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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Probablemente El Diablo: El Terror Elíptico De La Séptima Víctima
PROBABLEMENTE EL DIABLO: EL TERROR ELÍPTICO DE LA SÉPTIMA VÍCTIMA Francisco García Gómez Universidad de Málaga RESUMEN La séptima víctima, la primera película dirigida por Mark Robson, constituye un magnífico ejemplo de la concepción del terror que tenía el productor Val Lewton. Su cuarto filme para la RKO, el primero no dirigido por Jacques Tourneur, pone de manifiesto que Lewton era el auténtico responsable de su ciclo fantástico. PALABRAS CLAVE: RKO, Val Lewton, Mark Robson, serie B, terror, satanismo, paladismo. ABSTRACT «Probably the Devil: The Elliptical Terror in The Seventh Victim». The Seventh Victim, first film directed by Mark Robson, is a magnificent example of the producer Val Lewton’s terror concept. His fourth RKO film, the first without Jacques Tourneur, reveals that Lewton was the genuine responsible of his fantastic cycle. KEY WORDS : RKO, Val Lewton, Mark Robson, B Film, terror, satanism, paladism. 163 Una película a redescubrir y reivindicar, ése es el caso de La séptima víctima (The Seventh Victim, 1943), la cuarta del ciclo de nueve cintas de terror de serie B producidas por Val Lewton en la RKO entre 1942 y 19461. Dirigida por Mark Robson en su debut como realizador, fue además la primera cuya dirección no corrió a cargo de Jacques Tourneur, tras La mujer pantera (Cat People, 1942), Yo anduve con un zombi (I Walked with a Zombie, 1943) y El hombre leopardo (The Leopard Man, 1943). Precisamente a consecuencia de los grandes éxitos de público obtenidos con estas tres, el estudio decidió separar al tándem Lewton-Tourneur, convencido de que rendirían el doble por separado, poniendo en seguida al francés al frente de mayores presupuestos. -
TORRANCE HERALD November 11, 1926
THURSDAY TORRANCE HERALD November 11, 1926 TO ENTERTAIN SCHOOLS OF CONDITION Safeway Merges Kntertalnlng skits nnd musical Ruth Roland To STATEMENT IH will combine with serious and in Tin: (tructlonal talks about college With 2 Other d university life In programs Play Next Week n student "Deputations Commlt- Beacon Drug Co " of the University of Southern Torrance Mitfoa! Biilding and Chain Stores California, to be presented In niull- At the Orpheum toriums of high schools throughout Consolidated Stores Covo the Pacific southwest this year. Famous Star in* Person as TORRANCE Net Assets IVHlgned to fulfill the desire' for a Vaudeville Feature, Loan Association Ten States; first-hand Information about cam Over Five Million pus and classroom, college skits Starting Sunday written «nd enacted hy Trojnn stu Of Torrance, Los Angeles Ctfunty. California Ton fli nt iii lors, curreli dents. In co-opcratlon with the S. Ruth Roland, the e(aff l .Ime, Involving tlie con. V. School of Speech, will supple screen star, after a three year' AS OF Till-. CI.USK (IK Hi;S'INKS« ON (H'TOIUOII 30, 192B sollrtntion of Pacific const nm ment short talks hy representative ahsenee froip the stage, returnn n university men and women In sec week, Sunday, November 14, I'uciflr . m thwesl chain store in. ondary school assemblies. Paulin and w with thi headline one of the. brightest terests. is had today Klene, William H enley. Eleanor most promising bills of the $ IS.C'riH joint am iuncr>ment by M. B Loans On Mormusi-K ............... Veale. Grant LaMont, Arthur pheum season. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
TTANTAGE Pany Narrowly Escaped Death Recently, T7n Equaled V a a D E 1 1 1 E - Broadway Mt Aider
TILE SUNDAY OKEGOXIAN, PORTLAND, SEPTEMBER 15, 1918. 3 PORTLAND BOYS SERVING THEIR COUNTRY WHEREVER CALL TO COLORS TAKES THEM t Youth of Pacific Northwest Represented on Shipboard in Training Camps of Home Land and in Far-O- ff France At HEILIG nJ Where Task of Driving Back Enemy Calls for America's Best. , .st? MORRISON AT .1 i lltf ig4THEATER 00? PLAYS THAT PLEASE L I THIS SUNDAY AFTERNOON CM Vai TONIGHT AND ALL WEEK t THAT WONDERFUL NEW PLAY '. K-r- teMauaaisiJ t.Minr'jmJ LJti(lltjJ LjJrf IjsJl LA f S&hZj i I eMSsasssa. JOHNNY 4 MATINEES 4 NIGHTS ll Starting Sunday Matinee, September 15 MRS. THOMAS FLORENZE WHIFFEN TEMPEST GET In "Foxy Grandma" America's Most Lovable Boy - a- K2' With , - - and PeBgy Dale Whiff en Vaudeville's Daintiest Girl YOUR EDDIE FOYER The Man of a Thousand Poems STELLA TBACEY & CARL McBRIDE Offering Their Own CLARENCB LIKINS. assistant ond Lieutenant of Field Artillery at that his son, Frank Bino, has been se ' city circulation manager, is the Camp Zachary Taylor, Ky. He will be verely wounded in action. The young Exclusive Material GUN c. latest Oregonian employe to stationed, for the present at least, at man was a member of Company F that camp. Third Oregon, before leaving here last ianswer the call to the colors. Last Before enlisting Lieutenant Henshaw December, and was later transferred to tweek he left for Seattle and from there was a Oregon Agricultural 162d to Pa-- , student at the Infantry and thence Com rhe will so to Gettysburg:. to enter College. -
Proquest Dissertations
Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Memories of the Golden State
Issue 135 December 2016/January 2017 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY Memories of the Golden State O WEN C LARK Armed with a DSLR camera, travel guitar, two Haight and Ashbury-acquired shawl- cardigans, and three of my oldest friends, I left the perpetual fog of the San Francisco Bay. Having played out the scene a thousand times in my head, I had romanticized the drive down California’s scenic Pacific Coast Highway to levels approaching cliché. But despite trading the flashy convertibles of Entourage’s Vincent Chase or Californica- tion’s Hank Moody for a grey Hyundai So- nata rental car, it still failed to disappoint. /NATURAL SELECTIONS Practically every bend on that winding road greeted me with a stunning scene of pure, rugged beauty. California’s jagged cliffs are lined with earthy hues of bright red and orange, while each inlet of the vast Pacific OWEN CLARK Ocean contains a perfectly balanced array of turquoise and green pastels that one might have found on Winslow Homer’s palette. Despite navigating hairpin turns sur- rounded by 300-foot drops under cover of by All Photos total darkness, we made it safely to Big Sur. A smokestack towers above Mono Lake. My friends liked to joke that being the ob- Though I had fallen in love with the Cal- Tuolumne Meadows area of the park. After sessive ball of neuroses that I am, I had al- ifornia coast, we had to move on to the next returning to my friends relaxing by the lake, ready lived out the entire trip through the stop on our long list. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
January 17, 1941
«l j. a a -4iMA0IS0N MEMOKIAL LIBKAHT - HARRIS0HBUR6, VIB6IWIH. i New Books In Library, page 4 Sixty Students Make Honor Roll Halt The Stampeding, page 2 Election February 4th Z 776 Established 1922 Madison College, Harrisonburg, Virginia, Friday, January 17, 1941 Volume XVn Number 20 Dingledine And Jefferson Run For Student Head Convention Nominates Lynch, Walker For YW; Sanford Sixty Students Graduates Asked To Fill Schaaf For AA; Kilpatrick, Parks For BREEZE Out Diploma Blanks Survey Of 1940 And Partridge, Shelton For Schoolma'am Make First All students who expect to gradu- Business Grads With Jane Dingledine and Evelyn Jefferson heading the ticket as ate in March in either a two-or four- candidates for president of Student Government association, the electoral Honor Roll year course are asked to come to the Is Complete board has announced the nominees for the major officers for the coming registrar's office as soon as possible year. The election will be held on February 4. to fill out the proper application Second Honor Roll Totals Ruth Lynch and Kathryn Walker were named for presidency of blanks for degrees or diplomas. 93% Return Inquiry Blanks; Y.W.C.A., while Betty Sanford and Lee Schaaf are running for presi- 149 Against Former 166; Twenty Hold Positions; dent of the athletic association. General Decline Indicated Four Continue Education Candidates for editor-in-chief of the Breeze are Julia Kilpatrick and Miss Helen M. Frank announces Dr. Yap Talks The department of business educa- Louise Parks, while Phyllis Partridge the honor roll for the first quarter tion has just completed a survey of and Margaret Shelton have been of the 1940-41 session. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.