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Downloaded from Brill.Com09/24/2021 08:12:23PM Via Free Access 184 the AFRICAN-JAMAICAN AESTHETIC  — Works Cited — Agard, John. Mangoes and Bullets (London: Serpent’s Tail, 1990). Agarwal, Supriya, & Jasbir Jain. Shifting Homelands, Travelling Identities (New Delhi: Sterling, 2008). Ahokas, Prjo. “Transcending Binary Divisions: Constructing a Postmodern Female Urban Identity in Louise Erdrich’s The Antelope Wife and Zadie Smith’s White Teeth,” in Sites of Ethnicity: Europe and the Americas, ed. William Boelhower, Rocío G. Davis & Carmen Birkle (Heidelberg: Winter, 2004): 115–29. Alexander, Simon A. James. Mother Imagery: The Novels of Afro-Caribbean Woman (Columbia: U of Missouri P, 2001): 96–135. Allen, Lillian. “De Dub: Renegades in a One Poem Town,” This Magazine (December 1987–January 1988): 14–21. ——. “Poems are not meant to lay still,” in The Other Woman: Women of Colour in Con- temporary Canadian Literature, ed. 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The Contemporary African American Novel: Its Folk Roots and Modern Literary Branches (Amherst: U of Massachusetts P, 2004). Bennett, Louise. Aunty Roachy Seh (Kingston, Jamaica: Sangster’s, 1993). ——. “Introduction” to Julie Pearn, Poetry in the Caribbean (London: Hodder & Stough- ton, 1985): iii–iv. ——.Jamaica Labrish (Kingston, Jamaica: Sangster’s, 1966). ——.Selected Poems, ed. Mervyn Morris (Kingston, Jamaica: Sangster’s, 1983). Boehmer, Elleke. “Stories of Women and Mothers: Gender and Nationalism in the Early Fiction of Flora Nwapa,” in Motherlands: Black Women’s Writing from Africa, the Caribbean and South Asia, ed. Susheila Nasta (London: Women’s Press, 1991): 3–23. 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