Presskit Opening - April 2016
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
THE ANIMATED TRAMP Charlie Chaplin's Influence on American
THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p. -
Best of Switzerland
Best of Switzerland Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 atmosphere or consider joining an Optional Experience to Isola Bella, one of the Welcome to Zurich lake's Borromean islands, with its palazzo and exquisite gardens. Welcome to the sophisticated Swiss city of Zurich - a flawless blend of fascinating Hotel - Simplon/Grand Dino heritage and modern spirit. Meet your Travel Director and fellow travellers for a Welcome Reception and orientation in this beautiful lakeside setting. Included Meals - Breakfast Day 6 Hotel - Mövenpick Regensdorf Off to Alpine St. Moritz Included Meals - Welcome Reception We travel through the scenic Italian countryside to the fortified town of Tirano. Day 2 Here, we will board the famous Bernina Express train and wind our way through Journey to Lake Geneva scenic landscapes en route to the stylish resort town of St. Moritz. This evening, enjoy dinner with your fellow travellers. We leave the bright lights of Zurich behind and stop in Bern with its Old Town, admiring its medieval streets, ornate fountains and arcaded walkways. Journeying Hotel - Reine Victoria to Lake Geneva, we arrive in the resort town of Montreux, set against the pristine backdrop of snow-covered peaks and vineyards. After lunch, consider joining an Included Meals - Breakfast, Dinner Optional Experience to cruise Lake Geneva, including a visit to the Charlie Chaplin Day 7 museum in his former estate, Manoir de Ban. Journey to Lakeside Lucerne Hotel - Eurotel Journeying through lush green landscapes, past Lake Zurich, we arrive in lakeside Lucerne. Pay tribute to the brave Swiss Guards, who lost their lives defending King Included Meals - Breakfast Louis XVI at the Lion Monument, and cross the iconic wooden Chapel Bridge Day 3 before strolling past the city's colourful façades. -
Glenn Mitchell the TRUE FAREWELL of the TRAMP
Glenn Mitchell THE TRUE FAREWELL OF THE TRAMP Good afternoon. I’d like to begin with an ending ... which we might call `the Tramp’s First Farewell’. CLIP: FINAL SCENE OF `THE TRAMP’ That, of course, was the finale to Chaplin’s 1915 short film THE TRAMP. Among Chaplin scholars – and I think there may be one or two here today! - one of the topics that often divides opinion is that concerning the first and last appearances of Chaplin’s Tramp character. It seems fair to suggest that Chaplin’s assembly of the costume for MABEL’S STRANGE PREDICAMENT marks his first appearance, even though he has money to dispose of and is therefore technically not a tramp. KID AUTO RACES AT VENICE, shot during its production, narrowly beat the film into release. Altogether more difficult is to pinpoint where Chaplin’s Tramp character appears for the last time. For many years, the general view was that the Tramp made his farewell at the end of MODERN TIMES. As everyone here will know, it was a revision of that famous conclusion to THE TRAMP, which we saw just now ... only this time he walks into the distance not alone, but with a female companion, one who’s as resourceful, and almost as resilient, as he is. CLIP: END OF `MODERN TIMES’ When I was a young collector starting out, one of the key studies of Chaplin’s work was The Films of Charlie Chaplin, published in 1965. Its authors, Gerald D. McDonald, Michael Conway and Mark Ricci said this of the end of MODERN TIMES: - No one realized it at the time, but in that moment of hopefulness we were seeing Charlie the Little Tramp for the last time. -
2019-BENNY-AND-JOON.Pdf
CREATIVE TEAM KIRSTEN GUENTHER (Book) is the recipient of a Richard Rodgers Award, Rockefeller Grant, Dramatists Guild Fellowship, and a Lincoln Center Honorarium. Current projects include Universal’s Heart and Souls, Measure of Success (Amanda Lipitz Productions), Mrs. Sharp (Richard Rodgers Award workshop; Playwrights Horizons, starring Jane Krakowski, dir. Michael Greif), and writing a new book to Paramount’s Roman Holiday. She wrote the book and lyrics for Little Miss Fix-it (as seen on NBC), among others. Previously, Kirsten lived in Paris, where she worked as a Paris correspondent (usatoday.com). MFA, NYU Graduate Musical Theatre Writing Program. ASCAP and Dramatists Guild. For my brother, Travis. NOLAN GASSER (Music) is a critically acclaimed composer, pianist, and musicologist—notably, the architect of Pandora Radio’s Music Genome Project. He holds a PhD in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, Lincoln Center, among others. Theatrical projects include the musicals Benny & Joon and Start Me Up and the opera The Secret Garden. His book, Why You Like It: The Science and Culture of Musical Taste (Macmillan), will be released on April 30, 2019, followed by his rock/world CD Border Crossing in June 2019. His TEDx Talk, “Empowering Your Musical Taste,” is available on YouTube. MINDI DICKSTEIN (Lyrics) wrote the lyrics for the Broadway musical Little Women (MTI; Ghostlight/Sh-k-boom). Benny & Joon, based on the MGM film, was a NAMT selection (2016) and had its world premiere at The Old Globe (2017). Mindi’s work has been commissioned, produced, and developed widely, including by Disney (Toy Story: The Musical), Second Stage (Snow in August), Playwrights Horizons (Steinberg Commission), ASCAP Workshop, and Lincoln Center (“Hear and Now: Contemporary Lyricists”). -
Charlie Chaplin: the Genius Behind Comedy Zuzanna Mierzejewska College of Dupage
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by [email protected]. ESSAI Volume 9 Article 28 4-1-2011 Charlie Chaplin: The Genius Behind Comedy Zuzanna Mierzejewska College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Mierzejewska, Zuzanna (2011) "Charlie Chaplin: The Genius Behind Comedy," ESSAI: Vol. 9, Article 28. Available at: http://dc.cod.edu/essai/vol9/iss1/28 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. Mierzejewska: Charlie Chaplin: The Genius Behind Comedy Charlie Chaplin: The Genius Behind Comedy by Zuzanna Mierzejewska (English 1102) he quote, “A picture with a smile-and perhaps, a tear” (“The Kid”) is not just an introduction to Charlie Chaplin’s silent film, The Kid, but also a description of his life in a nutshell. Many Tmay not know that despite Chaplin’s success in film and comedy, he had a very rough childhood that truly affected his adult life. Unfortunately, the audience only saw the man on the screen known world-wide as the Tramp, characterized by: his clown shoes, cane, top hat and a mustache. His humor was universal; it focused on the simplicity of our daily routines and the funniness within them. His comedy was well-appreciated during the silent film era and cheered soldiers up as they longed for peace and safety during World War I and other events in history. -
Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700
Ransom Roswell Chaplin (1878-1955) Papers, 1900-1940 MSA 700 Introduction This collection contains the papers of Ransom Roswell Chaplin (1878-1955), a Spanish American War veteran who farmed in Montgomery and Vershire, Vermont. Lois E. Jackson gave the collection to the Vermont Historical Society in 2004. A scrapbook came with the collection but became separated from the collection between receipt and processing. The collection is stored in one archival flip-top box and consumes .25 linear feet of shelf-space. Biographical Notes Ransom Roswell Chaplin was born to Roderick and Sybil Tracy Chaplin on 23 October 1878 in Montgomery Center, Vermont. Chaplin’s middle name was in honor of his grandfather, Roswell Allen Chaplin, who served with the 13th Vermont Regiment in the Civil War, including during the Battle of Gettysburg. Ransom Chaplin’s father, Roderick Chaplin, also served in the Civil War. Ransom Chaplin served in the US Army during the Philippine–American War. He enlisted on 8 September 1899 and served with the infantry, in Company B, 43rd Regiment, US Volunteers. A detachment of Chaplin’s company fought the Battle of Jaro, Leyte, in the Philippines on 15 April 1900. Chaplin received his discharge from military service on 1 July 1901. At 24 years of age, Ransom Chaplin married 15 year old Lizzie Ordina Deary (1887- 1970), the daughter of Antoine and Margaret Duso Deary, on 24 August 1903, also in Montgomery, Vermont. Ransom Chaplin applied for and received an Army Invalid pension for rheumatism and heart disease. A payment card shows him paid at a rate of $14 beginning on 18 Oct 1905; he received an increase to $17 commencing on 1 April 1908 (Pension application no. -
Charlie Chaplins Red Letter Days at Work with the Comic Genius 1St Edition Pdf, Epub, Ebook
CHARLIE CHAPLINS RED LETTER DAYS AT WORK WITH THE COMIC GENIUS 1ST EDITION PDF, EPUB, EBOOK Fred Goodwins | 9781442278080 | | | | | Charlie Chaplins Red Letter Days At Work with the Comic Genius 1st edition PDF Book Several years ago Michel Comte discovered that the Chaplin office held an extensive photo archive, consisting of thousands of glass negatives, negatives and photographic prints. He was the first international film star and, with a million dollar contract, became one of the richest men in the world. Variety Special Advertising Supplement, pp. The Chaplin Revue The Freak unfinished. Roosevelt liked the film, which they saw at private screenings before its release. Chaplin Official Shop. Leigh Harline , Paul J. I consider this a must for every Chaplin buff. Open Preview See a Problem? Between his time in the poor schools and his mother succumbing to mental illness, Chaplin began to perform on stage. People must be free. My Autobiography. Film portal Television portal Comedy portal England portal. Chaplin's son Michael has suggested that the information must have been significant to his father for him to retain the letter. Fred Goodwins. Return to Book Page. Sennett kept him on, however, when he received orders from exhibitors for more Chaplin films. New German Critique 84 : 3— I shall examine the films of Charlie Chaplin and Buster keaton, not in isolation, as has been the usual practice, but showing how they influenced each other in a creative rivalry that also featured Harold Lloyd the man hanging off the clock. She was then prosecuted for vagrancy in January — Barry had been unable to pay her hotel bills, and was found wandering the streets of Beverly Hills after taking an overdose of barbiturates. -
Film Essay for The
The Kid By Jeffrey Vance “The Kid” (1921) is one of Charles Chaplin’s finest achievements and remains universally beloved by critics and audiences alike. The film is a perfect blend of comedy and drama and is arguably Chap- lin’s most personal and autobiographical work. Many of the settings and the themes in the film come right out of Chaplin’s own impoverished London child- hood. However, it was the combination of two events, one tragic (the death of his infant son) and one joyful (his chance meeting with Jackie Coogan), that led Chaplin to shape the tale of the abandoned child and the lonely Tramp. The loss of three-day-old Norman Spencer Chaplin undoubtedly had a great effect on Chaplin, and the emotional pain appears to have triggered his creativ- ity, as he began auditioning child actors at the Chap- lin Studios ten days after his son’s death. It was dur- ing this period that Chaplin encountered a four-year- old child performer named Jackie Coogan at Orphe- um Theater in Los Angeles, where his father had just performed an eccentric dance act. Chaplin spent more than an hour talking to Jackie in the lob- by of the Alexandria Hotel, but the idea of using Jackie in a film did not occur to him. After he heard that Roscoe Arbuckle had just signed Coogan, Chaplin agonized over his missed opportunity. Later, Charlie Chaplin as The Tramp sits in a doorway with the he discovered that Arbuckle had signed Jack orphan he has taken under his wing (Jackie Coogan). -
Exploitative to Favorable, Freak to Ordinary: The
EXPLOITATIVE TO FAVORABLE, FREAK TO ORDINARY: THE EVOLUTION OF DISABILITY REPRESENTATION IN FILM By Julia E. Thompson A Thesis Submitted to the Faculty of the Graduate Studies Division of Ohio Dominican University Columbus, Ohio in partial fulfillment of the requirements for the Degree of MASTER OF ARTS IN ENGLISH DECEMBER 2015 iii CONTENTS CERTIFICATION PAGE ………………………………………………………………… ii ACKNOWLEDGEMENTS ………………………………………………………………. iv CHAPTER 1: A HISTORY OF DISABILITY …………………………………………… 1 CHAPTER 2: FREAK SHOWS AND PHYSICAL DISABILITIES …………………….. 6 CHAPTER 3: DIFFERENT STIGMA: SENSORY DISABILITY ON FILM …………… 15 CHAPTER 4: REGRESSIVE VERSUS PROGRESSIVE DEPICTION ………………… 27 WORKS CITED ………………………………………………………………………….. 35 iv ACKNOWLEDGEMENTS I wish to thank the faculty of the Master of Arts graduate program at Ohio Dominican University. You have opened my mind to the infinite rewards of studying literature, poetry, philosophy, and film. Specifically, I want to thank Dr. Ann Hall for her guidance and encouragement from the very beginning of my journey in the graduate program all the way through to the completion of this thesis. Your support and faith in my abilities allowed me to reach my goal. Also, I would like to thank Dr. Martin Brick for his support and review. My success in the graduate program would not have been possible without the love, support, and unwavering encouragement of my husband, Eric. Thank you for assuming even more of the responsibilities for our children and our home while I worked through the program and this thesis. Thank you also to my children, Celeste and Sawyer, who have been so very patient with me. I hope that my excitement for education influences your own outlook. -
Swiss Cultural Events in July 2018
Cultural Newsletter of the Consulate General of Switzerland in Shanghai Swiss Cultural Events in July 2018 Machines are Not Alone An artistic project that explores the intersection of art, science and technology When & Where July 21 – October 17 Chronus Art Center │ 新时线媒体艺术中心(CAC) 18 Building, 50 Moganshan Road, Putuo District, Shanghai 上海市普陀区莫干山路 50 号 18 号楼 Info supported by Pro Helvetia Shanghai, Swiss Arts Council www.prohelvetia.cn www.chronusartcenter.org CAC presents the group exhibition Machines Are Not Alone. Exposing machines as systems, networks, milieus, and natures of different orders and cultures, this exhibition will investigate and discuss the symbiosis and reciprocity between natural and cultural machines. The exhibition ought to be a prologue to the Device Art Triennale 2018. After the launch at Chronus Art Center in Shanghai, the exhibition will be shown at the Zagreb Contemporary Art Museum in winter and finally be displayed at the Queens Art Museum in New York the following year. Each traveling iteration will situate itself in the local milieu and create interconnections with its immediate surroundings. The artist project An Invitation to Source: Pro Helvetia Sympoietic Experiments, which is part of the exhibition, received the support from Pro Helvetia Shanghai, Swiss Arts Council. In partnership65th Anniversarywith: in partnership with: Wechat: pro_helvetia www.prohelvetia.cn Page | 1 Cultural Newsletter of the Consulate General of Switzerland in Shanghai Charlie Chaplin. A Vision Major retrospective exhibition of the King of Comedy is displayed in Shanghai When & Where June 8 – October 7, 2018 Yuz Museum Shanghai │余德耀美术馆 35 Fenggu Road, Xuhui District, Shanghai 上海徐汇区丰谷路 35 号 Info www.elysee.ch www.yuzmshanghai.org Charlie Chaplin is the founder of modern comedy, one of the most influential performing artists and film directors of the 20th century.