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On the Decline of Delphic Divination in the Fourth Century BCE: Writing and Its Discontents
On the Decline of Delphic Divination in the Fourth Century BCE: Writing and its Discontents In 352 BCE, the Athenians consulted Apollo at Delphi about whether the outer perimeters of the sacred land owned by the sanctuary of Demeter in Eleusis should continue to be leased and cultivated. Before this consultation, the sanctuary leased perimeters of its sacred land for the maintenance of its temple, a practice that raised tensions between the Athenians and the Megarians about the boundaries of the sanctuary’s land. The Athenians asked Delphi whether the sanctuary should continue to lease these lands. An inscription records how the Athenians consulted Delphi. (I follow the reconstruction of the historical context of IGii2 204 in Bowden 2005: 91–93. See also Osborn and Rhodes 2003: 272–81.) Their method is unique among the 600 or so oracles attributed to Delphi (collected in Parke and Wormell 1956 and Fontenrose 1978). I argue this Athenian procedure, and in particular the Athenians’ use of writing, suggests why Delphi was less consulted in the fourth century BCE. The Athenian adopt a procedure that reduces Delphic divination to a matter of selecting a jar and that reduces Apollo’s response to an answer that precludes debate among the Athenians. The Athenians inscribe two pieces of tin, writing on one that it would be better to lease the land and on another that it would be better to leave the land uncultivated. Each tin sheet was wrapped in wool, tossed in a bronze jug and then separately placed in a gold jar and a silver jar. -
Partners with God
Partners with God Theological and Critical Readings of the Bible in Honor of Marvin A. Sweeney Shelley L. Birdsong & Serge Frolov Editors CLAREMONT STUDIES IN HEBREW BIBLE AND SEPTUAGINT 2 Partners with God Table of Contents Theological and Critical Readings of the Bible in Honor of Marvin A. Sweeney Abbreviations ix ©2017 Claremont Press Preface xv 1325 N. College Ave Selected Bibliography of Marvin A. Sweeney’s Writings xvii Claremont, CA 91711 Introduction 1 ISBN 978-1-946230-13-3 Pentateuch Is Form Criticism Compatible with Diachronic Exegesis? 13 Library of Congress Cataloging-in-Publication Data Rethinking Genesis 1–2 after Knierim and Sweeney Serge Frolov Partners with God: Theological and Critical Readings of the Bible in Exploring Narrative Forms and Trajectories 27 Honor of Marvin A. Sweeney / edited by Shelley L. Birdsong Form Criticism and the Noahic Covenant & Serge Frolov Peter Benjamin Boeckel xxi + 473 pp. 22 x 15 cm. –(Claremont Studies in Hebrew Bible Natural Law Recorded in Divine Revelation 41 and Septuagint 2) A Critical and Theological Reflection on Genesis 9:1-7 Includes bibliographical references and index. ISBN 978-1-946230-13-3 Timothy D. Finlay 1. Bible—Criticism, Narrative 2. Bible—Criticism, Form. The Holiness Redaction of the Abrahamic Covenant 51 BS 1192.5 .P37 2017 (Genesis 17) Bill T. Arnold Former Prophets Miscellaneous Observations on the Samson Saga 63 Cover: The Prophet Jeremiah by Barthélemy d’Eyck with an Excursus on Bees in Greek and Roman Buogonia Traditions John T. Fitzgerald The Sword of Solomon 73 The Subversive Underbelly of Solomon’s Judgment of the Two Prostitutes Craig Evan Anderson Two Mothers and Two Sons 83 Reading 1 Kings 3:16–28 as a Parody on Solomon’s Coup (1 Kings 1–2) Hyun Chul Paul Kim Y Heavenly Porkies 101 The Psalm in Habakkuk 3 263 Prophecy and Divine Deception in 1 Kings 13 and 22 Steven S. -
The Princeton Artists Alliance Is Celebrating 25 Years of Artistry
For more information about the Princeton Artists Alliance please contact: Marie Sturken at - [email protected] Hetty Baiz at - [email protected] Shellie Jacobson - [email protected] ACP exhibitions and related educational programs are supported by funding from the Geraldine R. Dodge Foundation, New Jersey State Council on the Arts and Discover New Jersey Arts The Princeton Artists Alliance is Celebrating 25 Years of Artistry Paul Robeson Center for the Arts 102 Witherspoon Street, Princeton, NJ 08542-3204 609-924-8777 • www.artscouncilofprinceton.org Princeton Artists Alliance Members: Joanne Augustine 1 Hetty Baiz 2 Joy Barth 3 Anita Benarde 4 Zenna Broomer 5 Jennifer Cadoff 6 Rajie Cook 7 Clem Fiori 8 1989 / 2014 Thomas Francisco 9 Carol Hanson 10 Shellie Jacobson 11 Margaret Kennard Johnson 12 Nancy Lee Kern 13 Charles McVicker 14 Lucy Graves McVicker 15 Harry I Naar 16 James Perry 17 Richard Sanders 18 Madelaine Shellaby 19 Marie Sturken 20 Barbara Watts 21 Former members: 22 A BRIEF HISTORY OF THE PRINCETON ARTISTS ALLIANCE Twenty-five years ago, painter Charles McVicker felt isolated. He had heard tales of the Impressionist painters meeting in the cafes of Paris, and the Abstract Expressionists having heated discussions at the Cedar Tavern in Greenwich Village. But there was no such gathering place for the artists of Princeton. Hoping to change this situation, he asked four prominent local artists, Margaret Johnson, Marie Sturken, Jane Eccles, and Joanne Scott to meet for a brain - storming session. They all agreed that a working artists’ group would be a vital addition to the Princeton community. -
The Shields of Achilles and Aeneas: the Worlds Portrayed by Homer and Vergil
Vanessa Peters The Shields of Achilles and Aeneas: The Worlds Portrayed by Homer and Vergil The epic simile is a common device in epic poetry; it forms a relationship between two un- likely things and causes one to be viewed through the lens of the other. Unlike a normal simile, an epic simile has a fully developed vehicle that reflects the complexity back on the tenor; that is, an epic sim- ile, in its increased length and depth, can have layers of complexity that a normal simile cannot. The shield of Achilles (Hom. Il. 18.558-709) in Book 18 of Homer’s Iliad and the shield of Aeneas (Verg. Aen. 8.738-858) in book 8 of Vergil’s Aeneid are examples of epic similes, in which the poet takes the role of the god who forges the shield and can comment on society unobtrusively.1 These shields convey different perspectives of Greek and Roman society. Whereas Homer shows the world of peace in con- trast to the world of war to illustrate the tragedy of the Iliad, Vergil expresses Roman triumphalism to glorify Rome and her people. Book 18 of the Iliad marks a turning point in the epic. In it, Achilles decides to return to bat- tle in order to avenge Patroclus’ death by killing Hector. Since he has lost his armour to the enemy, his mother Thetis, knowing that his fate is sealed, beseeches Hephaestus to forge him a new set (Il. 18.534). The god agrees to her request and sets out to work, creating a magnificent shield for Achilles to wear in battle. -
Review–Discussion Il Polibio Di Peter Derow
Histos 13 (2019) XI–XXVI REVIEW–DISCUSSION IL POLIBIO DI PETER DEROW Peter Derow, Rome, Polybius, and the East, edited by Andrew Erskine and Josephine Crawley Quinn. Oxford: Oxford University Press, 2015. Pp. xxiii + 311. Hardback, £100.00/$135.00 ISBN 978-0-19-964090-4. uesto volume rende omaggio a un influente studioso di storia ellenistico-romana e di storiografia antica, a qualche anno dalla Q scomparsa, riunendone quindici saggi, tra i quali un inedito. Nelle quattro sezioni principali in cui è suddiviso (Narratives; Polybius and Roman Power; The Roman Calendar; Epigraphy), il volume dà un’idea completa della produzione e dei principali interessi di ricerca di Peter Derow: il fatto che la metà dei saggi componga la sezione polibiana riflette fedelmente la centralità dello storico di Megalopoli e dei processi storici analizzati nelle Storie negli interessi scientifici dello studioso, che fu statunitense di nascita, cittadino canadese, e docente a Oxford per gran parte della carriera.1 Di D., la ‘Introduction’, a più mani, offre un ritratto interessante e vivacissimo: oltre che dei due curatori, A. Erskine e J. Crawley Quinn, essa include contributi di E. Gruen, T. D. Barnes, G. Shipley, e si chiude con un breve intervento dello stesso D.2 Al di là degli aspetti pittoreschi e dei ricordi personali che arricchiscono e rendono questo ritratto coinvolgente, sentito, a tratti toccante,3 è tratteggiata con efficacia la personalità di uno studioso utoac e originale, devotissimo all’inse- gnamento (che praticava con un metodo e uno stile che potremmo definire 1 Nato nel 1944, Derow è morto nel 2006. -
([email protected]) Boston University CAMWS 2018 Correcting Herodotus 1.56: the Histories’ Non-Answer to the Pelasgian Question
Matthew W. Kelley ([email protected]) Boston University CAMWS 2018 Correcting Herodotus 1.56: The Histories’ Non-answer to the Pelasgian Question I. The Grammar 1) Hdt. 1.56.1-2: ...μετὰ δὲ ταῦτα ἐφρόντιζε ἱστορέων τοὺς ἂν Ἑλλήνων δυνατωτάτους ἐόντας προσκτήσαιτο φίλους, [2] ἱστορέων δὲ εὕρισκε Λακεδαιμονίους καὶ Ἀθηναίους προέχοντας τοὺς μὲν τοῦ Δωρικοῦ γένεος τοὺς δὲ τοῦ Ἰωνικοῦ. ταῦτα γὰρ ἦν τὰ προκεκριμένα, ἐόντα τὸ ἀρχαῖον τὸ μὲν Πελασγικὸν τὸ δὲ Ἑλληνικὸν ἔθνος. καὶ τὸ μὲν οὐδαμῇ κω ἐξεχώρησε, τὸ δὲ πολυπλάνητον κάρτα. “Afterward, [Croesus] took care to inquire whom of the Greeks, being the most powerful, he should acquire as his friends. He made the inquiry and found that the Spartans were best of the Doric race and the Athenians the best of the Ionic. For these races were preeminent, the first being of old a Pelasgic tribe and the other a Hellenic one. And the first has not yet left their home for anywhere, while the other is very much a wandering tribe.” 2) Raymond Weil is the only scholar to read the lines as I propose: “Les Athéniens sont un ‘ethnos’ héllenique qui fait partie du ‘génos’ ionien, les Lacédémoniens un ‘ethnos’ pélasgique à rattacher au ‘génos’ dorien.” - Weil (1960) 385. II. Arguments for Common Translation ➢ Dorian invasion = πολυπλάνητον ➢ Athenian authochthony = οὐδαμῇ κω ἐξεχώρησε ➢ Herodotus ties Athenians or Ionians to Pelasgians 3 times. ○ 1.57, 7.94-95 (both qualified), 8.44 (back when all of Greece was Pel.) ➢ Dorians are Hellenes par excellence. III. Why Pelasgian Dorians are possible ➢ Dorians did travel, but no more than Ionians. -
2012.RD04 Eckstein on Smith and Yarrow
Histos () – REVIEW–DISCUSSION POLYBIUS, THE GREEK WORLD, AND ROMAN IMPERIAL EXPANSION Christopher Smith and Liv Mariah Yarrow, edd., Imperialism, Cul- tural Politics, & Polybius . Oxford and New York: Oxford University Press, . Pp. xiv + . £. / $.. ISBN --- -. his collection of essays is a Festschrift in honour of Peter Derow, the important Oxford historian of Rome, and a well-beloved teacher. TDerow is best known for his depictions of Rome as an exceptionally brutal imperial predator, which sought to control the Hellenistic Greek states from almost its first encounter with the them, and to a large extent did control and indeed rule the Hellenistic Mediterranean from as early as BC . In advocating such a reconstruction of events, Derow can be paired with W. V. Harris, both producing their major statements in : a post- Vietnam annus mirabilis for the emergence of an extremely dark, cynical and bitter picture of Roman expansionism. This depiction has subsequently be- come hugely influential within classical scholarship. It was inevitable that the thesis would eventually provoke an antithesis, in which the exceptional character of Roman imperialism was denied, and Rome was viewed as one predator among many predators, with its major targets being other powerful imperialists, rather than relatively inoffensive neighbours. The development of a response to Derow and Harris, however, took a generation. One im- portant aim of this book is for Peter Derow’s students to re-assert their old teacher’s fundamental position about the nature of Roman expansionism. P. S. Derow, ‘Polybius, Rome and the East’, JRS () –; cf. id., ‘Rome, the Fall of Macedon, and the Sack of Corinth, in CAH VIII (Cambridge, ) –; id., ‘The Arrival of Rome: From the Illyrian Wars to the Fall of Macedon’, in A. -
An Iliad by Lisa Peterson and Denis O’Hare Based on Homer’S the Iliad, Translated by Robert Fagles
AN ILIAD BY LISA PETERSON AND DENIS O’HARE BASED ON HOMER’S THE ILIAD, TRANSLATED BY ROBERT FAGLES DRAMATISTS PLAY SERVICE INC. AN ILIAD Copyright © 2013, Lisa Peterson and Denis O’Hare All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of AN ILIAD is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Authors’ agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for AN ILIAD are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Ancient Greece from Homer to Alexander: the Evidence / Joseph Roisman
Roisman Historical Sources in Translation Ancient Greece from Homer to Alexander Ancient Greece from Homer to Alexander to Homer from Greece Ancient “Students of ancient Greece will respond to this book as John Sheffield (1709) did to Homer: ‘you will hardly need another book.’ The new compilation of evidence merits the same praise for its range, aids, and the quality of its illustrations and commentaries.” Carol Thomas, University of Washington “This wide-ranging collection of passages from the ancient sources, judiciously selected and edited by Joseph Roisman, and freshly translated by John Yardley, provides students of Greek history with an essential corpus of evidence for the period from Homer to the Macedonian conquest of the East. Roisman and Yardley are richly deserving of our praise and gratitude.” Waldemar Heckel, University of Calgary “If you want a thorough and expert introduction to the evidence of ancient Greek history – in other words, to the building blocks of western civilization – read this book.” Barry Strauss, Cornell University Incorporating fresh, new translations of original Greek and Roman texts and drawing on a range of sources, including artistic evidence, this sourcebook provides an inclusive and integrated view of Greek history, from Homer to Alexander the Great. Linking the political, military, and social history of the Greeks to their intellectual accomplishments, Ancient Greece from Homer to Alexander offers a full and integrated perspective on the period. Rather than Historical Sources in Translation compartmentalizing Greek history and civilization into a number of thematic studies, the book focuses on important developments, placing them within their political, economic, cultural, and intellectual contexts, and examining both their influences and their effects. -
Political Thought and Literature in the Early Historians
Inventing a New Genre: Herodotus, Thucydides, and the Challenge of Writing Large-scale Prose History Kurt A. Raaflaub Outline Issues and questions — fiction — usefulness of history — ktēma es aiei — patterns — the human condition — typical behavior — the impact of hindsight — stark contrasts — why is patterning needed? — exempla and patterns — why does history need a didactic function? — giving relevance to history — creating a panhellenic public for history — preserving the memory of great deeds and demonstrating the usefulness of history — shaping and manipulating history — Herodotus’s and Thucydides’ shared concerns — de-ideologizing history (liberty and self-sufficiency) — narrative choices — art and deeper truth in history. Notes [1] Thuc. 1.1.3; Hdt. 1.5.3. Plato, Rep. 2.382c-d: The lie (or falsehood) is also useful in the case of those tales about the past (mythologiai) we just mentioned, because we do not know where the truth lies in tales about ancient matters (ta palaia), we make them useful (chrēsimon) as much as possible by likening falsehood to truth (aphomoiountes tōi alēthei to pseudos). For a useful discussion of Plato’s statement, see Gill 1993: esp. 52-56. I thank Kathryn Morgan for alerting me to this passage. [2] History as a “multi-subjective, contingency-oriented account”: Meier 1987: 44. [3] Historians and Homer: Strasburger 1972; Hartog 2000; Boedeker 2002; Marincola 2006; Pelling 2006. On the origins of Greek historiography: Meier 1973, 1987; Boedeker 1998; Darbo-Peschanski 2007; of historiography more generally: Assmann and Müller 2005. Historiography as a new genre: e.g., Dewald 1985: 47; Lateiner 1989: ch.1, both with references. -
DIVINE VENGEANCE in HERODOTUS' HISTORIES Nathan
DIVINE VENGEANCE IN HERODOTUS’ HISTORIES Nathan Israel Smolin A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2017 Approved by: Emily Baragwanath Fred Naiden James Rives ©2017 Nathan Israel Smolin ALL RIGHTS RESERVED ii ABSTRACT Nathan Israel Smolin: Divine Vengeance in Herodotus’ Histories (Under the direction of Emily Baragwanath) This essay argues that the motifs of divine vengeance present in the Histories represent a conscious, considered theory of divine action in the world. This theory is the result of Herodotus’ empirical methodology, and is defined by an admitted lack of access to poetic revelation or other actual insight into the motivation and nature of divinity. Instead, Herodotus’ theory is based on his own analysis of historical events on a large scale. Divinity possesses a basically regulatory role in the cosmos, ensuring that history follows certain consistent patterns. One such pattern is vengeance, by which a large-scale balance of reciprocity is maintained in human events through acts of repayment carried out with the support of divinity. This theory underlies Herodotus’ historical project, reinforcing his general skepticism about human knowledge and power and making possible his universalizing approach to historical narrative. iii To Randy Todd, A man of many λόγοι iv TABLE OF CONTENTS I. Introduction..................................................................................................................................1 -
Lycurgus in Leaflets and Lectures: the Weiße Rose and Classics at Munich University, 1941–45
Lycurgus in Leaflets and Lectures: The Weiße Rose and Classics at Munich University, 1941–45 NIKLAS HOLZBERG The main building of the university at which I used to teach is situated in the heart of Munich, and the square on which it stands—Geschwister-Scholl-Platz—is named after the two best-known members of the Weiße Rose, or “White Rose,” a small group of men and women united in their re- sistance to Hitler.1 On February 18, 1943, at about 11 am, Sophie Scholl and her brother Hans, both students at the university, were observed by the janitor in the central hall as they sent fluttering down from the upper floor the rest of the leaflets they had just set out on the steps of the main stair- case and on the windowsills. The man detained them and took them to the rector, who then arranged for them to be handed over to the Gestapo as swiftly as possible. Taken to the Gestapo’s Munich headquarters, they underwent several sessions of intensive questioning and—together with another member of their group, Christoph Probst, who was arrested on February 19—they were formally charged on February 21 with having committed “treasonable acts likely to ad- vance the enemy cause” and with conspiring to commit “high treason and demoralization of the troops.”2 On the morning of the following day, the Volksgerichtshof, its pre- siding judge Roland Freisler having journeyed from Berlin to Munich for the occasion, sentenced them to death. That same afternoon at 5pm—only four days after the first ar- rests—they were guillotined.