DOCSLIB.ORG

The Orpheum Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Orpheum Collection Processed by Laura Cunningham 2013 Memphis and Shelby County Room Memphis Public Library and Information Center 3030 Poplar Ave 1 Memphis, TN 38111 Table of Contents Scope and Content ……………………………………………………………………3 Container List Box 1 (31 Folders) ……………………………………………………………………4 Box 2 (39 Folders) ……………………………………………………………………9 2 The Orpheum Collection In 1890, the Grand Opera House opened at the corner of Main and Beale Streets in Memphis, Tennessee. In 1907, the theater became part of the Orpheum Vaudeville circuit and was renamed the Orpheum Theatre. In 1923, a fired destroyed the building, which was rebuilt. A new, larger theater opened in 1928. The Malco theater chain purchased the building in 1940, running first run movies until 1976. The following year, the Memphis Development Foundation purchased the Orpheum and began bringing Broadway productions and concerts back to the theater. The theater underwent another renovation in the early 1980s, restoring it to its 1928 grandeur. At present, the Orpheum continues to bring in performances and averages ten to twelve Broadway shows a year. The Orpheum Collection consists of two boxes spanning 1 linear foot. The collection contains materials from the Memphis and Shelby County Room pertaining to the Orpheum Theatre. Items in the collection include the souvenir opening programs from 1928 and 1984; Orpheum publications: Backstage, After Five, Broadway at the Orpheum, Marquee, and the Orpheum Circuit News; and miscellaneous memorabilia. Single photocopies or scans of unpublished writings in these papers may be made for purposes of scholarly research. While the Memphis Public Library & Information Center may house an item, it does not necessarily hold the copyright on the item, nor may it be able to determine if the item is still protected under current copyright law. Users are solely responsible for determining the existence of such instances and for obtaining any other permissions and paying associated fees that may be necessary for the intended use. Any image from the library’s collection published in any form must cite as the source: Memphis and Shelby County Room, Memphis Public Library & Information Center. For all requests, please contact the History Department at 901.415.2742 or [email protected]. 3 BOX ONE Folder 1: Backstage 1981 August 1981 September 1981 October 1981 November 1981 December 1981 Folder 2: Backstage 1982 April 1982 October 1982 November 1982 Folder 3: Backstage 1983 February 1983 March 1983 May 1983 July 1983 August 1983 October 1983 Folder 4: Backstage 1984 January 1984 February 1984 March 1984 April 1984 May 1984 June 1984 July 1984 August 1984 September 1984 October 1984 November / December 1984 Folder 5: Backstage 1985 March 1985 4 April 1985 June 1985 July 1985 September 1985 October 1985 November 1985 December 1985 Folder 6: Backstage 1986 February 1986 March 1986 April 1986 May 1986 June 1986 July 1986 August 1986 September 1986 October 1986 November 1986 December 1986 Folder 7: Backstage 1987 January 1987 February 1987 March 1987 April 1987 May 1987 June 1987 July 1987 August 1987 September 1987 October 1987 November 1987 Folder 8: After Five May 1983 Folder 9: After Five January 1984 Folder 10: After Five March 1984 5 Folder 11: After Five July 1984 Folder 12: After Five September 1984 Folder 13: After Five October 1984 Folder 14: After Five November 1984 Folder 15: After Five December 1984 Folder 16: After Five March 21 and 23, 1985 Folder 17: After Five November 27 – December 1, 1985 Folder 18: Broadway at the Orpheum- 1 Annie The Best Little Whorehouse in Texas Bob Fosse’s Dancin’ Folder 19: Broadway at the Orpheum- 2 A Chorus Line Mitzi Folder 20: Broadway at the Orpheum- 3 Oklahoma They’re Playing Our Song 6 Folder 21: Marquee 1986 Cats South Pacific Stop the World – I want to Get Off Folder 22: Marquee 1987 - 1 Cole Porter’s Can-Can Cats Dreamgirls Folder 23: Marquee 1987 - 2 La Cage Aux Folles The Odd Couple On the 20th Century Folder 24: Marquee 1988-1989 Nunsense Les Miserable Folder 25: Marquee 1990 Cats Starlight Express Mame 7 Folder 26: Marquee 1991 Ziegfeld Cats Folder 27: Marquee 1992 The Music of Andrew Lloyd Webber Tru Will Rogers Follies Folder 28: Marquee 1993 Grand Hotel Aspects of Love Camelot Folder 29: Marquee October 1993 – December 1993 Secret Garden Oklahoma City of Angels Folder 30: Marquee August 1994 – May 1995 Cats Hello, Dolly! Just for Laughs 8 The Great Radio City Music Hall Spectacular Folder 31: Marquee 1995 Guys and Dolls Joseph and the Amazing Technicolor Dreamcoat Crazy for You 9 BOX TWO Folder 1: Marquee November 1995 –October 1998 Cinderella Smokey Joe’s Café Stomp Cirque Chicago Folder 2: Marquee January 1999 – June 1999 Sunset Blvd Victor Victoria Footloose Miss Saigon Jekyll and Hyde Folder 3: Marquee October 1999 – January 2000 Beauty and the Beast Show Boat Ragtime the Musical Folder 4: Marquee February 2001 – June 2003 10 Fosse Phantom of the Opera The Full Monty Folder 5: Marquee January 2004 – July 2005 Hairspray The King and I Smokey Joe’s Café Evita Folder 6: Orpheum Circuit News and Program - January 10, 1916 Folder 7: Orpheum Circuit News and Program –March 18, 1918 Folder 8: Orpheum Circuit News and Program - August 26, 1918 Folder 9: Orpheum Circuit News and Program –Sept. 9, 1918 Folder 10: Orpheum Circuit News and Program –Nov. 4, 1918 Folder 11: Orpheum Circuit News and Program– Nov. 11, 1918 Folder 12: Orpheum Circuit News and Program – Nov.18, 1918 Folder 13: Orpheum Circuit News and Program –Nov. 25, 1918 11 Folder 14: Orpheum Circuit News and Program – Dec. 2, 1918 Folder 15: Orpheum Circuit News and Program – Dec. 9, 1918 Folder 16: Orpheum Circuit News and Program – Dec. 30, 1918 Folder 17: Orpheum Circuit News and Program – Jan. 6, 1919 (Two Copies) Folder 18: Orpheum Circuit News and Program – Jan. 20, 1919 (Two Copies) Folder 19: Orpheum Circuit News and Program – Jan. 27, 1919 Folder 20: Orpheum Circuit News and Program – Feb. 3, 1919 Folder 21: Orpheum Circuit News and Program – Feb. 10, 1919 Folder 22: Orpheum Circuit News and Program – Feb. 17, 1919 Folder 23: Orpheum Circuit News and Program – Feb.24, 1919 (Two Copies) Folder 24: Orpheum Circuit News and Program – Mar. 10, 1919 Folder 25: Orpheum Circuit News and Program – Mar. 31, 1919 12 Folder 26: Orpheum Circuit News and Program – Sept.1, 1919 Folder 27: Orpheum Circuit News and Program – Sept. 8, 1919 (Two Copies) Folder 28: Orpheum Circuit News and Program – Sept. 15, 1919 Folder 39: Orpheum Circuit News and Program –Sept. 22, 1919 Folder 30: Orpheum Circuit News and Program –Sept. 29, 1919 Folder 31: Orpheum Circuit News and Program – Oct. 6, 1919 Folder 32: Orpheum Circuit News and Program – Nov. 17, 1919 Folder 33: Orpheum Circuit News and Program – Dec. 15, 1919 Folder 34: Orpheum Circuit News and Program – Jan. 12, 1920 Folder 35: Orpheum Circuit News and Program – Sep. 10, 1923 Folder 36: Miscellaneous “The Jollies of 1923” Tickets 8702 – 8707 September 2, 1918 13 March 24, 1919 December 1, 1919 February 16, 1920 Folder 37: Keith – Albee Orpheum Circuit Souvenir and Opening Program November 19, 1928 May 27, 1929 Program Folder 38: 1984 Reopening These materials are from a folder celebrating the Orpheum’s 1984 Grand Reopening Orpheum Folder “Champagne and Gershwin,” January 7-8, 1984 “Les Ballets Trockadero De Monte Carlo,” January 24, 1984 “My Orpheum” Bumper Sticker “A taste of Beale Street” Card Orpheum Calendar – The First 60 Days Memphis Symphony Orchestra Personnel / Vincent Astor Flyer Two Flyers for upcoming shows Folder 39: 1990s – 2000s August 21-23, 1992 John Schneider in Brigadoon Flyer Broadway Presents 1994 Schedule 1998 Season Flyer 14 The Merry Widow Program, March 18-19, 2005 Fisk Jubilee Singers Program, February 23, 2007 15 .
Recommended publications
  • SANDY Macphehson ... Orqanist

    SANDY Macphehson ... Orqanist

    SANDYMacPHEHSON ... Orqanist- Friendof Millions By Lloyd E. Klos "Hello, Everyone! This is Sandy at the BBC Theater Organ.,, How often have those words been bearre d into hundreds of thousands of homes throughout the British Common­ wealth of Nations! Although considered as one of the top theater organists of England, this man is not an Englishman by birth. He is Canadian-born Roderick Hallowell Macpherson, a musician of "Hello everyone, this is Sandy ••. " great talent who has had one of the A characteristic photograph of Sandy Macpherson at the console of the B.B.C. most remarkable careers in theater or­ Compton, taken at about the time of his appointment as resident organist in 1938. gan annals. The rise of Sandy Macpher­ son to fame should be of considerable whose ability at the keyboard was pianist and the theater's musical direc­ interest to all theater organ enthusiasts. equaled by her ability with the gin tor developed, and Sandy was appointed He was born on March 3, 1897, in bottle. When the theater manager heard regular pianist. He gained valuable ex­ Paris, Ontario, a little Canadian town. Sandy's piano style, he hired him as a perience in this position. improvising His father was manager of the local replacement for the lady each time she by the hour-agitatos, hurrys. mysteri­ branch of the Canadian Bank of Com­ was "under the weather." It meant 35¢ osos etc., and remained at the Temple merce, and his mother was the daughter to the young pianist f cx each perfor­ for a year and a half while continuing of the manager of another bank in town.
  • Broadway: Les Misérables (Grantaire/Bamatabois, U/S Javert, U/S Thénardier)

    Broadway: Les Misérables (Grantaire/Bamatabois, U/S Javert, U/S Thénardier)

    GGLAM – Cast Bios Updated: 08.03.15 JOHN RAPSON (The D’Ysquith Family). Broadway: Les Misérables (Grantaire/Bamatabois, u/s Javert, u/s Thénardier). Tour and Regional: Les Misérables, Disney On Classic (with the Tokyo Philharmonic), Sweeney Todd, Brigadoon. BFA, University of Michigan. Infinite love and thanks to Mom, Dad, Alex, Stella, Chris and the gents of CGF, the family dinner crew, and the utterly extraordinary Gent’s Guide team. Humbled and honored to be part of this brilliant piece. Now and then pigs CAN fly. This one’s for Pat. KEVIN MASSEY (Monty Navarro). Broadway: Gentleman's Guide, Memphis (u/s Huey), Tarzan (u/s Tarzan), Deaf West’s Big River, NYCO’s Antony & Cleopatra (Eros), originated Almanzo in Little House...Prairie (1st Nat., Paper Mill, Guthrie) and D’Artagnan in Three Musketeers (Chicago Shakespeare). Europe: Tarzan (Tarzan), Grease! (Doody). Regional: Asolo Rep’s Bonnie & Clyde (Ted), Utah Shakes’ & Kansas City Rep’s Pippin (Pippin), Skylight Music Theater's Les Mis (Marius), MUNY’s Footloose (Willard). UNC, Morehead-Cain Scholar. Proud husband to Kara Lindsay! Love to my family. @kcmassey1 kevinmassey.com KRISTEN BETH WILLIAMS (Sibella Hallward) is delighted to join this deliciously devilish company! West End: Top Hat (Dale Tremont). Broadway: Pippin; Nice Work...; Anything Goes; Promises, Promises. Other NYC: The Marvelous Wonderettes (Off-Bway), Encores!, appearances at Town Hall and Carnegie Hall. Regional: Big Fish (Sandra, Alpine Theatre Project), White Christmas (Betty Haynes, Ordway), Music Theatre of Wichita, Ogunquit, Paper Mill, to name a few. Love & thanks to Dustin, Jason, Jay, and Darko, to "The Fam" always, and to Jimmy-my home.
  • Six Characters in Search of an Author by Luigi Pirandello

    Six Characters in Search of an Author by Luigi Pirandello

    McCoy Theatre Rhodes College presents Music by: Book adapted from Voltaire by: Lyrics by: Leornard Bernstein Hugh Wheeler Richard Wilbur Six Characters In Search Of An Author by Luigi Pirandello Season 10 McCoy Theatre Rhodes College presents Six Characters In Search Of An Author by Luigi Pirandello Directed by Elfin Frederick Vogel McCoy Visiting Artist Guest Director Assistant Director Misty Wakeland Technical Director Steve Jones Set Designer Steve Jones Lighting Designer Kristina Kloss Costume Designer David Jilg Assistant Costumer Charlotte Higginbotham Stage Manager Tracy Castleberry Assistant Stage Manager Louise Casini produced by special arrangement with Samuel French, Inc. 7 Six Characters in Search of an Author Cast Father ..............................................................Albert Hoagbarth Mother ..................................................................... Dina Facklis Stepdaughter ................................................... Catherine Eckman Son ...................................................................... Eric Underdahl Madame Pace ...................................................... Kimberly Groat Little Girl .................................................................Alison Kamhi Little Boy .....................................................................Tim Olcott Director .......................................................................Chris Hall Lead Actor........ .......................................................John Nichols Lead Actress .........................................................
  • 2016-2017 Broadway

    2016-2017 Broadway

    CAMERON MACKINTOSH’S “ FAR AND AWAY THE “BROADWAY’S FUNNIEST WINNER OF 4 TONY AWARDS “ ” SPECTACULAR NEW PRODUCTION INCLUDING MUSICAL COMEDY PURE JOY! OF BEST MUSICAL — BEST MUSICAL REVIVAL The New York Times ANDREW LLOYD WEBBER’S ” IN AT LEAST 400 YEARS!” OF THE YEAR! -Time Out New York NPR ONCE YOU’VE SEEN IT, YOU’LL FIND IT HARD TO SETTLE FOR LESS EVER AGAIN.” —The Wall Street Journal 2016-2017 BROADWAY ‘TAKE A DEEP BREATH AND PREPARE TO BE DAZZLED’ THE SCOTSMAN 10 TONY AWARD® nominations including BROADWAY.COM’S AUDIENCE CHOICE AWARD FOR BEST MUSICAL BEST MUSICAL DATES VENUE TICKET INFORMATION TICKET INFORMATION GROUP SAVINGS SPONSORED BY Seeing you and your friends, family, and colleagues enjoy a performance as a group brings us as much joy as it brings you! No matter where your group comes from — students, church members, scout troops, co-workers, family and friends — we work hard to create an unforgettable experience for each and every member. You’ll enjoy ticket discounts and other amazing incentives throughout your experience at the Orpheum. We value your dedication as a group leader and look forward to working with you! Benefits of booking as a group include: GREAT SEATS: Reserve your priority seating before individual tickets go on sale to the general public. GREAT SAVINGS: Most shows offer special group discounts between 15-25% to save you money. COMPLIMENTARY TICKETS: For some shows, you’ll receive free tickets after purchasing certain quantities. VIP TREATMENT: As a group leader, you will receive updates on special discounts, promotions, and show information when available.
  • Vaudeville Trails Thru the West"

    Vaudeville Trails Thru the West"

    Thm^\Afest CHOGomTfca3M^si^'reirifii ai*r Maiiw«MawtiB»ci>»«w iwMX»ww» cr i:i wmmms misssm mm mm »ck»: m^ (sam m ^i^^^ This Book is the Property of PEi^MYOcm^M.AGE :m:^y:^r^''''< .y^''^..^-*Ky '''<. ^i^^m^^^ BONES, "Mr. Interlocutor, can you tell me why Herbert Lloyd's Guide Book is like a tooth brush?" INTERL. "No, Mr, Bones, why is Herbert Lloyd's Guide Book like a tooth brush?" BONES, "Because everybody should have one of their own". Give this entire book the "Once Over" and acquaint yourself with the great variety of information it contains. Verify all Train Times. Patronize the Advertisers, who I PLEASE have made this book possible. Be "Matey" and boost the book. This Guide is fully copyrighted and its rights will be protected. Two other Guide Books now being compiled, cover- ing the balance of the country. Digitized by the Internet Archive in 2012 with funding from Brigham Young University http://archive.org/details/vaudevilletrailsOOIIoy LIBRARY Brigham Young University AMERICANA PN 3 1197 23465 7887 — f Vauaeville Trails Thru tne ^iV^est *' By One vC^Jio Knows' M Copyrighted, 1919 by HERBERT LLOYD msiGimM wouNG<uNiveRSBtr UPb 1 HERBERT LLOYD'S VAUDEVILLE GUIDE GENERAL INDEX. Page Page Addresses 39 Muskogee 130-131 Advertiser's Index (follows this index) New Orleans 131 to 134 Advertising Rates... (On application) North Yakima 220 Calendar for 1919.... 30 Oakland ...135 to 137 Calendar for 1920 31 Ogden 138-139 Oklahoma City 140 to 142 CIRCUITS. Omaha 143 to 145 Ackerman Harris 19 & Portland 146 to 150 Interstate .
  • 1. Name 3. Classification 4. Owner of Property

    1. Name 3. Classification 4. Owner of Property

    NPS Form 10-900 OMB No. 1024-0018 Exp. 1O-31-84 United States Department off the Interior National Park Service National Register of Historic Places t 3 Inventory—Nomination Form APR I 0 See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Market Street Theatre and Loft District NOV Z 0 1985 and/or common None 2. Location UHB Roughly: 982-1112 Market St. (northwest side), 973-1105 Market St. street & number (southeast side). One Jones St. and 1-35 Taylor St. #/A not for publication city, town San Francisco N/A vicinity of N/A state California code 06 county San Francisco code 075 3. Classification Category Ownership Status Present Use y district public x occupied agriculture museum building(s) x private unoccupied x commercial park Structure both work in progress educational private residence $itp Public Acquisition Accessible x entertainment religious object . in process yes: restricted government scientific W/A being considered x yes: unrestricted industrial transportation no military otherr 4. Owner of Property name Multiple, see continuation page 1 street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Hall of Records City Hall street & number city, town San Francisco state California 6. Representation in Existing Surveys__________ title Multiple, see continuation page 6 . has this property been determined eligible? __ yes _x_ no date _______________________^—federal __state __county local city, town state 7. Description Condition Check one Check one deteriorated unaltered x original s ite excellent N/A ——x — aoody »»»»•— .: , , . ruins x altered moved date fair __ unexposed Describe the present and original (iff known) physical appearance The Market Street Theatre and Loft District is an imposing but somewhat rundown group of commercial buildings on both sides of Market Street, San Francisco, for nearly 1200 feet from Sixth Street to Seventh Street and a little beyond in both directions.
  • Aactfest History

    Aactfest History

    AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven year old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success.
  • National Register of Historic Places Registration Form

    National Register of Historic Places Registration Form

    NFS Form 10-900 OMBNo. 10024-0018 (January 1992) Wisconsin Word Processing Format (Approved 1/92) United States Department of Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NFS Form 10-900A). Use a typewriter, word processor, or computer, to complete all items. |l. Name of Property historic name Orpheum Theater other names/site number 2. Location street & number 216 State Street N/A not for publication city or town Madison N/A vicinity state Wisconsin code WI countv Dane code 025 zip code 53703 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets _ does not meet the National Register criteria. I recommend that this property be considered significant.
  • Hedges Brothers and Jacobson: Ragtime Invaders1 by Bruce Vermazen

    Hedges Brothers and Jacobson: Ragtime Invaders1 by Bruce Vermazen

    Hedges Brothers and Jacobson: Ragtime Invaders1 by Bruce Vermazen Elven and Freddie Hedges sang and danced their way from an Iowa circus at the start of the 20 th century to the top echelon of English music-hall performers around 1919. En route, in 1910, they joined with baritone Jesse Jacobson to form Hedges Brothers and Jacobson, “one of the first among the best” 2 ragtime groups in what came to be called “the American invasion” of British show business. After Freddie’s death in 1920, Forest Tell (born Richard Forrestel) took his place, and the act survived until 1926, with a brief revival in 1929. The trio is best remembered today for the recordings they made for English Columbia in 1912-13 and Zonophone in 1920. Two of the Columbia sides, The Land of Cotton and On San Francisco Bay, are sometimes cited as precursors of jazz, and all the sides offer one delight or another. The trio’s senior member, Jesse Herman Jacobson (1882-1959) was born in Mexico, Missouri, a small agrarian metropolis just off the road west from St. Louis to Kansas City. In 1868, his father, Herman, had emigrated to the United States alone, at age 19, from the Grand Duchy of Mecklenburg- Schwerin. Herman, also called “Jake,” was a go-getter. In 1879, he and his father-in-law, Simon Hirsch, opened Jake’s Saloon in Mexico, and in 1881 the partners erected a new building to house the bar and a billiard parlor, with a beer garden at the back. The next year, Jake bought out Hirsch’s share and teamed with Jacob Blum to build a new hotel (the Windsor) on an adjacent lot.
  • HBL 2021 COURSEBOOK Week

    HBL 2021 COURSEBOOK Week

    LIVE DIGITAL WEEKEND day 1 Sat jan 30 ramone owens BROADWAY'S BEETLEJUICE, MOTOWN THE MUSICAL rodrick covington BROADWAY’S ONCE ON THIS ISLAND, FOUNDER OF CORE RHYTHM FITNESS leandra ellis gaston BROADWAY'S TINA: THE TINA TURNER MUSICAL joshua burrage BDISNEY'S NEWSIES ON BROADWAY ramone owens BROADWAY'S BEETLEJUICE, MOTOWN THE MUSICAL max clayton ahmad simmons BROADWAY'S MOULIN ROUGE, BROADWAY'S WEST SIDE HELLO DOLLY! STORY, HADESTOWN Eva Noblezada BROADWAY'S MISS SAIGON, desi oakley HADESTOWN BROADWAY’S WICKED, NATIONAL TOUR OF WAITRESS benton whitley harold lewter BROADWAY TALENT STEWART/WHITLEY CASTING MANAGER, CLA PARTNERS cody renard RICHARD BROADWAY STAGE MANAGER erika henningsen BROADWAY'S MEAN GIRLS, FLYING OVER SUNSET ROBERT HARTWELL FOUNDER + ARTISTIC DIRECTOR OF THE BROADWAY COLLECTIVE + FULL TBC TEAM day 2 sun jan 31 zakiya young brandon logan BROADWAY'S THE LITTLE BROADWAY'S MERMAID, STICK FLY BOOK OF MORMON andy jones BROADWAY'S CINDERELLA, CATS sydney morton BROADWAY'S AMERICAN PSYCHO, MOTOWN erika dorfler BROADWAY’S THE GREAT COMET, MEMPHIS laura osnes BROADWAY'S CINDERELLA, BONNIE + CLYDE solea pfeiffer NATIONAL TOUR OF HAMILTON, SONGS FOR A NEW WORLD, EVITA (CITY CENTER) ben tyler cook BROADWAY'S NEWSIES, MEAN GIRLS tyler mckenzie cynthia westphal BROADWAY’S HAMILTON, BROADWAY’S COME FROM AWAY, LECTURER OF DANCE + ASSOCIATE PROFESSOR OF MUSICAL THEATRE AT PENN MUSICAL THEATRE AT THE STATE UNIVERSITY UNIVERSITY OF MICHIGAN julio matos katie ann BROADWAY’S FOSSE, DIRECTOR OF MUSIC THEATRE JOHANNIGMAN AT ELON UNIVERSITY NATIONAL TOUR OF OLIVER!, ASSISTANT PROFESSOR OF MUSICAL THEATRE AT CCM andy jones ramone owens BROADWAY'S BROADWAY'S BEETLEJUICE, CINDERELLA, CATS MOTOWN THE MUSICAL ROBERT HARTWELL FOUNDER + ARTISTIC DIRECTOR OF THE BROADWAY COLLECTIVE + FULL TBC TEAM.
  • A CHORUS LINE Was Produced by the Public Theater, in Association with Plum Productions

    A CHORUS LINE Was Produced by the Public Theater, in Association with Plum Productions

    2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR ext stage i life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show. For all the other financial ways we help power your dreams, stop by or visit ftb.com. Banking products and services provided by First Tennessee Bank National Association. Member FDIC.
  • John Morrisey Collection

    John Morrisey Collection

    http://oac.cdlib.org/findaid/ark:/13030/c8v69rfp No online items John Morrisey Collection Finding aid created by Museum of Performance and Design, Performing Arts Library staff using RecordEXPRESS Museum of Performance and Design, Performing Arts Library 2200 Jerrold Avenue Suite T San Francisco, California 94124 4157413531 [email protected] http://www.mpdsf.org/ 2021 John Morrisey Collection 000.009 1 Descriptive Summary Title: John Morrisey Collection Dates: circa 1890s-1920s Collection Number: 000.009 Creator/Collector: Morrisey, John Extent: 6.75 Linear Feet (3 document cases, 3 print boxes, and 1 oversize box) Repository: Museum of Performance and Design, Performing Arts Library San Francisco, California 94124 Abstract: The John Morrisey collection consists of several original photographs of vaudeville performers, circus performers, athletes, theater managers, and actors from the silent film era. Morrisey was the General Manager of the San Francisco Orpheum, the first OrpheumTheatre in the Orpheum Circuit, from approximately the late 1890s to 1912. As a result of Morrisey's work with the Orpheum, the majority of the photographs are autographed to Morrisey and/or to his wife. The collection also includes copies of the publication "Variety", certificates, and other collected documents. The collection is arranged by format, with the majority of items accessioned at the item level. Language of Material: English Access The collection is open to all researchers with no restrictions. Publication Rights The majority of the materials in the Morrisey Collection are in the public domain. Museum of Performance + Design holds property rights and publication rights to all other materials. Preferred Citation John Morrisey Collection.