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Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
THE ANIMATED TRAMP Charlie Chaplin's Influence on American
THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p. -
2019-BENNY-AND-JOON.Pdf
CREATIVE TEAM KIRSTEN GUENTHER (Book) is the recipient of a Richard Rodgers Award, Rockefeller Grant, Dramatists Guild Fellowship, and a Lincoln Center Honorarium. Current projects include Universal’s Heart and Souls, Measure of Success (Amanda Lipitz Productions), Mrs. Sharp (Richard Rodgers Award workshop; Playwrights Horizons, starring Jane Krakowski, dir. Michael Greif), and writing a new book to Paramount’s Roman Holiday. She wrote the book and lyrics for Little Miss Fix-it (as seen on NBC), among others. Previously, Kirsten lived in Paris, where she worked as a Paris correspondent (usatoday.com). MFA, NYU Graduate Musical Theatre Writing Program. ASCAP and Dramatists Guild. For my brother, Travis. NOLAN GASSER (Music) is a critically acclaimed composer, pianist, and musicologist—notably, the architect of Pandora Radio’s Music Genome Project. He holds a PhD in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, Lincoln Center, among others. Theatrical projects include the musicals Benny & Joon and Start Me Up and the opera The Secret Garden. His book, Why You Like It: The Science and Culture of Musical Taste (Macmillan), will be released on April 30, 2019, followed by his rock/world CD Border Crossing in June 2019. His TEDx Talk, “Empowering Your Musical Taste,” is available on YouTube. MINDI DICKSTEIN (Lyrics) wrote the lyrics for the Broadway musical Little Women (MTI; Ghostlight/Sh-k-boom). Benny & Joon, based on the MGM film, was a NAMT selection (2016) and had its world premiere at The Old Globe (2017). Mindi’s work has been commissioned, produced, and developed widely, including by Disney (Toy Story: The Musical), Second Stage (Snow in August), Playwrights Horizons (Steinberg Commission), ASCAP Workshop, and Lincoln Center (“Hear and Now: Contemporary Lyricists”). -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
Charlie Chaplin: the Genius Behind Comedy Zuzanna Mierzejewska College of Dupage
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. ESSAI Volume 9 Article 28 4-1-2011 Charlie Chaplin: The Genius Behind Comedy Zuzanna Mierzejewska College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Mierzejewska, Zuzanna (2011) "Charlie Chaplin: The Genius Behind Comedy," ESSAI: Vol. 9, Article 28. Available at: http://dc.cod.edu/essai/vol9/iss1/28 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. Mierzejewska: Charlie Chaplin: The Genius Behind Comedy Charlie Chaplin: The Genius Behind Comedy by Zuzanna Mierzejewska (English 1102) he quote, “A picture with a smile-and perhaps, a tear” (“The Kid”) is not just an introduction to Charlie Chaplin’s silent film, The Kid, but also a description of his life in a nutshell. Many Tmay not know that despite Chaplin’s success in film and comedy, he had a very rough childhood that truly affected his adult life. Unfortunately, the audience only saw the man on the screen known world-wide as the Tramp, characterized by: his clown shoes, cane, top hat and a mustache. His humor was universal; it focused on the simplicity of our daily routines and the funniness within them. His comedy was well-appreciated during the silent film era and cheered soldiers up as they longed for peace and safety during World War I and other events in history. -
Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700
Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700 Introduction This collection contains the papers of Ransom Roswell Chaplin (1878-1955), a Spanish American War veteran who farmed in Montgomery and Vershire, Vermont. Lois E. Jackson gave the collection to the Vermont Historical Society in 2004. A scrapbook came with the collection but became separated from the collection between receipt and processing. The collection is stored in one archival flip-top box and consumes .25 linear feet of shelf-space. Biographical Notes Ransom Roswell Chaplin was born to Roderick and Sybil Tracy Chaplin on 23 October 1878 in Montgomery Center, Vermont. Chaplin’s middle name was in honor of his grandfather, Roswell Allen Chaplin, who served with the 13th Vermont Regiment in the Civil War, including during the Battle of Gettysburg. Ransom Chaplin’s father, Roderick Chaplin, also served in the Civil War. Ransom Chaplin served in the US Army during the Philippine–American War. He enlisted on 8 September 1899 and served with the infantry, in Company B, 43rd Regiment, US Volunteers. A detachment of Chaplin’s company fought the Battle of Jaro, Leyte, in the Philippines on 15 April 1900. Chaplin received his discharge from military service on 1 July 1901. At 24 years of age, Ransom Chaplin married 15 year old Lizzie Ordina Deary (1887- 1970), the daughter of Antoine and Margaret Duso Deary, on 24 August 1903, also in Montgomery, Vermont. Ransom Chaplin applied for and received an Army Invalid pension for rheumatism and heart disease. A payment card shows him paid at a rate of $14 beginning on 18 Oct 1905; he received an increase to $17 commencing on 1 April 1908 (Pension application no. -
Film Essay for The
The Kid By Jeffrey Vance “The Kid” (1921) is one of Charles Chaplin’s finest achievements and remains universally beloved by critics and audiences alike. The film is a perfect blend of comedy and drama and is arguably Chap- lin’s most personal and autobiographical work. Many of the settings and the themes in the film come right out of Chaplin’s own impoverished London child- hood. However, it was the combination of two events, one tragic (the death of his infant son) and one joyful (his chance meeting with Jackie Coogan), that led Chaplin to shape the tale of the abandoned child and the lonely Tramp. The loss of three-day-old Norman Spencer Chaplin undoubtedly had a great effect on Chaplin, and the emotional pain appears to have triggered his creativ- ity, as he began auditioning child actors at the Chap- lin Studios ten days after his son’s death. It was dur- ing this period that Chaplin encountered a four-year- old child performer named Jackie Coogan at Orphe- um Theater in Los Angeles, where his father had just performed an eccentric dance act. Chaplin spent more than an hour talking to Jackie in the lob- by of the Alexandria Hotel, but the idea of using Jackie in a film did not occur to him. After he heard that Roscoe Arbuckle had just signed Coogan, Chaplin agonized over his missed opportunity. Later, Charlie Chaplin as The Tramp sits in a doorway with the he discovered that Arbuckle had signed Jack orphan he has taken under his wing (Jackie Coogan). -
Static Site Generators E.G. Jekyll
Static site generators e.g. Jekyll Gaspard Jankowiak April 2018 gaspard.janko.fr/en/misc What does "having a website" mean? An example of static site generator: Jekyll Hands on example What we will do What does "having a website" mean? An example of static site generator: Jekyll Source structure The configuration file The front matter Formatted content: Markdown Integrating data and content into.html: Liquid Running Jekyll Hands on example What does "having a website" mean? An example of static site generator: Jekyll Hands on example Overview What does "having a website" mean? An example of static site generator: Jekyll Hands on example What does "having a website" mean? An example of static site generator: Jekyll Hands on example What does "having a website" mean? Content + Structure + Layout and styling Charlie Chaplin 16.04.1889 Charlie Chaplin Charlie Chaplin 16.04.1889 16.04.1889 [Homepage] → charliechaplin.com Occupation: · Actor · Director charliechaplin.com charliechaplin.com · Composer · Screenwriter Actor, director, composer, · Producer screenwriter, producer, editor Occupation: · Editor · Actor "I was hardly aware of a crisis · Director because we lived in a continual · Composer crisis; and, being a boy, I · Screenwriter I was hardly aware of a crisis because dismissed our troubles with · Producer we lived in a continual crisis; and, gracious forgetfulness." · Editor being a boy, I dismissed our troubles with gracious forgetfulness. Films: I was hardly aware of a crisis because The Kid, 1921 we lived in a continual crisis; and, being A Woman of Paris, 1923 a boy, I dismissed our troubles with The Gold Rush, 1925 gracious forgetfulness. -
Charlie Chaplin & Buster Keaton
SCIO. Revista de Filosofía, n.º 13, Noviembre de 2017, 77-96, ISSN: 1887-9853 CHARLIE CHAPLIN & BUSTER KEATON COMIC ANTIHERO EXTREMES DURING THE 1920S CHARLIE CHAPLIN Y BUSTER KEATON LOS DOS EXTREMOS DEL ANTIHÉROE CÓMICO DURANTE LOS AÑOS VEINTE Wes Gehringa Fechas de recepción y aceptación: 3 de abril de 2017, 13 de septiembre de 2017 In pantomime, strolling players use incomprehensible lan- guage... not for what it means but for the sake of life. [writer, actor, director Leon] Chancerel is quite right to insist upon the importance of mime. The body in the theatre... (Camus, 1962, p. 199). Abstract: The essay is a revisionist look at James Agee’s famous article “Comedy’s Greatest Era” –keying on Buster Keaton and Charlie Chaplin– ‘the comedy auteurs’ of the 1920s. However, while Chaplin was the giant of the era, period literature showcases that Keaton was a popular but more cult-like figure. (See my forthcoming book: Buster Keaton in his own time, McFarland Press). However, Keaton is now considered on a par with Chaplin. While the inspired comedy of Chaplin will be forever timeless, Keaton now seems to speak to today. At least a Wes D. Gehring is Ball State University’s “Distinguished Professor of Film”, Muncie, Indiana, USA. He is also the Associate Media Editor of USA TODAY Magazine for which he also writes the col- umn “Reel World”. He is the author of 36 books, including award-winning biographies of James Dean, Steve McQueen, Robert Wise, Red Skelton, and Charlie Chaplin. Correspondence: 3754 North Lakeside Drive, Muncie. Indiana 47304, United Sate of America. -
We're All Familiar with Charlie Chaplin, One of the Towering Icons
We’re all familiar with Charlie Chaplin, one of the towering icons of film history, central to the field of film as a producer, director, and actor, instantly recognizable to people around the world for his signature character The Tramp. In 1999 the American Film Institute placed him on its list of the greatest male movie stars of all time (at No.10, if you care about that sort of ranking), and it also acknowledged his film City Lights as one the 100 best American films ever made (at No. 76, just beating out his Modern Times at No. 81). Chaplin’s musical inclinations went back to his earliest years, and as a young man he achieved competence as both a singer and an instrumentalist. In My Autobiography (Simon and Schuster, 1964) he wrote of the vaudeville tour with the Karno Company that first brought him to the United States in 1910. (That troupe also included among its members another young Englishman who was Chaplin’s roommate — Arthur Stanley Jefferson, who later altered his name to Stan Laurel.) Chaplin recalled: “On this tour I carried my violin and my cello. Since the age of sixteen I had practiced from four to six hours a day in my bedroom. Each week I took lessons from the theatre conductor or from someone he recommended. As I played left-handed, my violin was strung left- handed with the bass bar and sounding post reversed. I had great ambitions to be a concert artist, or, failing that, to use it in a vaudeville act, but as time went on I realized that I could never achieve excellence, so I gave it up.” After working his way through mostly forgettable silent films, in 1919 Chaplin co-founded (along with Mary Pickford, Douglas Fairbanks, and D.W. -
Page 13 Musici / Musiciens
Nederlands: pagina 3 Français : page 8 English: page 13 Musici / Musiciens: pagina / page 19 2 “One happy thing about sound was that I could control the music, so I composed my own. I tried to compose elegant and romantic music to frame my comedies in contrast to the tramp character, for elegant music gave my comedies an emotional dimension. Musical arrangers rarely understood this. They wanted the music to be funny. But I would explain that I wanted no competition, I wanted the music to be a counterpoint of grave and charm, to express sentiment, without which, as Hazlitt says, a work of art is incomplete. (...) Nothing is more adventurous and exciting than to hear the tunes one has composed played for the first time by a fifty piece orchestra.“ - Charles Chaplin 3 WELKOM De magie van Charlie Chaplin blijft ook na bijna 100 jaar fantastisch indrukwekkend, ontroerend en hilarisch. De sympathieke zwerver, die ondanks zijn goede bedoelingen toch steeds weer in de problemen raakt, laat ons allemaal, klein én groot, lachen en nadenken. De meester zorgt gelukkig steeds voor een happy end, en componeerde ook voor The Kid zelf de prachtige muziek. Een pareltje. PROGRAMMA The Kid (1921) Charles Chaplin, regie & muziek (arr. Carl Davis) Charlie Chaplin als The Tramp Jackie Coogan als The Kid (John) Edna Purviance als The Woman FILMPHILHARMONIC EDITION Film ter beschikking gesteld door Roy Export S.A.S. Muziek ter beschikking gesteld door Bourne Co. Music Publishers. Brussels Philharmonic · Dirk Brossé, dirigent · Otto Derolez, concertmeester 4 SYNOPSIS Een verwarde vrouw legt haar pasgeboren baby te vondeling in een limousine. -
MUSÉE CHAPLIN PÔLE CULTUREL À CORSIER-SUR-VEVEY - VD Ouvrage 2504
Version online sur la plateforme www.architectes.ch MUSÉE CHAPLIN PÔLE CULTUREL À CORSIER-SUR-VEVEY - VD ouvrage 2504 Maître de l’ouvrage Domaine du Manoir de Ban SA Rue du Collège 26 1815 Clarens Entreprise totale HRS Real Estate SA Rue du Centre 172 1025 Saint-Sulpice Architectes Itten + Brechbühl SA Avenue d’Ouchy 4 1006 Lausanne Ingénieurs civils TBM Ingénieurs SA Rue du Simplon 42 1800 Vevey Bureaux techniques CVSE : Amstein + Walthert Lausanne SA Avenue d’Ouchy 52 1006 Lausanne Physique du bâtiment Acousticien : Amstein + Walthert Lausanne SA Avenue d’Ouchy 52 1006 Lausanne Géotechnique : Bureau d’ingénieurs et de géologues Tissières SA Rue des Près-de-la-Scie 2 HISTORIQUE / SITUATION 1920 Martigny Le Manoir de Ban. Jusqu’au 25 décembre 1977, le Manoir En 2000, l’architecte suisse Philippe Meylan et le muséo- Ingénieur Sécurité : de Ban, à Corsier-sur-Vevey, était le lieu de l’intimité de graphe québécois Yves Durand conçoivent l’idée de trans- Ignis Salutem SA Chemin des Aveneyres 26 Charlie Chaplin, puis, jusqu’en 2008, de sa famille. C’est là former le Manoir de Ban en un musée qui présente l’œuvre 1806 St-Légier-La Chiésaz que l’artiste a vécu ses “années bonheur”, écrit plusieurs gigantesque d’un artiste prolifique. Quinze années pour scénarios et rédigé ses mémoires. Transformer l’endroit en affiner l’idée et obtenir, par la concertation, toutes les auto- Etude d’éclairage : Reflexion AG un site public qui rende hommage au créateur, au réalisateur risations nécessaires à sa réalisation. Du temps aussi pour Hardturmstrasse 123 et au comédien génial n’était pas chose facile.