DOCSLIB.ORG

From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life Mark Patrick McGuire A Thesis In The Department of Religion Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy at Concordia University Montréal, Québec, Canada April 2013 Mark Patrick McGuire, 2013 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Mark Patrick McGuire Entitled: From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life and submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. V. Penhune External Examiner Dr. B. Ambros External to Program Dr. S. Ikeda Examiner Dr. N. Joseph Examiner Dr. M. Penny Thesis Supervisor Dr. M. Desjardins Approved by Chair of Department or Graduate Program Director Dr. S. Hatley, Graduate Program Director April 15, 2013 Dr. B. Lewis, Dean, Faculty of Arts and Science ABSTRACT From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life Mark Patrick McGuire, Ph.D. Concordia University, 2013 This thesis examines mountain ascetic training practices in Japan known as Shugendô (The Way to Acquire Power) from the 1980s to the present. Focus is given to the dynamic interplay between two complementary movements: 1) the creative process whereby charismatic, media-savvy priests in the Kii Peninsula (south of Kyoto) have re-invented traditional practices and training spaces to attract and satisfy the needs of diverse urban lay practitioners, and 2) the myriad ways diverse urban ascetic householders integrate lessons learned from mountain austerities in their daily lives in Tokyo and Osaka. This thesis argues that the creation of condensed mountain entry rituals such as the overnight Lotus Ascent of Mount Ômine, a successful campaign to designate sacred training grounds in the Kii Peninsulaa UNESCO World Heritage cultural landscape and creation of an “eco-pilgrimage” in Kumano are best understood as creative strategies by Shugendô priests to maintain financial solvency, relevancy and market share while providing direct access to the transcendent in a competitive and uncertain time. Though Shugendô priests and UNESCO designation served as gateways into this research, the experiences of urban lay ascetics are emphasized throughout. Two questions animate the thesis: Why does rebirth during a grueling, twenty-six kilometer overnight mountain ascent imagined as ritual death and re-entry into the Tantric Womb become necessary? How might urban ascetics' initial motivations and subsequent integration of mountain learning resonate with broader concerns about employment, environment, family, health and well-being, iii rising suicide rate, memory and commemoration during the recessionary and zero-growth period known as Japan's "Lost Decade(s)” (1990s - present)? Reflections upon the attempt to represent this place and these practices in an accessible documentary film will be one element of a self-reflexive, collaborative and participatory research methodology informed by participant-observer fieldwork, interviews, focus groups and historiographical examination of the relevant primary, secondary and theoretical works. iv ACKNOWLEDGEMENTS This project could not have been achieved without the patience, generosity, good will and enthusiasm of many Shugendô priests and lay participants in Yoshino, Shingu, Osaka and Tokyo. I am grateful to Tanaka Riten, Tateishi Kôshô, Tateishi Rika, Gojô Ryoki, Gojô Kakugyô, Iwagishi Shinsei, Yamamoto Noboru, Harasawa Kenta, Ishihara Jun, Ozaki Hitoshi, Fujie Noritoshi, Miyamoto Yasuhiko, Okada Taikô and countless other individuals who provided practical assistance and innumerable insights. Tateishi Kôshô hosted me and filmmaking partner Jean-Marc Abela at his training temple Sangakurin for six weeks to observe, participate in and film daily activities. Two unnamed staff members at the Ministry of Culture (Tokyo) and UNESCO (New York) candidly discussed their research into cultural property, national treasures and UNESCO World Heritage. In Ibaraki the Fujita, Kawanishi and Okazaki families welcomed me into their homes and have taken me under their wings over nearly two decades of life, work and research in Japan. I can never repay them for their kindness and all they have taught me. A chance encounter with Miyake Hitoshi at Haguro-san and the gift of his signed name card propelled me toward Kinpusenji for the annual Frog Hop festival in 2002. Though I ultimately did not pursue all leads that he and his voluminous scholarship provided, I am grateful for this serendipitous encounter and the good will and affection bestowed upon me by Tanaka Riten and Kinpusenji staff when I arrived unannounced with Miyake-sensei’s introduction. In Montréal, my thesis committee members Marc des Jardins, Norma Joseph and Matthew Penney guided me through all stages of doctoral study: exams, thesis research, writing and defense. With their encouragement, I waded into several new and productive fields I would never have thought to pursue. Marc, Norma and Matthew listened patiently to initial, clumsy efforts to engage these new materials and perspectives, read several rough drafts of the proposal and thesis and provided extensive comments, questions and constructive criticism throughout. Matthew’s encyclopedic knowledge of and sharp insights about contemporary Japanese history together with his ability to situate the relevant issues in both very local and global contexts was always illuminating. Sharon Carey at the Graduate School provided expert technical assistance and flexibility, helping make possible a June graduation, not to mention a restful and stress-free summer. Shaman Hatley and Lorenzo di Thommaso supported the thesis and enabled a streamlined process to completion. Satoshi Ikeda provided refreshing candor and chastised me in all the right ways, imparting confidence that reflecting upon and revealing the nature of interactions with research participants is a legitimate and needed component of a participatory research methodology. Barbara Ambros’ rigor, clarity and constant curiosity and innovation in archival and field research methods have been inspiring. I am grateful for the great care and attention she gave to reading the manuscript, offering her considerable knowledge and challenging me to bring it to a level of precision and clarity I could not have achieved otherwise. Friends and colleagues Deb Lunny, Kory Goldberg, François Thibeault, Mario Bellemare, Paul di Stefano, Bobby Ramsay, Scott Lenhart, Dan McKee, Ted Burger, Avery Larose, Sylvain Duguay, Tom Young, Alberto Sanchez, Mohamed Mehdi, Kateri Décary, Julien Novales-Flamarique, Sarwat Viqar, Sujata Ghosh, David Austin, Courtney Lester, Steven Roy, Jonathan Lalancette, Marie-Laurence Dolbec-Hebert, Stefan Verna and Adam Thompson encouraged me, offered helpful advice, helped me think through difficult problems and generally provided outstanding company. Jean-Marc Abela took a chance on a risky film project in a culture and language he knew nothing about, devoted thousands of hours to film, edit, mix and discuss the film with me, and consistently demonstrated a great deal of creativity, sensitivity and v patience. Several of Abela’s photographs appear in the thesis with his kind permission. Imaizumi Eiko and Alena Eckelmann provided eyewitness reports, personal photographs and critical feedback on early drafts of chapters. I am grateful to editors Pamela Winfield and Charles Henderson for the invitation to present an earlier version of Chapter Three in a special issue of Cross Currents on contemporary Asian religions. Publisher Wiley-Blackwell granted permission to republish passages from the article. Maris Boyd-Gillette, Hank Glassman, Levi McLaughlin, Tullio Lobetti, Timothy Lehmann and Jonathan Thumas read and offered critical feedback and helpful suggestions on various chapters. John Deters devoted many hours to speaking and writing about his engagements with and curiosity about Shugendô. Carina and Sandra Roth, two outstanding scholars and filmmakers, reached out to Abela and me and have been exceptionally generous with their insights, materials and ideas. Gaynor Sekimori answered many questions and provided research materials and encouragement. Her invitation to participate in a Shugendô film festival and symposium at SOAS, University London, to honor the memory of her teacher Professor Carmen Blacker stimulated many ideas and questions. The experience enabled discussions with Kitamura Minao, Lucia Dolce, Tullio Lobelli, Sandra and Carina Roth. Paul Swanson shared his knowledge and provided rare video recordings from early fieldwork. David W. Plath has been a regular conversation partner and mentor in all matters related to ethnographic storytelling and filmmaking. Above all, I am grateful for his friendship, encouragement and wisdom. Cornell University’s East Asia program funded initial research fieldwork (2002 and 2003). John Abbott College’s Faculty Professional Development Committee provided a travel grant and supported follow-up research and filmmaking (2007). The Buddhist Film Foundation served as a fiscal sponsor and the US-Japan Foundation funded post-production of the documentary film
Load more

Recommended publications
  • ANACHRONE 2007 Les GARDIENS DU SEUIL
    ANACHRONE 2007 Les GARDIENS DU SEUIL L’EMPIRE SCARABEE © ANACHRONE 2007 1 ANACHRONE 2007 Les GARDIENS DU SEUIL Carte de l’Empire avant la Guerre Civile (octobre 1105) L’EMPIRE SCARABEE © ANACHRONE 2007 2 ANACHRONE Les GARDIENS DU SEUIL 2007 Rouge : « alliance Rebelles de MON DES CLANS DE L’EMPIRE Zanonaï » (avant la Guerre Civile) Bleu : « Faction Impériale » Rose : clans neutres / indécis (1) Mutsu (2) Dewa (3) Echigo (4) Shimotsuke (5) Yasuki (6) Gogenso (7) Hitashi (8) Awa (9) Kotsuke (10) Sagami (9) Kotsuke (après oct. 1105) (11) Izu Daimyo mort pendant la guerre, son gendre du clan (12) Kai (14) Suriga (15) Etchu Sugiga a hérité du fief (12) Kai (15) Etchu (après oct. 1105) (après oct. 1105) (13) Shinano (18) Totomi (18) Totomi (19) Mikawa (16) Noto (17) Shimosa (après oct. 1105) (19) Mikawa (après oct. 1105) (20) Saïcho Owari (21) Mimasaki (22) Nagato (23) Satsuma (clan dissous en oct.1105, le fief appartient au clan Sagami) L’EMPIRE SCARABEE © ANACHRONE 2007 3 ANACHRONE 2007 Les GARDIENS DU SEUIL Carte de l’Empire après la Guerre Civile (juin 1107) L’EMPIRE SCARABEE © ANACHRONE 2007 4 ANACHRONE Les GARDIENS DU SEUIL 2007 MON DES CLANS DE L’EMPIRE (après la Guerre Civile – juin 1107) (6) (3) (17) (10) (4) (7) (23) (20) (19) (5) Gogenso Sagami Saïcho Owari Yasuki (12) (15) (14) (11) (21) (9) (2) Kai Suriga Kotsuke (13) (8) Shinano (16) (22) (18) (1) Noto Nagato Totomi L’EMPIRE SCARABEE © ANACHRONE 2007 5 ANACHRONE 2007 Les GARDIENS DU SEUIL L’EMPIRE SCARABEE L’Empire Scarabée est une contrée rocailleuse et vallonnée, cernée à ses frontières Nord par une chaîne de montagnes (Monts Tatsu, cette région montagneuse abrite environ une centaine de volcans, dont une vingtaine est encore en activité, mais également de nombreuses sources d’eau chaude) ; au Sud, à l’Ouest et à l’Est, par un océan.
    [Show full text]
  • 615. Miyazaki Fumiko and Duncan Williams
    Japanese Journal of Religious Studies 2001 28/3–4 The Intersection of the Local and the Translocal at a Sacred Site The Case of Osorezan in Tokugawa Japan MIYAZAKI Fumiko and Duncan WILLIAMS Osorezan is often portrayed today as a remote place in the Shimokita Peninsula, a borderland between this world and the other world, where female mediums called itako communicate with the dead. This article is an attempt to sketch the historical development of Osorezan with evidence from local archives, travel records, temple collections, and inscriptions from stone monuments. With newly available local historical data, despite what temple pamphlets claim, we will establish that the cult of Jizõ (and the death-associated rituals associated with the bodhisattva) was a late Tokugawa-period development and that the female mediums who have made the site so famous only began their communications with the dead at the mountain in the twentieth century. Indeed, what the historical evi- dence suggests is that Osorezan was a complex site that developed late for a major pilgrimage destination, in which the other-worldly concern with the dead (through the worship of Jizõ) was only one aspect of the Osorezan cult. Major patrons of Osorezan in the Tokugawa period prayed for the success of their commercial enterprises there and local people viewed the site primarily as a place of hot spring cures. This article will examine the his- tory of Osorezan from its emergence as a local religious site during the mid- seventeenth until the end of the Tokugawa period, when it became a pilgrimage destination known throughout Japan.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities.
    [Show full text]
  • Brooklyn Zen Center Practice Period Commitment Form Fall 2015
    Brooklyn Zen Center Practice Period Commitment Form Fall 2015 The following three-page form is to support you in clarifying your intentions for the practice period. We have listed all practice period events of which we are currently aware so that you have ample time to schedule in the events you wish to attend. Please submit your practice period commitment form by Monday, September 14th to the jisha (teacher’s assistant), either in person or via [email protected]. Our mostly volunteer staff needs ample time to plan for the many roles and events that make up a practice period. Thank you! Please check the events you are committing to attend: ______ Wed, 9/16 Practice Period Opening Ceremony ______ Fri-Sun, 9/18-20 Three-day Retreat w/ Zenju Earthlyn Manuel ______ Sat, 9/26 Dharma Talk ______ Sat, 10/3 Dharma talk ______ Sat, 10/17 One-day Sit, 10am-6pm ______ Sun, 10/18 Half-day Sit, 10am-1pm ______ Sat, 10/24 Dharma talk ______ Wed, 10/28 Segaki Ceremony & Celebration ______ Sat, 10/31 Dharma Talk ______ Sat, 11/7 Dharma Talk ______ Sun, 11/15 Half-day Sit, 10am-1pm ______ Fri-Sun, 11/20-22 Three-day Workshop w/ Kaz Tanahashi ______ Sat, 12/5 Dharma Talk ______ Mon–Sun, 12/7–13 Rohatsu sesshin – 5 or 7 day participation permitted ______ Wed, 12/16 Practice period closing ceremony ______ I am committing to regular practice discussion with the following the following practice leader(s): Teah Strozer ______ Laura O’Loughlin ______ Greg Snyder ______ I am committing to the following ryo(s) (practice groups): doanryo (service practice led
    [Show full text]
  • Quantum Leap Stormdrum 3 Manual
    Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name.
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • Mythic Discourse: Essays on Mythology, Culture & Soul
    Mythic Discourse: Essays on Mythology, Culture & Soul Compiled by John Knight Lundwall Cosmos & Logos Press Salem, Utah 2006 Copyright © 2006, Cosmos & Logos Press 1026 South 550 West, Salem, Utah 84653 The individual authors of each essay contained within this book retain personal copyright ownership of their respective work. Authors may be contacted through the web site www.cosmosandlogos.com. Any reproduction or distribution of any essay or portion of any essay without prior written permission from its author is strictly prohibited. Cover, book design, and Introduction by John Knight Lundwall Table of Contents Introduction .................................................................1 The Salvation of Imagination ...................................................4 By Chris Laliberte – Presents a brief look at an important contribution of religious scholar Henry Corbin to the field of depth psychology by examining the way his translation and presentation of the Persian mystical concept of the Mundus Imaginalis has informed the field. Particular attention is given to the unique confluence of the Sufi theme of the "Voyage and the Messenger" and Carl Jung's own personal encounter with the unconscious. The Grateful Dead: Communitas Through Music and Dance . 16 By Ann Vermeer – The author finds a sense of the sacred through the modern ritual of concert- going. The music of the Grateful Dead and the experience of Grateful Dead concerts initiate and transform participants into new states of awareness and being. Epics: Of Ministers, Morticians and Architects . 29 By Terry Pearce – The author shows how the epic novel can recreate the past and project the future; not merely to define a need for change, but to transform that need into a call for progress.
    [Show full text]
  • Prayer on Mount Hiei
    Primary Source Document with Questions (DBQs) EXCERPTS FROM SELECTED WRITINGS BY SAICHŌ: “PRAYER ON MOUNT HIEI” “ON THE POSSIBILITY OF ENLIGHTENMENT FOR ALL MEN” “VOW OF THE UNINTERRUPTED STUDY OF THE LOTUS SŪTRA” “THE MAHAYANA PRECEPTS IN ADMONITIONS OF THE FANWANG SŪTRA” Introduction Saichō (767‐822), posthumously titled Dengyō Daishi, was the founder of the Tendai School in Japan, which became the most prominent branch of Buddhism throughout the Heian period. Saichō learned of the Chinese Tiantai teachings during his trip to China in 804. After returning to Japan, he founded the Enryakuji temple on Mt. Hiei near Kyoto. At that point, the main Buddhist rituals were shifted from being performed at Todaiji in Nara, which followed the Vinaya (Hīnayāna) precepts, to Enryakuji, which adhered strictly to the Bodhisattva (Mahāyāna) precepts. Saichō also wrote important doctrinal commentaries on the Lotus Sūtra. Document Excerpts with Questions From Sources of Japanese Tradition, compiled by Wm. Theodore de Bary, Donald Keene, George Tanabe, and Paul Varley, 2nd ed., vol. 1 (New York: Columbia University Press, 2001), 125, 129, 140, 142‐144. © 2001 Columbia University Press. Reproduced with the permission of the publisher. All rights reserved. Excerpts from Selected Writings by Saichō “Prayer on Mount Hiei” Oh Buddhas Of unexcelled complete enlightenment Bestow your invisible aid Upon this hut I open On the mountain top. [Dengyō Daishi zenshū IV, p. 756 (1912 ed.)] “On the Possibility of Enlightenment for All Men” In the lotus‑flower is implicit its emergence from the water. If it does not emerge, its blossoms will not open: in the emergence is implicit the blossoming.
    [Show full text]
  • Language and Culture Chapter 10 ぶんか にほんご 文化・日本語 Culture Bunka/Nihongo
    Language and Culture Chapter 10 ぶんか にほんご 文化・日本語 Culture Bunka/Nihongo ぶ ん か 文化 Bunka This section contains a brief overview of some aspects of Japanese culture that you ought to be aware of. If you would like to learn more about Japanese culture, there are a great many books on the subject. This overview is simply meant to help make your life in Japan a little bit easier. The best way to learn proper Japanese manners is to mimic those around you. Etiquette While Eating Like every other country, Japan has specific etiquette for mealtimes. When out to eat with Japanese friends or coworkers it is important to be aware of what is considered rude. いただきます itadakimasu. After sitting down to a meal, and just before beginning to eat, many Japanese will put their hands together, much like how Christians pray, and say itadakimasu. It is not actually a prayer, however, and literally translates as “I humbly receive this.” When out at a restaurant, it is not uncommon for the meals to come out as they are prepared, which may mean that you get your food before your companions, or they will get theirs first. Do not be surprised if they tell you to start eating or begin eating when the food comes. This is just Japanese custom. Generally before digging in you should say something like おさきにすみません osaki ni sumimasen, which means, “excuse me for going first.” They may urge you to eat. If this makes you uncomfortable it is perfectly ok to explain that in your culture you wait until everyone gets their food before eating, but they will not think ill of you for starting without them.
    [Show full text]
  • Japanese Business Concepts You Should Know
    1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004
    [Show full text]
  • Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City
    JonathanCatalogue 229 A. Hill, Bookseller JapaneseJAPANESE & AND Chinese CHINESE Books, BOOKS, Manuscripts,MANUSCRIPTS, and AND ScrollsSCROLLS Jonathan A. Hill, Bookseller Catalogue 229 item 29 Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City · 2019 JONATHAN A. HILL, BOOKSELLER 325 West End Avenue, Apt. 10 b New York, New York 10023-8143 telephone: 646-827-0724 home page: www.jonathanahill.com jonathan a. hill mobile: 917-294-2678 e-mail: [email protected] megumi k. hill mobile: 917-860-4862 e-mail: [email protected] yoshi hill mobile: 646-420-4652 e-mail: [email protected] member: International League of Antiquarian Booksellers, Antiquarian Booksellers’ Association of America & Verband Deutscher Antiquare terms are as usual: Any book returnable within five days of receipt, payment due within thirty days of receipt. Persons ordering for the first time are requested to remit with order, or supply suitable trade references. Residents of New York State should include appropriate sales tax. printed in china item 24 item 1 The Hot Springs of Atami 1. ATAMI HOT SPRINGS. Manuscript on paper, manuscript labels on upper covers entitled “Atami Onsen zuko” [“The Hot Springs of Atami, explained with illustrations”]. Written by Tsuki Shirai. 17 painted scenes, using brush and colors, on 63 pages. 34; 25; 22 folding leaves. Three vols. 8vo (270 x 187 mm.), orig. wrappers, modern stitch- ing. [ Japan]: late Edo. $12,500.00 This handsomely illustrated manuscript, written by Tsuki Shirai, describes and illustrates the famous hot springs of Atami (“hot ocean”), which have been known and appreciated since the 8th century.
    [Show full text]
  • A POPULAR DICTIONARY of Shinto
    A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first.
    [Show full text]