A POPULAR DICTIONARY of Shinto
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Department of Planning and Zoning
Department of Planning and Zoning Subject: Howard County Landscape Manual Updates: Recommended Street Tree List (Appendix B) and Recommended Plant List (Appendix C) - Effective July 1, 2010 To: DLD Review Staff Homebuilders Committee From: Kent Sheubrooks, Acting Chief Division of Land Development Date: July 1, 2010 Purpose: The purpose of this policy memorandum is to update the Recommended Plant Lists presently contained in the Landscape Manual. The plant lists were created for the first edition of the Manual in 1993 before information was available about invasive qualities of certain recommended plants contained in those lists (Norway Maple, Bradford Pear, etc.). Additionally, diseases and pests have made some other plants undesirable (Ash, Austrian Pine, etc.). The Howard County General Plan 2000 and subsequent environmental and community planning publications such as the Route 1 and Route 40 Manuals and the Green Neighborhood Design Guidelines have promoted the desirability of using native plants in landscape plantings. Therefore, this policy seeks to update the Recommended Plant Lists by identifying invasive plant species and disease or pest ridden plants for their removal and prohibition from further planting in Howard County and to add other available native plants which have desirable characteristics for street tree or general landscape use for inclusion on the Recommended Plant Lists. Please note that a comprehensive review of the street tree and landscape tree lists were conducted for the purpose of this update, however, only -
Decoration Day. I
I Railed from Oravotend 15'h AAelaM*. Howai, Col"uel "ar* them to command; Post Rankin. Vo. 10. O. A. I-ewig; Pout >®1 .-chr C'h'-rub, K.itclier, Uardluer lor New York, with Capetown: lfith, tlanslne, lor Charleston. men , wner-: tlerai udTtriuiru 6a® been in existence only rtven >eiirs. May 17. Arr.veu, Oazello, Bruno, lialtl- No. Post No. 84, J it th^W^litwVJ?,8 Cemetery, luiniier ti> I >< Ci eo.i . Losnjonuaaar, *'ratik lltd'l. 1(5; Malley, nave also charge of the , nioru. DECORATION DAY. I. Parley. At H\<t o'clock. Hunter, #x-Muyor 1,18 *r»ve« amid p,o- ?astor,tie I'assiouist Pattern ctir <: Koitero, I* letcher, Bordlngnam (or New York, N«« Mayor nun.t liie w ,u th<«ii county Almshouse and 1'enttentiary at snake Hill. io » I i.uuox. May ».Arrived, Mariana* III, Santoi. booth, I'revident James s. T. Strana mil, super- Ioanuluunu euenea® *rl! *£n.UPtUHobokeu Cem-terv wiili lumber J ri'ad. w At three o'clock iu the afternoon the ltisnop .chr I''111 r A Shut. Nutter. Bangor for New York, York. vl->or a. It. Imtcuer, John F. Henrv. Captain Tanner u"kl7ereii,'on?£ Licata, April SO.Arrived, 8 P Thurlow, Tabblttt, Me« l.° 10 St. iiridiret'-, church, oi whlcu thn with lumber to Simpson Jk Co. and l'r. Justin 1). la,ton iooi. their positions on ra'oVr'A-W' "y Mr- ->lu«t.enie. t tie proceeded New aiii i lau l lirll May 8 for N» w York). -
Chiba Annotation System That Enables Comparing University Under a JSPS Postdoctoral Fel- Spoken Data of Typologically Different Lan- Lowship Since November 2007
Series Research and Life in Japan by a JSPS Fellow (18) Hailing from Moscow, Russia, Dr. Zoya Japan is to gather corpora of Japanese Viktorovna Efimova has been conducting narratives and develop systematic princi- research with her host Dr. Wakana Kono at ples of universal transcription along with an the Graduate School of Humanities, Chiba annotation system that enables comparing University under a JSPS postdoctoral fel- spoken data of typologically different lan- lowship since November 2007. Dr. Efimova guages. Together with my colleague Dr. did her doctoral work under the supervision Kono, a specialist in Russian language, we of Prof. Vera Podlesskaya at the Institute of are working out principles for text repre- Linguistics, Russian State University for the sentation, which can apply to either Japa- Humanities (RSUH) in Russia, where Dr. nese or Russian. Based on the materials we Kono has conducted her own research in have prepared, I am also doing some con- the Russian language. Over about the past trastive studies of Japanese and Russian 10 years, the two have continued their re- discourse. Dr. Zoya Viktorovna Efimova search collaboration in the field of corpus Assistant Professor, Institute of Linguistics, Russian linguistics. Why did you originally choose Japanese as State University for the Humanities (RSUH) the object of your research? Ph.D. (Linguistics), RSUH, Russia, 2006 By the time this volume of the JSPS Quar- I chose Japanese almost accidentally. M.A. (Linguistics), RSUH, Russia, 2001 terly is issued, Dr. Efimova will have become I had entered the linguistics department at the mother of her second child. -
Tistic and Religious Aspects of Nosatsu (Senjafuda)
~TISTIC AND RELIGIOUS ASPECTS OF NOSATSU (SENJAFUD~ by MAYUMI TAK.ANASlU STEINMETZ A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 1985 iii Copyright Mayumi Takanashi Steinmetz 1985 iv An Abstract of the Thesis of Mayumi Takanashi Steinmetz for the degree of Master of Arts in the Interdisciplinary Studies Program: Asian Studies to be taken June 1985 Title: ARTISTIC AND RELIGIOUS ASPECTS OF NOSATSU (SENJAFUDA) Approved: Nosatsu is both a graphic art object and a religious object. Until very recently, scholars have ignored nosatsu because of its associations with superstition and low-class, uneducated ho.bbyists. Recently, however, a new interest in nosatsu has revived because of its connections to ukiyo-e. Early in its history, nosatsu was regarded as a means of showing devotion toward the bodhisattva.Kannon. However, during the Edo period, producing artistic nosatsu was emphasized. more than religious devotion. There was a revival of interest in nosatsu during the Meiji and Taisho periods, and its current popularity suggests a national Japanese nostalgia toward traditional Japan. Using the religious, anthropological, and art historical perspectives, this theses will examine nosatsu and the practices associated with it, discuss reasons for the changes from period to pe~iod, and explore the heritage and the changing values of the Japanese common people. V VITA NAME OF AUTHOR: Mayumi -
The "Kojiki" Narrated by Artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat)
Kokugakuin University Museum Special Exhibition The "Kojiki" narrated by artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat) Title Provenance Period/Year Collection Chapter 1 : Ōno Yasumaro and the editing of the Kojiki Tomb of Ōno Yasumaro, Nara city, Agency for Cultural Affairs - Yoro7, 723 Ōno Yasumaro's epitaph [photo] Nara pref. Photo : Archaeolgical Institute of Kashihara, Nara prefecture 1 Kojiki (Records of Ancient Matters) [replica] Recorded by Ōno Yasumaro Copied in Ouan4, 1371 Center for Kojiki Studies 2 Kojiki (Records of Ancient Matters) Recorded by Ōno Yasumaro Copied in Kanei 21, 1644 Center for Kojiki Studies 3 Kojiki Eden (Picture book of "Kojiki") Unknown Meiji period, 19c Center for Kojiki Studies Chapter 2 : The Birth of the Land Tatehokoyama site, Shirakawa city, Fukushima 4 Grave goods 〈Iron spearhead and all〉 The mid-Kofun period, 5c Kokugakuin University Museum pref. Anoukaigome no.3 kofun tumulus, Shiga prefectural - The late-Kofun period, 6c Miniature cook ware [photo] Ōtsu city, Shiga pref. Azuchi Castle Archaeological Museum Tobi Chausuyama kofun tumulus, 5 The early-Kofun period, 3c Kokugakuin University Museum Jar-shaped Haniwa (clay figure) Sakurai city, Nara pref. Kagamizuka kofun tumulus, 6 The early-Kofun period, 4c Kokugakuin University Museum Grave goods 〈Combs and all〉 Oarai town, Ibaraki pref. Uenoharu no.9 underground corridor-style burial - The mid-Kofun period, 5c Miyazaki prefectural board of education Human bones [photo] chamber, Kobayashi city, Miyazaki pref. 7 Dressed up men-shaped Haniwa (clay figure) Chiba pref. The late-Kofun period, 6c Kokugakuin University Museum Sakuragaoka kofun tumuls, 8 The mid-Kofun period, 5c Kokugakuin University Museum Gold crown [replica] Matsumoto city, Nagano pref. -
Elementi Bonaventura Ruperti Storia Del Teatro Giapponese Dalle Origini All’Ottocento Dalle Origini All’Ottocento
elementi Bonaventura Ruperti Storia del teatro giapponese dalle origini all’Ottocento Dalle origini all’Ottocento frontespizio provvisorio Marsilio Indice 9 Introduzione 9 Alternanza di aperture e chiusure 11 Continuità e discontinuità 12 Teatro e spettacolo in Giappone 16 Scrittura e scena 17 Trasmissione delle arti 22 Dal rito allo spettacolo 22 Miti, rito e spettacolo 25 Kagura: musica e danza divertimento degli dei 29 Riti e festività della coltura del riso: tamai, taasobi, dengaku 34 Dal continente all’arcipelago, dai culti locali alla corte imperiale 34 Forme di musica e spettacolo di ascendenza continentale. L’ingresso del buddhismo: gigaku 36 La liturgia buddhista: shōmyō 39 Il repertorio 40 L’universo delle musiche e danze di corte: gagaku 43 Il repertorio 43 Bugaku in copertina 45 Kangen Sakamaki/Tsukioka Kōgyo (1869-1927), 46 Canti e danze Sahoyama, 1901 48 Gli strumenti 49 I dodici suoni e le dodici tonalità 50 Il grande territorio dello spettacolo e lo sviluppo del teatro di rappresentazione: sangaku e sarugaku 53 Jushi 53 Okina © 2015 by Marsilio Editori® s.p.a. in Venezia 54 Ennen 55 Furyuˉ Prima edizione mese 2015 ISBN 978-88-317-xxxx-xx 57 Il nō 57 Definizione e genesi www.marsilioeditori.it 58 Origini e sviluppo storico 61 I trattati di Zeami Realizzazione editoriale Studio Polo 1116, Venezia 61 La poetica del fiore 5 Indice Indice 63 L’estetica della grazia 128 Classicità e attualità - Kaganojō e Tosanojō 65 La prospettiva di un attore 129 Il repertorio 68 Il dopo Zeami: Zenchiku 130 Il palcoscenico 69 L’epoca Tokugawa 131 L’avvento di Takemoto Gidayū - I teatri Takemoto e Toyotake 71 Hachijoˉ Kadensho 131 Un maestro della scrittura: Chikamatsu Monzaemon 71 Palcoscenico e artisti 133 L’opera di Chikamatsu Monzaemon 72 Testo drammatico e struttura 133 I drammi di ambientazione storica (jidaimono) 73 Dialogo rivelatore 134 I drammi di attualità (sewamono): adulteri e suicidi d’amore 75 Tipologie di drammi 136 Ki no Kaion e il teatro Toyotake 82 Il senso del ricreare 136 Testo drammatico e struttura 84 Musica 139 Dopo Chikamatsu. -
Afsnet.Org 2014 American Folklore Society Officers
American Folklore Society Keeping Folklorists Connected Folklore at the Crossroads 2014 Annual Meeting Program and Abstracts 2014 Annual Meeting Committee Executive Board Brent Björkman (Kentucky Folklife Program, Western The annual meeting would be impossible without these Kentucky University) volunteers: they put together sessions, arrange lectures, Maria Carmen Gambliel (Idaho Commission on the special events, and tours, and carefully weigh all proposals Arts, retired) to build a strong program. Maggie Holtzberg (Massachusetts Cultural Council) Margaret Kruesi (American Folklife Center) Local Planning Committee Coordinator David Todd Lawrence (University of St. Thomas) Laura Marcus Green (independent) Solimar Otero (Louisiana State University) Pravina Shukla (Indiana University) Local Planning Committee Diane Tye (Memorial University of Newfoundland) Marsha Bol (Museum of International Folk Art) Carolyn E. Ware (Louisiana State University) Antonio Chavarria (Museum of Indian Arts and Culture) Juwen Zhang (Willamette University) Nicolasa Chavez (Museum of International Folk Art) Felicia Katz-Harris (Museum of International Folk Art) Melanie LaBorwit (New Mexico Department of American Folklore Society Staff Cultural Affairs) Kathleen Manley (University of Northern Colorado, emerita) Executive Director Claude Stephenson (New Mexico State Folklorist, emeritus) Timothy Lloyd Suzanne Seriff (Museum of International Folk Art) [email protected] Steve Green (Western Folklife Center) 614/292-3375 Review Committee Coordinators Associate Director David A. Allred (Snow College) Lorraine Walsh Cashman Aunya P. R. Byrd (Lone Star College System) [email protected] Nancy C. McEntire (Indiana State University) 614/292-2199 Elaine Thatcher (Heritage Arts Services) Administrative and Editorial Associate Review Committee Readers Rob Vanscoyoc Carolyn Sue Allemand (University of Mary Hardin-Baylor) [email protected] Nelda R. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
Harvesting Tradition
VOLUME 7 NO. 16 SEPTEMBER 11 – SEPTEMBER 17, 2020 SUBMIT STORIES TO: [email protected] STRIPESJAPAN.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO HARVESTING ZAMA VETS GAIN TRUST WITH FURRY FRIENDS, HUMANS PAGE 3 TRADITIONDig deep into Japan’s lesser-known fall holidays Speakin’ Japanese Pages 8-9 AUTUMN AUDIBLES PAGE 4 WHY JAPANESE LUCKY CHARMS ARE AMAZING! PAGES 6-7 LIMITING PLASTIC USE IN JAPAN PAGES 10-11 Midnight and Mt.Fuji, full moon. Barbecues help Yokota’s new MELON PAN airmen get through quarantine MADNESS BY SETH ROBSON, U.S. personnel arriving in Japan must PAGES 12-13 STARS AND STRIPES spend 14 days in quarantine, which the Published: September 4, 2020 military calls “restriction of movement” or ROM, that’s designed to stop them YOKOTA AIR BASE — Some summer spreading the coronavirus to others at barbecues at the home of U.S. Forces Ja- their new home. pan in western Tokyo are To make sure the ex- a little out of the ordinary EXCLUSIVE NEWS FROM: Business cards, flyers, perience doesn’t feel like invitations and more! this year. a short stint in jail, the Contact The events for newly Air Force has come up arrived airmen are cho- with all sorts of things to printshop.stripes.com reographed affairs where 042-552-2510 (extension77315) amuse quarantined single airmen, in- the guests of honor don masks and keep cluding fortnightly barbecues. 227-7315 Volunteers dish out comfort food to quarantined service members at Yokota Air Base. their distance from the folks cooking Photo by Theron Godbold, Stars and Stripes their food. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Territoriality by Folk Boundaries and Social-Geographical Conditions in Shinto-Buddhist, Catholic, and Hidden Christian Rural Communities on Hirado Island, Western Japan
Geographical Review of Japan Series B 92(2): 51–71 (2019) Original Article The Association of Japanese Geographers Territoriality by Folk Boundaries http://www.ajg.or.jp and Social-Geographical Conditions in Shinto-Buddhist, Catholic, and Hidden Christian Rural Communities on Hirado Island, Western Japan IMAZATO Satoshi Faculty of Humanities, Kyushu University; Fukuoka 819–0395, Japan. E-mail: [email protected] Received December 10, 2018; Accepted November 24, 2019 Abstract This article explores how the sense of territoriality and various background conditions of Japanese rural communities affect the emergence of folk boundaries, which are viewed here as the contours of residents’ cognitive territory represented by religion-based symbolic markers. Specifically, I look at how the particular social-geograph- ical conditions of different communities create diverse conceptions of such boundaries, including the presence or absence of the boundaries, within the same region. Here, I focus on three Japanese villages encompassing seven local religious communities of Shinto-Buddhists, Catholics, and former Hidden Christians on Hirado Island in Kyushu. These villages are viewed respectively as examples of contrastive coexistence, degeneration, and expansion in territoriality. Among the seven religious communities, only those believing in Shinto-Buddhism, as well as Hid- den Christianity, have maintained their folk boundaries. These communities satisfy the conditions of an agglomer- ated settlement form, a size generally larger than ten households, a location isolated from other communities within the village, and strong social integration. In contrast, Catholics have not constructed such boundaries based on their historical process of settlement. However, they have influenced the forms of Shinto-Buddhists’ territoriality, although not those of Hidden Christians. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits.