Rudolf Pfeiffer. a Catholic Classicist in the Age of Protestant Altertumswissenschaft
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Partners with God
Partners with God Theological and Critical Readings of the Bible in Honor of Marvin A. Sweeney Shelley L. Birdsong & Serge Frolov Editors CLAREMONT STUDIES IN HEBREW BIBLE AND SEPTUAGINT 2 Partners with God Table of Contents Theological and Critical Readings of the Bible in Honor of Marvin A. Sweeney Abbreviations ix ©2017 Claremont Press Preface xv 1325 N. College Ave Selected Bibliography of Marvin A. Sweeney’s Writings xvii Claremont, CA 91711 Introduction 1 ISBN 978-1-946230-13-3 Pentateuch Is Form Criticism Compatible with Diachronic Exegesis? 13 Library of Congress Cataloging-in-Publication Data Rethinking Genesis 1–2 after Knierim and Sweeney Serge Frolov Partners with God: Theological and Critical Readings of the Bible in Exploring Narrative Forms and Trajectories 27 Honor of Marvin A. Sweeney / edited by Shelley L. Birdsong Form Criticism and the Noahic Covenant & Serge Frolov Peter Benjamin Boeckel xxi + 473 pp. 22 x 15 cm. –(Claremont Studies in Hebrew Bible Natural Law Recorded in Divine Revelation 41 and Septuagint 2) A Critical and Theological Reflection on Genesis 9:1-7 Includes bibliographical references and index. ISBN 978-1-946230-13-3 Timothy D. Finlay 1. Bible—Criticism, Narrative 2. Bible—Criticism, Form. The Holiness Redaction of the Abrahamic Covenant 51 BS 1192.5 .P37 2017 (Genesis 17) Bill T. Arnold Former Prophets Miscellaneous Observations on the Samson Saga 63 Cover: The Prophet Jeremiah by Barthélemy d’Eyck with an Excursus on Bees in Greek and Roman Buogonia Traditions John T. Fitzgerald The Sword of Solomon 73 The Subversive Underbelly of Solomon’s Judgment of the Two Prostitutes Craig Evan Anderson Two Mothers and Two Sons 83 Reading 1 Kings 3:16–28 as a Parody on Solomon’s Coup (1 Kings 1–2) Hyun Chul Paul Kim Y Heavenly Porkies 101 The Psalm in Habakkuk 3 263 Prophecy and Divine Deception in 1 Kings 13 and 22 Steven S. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/191455 Please be advised that this information was generated on 2018-06-17 and may be subject to change. THE TRANSFORMATION OF THE HUMANITIES Ideals and Practices of Scholarship between Enlightenment and Romanticism, 1750 – 1850 Floris Solleveld The Transformation of the Humanities The Transformation of the Humanities Ideals and Practices of Scholarship between Enlightenment and Romanticism, 1750-1850 Proefschrift ter verkrijging van de graad van doctor aan de Radboud Universiteit Nijmegen op gezag van de rector magnificus prof. dr. J.H.J.M. van Krieken, volgens besluit van het college van decanen in het openbaar te verdedigen op maandag 9 april 2018 om 16:30 precies door Floris Otto Solleveld geboren op 9 juli 1982 te Amsterdam Promotoren: Prof. dr. Peter Rietbergen Prof. dr. Rens Bod (Universiteit van Amsterdam) Manuscriptcommissie: Prof. dr. Alicia Montoya Prof. dr. Christoph Lüthy Prof. dr. Joep Leerssen (Universiteit van Amsterdam) Prof. dr. Wijnand Mijnhardt (Universiteit Utrecht) Dr. Kasper Risbjerg Eskildsen (Roskilde Universitet, Denemarken) Contents 1. Introduction: The Transformation of the Humanities 9 What were the Humanities? 14 What was a Scholar? 24 A Map of the Learned World 31 A Scientific Revolution? 34 Enlightenment, Romanticism, and Conceptual Change 39 An Integrated Approach 47 Styles of Reasoning 48 Forms of Presentation 54 Ways of Criticism 64 Types of Intertextuality 69 2. A Science of Letters? Forms of ‘Normal Science’ in the 18th-century Humanities 79 The Ideal of Grand History and the Practice of Compilation 84 Antiquarianism and the Compendium 92 Rethinking Universal History 103 General Grammar and the ‘Science of Language’ 114 Strange Hybrids and the ‘Origin of Language’ Debate 124 The End of ‘Letters’? 136 3. -
The Classicism of Hugh Trevor-Roper
1 THE CLASSICISM OF HUGH TREVOR-ROPER S. J. V. Malloch* University of Nottingham, U.K. Abstract Hugh Trevor-Roper was educated as a classicist until he transferred to history, in which he made his reputation, after two years at Oxford. His schooling engendered in him a classicism which was characterised by a love of classical literature and style, but rested on a repudiation of the philological tradition in classical studies. This reaction helps to explain his change of intellectual career; his classicism, however, endured: it influenced his mature conception of the practice of historical studies, and can be traced throughout his life. This essay explores a neglected aspect of Trevor- Roper’s intellectual biography through his ‘Apologia transfugae’ (1973), which explains his rationale for abandoning classics, and published and unpublished writings attesting to his classicism, especially his first publication ‘Homer unmasked!’ (1936) and his wartime notebooks. I When the young Hugh Trevor-Roper expressed a preference for specialising in mathematics in the sixth form at Charterhouse, Frank Fletcher, the headmaster, told him curtly that ‘clever boys read classics’.1 The passion that he had already developed for Homer in the under sixth form spread to other Greek and Roman authors. In his final year at school he won two classical prizes and a scholarship that took him in 1932 to Christ Church, Oxford, to read classics, literae humaniores, then the most * Department of Classics, University of Nottingham, NG7 2RD. It was only by chance that I developed an interest in Hugh Trevor-Roper: in 2010 I happened upon his Letters from Oxford in a London bookstore and, reading them on the train home, was captivated by the world they evoked and the style of their composition. -
EDWARD COURTNEY 1932-2019 Edward
EDWARD COURTNEY 1932-2019 Edward Courtney was born on 22 March 1932 in Belfast, Northern Ireland, to George, an administrator in the court system, and Kathleen. He had a sister and many cousins, of whom three became university lecturers. In 1943, at the age of eleven, he entered the Royal Belfast Academical Institution, which was also to produce J.C. McKeown, J.L. Moles and R.K. Gibson. When Gibson was a research student in Cambridge and met Ted (as he was universally known) for the first time, he asked him how he had retained his Belfast accent; ‘I never listen to anybody else!’ was the perhaps surprising (and certainly misleading) reply. At ‘Inst.’ Ted was taught by H.C. Fay, later to produce a school edition of Plautus’ Rudens (1969), and John Cowser, who, by lending him Housman’s editions of Juvenal and Lucan, instilled in him a preference for Latin over Greek. Three decades later, in 1980, Ted would publish the standard commentary on Juvenal, followed after four years by a critical edition of the text; and, after moving to Charlottesville in the 1990s, he would drive around town in a car whose licence-plate was ‘JUVENAL’, bought for him as a birthday present by his wife. At Inst. Ted was introduced to the verse composition in Greek and Latin which was to stand him in such good stead in later years, and he was taught to play chess by a friend: in 1950 he won the Irish Junior Championship and the Irish Premier Reserves tournament, and captained the Irish schoolboy team against England and Wales. -
Letter from the Chair
Princeton NEWSLETTER OF THE DEPARTMENT OF CLASSICS Spring 2007 Letter from the ChairClassics nce again The department’s graduate students Inside this issue… I welcome continue to defy the conventional wisdom News from the Faculty ................................2 Othe op- that graduate school is an angst-ridden portunity to bring and morose phase of life. Their zest and Faculty Bookshelf .........................................5 you up to date on creativity make them a pleasure to work the department’s with. We are delighted to congratulate our Classical Studies ..........................................6 activities over the four job seekers this year, all of whom are last year—and once beginning tenure-track positions in the Senior Theses ..............................................6 fall: Eugenia Lao (Holy Cross), Jon Master again I begin by Graduate News ............................................7 thanking our edi- (Emory), Nate Powers (SUNY-Albany), and Denis Feeney, Chair tor, Marc Domingo Rob Sobak (Bowdoin). Four of our graduate Dissertations ................................................8 Gygax, and our indispensable computer sup- students have won prestigious fellowships port person, Donna Sanclemente, for mak- this year: Kellam Conover (Jacobus), Pauline Tennyson, Tithonus, and the End of the ing the Newsletter happen for the second Leven (Sibley), Jason Pedicone (Javits), and New Sappho ...........................................10 time. As a Latinist, I know that if something Susan Satterfield (Harvey). Our successes happens twice it’s part of the mos maiorum. at the undergraduate and graduate level “Images of Philology” Colloquium ............11 Our remarkable successes in under- are linked, since the faculty are dedicated graduate recruitment and teaching continue to improving their own teaching skills and Alumni News .............................................12 from last year. Compared to the normal those of the graduate students they mentor. -
Die Entwicklung Griechenlands Und Die Deutsch-Griechischen Beziehungen Im 19
Südosteuropa - Studien ∙ Band 46 (eBook - Digi20-Retro) Bernhard Hänsel (Hrsg.) Die Entwicklung Griechenlands und die deutsch-griechischen Beziehungen im 19. und 20. Jahrhundert Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Bernhard Hänsel - 978-3-95479-690-8 Downloaded from PubFactory at 01/11/2019 09:42:23AM via free access 00055622 SUDO STEUROPA-STUDIEN herausgegeben im Auftrag der Südosteuropa-Gesellschaft von Walter Althammer Bernhard Hänsel - 978-3-95479-690-8 Downloaded from PubFactory at 01/11/2019 09:42:23AM via free access Die Entwicklung Griechenlands und die deutsch-griechischen Beziehungen im 19. und 20. Jahrhundert herausgegeben von Bernhard Hansel Südosteuropa-Gesellschaft München 1990 Bernhard Hänsel - 978-3-95479-690-8 Downloaded from PubFactory at 01/11/2019 09:42:23AM via free access Bayerische Staatsbibliothek München CIP-Titelaufnahme der Deutschen Bibliothek Die Entwicklung Griechenlands und die deutsch-griechischen Beziehungen im 19. und 20. Jahrhundert/ Südosteuropa-Ges. ,.München : Südosteuropa-Ges ־ .Hrsg. von Bernhard Hansel 1990 (Südosteuropa-Studien -
Art History at the Art School: Revisiting the Institutional Origins of the Discipline Based on the Case of Nineteenth-Century Greece
Art history at the art school: Revisiting the institutional origins of the discipline based on the case of nineteenth-century Greece Eleonora Vratskidou Scholarly courses at the art school: a blind spot of research The elaboration of a theoretical discourse on art has been a main concern of art academies since their creation in the sixteenth century. This concern was nurtured by the need to regulate artistic production through the establishment of specific norms and values, and, at the same time, it was intricately linked to the promotion of the artist’s status and the legitimization of the artistic profession. The articulation of theoretical discourse in the academies took place mainly in the framework of conferences among peers – by and for an elite of peers – where multiple alternating voices could engage in fruitful debate. However, towards the end of the eighteenth and during the early nineteenth century the plurivocal structure of the conferences was, in many cases, gradually replaced by actual courses offered by a unique professor. Along with practical training, courses of history, archaeology, art history, art theory and aesthetics were systematically incorporated into the academic curricula in the context of larger pedagogical and institutional reforms. This is the period in which Ancient Régime artistic structures were reformed, while new art schools were created, and the academic system of art education expanded in the recently founded nation-states of Europe and the Americas. A series of questions arise from this development. Whereas courses in art theory and aesthetics could be seen as a further pursuing of old concerns, courses in art history were less expected. -
The Robe of Iphigenia in Agamemnon Anne Lebeck
The Robe of Iphigenia in "Agamemnon" Lebeck, Anne Greek, Roman and Byzantine Studies; Spring 1964; 5, 1; ProQuest pg. 35 The Robe of Iphigenia in Agamemnon Anne Lebeck HE CHORAL LYRIC (104-263) immediately following the anapestic Tparodos of Agamemnonl closes with a description of the sacrifice at Aulis in which the robes of Iphigenia playa prominent part (7T€:TTAotaL 7TEpL7TETTJ [233J; KPOKOU f3acptx~ 0' €~ 7T€OOJl x€ouaa [239J). There are two interpretations of the lines in question. Most scholars regard the verbal adjective 7T€PL7TET~~ in line 233 as passive, the dative 7T€7TAOLGL as instrumental, and translate "wrapped round in her robes" (Fraenkel, Headlam, Mazon, Smyth, Verrall). Line 239 is taken to mean that Iphigenia disrobes completely,2 "her saffron garment fall ing on the ground." Professor Lloyd-Jones3 recently offered a more convincing interpretation than the earlier view that Iphigenia sheds her peplos. Line 239, which means literally "pouring dye of saffron toward the ground," describes Iphigenia raised above the altar; from her body, held horizontally,4 the robe trails down. In the same article Lloyd-Jones ingeniously suggests that 7TEPL7TET~~ is active, the robes those of Agamemnon. Iphigenia kneels before her father in supplication, "with her arms flung about his robes."5 Pro fessor Page remarks, "This interpretation has great advantages: the thought and the language are now both of a normal type .... "6 Such an advantage is questionable, since neither the thought nor the lang uage of this passage are normal. Rather they are lyrical: disconnected phrases follow one another in rapid succession, evoking a strange and dreamlike picture. -
The Development of Ideas in the Novels of Iris Murdoch Thesis
Open Research Online The Open University’s repository of research publications and other research outputs Playful Platonist : The development of ideas in the novels of Iris Murdoch Thesis How to cite: Edwards, S. L. (1984). Playful Platonist : The development of ideas in the novels of Iris Murdoch. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000de3e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk i U is 154,6 (Z ý', 1)P, S-f P. ýC- -1 LO PLAYFUL PLATONIST: TFIE DEVELOPISNT OF =Eý 221 TFIE NOVELS OF IRTI; MURDOCH by Stephen Laurence Edwards A thesis submitted for the degree of Ph. D. at The Open University, January 1984. rio u0 I- Playful tlatonist: the Development of Ideas in the Novels of Iris Mirdoch I am willing that this thesis may be made available to readers and may be photcopied subject to the discretion of the Librarian. L S. L. Edwards 20th June 1984. Th, opiýn t-lrivp-rsifm col, 22 ... ..... ...... ii SUýRARY Tnis thesis examines Iris Murdoch's novels in the light of her philosophical thinking. 1t places her ethical thinking in the context of twentieth century moral philosophy and shows that her approach to the problems of the subject is out of key with the general run of cont(-, r,..pora-ry philosophical th-inking. -
Lycurgus in Leaflets and Lectures: the Weiße Rose and Classics at Munich University, 1941–45
Lycurgus in Leaflets and Lectures: The Weiße Rose and Classics at Munich University, 1941–45 NIKLAS HOLZBERG The main building of the university at which I used to teach is situated in the heart of Munich, and the square on which it stands—Geschwister-Scholl-Platz—is named after the two best-known members of the Weiße Rose, or “White Rose,” a small group of men and women united in their re- sistance to Hitler.1 On February 18, 1943, at about 11 am, Sophie Scholl and her brother Hans, both students at the university, were observed by the janitor in the central hall as they sent fluttering down from the upper floor the rest of the leaflets they had just set out on the steps of the main stair- case and on the windowsills. The man detained them and took them to the rector, who then arranged for them to be handed over to the Gestapo as swiftly as possible. Taken to the Gestapo’s Munich headquarters, they underwent several sessions of intensive questioning and—together with another member of their group, Christoph Probst, who was arrested on February 19—they were formally charged on February 21 with having committed “treasonable acts likely to ad- vance the enemy cause” and with conspiring to commit “high treason and demoralization of the troops.”2 On the morning of the following day, the Volksgerichtshof, its pre- siding judge Roland Freisler having journeyed from Berlin to Munich for the occasion, sentenced them to death. That same afternoon at 5pm—only four days after the first ar- rests—they were guillotined. -
Copyright © the British Academy 1997 – All Rights Reserved Proceedings of the British Academy, 94, 319–354
Copyright © The British Academy 1997 – all rights reserved Proceedings of the British Academy, 94, 319–354 Charles Oscar Brink 1907–1994 CHARLES OSCAR BRINK was born Karl Oskar Levy on 13 March 1907 in Charlottenburg, a town later to be incorporated within the city of Berlin. Hechangedhissurnameon31August1931andhisfirstnamesin March 1948, having been known already for some time to English friends as ‘Charles’. He died in Cambridge on 2 March 1994. Between 1963 and 1982 Brink published three large volumes on those poems by Horace which concerned poetry itself. These gained for him an authority in every active centre of Latin studies. He was engaged on an edition of Tacitus’ Dialogus de oratoribus andheldtheofficeof President of the International Commission in charge of the Thesaurus Linguae Latinae (ThLL) when he died. He wanted to be remembered above all as a Latin scholar. It should, however, also be recalled that by middle age he had won some eminence as a historian of post-Aristotelian Greek philosophy and that many credited him with having helped to move British study of ancient philosophy away from an exclusive concernwithPlatoandAristotle. Scholarship cannot claim Brink’s whole person. He played a large role in the struggles which took place over the classical curriculum in English schools and universities during the 1960s and 1970s. He was for many years an influential member of the council of an ancient Cambridge college and could fairly be regarded as one of the founding fathers of a new one. When an account comes to be written of the contribution made from 1933 onwards to Anglo-Saxon science, scholarship and cultural life q The British Academy 1997. -
Martin Litchfield West (1937–2015)
Studia Metrica et Poetica 2.2, 2015, 152–158 Martin Litchfield West (1937–2015) Almut Fries In the late 1950s a gifted Classics undergraduate at Oxford was advised by E. R. Dodds, then Regius Professor of Greek, that he should turn his atten- tion to prose works rather than poetry on the ground that little remained to be done there in the field of textual studies. Fortunately, the young man did not follow this no doubt honest and well-intentioned recommendation – for his name was Martin West. This is one of the many anecdotes that circulate in Oxford about Martin West, whom I knew for nearly fifteen years and whose friendship I enjoyed for the last eight or so. The story is true – he himself recounted it, with character- istic self-irony, in his acceptance speech for the 2000 Balzan Prize (reprinted in Hesperos (2007), the Festschriftfor his 70th birthday) – but even if it were not, it is a good one because it encapsulates the scholarly personality of the man who long before his sudden death, on 13 July 2015, had become the world’s foremost expert on early Greek poetry and its manifold connections in space and time. Never subject to changing intellectual fashions or afraid of challeng- ing established doctrines (or of being challenged himself), Martin pursued his chosen path to the point of leaving a legacy which easily proves Dodds’ opinion wrong and which few, if any, can ever hope to emulate. Born in Hampton, Middlesex, on 23 September 1937, Martin went to St. Paul’s School in London, still one of the leading independent schools for boys in Britain, before he came up to Balliol College Oxford to read Classics in 1955.