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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 1-22-1981 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1981). The George-Anne. 924. https://digitalcommons.georgiasouthern.edu/george-anne/924 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Hostages move out. Reagan settles in The GEORGE-ANNE Volume 61, No. 9 Georgia Southern College Statesboro, Georgia January 22, 1981 University status formula approved By SALLY SCHERER "It would take us five years future," said Charles because 18 and 19 year olds and I'm sure enrollment is to develop high quality The state Board of to reach 7,500 full-time Austin, vice president for aren't available and we're not the absolute criteria." programs, good students Regents approved a students and I'm probably academic affairs, "there are riding out the baby boom." Austin feels that the will be attracted." formula in their December being optimistic." too many things working The new regulation funding of GSC is the most Cook, who was on the meeting that will allow Throughout the entire against it." Austin cited takes nothing into con- critical factor in terms of task force that approved the senior colleges to reach university system, the total population decrease and sideration except en- the future and reaching requirement, said, "I didn't university status only if growth records for fall inflation as. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Enemyenemy By, Jason Weissby
Presents Presents EnemyEnemy By, Jason WeissBy, With (in alphabetical order) Allie Anderson, Derek Bellard, Mariale Chiribao, Joseph Fernandez, Daniel Gipson, JamesWith Jason Weiss Martin, (in alphabetical order) Sara Moncada, Shanel Premdas, Grace Allie Serrano, Anderson, Danayia Stedham, Derek Kevin Bellard, Stidham*, Mariale Anthony Chiribao, Willis Joseph Fernandez, Daniel Gipson, James Martin, Sara Moncada, Shanel Premdas, Scenic Grace Design Serrano, Lighting Danayia Design Stedham, Production Kevin Stidham*, Stage Manager Anthony WillisScenic Designer Lighting Designer Production Stage omas Brown Martha Carter MadisonManager Miller Thomas Brown Martha Carter Fight DirectionFight Director Vocal CoachVocal Coach FightMadison MillerFight Captain Captain Henry Layton Nicolette Chaey Kevin Stidham Henry Layton Nicolette Chaffey Kevin Stidham Casting Graphic Design Michael Jury Mattias Ramos Produced by eatre of Arts & Hisatake Shibuya Directed by Jason Weiss CAST (alphabetical) Allie Anderson CAT Derek Bellard MAYOR Mariale Chiribao SOFIA Joseph Fernandez PABLO Daniel Gipson DOC James Martin ALFRED Sara Moncada HANNAH Shanel Premdas NINA Grace Serrano CAPTAIN Danayia Stedham MONIQUE Kevin Stidham* JAMES Anthony Willis MILES *Member of Actors’ Equity Association, e Union of Professional Actors and Stage Managers in the United States Enemy was inspired by Henrik Ibsen’s An Enemy of the People, published in 1882. Scene One: Doc’s living room in the evening. Scene Two: e following morning. Scene ree: Later that day in the lounge of e People’s -
Memories of the Golden State
Issue 135 December 2016/January 2017 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY Memories of the Golden State O WEN C LARK Armed with a DSLR camera, travel guitar, two Haight and Ashbury-acquired shawl- cardigans, and three of my oldest friends, I left the perpetual fog of the San Francisco Bay. Having played out the scene a thousand times in my head, I had romanticized the drive down California’s scenic Pacific Coast Highway to levels approaching cliché. But despite trading the flashy convertibles of Entourage’s Vincent Chase or Californica- tion’s Hank Moody for a grey Hyundai So- nata rental car, it still failed to disappoint. /NATURAL SELECTIONS Practically every bend on that winding road greeted me with a stunning scene of pure, rugged beauty. California’s jagged cliffs are lined with earthy hues of bright red and orange, while each inlet of the vast Pacific OWEN CLARK Ocean contains a perfectly balanced array of turquoise and green pastels that one might have found on Winslow Homer’s palette. Despite navigating hairpin turns sur- rounded by 300-foot drops under cover of by All Photos total darkness, we made it safely to Big Sur. A smokestack towers above Mono Lake. My friends liked to joke that being the ob- Though I had fallen in love with the Cal- Tuolumne Meadows area of the park. After sessive ball of neuroses that I am, I had al- ifornia coast, we had to move on to the next returning to my friends relaxing by the lake, ready lived out the entire trip through the stop on our long list. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
BB-Country-Music-Ann
Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad. -
January 17, 1941
«l j. a a -4iMA0IS0N MEMOKIAL LIBKAHT - HARRIS0HBUR6, VIB6IWIH. i New Books In Library, page 4 Sixty Students Make Honor Roll Halt The Stampeding, page 2 Election February 4th Z 776 Established 1922 Madison College, Harrisonburg, Virginia, Friday, January 17, 1941 Volume XVn Number 20 Dingledine And Jefferson Run For Student Head Convention Nominates Lynch, Walker For YW; Sanford Sixty Students Graduates Asked To Fill Schaaf For AA; Kilpatrick, Parks For BREEZE Out Diploma Blanks Survey Of 1940 And Partridge, Shelton For Schoolma'am Make First All students who expect to gradu- Business Grads With Jane Dingledine and Evelyn Jefferson heading the ticket as ate in March in either a two-or four- candidates for president of Student Government association, the electoral Honor Roll year course are asked to come to the Is Complete board has announced the nominees for the major officers for the coming registrar's office as soon as possible year. The election will be held on February 4. to fill out the proper application Second Honor Roll Totals Ruth Lynch and Kathryn Walker were named for presidency of blanks for degrees or diplomas. 93% Return Inquiry Blanks; Y.W.C.A., while Betty Sanford and Lee Schaaf are running for presi- 149 Against Former 166; Twenty Hold Positions; dent of the athletic association. General Decline Indicated Four Continue Education Candidates for editor-in-chief of the Breeze are Julia Kilpatrick and Miss Helen M. Frank announces Dr. Yap Talks The department of business educa- Louise Parks, while Phyllis Partridge the honor roll for the first quarter tion has just completed a survey of and Margaret Shelton have been of the 1940-41 session. -
April 2, 1992
-Q&·~M~ e Observer ~imMa~~~~NOTRE DAME•INDIANA VOL. XXIV NO. 123 THURSDAY , APRIL 2, 1992 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Senate to consider no-confidence vote Editor's Note: The following is ACULTY PARTICIPATION the first of four articles ad N GOVERNANCE dressing the issue of faculty participation in the academic Part 1 of 4 governance of the University. By DAVID KINNEY News Editor • History of debate/ page 5 The Faculty Senate will con- sider a vote of no confidence in Administration of the University University President Father has a deep distrust of all Edward Malloy at its next meaningful participation by meeting April 7, according to faculty in the governance of Professor David O'Connor. Notre Dame." The resolution is the result of The resolution, which months of debate between fac O'Connor said has been revised ulty and administration repre twice since the March 2 meet sentatives over the issue of the ing, also charges that: faculty's role in the governance • faculty initiatives to become of the University, in particular involved in deliberation about in academic issues. academic affairs have been re "It would mean that the only jected by the Administration. faculty body that is elected is • structures now in place that sending a message that it no allow for such faculty partici longer has academic leader pation are "flouted and over ship" in the administration, ac ruled." cording to Professor Philip • the administration has not Quinn. considered the faculty as a cen "I think it would be unfortu tral player in fostering the mis nate," said Malloy. -
University Microilms International 300 N
MAUREEN STAPLETON, AMERICAN ACTRESS. Item Type text; Thesis-Reproduction (electronic) Authors Rosen, Esther. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 12:15:27 Link to Item http://hdl.handle.net/10150/274791 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame.