Vaudeville Trails Thru the West"
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Orpheum Tower
For Sale Orpheum Tower Located in an Opportunity Zone! 405 S 16th Street | Omaha, NE 68102 $17,500,000 Nancy Lazer Maddie Graeve 12915 W Dodge Rd Associate Associate Omaha, NE 68154 +1 402 255 6078 +1 402 255 6527 +1 402 255 6060 [email protected] [email protected] nainpdodge.com NO WARRANTY OR REPRESENTATION, EXPRESS OR IMPLIED, IS MADE AS TO THE ACCURACY OF THE INFORMATION CONTAINED HEREIN, AND THE SAME IS SUBMITTED SUBJECT TO ERRORS, OMISSIONS, CHANGE OF PRICE, RENTAL OR OTHER CONDITIONS, PRIOR SALE, LEASE OR FINANCING, OR WITHDRAWAL WITHOUT NOTICE, AND OF ANY SPECIAL LISTING CONDITIONS IMPOSED BY OUR PRINCIPALS NO WARRANTIES OR REPRESENTATIONS ARE MADE AS TO THE CONDITION OF THE PROPERTY OR ANY HAZARDS CONTAINED THEREIN ARE ANY TO BE IMPLIED. Executive Summary NAI NP Dodge is proud to exclusively represent the owner in the sale of the iconic 132 unit Orpheum Tower in Omaha, Nebraska. Situated in the heart of downtown, the Orpheum Tower provides convenient urban living located within walking distance to some of Omaha’s major employers including: Union Pacific, ConAgra, OPPD, and Douglas County Offices. In addition, Omaha’s historic Old Market with vibrant restaurants, upscale shopping and entertainment is also within walking distance. Creighton University, Physicians Mutual, Joslyn Art Museum, and First National Bank are located minutes away. Built in 1910, the Orpheum Tower was considered the tallest building in Omaha at the time and is now 16 stories with 147,584 SF and an attached parking garage. It rises above the historic Orpheum Theatre, a 2,600 seat, Vaudeville-era theatre, that has served as the home of the finest in local and national performing arts for nearly a century. -
Report on Designation Lpb 559/08
REPORT ON DESIGNATION LPB 559/08 Name and Address of Property: MGM Building 2331 Second Avenue Legal Description: Lot 7 of Supplemental Plat to Block 27 to Bell and Denny’s First Addition to the City of Seattle, according to the plat thereof recorded in Volume 2 of Plats, Page 83, in King County, Washington; Except the northeasterly 12 feet thereof condemned for widening 2nd Avenue. At the public meeting held on October 1, 2008, the City of Seattle's Landmarks Preservation Board voted to approve designation of the MGM Building at 2331 Second Avenue, as a Seattle Landmark based upon satisfaction of the following standard for designation of SMC 25.12.350: C. It is associated in a significant way with a significant aspect of the cultural, political, or economic heritage of the community, City, state or nation; and D. It embodies the distinctive visible characteristics of an architectural style, period, or of a method of construction. STATEMENT OF SIGNIFICANCE This building is notable both for its high degree of integrity and for its Art Deco style combining dramatic black terra cotta and yellowish brick. It is also one of the very few intact elements remaining on Seattle’s Film Row, a significant part of the Northwest’s economic and recreational life for nearly forty years. Neighborhood Context: The Development of Belltown Belltown may have seen more extensive changes than any other Seattle neighborhood, as most of its first incarnation was washed away in the early 20th century. The area now known as Belltown lies on the donation claim of William and Sarah Bell, who arrived with the Denny party at Alki Beach on November 13, 1851. -
SANDY Macphehson ... Orqanist
SANDYMacPHEHSON ... Orqanist- Friendof Millions By Lloyd E. Klos "Hello, Everyone! This is Sandy at the BBC Theater Organ.,, How often have those words been bearre d into hundreds of thousands of homes throughout the British Common wealth of Nations! Although considered as one of the top theater organists of England, this man is not an Englishman by birth. He is Canadian-born Roderick Hallowell Macpherson, a musician of "Hello everyone, this is Sandy ••. " great talent who has had one of the A characteristic photograph of Sandy Macpherson at the console of the B.B.C. most remarkable careers in theater or Compton, taken at about the time of his appointment as resident organist in 1938. gan annals. The rise of Sandy Macpher son to fame should be of considerable whose ability at the keyboard was pianist and the theater's musical direc interest to all theater organ enthusiasts. equaled by her ability with the gin tor developed, and Sandy was appointed He was born on March 3, 1897, in bottle. When the theater manager heard regular pianist. He gained valuable ex Paris, Ontario, a little Canadian town. Sandy's piano style, he hired him as a perience in this position. improvising His father was manager of the local replacement for the lady each time she by the hour-agitatos, hurrys. mysteri branch of the Canadian Bank of Com was "under the weather." It meant 35¢ osos etc., and remained at the Temple merce, and his mother was the daughter to the young pianist f cx each perfor for a year and a half while continuing of the manager of another bank in town. -
Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 8-26-2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography" (2016). Faculty Publications: School of Music. 64. http://digitalcommons.unl.edu/musicfacpub/64 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 08/26/2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. They are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012/2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. None of them is any kind of finished, polished document; all represent work in progress, complete with missing data and the occasional typographical error. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
IGNITE YOUR INSPIRATION Immerse Yourself in the Work of Dale Chihuly with a Walk Through the Galleries, Garden and the Glasshouse
GUIDE TO SEATTLE PLAY THE CITY’S TOP HOLIDAY HAPPENINGS DRINK SEATTLE’S COFFEE CULTURE SHOP LOCALLY MADE STOCKING STUFFERS IGNITE YOUR INSPIRATION Immerse yourself in the work of Dale Chihuly with a walk through the Galleries, Garden and the Glasshouse. Continue your experience with artistically-inspired dishes at Collections Café amid Dale Chihuly’s colorful, personal collections. LOCATED AT THE BASE OF THE SPACE NEEDLE, SEATTLE CENTER LOCATED AT THE BASE OF THE CHIHULYGARDENANDGLASS.COM SPACE NEEDLE, SEATTLE CENTER GARDENANDGLASS CHIHULY .COM DECEMBER 2017 PRIVATE TOUR PACKAGES AVAILABLE. VISIT US ONLINE TO LEARN MORE. wheretraveler.com Visit Seattle’s Waterfront Unique Retail | Fresh Seafood | Breathtaking Views | Fun Activities SEATTLE’S HISTORIC WATERFRONT– PIERS 54-60 PIER PIER 54 55 Ye Olde Curiosity Shop Red Robin Eclectic Museum & Gifts Gourmet Burgers Ivar’s Acres of Clams Seattle Shirt Co. BeJeweled Waterfront Dining Since 1938 T-Shirts & Souvenirs Jewelery & Accessories Simply Seattle Kidd Valley Frankly Sweets Starbucks Gifts & Souvenirs Burgers & Shakes Candies Washington State Ferries Ivar’s Fish Bar Harley Davidson Argosy Cruises Pier 52 Fish’n Chips & Chowder Sightseeing The Frankfurter Emerald City Trolley Sausage Centric ALASKAN WAY MADISON STREET SPRING STREET ALASKAN WAY VIADUCT (ELEVATED ROADWAY) ELLIOTT BAY N WAY SEATTLE’S HISTORIC WATERFRONT SKA ALA ALASKAN WAY VIADUCT (ELEVATED ROADWAY) Market Hill Climb Y WESTERN AVE A STEW W Pike Place Market R E L S ART E 1ST AVE Y STREET 2ND AVE JAMES STREET STREET CHERRY COLUMBIA STREET MARION STREET MADISON STREET SPRING STREET SENECA STREET UNIVERSITY STREET UNION STREET PIKE STREET PINE STREET 3RD AVE 4TH AVE 5TH AVE 6TH AVE 7TH AVE INTERSTATE 5 Convention Center DOWNTOWN SEATTLE CONTENTS Seattle’s Historic Waterfront has two dozen restaurants, shops, and amusements stretching out in full view of Elliott Bay. -
1. Name 3. Classification 4. Owner of Property
NPS Form 10-900 OMB No. 1024-0018 Exp. 1O-31-84 United States Department off the Interior National Park Service National Register of Historic Places t 3 Inventory—Nomination Form APR I 0 See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Market Street Theatre and Loft District NOV Z 0 1985 and/or common None 2. Location UHB Roughly: 982-1112 Market St. (northwest side), 973-1105 Market St. street & number (southeast side). One Jones St. and 1-35 Taylor St. #/A not for publication city, town San Francisco N/A vicinity of N/A state California code 06 county San Francisco code 075 3. Classification Category Ownership Status Present Use y district public x occupied agriculture museum building(s) x private unoccupied x commercial park Structure both work in progress educational private residence $itp Public Acquisition Accessible x entertainment religious object . in process yes: restricted government scientific W/A being considered x yes: unrestricted industrial transportation no military otherr 4. Owner of Property name Multiple, see continuation page 1 street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Hall of Records City Hall street & number city, town San Francisco state California 6. Representation in Existing Surveys__________ title Multiple, see continuation page 6 . has this property been determined eligible? __ yes _x_ no date _______________________^—federal __state __county local city, town state 7. Description Condition Check one Check one deteriorated unaltered x original s ite excellent N/A ——x — aoody »»»»•— .: , , . ruins x altered moved date fair __ unexposed Describe the present and original (iff known) physical appearance The Market Street Theatre and Loft District is an imposing but somewhat rundown group of commercial buildings on both sides of Market Street, San Francisco, for nearly 1200 feet from Sixth Street to Seventh Street and a little beyond in both directions. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
Liner Notes, Visit Our Web Site
Irving Berlin “This Is the Life!” The Breakthrough Years: 1909–1921 by Rick Benjamin “Irving Berlin remains, I think, America’s Schubert.” —George Gershwin It was a perfect late summer evening in 2015. A crowd had gathered in the park of a small Pennsylvania town to hear the high-school band. I was there to support my trombonist son and his friends. The others were also mostly parents and relatives of “band kids,” with a sprinkling of senior citizens and dog walkers. As the band launched its “covers” of current pop hits toward the treetops, some in the crowd were only half-listening; their digital devices were more absorbing. But then it happened: The band swung into a new tune, and the mood changed. Unconsciously people seemed to sit up a bit straighter. There was a smattering of applause. Hands and feet started to move in time with the beat. The seniors started to sing. One of those rare “public moments” was actually happening. Then I realized what the band was playing—“God Bless America.” Finally, here was something solid—something that resonated, even with these teenaged performers. The singing grew louder, and the performance ended with the biggest applause of the night. “God Bless America” was the grandest music of the concert, a mighty oak amongst the scrub. Yet the name of its creator—Irving Berlin—was never announced. It didn’t need to be. A man on a bench nearby said to me, “I just love those Irving Berlin songs.” Why is that, anyway? And how still? Irving Berlin was a Victorian who rose to fame during the Ragtime Era. -
National Register of Historic Places Registration Form
NFS Form 10-900 OMBNo. 10024-0018 (January 1992) Wisconsin Word Processing Format (Approved 1/92) United States Department of Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NFS Form 10-900A). Use a typewriter, word processor, or computer, to complete all items. |l. Name of Property historic name Orpheum Theater other names/site number 2. Location street & number 216 State Street N/A not for publication city or town Madison N/A vicinity state Wisconsin code WI countv Dane code 025 zip code 53703 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets _ does not meet the National Register criteria. I recommend that this property be considered significant. -
The Orpheum Collection
The Orpheum Collection Processed by Laura Cunningham 2013 Memphis and Shelby County Room Memphis Public Library and Information Center 3030 Poplar Ave 1 Memphis, TN 38111 Table of Contents Scope and Content ……………………………………………………………………3 Container List Box 1 (31 Folders) ……………………………………………………………………4 Box 2 (39 Folders) ……………………………………………………………………9 2 The Orpheum Collection In 1890, the Grand Opera House opened at the corner of Main and Beale Streets in Memphis, Tennessee. In 1907, the theater became part of the Orpheum Vaudeville circuit and was renamed the Orpheum Theatre. In 1923, a fired destroyed the building, which was rebuilt. A new, larger theater opened in 1928. The Malco theater chain purchased the building in 1940, running first run movies until 1976. The following year, the Memphis Development Foundation purchased the Orpheum and began bringing Broadway productions and concerts back to the theater. The theater underwent another renovation in the early 1980s, restoring it to its 1928 grandeur. At present, the Orpheum continues to bring in performances and averages ten to twelve Broadway shows a year. The Orpheum Collection consists of two boxes spanning 1 linear foot. The collection contains materials from the Memphis and Shelby County Room pertaining to the Orpheum Theatre. Items in the collection include the souvenir opening programs from 1928 and 1984; Orpheum publications: Backstage, After Five, Broadway at the Orpheum, Marquee, and the Orpheum Circuit News; and miscellaneous memorabilia. Single photocopies or scans of unpublished writings in these papers may be made for purposes of scholarly research. While the Memphis Public Library & Information Center may house an item, it does not necessarily hold the copyright on the item, nor may it be able to determine if the item is still protected under current copyright law. -
Ye Olde Curiosity Shop Focus Area Opening of “Telling Our Westside Stories: Work” Friday, Oct
Ye Olde Curiosity Shop focus area opening of “Telling Our Westside Stories: Work” Friday, Oct. 24, 2014 “Birthplace of Seattle Log House Museum Transcript by Kristen Legg Marcy Johnsen …in Seattle, and I certainly do, being born and raised here in Seattle. It’s always my pleasure because I was lucky enough to grow up in this very house — before it became a museum — and so I have this affinity for this house, this place, this land, and all that we do. And the fact that we have community partners is so terrific. So to have Ye Olde Curiosity Shop as a partner and having this exhibit is just so terrific. Thank you all for coming, and I hope you enjoy our panel. I’m sure we will. Clay Eals OK, I get to have some fun here because I used to be a journalist. If I were to have a gravestone it would say, “Journalist.” And so what we are going to do today, instead of making people make speeches, is I am going to ask some questions. I want to introduce you to the people whom you are going to hear from today. We have three generations of Jameses here today, and their family members. We have Joe James, who is the grandfather – grandfather? You are, but you’re also the grandson of J.E. (Joseph) “Daddy” Standley, who founded the Ye Olde Curiosity Shop in 1899, but I also hear that it may have been 1901. Maybe we will clear this up today. We have Joe’s son Andy, and he, you’re hands-on proprietor now.