Les Miserables
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Crittendon Et Al V. International Follies, Inc. Et Al
Case 1:18-cv-02185-ELR Document 1 Filed 05/16/18 Page 1 of 32 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION CRYSTAL CRITTENDON, ) SHALEAH DAYE, RIANA EAST, ) CASSIDY GATES, JOVANA ) CIVIL ACTION GIBBS-ARNOLD, ASHLEY ) FILE NO. 1:18-mi-99999 HAYES, MERRIAH ) HILLARD, ASHLEY JOHNSON, ) TIFFANY LOWE, JASMINE ROSS, ) JASMINE THOMAS, MEGAN ) THOMAS, and SAMANTHA ) WILLIAMS, individually and on ) FLSA COLLECTIVE ACTION behalf of those similarly situated ) and LINDSEY CROOME, NICOLE ) MILLER-JORDAN and AVIA ) JURY TRIAL DEMANDED SHLTON individually only, ) ) Plaintiffs, ) ) v. ) ) INTERNATIONAL FOLLIES, INC. ) d/b/a Cheetah and JACK BRAGLIA, ) ) Defendants. ) COMPLAINT COME NOW, CRYSTAL CRITTENDON, SHALEAH DAYE, RIANA EAST, CASSIDY GATES, JOVANA GIBBS-ARNOLD, ASHLEY HAYES, MERRIAH HILLARD, ASHLEY JOHNSON, TIFFANY LOWE, -1- Case 1:18-cv-02185-ELR Document 1 Filed 05/16/18 Page 2 of 32 JASMINE ROSS, JASMINE THOMAS, MEGAN THOMAS, SAM WILLIAMS, Individually and on behalf of those similarly situated, and LINDSEY CROOME, NICOLE MILLER-JORDAN and AVIA SHELTON, individually and files their Complaint against INTERNATIONAL FOLLIES, INC. d/b/a Cheetah and JACK BRAGLIA and show: INTRODUCTION 1. Plaintiffs are former or current employees of INTERNATIONAL FOLLIES, INC. (“Cheetah”). 2. Cheetah operates an adult entertainment club in Atlanta, Fulton County, Georgia known as the “Cheetah.” 3. JACK BRAGLIA (“Braglia”) is the general manager of Cheetah and part owner of Cheetah. 4. Cheetah failed to pay Plaintiffs and other similarly situated entertainers the minimum wage and overtime wage for all hours worked in violation of 29 U.S.C. §§ 206 and 207 of the Fair Labor Standards Act, 29 U.S.C. -
Clark Spring Semester 2020 Homeschoole MT
Clark Spring Semester 2020 Homeschoole MT JENNA: In the early 1940s, Richard Rodgers and Oscar Hammerstein III’s ‘Oklahoma!,’ adapted from a play written by Claremore playwright Lynn Riggs, opened on Broadway. It was the first musical they wrote together.. KYLE: Each had already found success on Broadway: Rodgers, having written a series of popular musicals with lyricist Lorenz Hart, and Hammerstein, having written the monumental classic, ‘Show Boat.’ But together with ‘Oklahoma!', they would change musical theatre forever. “Oh! What a Beautiful Mornin’” There's a bright golden haze on the meadow There's a bright golden haze on the meadow The corn is as high as an elephant's eye And it looks like it's climbing clear up to the sky Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way All the cattle are standing like statues All the cattle are standing like statues They don't turn their heads as they see me ride by But a little brown maverick is winking her eye Oh, what a beautiful mornin' I've got a beautiful feeling Everything's going my way All the sounds of the earth are like music All the sounds of the earth are like music The breeze is so busy, it don't miss a tree And an old weeping willow is laughing at me Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way Oh, what a beautiful day ALEXA I: With its character-driven songs and innovative use of dance, ‘Oklahoma’ elevated how musicals were written. -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
Broadway: Les Misérables (Grantaire/Bamatabois, U/S Javert, U/S Thénardier)
GGLAM – Cast Bios Updated: 08.03.15 JOHN RAPSON (The D’Ysquith Family). Broadway: Les Misérables (Grantaire/Bamatabois, u/s Javert, u/s Thénardier). Tour and Regional: Les Misérables, Disney On Classic (with the Tokyo Philharmonic), Sweeney Todd, Brigadoon. BFA, University of Michigan. Infinite love and thanks to Mom, Dad, Alex, Stella, Chris and the gents of CGF, the family dinner crew, and the utterly extraordinary Gent’s Guide team. Humbled and honored to be part of this brilliant piece. Now and then pigs CAN fly. This one’s for Pat. KEVIN MASSEY (Monty Navarro). Broadway: Gentleman's Guide, Memphis (u/s Huey), Tarzan (u/s Tarzan), Deaf West’s Big River, NYCO’s Antony & Cleopatra (Eros), originated Almanzo in Little House...Prairie (1st Nat., Paper Mill, Guthrie) and D’Artagnan in Three Musketeers (Chicago Shakespeare). Europe: Tarzan (Tarzan), Grease! (Doody). Regional: Asolo Rep’s Bonnie & Clyde (Ted), Utah Shakes’ & Kansas City Rep’s Pippin (Pippin), Skylight Music Theater's Les Mis (Marius), MUNY’s Footloose (Willard). UNC, Morehead-Cain Scholar. Proud husband to Kara Lindsay! Love to my family. @kcmassey1 kevinmassey.com KRISTEN BETH WILLIAMS (Sibella Hallward) is delighted to join this deliciously devilish company! West End: Top Hat (Dale Tremont). Broadway: Pippin; Nice Work...; Anything Goes; Promises, Promises. Other NYC: The Marvelous Wonderettes (Off-Bway), Encores!, appearances at Town Hall and Carnegie Hall. Regional: Big Fish (Sandra, Alpine Theatre Project), White Christmas (Betty Haynes, Ordway), Music Theatre of Wichita, Ogunquit, Paper Mill, to name a few. Love & thanks to Dustin, Jason, Jay, and Darko, to "The Fam" always, and to Jimmy-my home. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
Six Characters in Search of an Author by Luigi Pirandello
McCoy Theatre Rhodes College presents Music by: Book adapted from Voltaire by: Lyrics by: Leornard Bernstein Hugh Wheeler Richard Wilbur Six Characters In Search Of An Author by Luigi Pirandello Season 10 McCoy Theatre Rhodes College presents Six Characters In Search Of An Author by Luigi Pirandello Directed by Elfin Frederick Vogel McCoy Visiting Artist Guest Director Assistant Director Misty Wakeland Technical Director Steve Jones Set Designer Steve Jones Lighting Designer Kristina Kloss Costume Designer David Jilg Assistant Costumer Charlotte Higginbotham Stage Manager Tracy Castleberry Assistant Stage Manager Louise Casini produced by special arrangement with Samuel French, Inc. 7 Six Characters in Search of an Author Cast Father ..............................................................Albert Hoagbarth Mother ..................................................................... Dina Facklis Stepdaughter ................................................... Catherine Eckman Son ...................................................................... Eric Underdahl Madame Pace ...................................................... Kimberly Groat Little Girl .................................................................Alison Kamhi Little Boy .....................................................................Tim Olcott Director .......................................................................Chris Hall Lead Actor........ .......................................................John Nichols Lead Actress ......................................................... -
2016-2017 Broadway
CAMERON MACKINTOSH’S “ FAR AND AWAY THE “BROADWAY’S FUNNIEST WINNER OF 4 TONY AWARDS “ ” SPECTACULAR NEW PRODUCTION INCLUDING MUSICAL COMEDY PURE JOY! OF BEST MUSICAL — BEST MUSICAL REVIVAL The New York Times ANDREW LLOYD WEBBER’S ” IN AT LEAST 400 YEARS!” OF THE YEAR! -Time Out New York NPR ONCE YOU’VE SEEN IT, YOU’LL FIND IT HARD TO SETTLE FOR LESS EVER AGAIN.” —The Wall Street Journal 2016-2017 BROADWAY ‘TAKE A DEEP BREATH AND PREPARE TO BE DAZZLED’ THE SCOTSMAN 10 TONY AWARD® nominations including BROADWAY.COM’S AUDIENCE CHOICE AWARD FOR BEST MUSICAL BEST MUSICAL DATES VENUE TICKET INFORMATION TICKET INFORMATION GROUP SAVINGS SPONSORED BY Seeing you and your friends, family, and colleagues enjoy a performance as a group brings us as much joy as it brings you! No matter where your group comes from — students, church members, scout troops, co-workers, family and friends — we work hard to create an unforgettable experience for each and every member. You’ll enjoy ticket discounts and other amazing incentives throughout your experience at the Orpheum. We value your dedication as a group leader and look forward to working with you! Benefits of booking as a group include: GREAT SEATS: Reserve your priority seating before individual tickets go on sale to the general public. GREAT SAVINGS: Most shows offer special group discounts between 15-25% to save you money. COMPLIMENTARY TICKETS: For some shows, you’ll receive free tickets after purchasing certain quantities. VIP TREATMENT: As a group leader, you will receive updates on special discounts, promotions, and show information when available. -
Photograph by © Joan Marcus Photograph by Amy Guip
Photograph by © Joan Marcus Photograph by Amy Guip Photograph by THE ALL-NEW 2016-2017 SEASON! Broadway at the Capitol is proud to present its BEST and BIGGEST season to date! This year we’re bringing the hottest new titles on Broadway, along with classic stories, family favorites and much more…all to Wheelings’s own Capitol Theatre! As always, our Season Ticket holders get the BEST seats at the BEST prices to every show! You won’t want to miss a second of all the action, so come join us this season and you’ll be dancing in the aisles! Photograph by Amy Guip Photograph by ORDER SEASON TICKETS TODAY! ORDER TODAY AT 304-233-4470! AT ORDER TODAY Photograph by Joan Marcus Photographby Joan Marcus Photograph by Joan Marcus BROADWAY CHRISTMAS WONDERLAND Monday | December 5, 2016 This most loved Christmas show features glittering costumes, a dazzling cast, and the highest kicking Chorus Girls this side of the North Pole. Start Christmas in style as Santa and his merry helpers take you on an unforgettable nostalgic Christmas journey. Songs include “White Christmas;’ “Winter Wonderland;’ “Have Yourself A Very “One of the Merry Christmas,” “Chestnuts Roasting,” ‘Jingle Bells;’ most delightful ‘’Away in a Manger;’ “Silent Night;’ “Deck The Halls,” “Rockin’ Around The Christmas Tree,” “O Holy Night” and and enchanting many more. This sparkling Holiday Show is ideal for the Christmas whole family. shows ever...” – Newsweek ORDER SEASON TICKETS TODAY! THE ILLUSIONISTS Monday | March 20, 2017 Direct from Broadway, the world’s best selling magic show is coming to Wheeling! This mind blowing spectacular showcases the jaw dropping talents of seven of the most incredible Illusionists on earth. -
Rent Glossary of Terms
Rent Glossary of Terms 11th Street and Avenue B CBGB’s – More properly CBGB & OMFUG, a club on Bowery Ave between 1st and 2nd streets. The following is taken from the website http://www.cbgb.com. It is a history written by Hilly Kristal, the founder of CBGB and OMFUG. The question most often asked of me is, "What does CBGB stand for?" I reply, "It stands for the kind of music I intended to have, but not the kind that we became famous for: COUNTRY BLUEGRASS BLUES." The next question is always, "but what does OMFUG stand for?" and I say "That's more of what we do, It means OTHER MUSIC FOR UPLIFTING GORMANDIZERS." And what is a gormandizer? It’s a voracious eater of, in this case, MUSIC. […] The obvious follow up question is often "is this your favorite kind of music?" No!!! I've always liked all kinds but half the radio stations all over the U.S. were playing country music, cool juke boxes were playing blues and bluegrass as well as folk and country. Also, a lot of my artist/writer friends were always going off to some fiddlers convention (bluegrass concert) or blues and folk festivals. So I thought it would be a whole lot of fun to have my own club with all this kind of music playing there. Unfortunately—or perhaps FORTUNATELY—things didn't work out quite the way I 'd expected. That first year was an exercise in persistence and a trial in patience. My determination to book only musicians who played their own music instead of copying others, was indomitable. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Musical Theatre: a Forum for Political Expression
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 5-1999 Musical Theatre: A Forum for Political Expression Boyd Frank Richards University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Richards, Boyd Frank, "Musical Theatre: A Forum for Political Expression" (1999). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/337 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. UNIVERSITY HONORS PROGRAM SENIOR PROJECT • APPROVAL -IJO J?J /" t~.s Name: -·v~ __ ~~v~--_______________ _______________________- _ J3~~~~ ____ ~~:__ d_ epartmen. ______________________ _ College: ~ *' S' '.e..' 0 t· Faculty Mentor: __ K~---j~2..9:::.C.e.--------------------------- PROJECT TITLE; _~LCQ.(__ :Jherui:~~ ___ I1 __:lQ.C1:UiLl~-- __ _ --------JI!.c. __ Pdl~'aJ___ ~J:tZ~L~ .. -_______________ _ ---------------------------------------_.------------------ I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this :::'ed: _._________ ._____________ , Faculty !v1entor Date: _LL_ -9fL-------- Comments (Optional): Musical Theater: A Forum for Political Expression Presented by: Ashlee Ellis Boyd Richards May 5,1999 Table of Contents Table of Contents ................................................................................2 Introduction: Musical Theatre - A Forum for Political Expression .................. -
Aactfest History
AACTFest History AACTFest had its beginnings in 1957. At that time, the first World Festival of Amateur Theatre (Le Festival Mondiale du Théâtre Amateur) was held in the principality of Monaco under the high patronage of Their Serene Highnesses Prince Ranier and Princess Grace. The World Festival of Amateur Theatre was, and is, the official festival of the International Amateur Theatre Association (AITA/IATA). The typical American definition of amateur, implying a relative lack of skill, is not accepted by AITA/IATA. Amateur is used in the context of “to love”; thus, an amateur is one who does something for love and pleasure rather than for monetary remuneration. While AITA/IATA handles the international aspects, the festival itself is almost entirely a Monégasque production organized by the Studio de Monaco, home of the Cercle Artistique Monégasque d’Amateurs de Théâtre. Random theatres from America took turns representing the U.S. at this quadrennial international event. After eight years, the World Festival organization contacted the American National Theatre and Academy (ANTA). Through the offices of Princess Grace, ANTA was asked to provide input as to what theatres from the U.S. should attend the World Festival. ANTA felt it would be more appropriate to pass the invitation on to the American Community Theatre Association (ACTA). ACTA was the community theatre division of the seven year old American Theatre Association (ATA) umbrella organization. (In 1965 ACTA consisted of approximately 12 to 14 community theatres and had a membership of 40 to 50.) Howard Orms, the President of ACTA, contacted several theatres with no success.