who created the bronze statues “ To me, the kid is the the hot air balloon will travel of Charlie Chaplin in Vevey, to various balloon festivals in quintessential lone, Switzerland, and in London’s Switzerland, such as the week-long Chaplin's World™ Leicester Square, has again paid fragile figure, but one events in Toggenburg and Emmental.
    [Show full text]
  • I Bcom Ii Sem
    I BCOM II SEM • 3. CHARLES CHAPLIN (An excerpt from My Autobiography) • Prepared By: RAVIKUMAR.A • Asst Professor • Dept of English • GFGC YALAHANKA • BENGALURU Quotes from Chaplin reflect his views on life. Here are a few gems:- 1. A day without laughter is a day wasted. 2. I always like walking in the rain, so no one can see me crying. 3. We think too much and feel too little. 4. You will never find a rainbow if you’re looking down. Sir Charles Spencer Chaplin (1889-1977) was a famous English comic actor, filmmaker, composer, screenwriter, editor and producer during his time. Those were the times of silent films. He became renowned through his films like The Gold Rush, The Circus, City Lights and others. His film The Great Dictator satirized Adolf Hitler. His screen persona was the inimitable ‘The Tramp’. In his career of 75 years, he saw both adulation and controversy. In this edited extract from chapter one of My Autobiography, Chaplin tells about his childhood and his association with his mother, father and brother. Predominant was his mother’s influence on him. Slides are planned according to the questions ,both long and short. 1. When and where was Charles Chaplin born? 2. When did Chaplin try doing legerdemain and what was the result? 3. How would his mother dress up her two sons for Sunday excursions? 4. Mother always kept delicacies on the table for Sydney and Chaplin. Why? 5. Mention any two memories Chaplin shares with the reader with respect to his childhood in London.
    [Show full text]
  • The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture
    THE CHAPLIN CRAZE: CHARLIE CHAPLIN AND THE EMERGENCE OF MASS-AMUSEMENT CULTURE JACK RUNDELL PhD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE AUGUST 2014 Abstract This thesis explores the relationship between Charlie Chaplin’s early career and films (1914-1916) and the emergent mass-amusement culture of the late nineteenth and early twentieth centuries in America. It combines empirical research into mass- amusement history with close readings of Chaplin’s early films in order to illuminate the close and previously minimally explored relationship between Chaplin’s film- making and popularity on the one hand, and the broader early twentieth-century history of mass-amusement culture on the other. The thesis approaches its subject through the specific phenomenon of amusement ‘crazes’. It takes three selectively illustrative examples – roller skating, popular dance forms and moving pictures – through which to explore the specific debates and controversies these amusements generated and the social and cultural aspirations and concerns that drove them. This cultural-historical research is used to re-read Chaplin films, enabling topical allusions and cultural subtexts to come newly into focus. It also provides the context for a fresh interpretation of Chaplin’s sensational rise to fame in the mid-1910s as a cultural phenomenon symptomatic of a wider landscape of contemporary frenetic and popular crazes. The thesis challenges two principal assumptions that underlie prevailing critical approaches to Chaplin’s early career, unquestioningly grounded, as they are, in the privileged status conventionally ascribed to his later, and better-known feature films. These assumptions are: (1) that Chaplin’s early films are chiefly of interest for the ways in which they teleologically anticipate later developments in his film- making; and (2) that Chaplin’s distinctive qualities and cultural value are always to be understood in qualitative contrast to the dominant imperatives of contemporary slapstick and the larger mass-amusement culture to which slapstick belonged.
    [Show full text]
  • Arts Vs Accountancy
    GOOD PRACTICE GUIDE Arts vs Accountancy larly strongly in the UK, where Brexit the Chaplin family with a plan to pur- is likely to have a significant adverse chase the Manoir de Ban and create a impact on arts funding. “nice museum”. The family agreed on The opportunity to explore this condition that it honour the memory question presented itself a couple of of their father. Meylan and Durand en- years ago in the shape of a museum visaged a museum that would “docu- under construction near Lausanne that ment the artist’s ideas and ideals”. It was supposed to become Chaplin’s would provide an authentic Chaplin World, an entertainment experience experience and feature items person- in Charlie Chaplin’s old home. I was ally associated with him. struck by the artistic heritage inher- When Chaplin’s World opened ent in the project, but even more by 16 years later in 2016 it had clearly the volume of financial and business evolved far beyond its original vision. jargon that filled the pages of its web- Yet, the various stakeholders that had Can commerce influence site. One day, over coffee, I showed the become involved during its develop- website to my colleague and professor ment were still confident that Chap- the culture projects it of marketing, Felicitas Morhart. For lin’s artistic and cultural legacy was sponsors? Professor both of us, it was the obvious tension being celebrated in a suitably authen- between commerce and cultural integ- tic way. Anette Mikes of the rity that caught our interest. We followed the project for two University of Lausanne So out of curiosity we started years, carrying out 15 interviews, found an object lesson to look into Chaplin’s World more making multiple visits to Vevey and num to a later range estimate self became more persua- deeply, to explore whether this finan- reviewing over 1,000 pages of internal of 250,000–320,000.
    [Show full text]
  • The Little Tramp's Continuing Longevity, Post-1977
    E PILOGUE: THE LITTLE TRAMP’S CONTINUING LONGEVITY, POST-1977 If it is still not clear from the preceding chapters that several factions of Americans came together post-1947 to force a re-assessment and even- tual re-invigoration of Charlie Chaplin and his Little Tramp persona in American culture, then the outpouring of love and admiration heaped upon him at his death must solidify this fact. Film critic Andrew Sarris noted in the Village Voice that “we can still say that Charles Chaplin was arguably the single most important artist produced by the cinema, cer- tainly its most extraordinary performer and probably still its most univer- sal icon.” 1 Alden Whitman’s New York Times obituary claimed that “no motion picture actor so captured and enthralled the world as did Charles Spencer Chaplin, a London ragamuffi n who became an immortal artist for his deft and effective humanization of man’s tragicomic confl icts with fate.” 2 And, fi lm critic Stanley Kauffmann wrote in The New Republic : Yes, the Tramp is not a deathless image. Yes, he made us laugh and cry and presumably always will. But, out of the Chaplin moments, put just two together and think of them, and you understand why talking about the Little Fellow is not enough. Think of the moment in The Rink when, with his torso almost motionless, his roller-skated feet move so quickly under him as he tries to keep his balance that his legs almost become a solid blur like the spinning spokes of a wheel. Then think of the last scene in City Lights when the formerly blind girl realizes that this little hobo was her savior, and then the camera goes to his face.
    [Show full text]