Luzern, September 2007

Total Page:16

File Type:pdf, Size:1020Kb

Luzern, September 2007 Luzern, September 2007 Lucerne September 2007 LUCERNE'S LION MONUMENT After flying into Zurich and taking the train to Lucerne, we walked to the Lion monument... a very peaceful setting made all the more enjoyable with the knowledge that the return walk would be mostly downhill and followed by wine, cheese and chocolates! The traditionally neutral Swiss supplied mercenaries to foreign governments and enjoyed a reputation for honoring their agreements. In 1792 the Swiss Guards’ ABOVE: Bertel Thorwaldsen's Lõwendenkmal, Lucerne honor was put to the test, when --after trying to escape the French Revolution--King Louis XVI, Marie-Antoinette, and their children were hauled back to the Tuileries Palace in Paris. A mob of working-class Parisians stormed the palace in search of aristocratic blood. More than 700 Swiss officers and soldiers died while defending the palace, without knowing that their royal employers--like Elvis--had left the building. In the early 1800s, the Danish artist Bertel Thorvaldsen was hired to sculpt a monument to the fallen Swiss Guards. The sculpture was carved in a sandstone cliff above the city center HANS ERNI: Mondays, when many tourist attractions are closed, is a good day to walk the 2 miles from the Center of Lucerne to the Museum of Swiss Transportation which is co-located with an IMAX, a planetarium and a delightful collection of work by local artist Hans Emi. h t t p : / / w w w . h a n s - e r n i . c h / h t m l / l i t h o g r a p h i e n . h t m l JEAN NOUVEL’S KKL: Tuesday was chilly with a drizzle --perfect for visiting museums. First stop was Lucerne’s Museum of Art which is housed on the fourth floor of the “KKL” or Convention and Concert Hall. Designed by architect Jean Nouvel, the KKL is brilliant by night (top photo) if only stark and wonderfully functional by day (bottom). Its terraces offer spectacular views of the old city, a favor not exactly returned when viewed from the other side of the lake, but the structure is so shadowed during the day as to almost melt into the background and it actually camouflages some of the modern structures behind it (like our hotel). The Art Museum had a special exhibit juxtaposing Pablo Picasso and Francis Bacon -- the latter seemed like Picasso on downers – seriously twisted and not at all happy about it. I was happier with the works by another artist, André Thomkins and the free access granted museum visitors to the fifth floor terrace. André Thomkins, Lackskin, 1980/81 Lackfarbe auf Papier 250 x 200 cm Rosengart Collection: The second visual treat for the day came compliments of a father/daughter art dealer team, Siegfried and Angela Rosengart, who made significant donations to their adopted city of Lucerne. The collection includes 125 works by Paul Klee, 50 by Pablo Picasso, and a sampling of work by other classic modernists such as Cézanne, Chagall, Dufy, Kandinsky, Matisse, and Miró. I could have done with a few more Miró's, but I suppose that would have been greedy. PICASSO MIRÓ KLEE Portrait of Angela Rosengart Danseuse II, 1925 Herzdame, 1922 Lithograph 1964 Market Day: First Wednesday of the Month. While the goods seemed to be predominantly from India, I was able to catch a whiff of grilled wurst between gusts of incense. Mittagessen! Lunch! I thought of sharing some of my brotchen with the swans, but sensed there was a local taboo in this regard (probably backed up by a hefty fine as well). Unlike their bees, Lucerne’s swan population is non-aggressive and self-sufficient. They do not chase after handouts—or potential handout-ees. Why should a visitor disrupt the social status quo? Dessert was a chocolate covered banana. I suspect there is little the Swiss will not cover with chocolate. The real treat for the day was a visit to the Picasso Museum. (Yes! There really are THREE major collections of his work here.) Works from the last 20 years of his life are housed in one of the city's most beautiful old buildings, the historic Am-Rhyn- House. They are accompanied by an amazing exhibit of nearly 200 David Douglas Duncan photographs of the artist at work and at play with his wife Jaqueline, his children, his dachshund Lump, and his goat Esmeralda. The photographer gave him Lump. I don’t know who got his goat. Left: PABLO PICASSO/ MADOURA Ceramic charger, "Jacqueline Au Chevalet". Above Left: Gary Cooper instructing Picasso on shooting Above Right: Picasso wearing the Indian headdress that Cooper gave him Today’s Unexpected Finds around Lucerne. Before I forget, and this is especially for Gerrit and Irv, we had a very nice red wine at a Greek restaurant last night: Katogi Averoff/Metsovo. I started the day with a visit to the Jesuit Church of St. Francis Xavier, after whom my father was named. It is Baroque light with the delightful colors of alpine flowers. Two of Lucerne’s lesser know museums yielded some unexpected treasures. The history museum was, shall we say, eclectic. Amid the artifacts I would expect in such a beautiful old city were displays of kitchen appliances your grandmother had the good sense to throw out and a selection of undergarments, which for completeness included a pair of silky orange bikinis from the Seventies. However, perhaps as a reward for including a church on today’s itinerary, I was surprised to find the family crests of the Sforze’s of San Severino, a town near where my father was born (Sopravia di Nola) and which he mentioned in essays he wrote in college. Also of interest was the Palm Pilot like device visitors receive and which reads the bar codes beneath the displays and delivers a description of the items on the device’s screen in the language of your choice (provided its German, French, Italian, or English). And a final technical note, this rather dusty museum with its old display cases is wired so that lights are motion activated—as are our hotel hallways…a nice environmental touch. There was snow on the mountains this morning! The Natural History museum at first seemed as though it would be a bust—the first two floors were decidedly designed for K-2 students, although one of the displays solved the question of the identity of a bird I had noticed on the lake. It’s the fulica atra, aka a coot, whose rather formal attire fits in quite nicely with the tuxedoed musicians who hang out on the terrace of the concert hall drinking wine. The third floor proved to be a charm hosting a photographic exhibit of winners of the 2006 European Nature Photo awards. As luck would have it, the only two photos from the exhibit that I was able to find on the internet were: - the one I wanted Kate to see of a hooded crow trying to open a bottle (or so the photographer claimed) and - the one for our favorite otter researcher, Debbie Boege-Tobin, of a Giant Otter eating a Piranha. Markus Varesvuo Hooded Crow The fourth floor stood in sharp contrast to the lower levels revealing a modern security vault for a prized insect collection. Each safety deposit box was whooshed open by placing your museum entrance card into a slot above the doors – and what a collection it was! The arrangement of the iridescent beetles looked like earrings on display in a jewelry store. I must admit I left there Manuel Presti Brazil feeling rather bug eyed. Today was a bear of a day: good for me, bad for Wall Street. I took the train to Bern, the Swiss capital which bears the name of its mascots. Here is a picture of the three bears especially for Francesca and Marisa who are interested in the animals I am encountering here. Bears have been kept in the Bern Bear Pit for more than 600 years. Their habitat includes rocks and caves, a fir tree for climbing, and a deep water basin for swimming. My bus passed by them on the way to the Paul Klee Zentrum, an undulating art center designed by Renzo Piano. You can see how it seems to grow out of the landscape. Over time more of it will likely be overgrown as wild flowers and grasses slowly creep over the structure. You might want to check out more photos of this wonderful building at this web site. http://www.galinsky.com/buildings/paulkleecenter/index.html Here are a few of my favorites from the collection and a website where you can see all of them: Klee Collection Today’s chocolate was filled with Remy Martin; we will have much to repent upon our return. Lake Boat Cog Train Gondola Tunnel vision and crow’s feet take on whole new meanings here. Engineering feats literally are of monumental proportions with trains burrowing through mountains with apparent ease, though the Swiss seem just as happy to go up as well as through the steep inclines. Today’s journey to Mt. Pilatus (2132 meters high) started by boat and continued on a 4600-meter stretch of railway. This is the world's steepest cogwheel railway (maximum 48% gradient). At the summit we were greeted by Alpenhorn players and Alpendohlen, both of which are extremely tame and well-fed, but the latter captivated us when they graciously accompanied us on our hike and then joined us for lunch. It wouldn't be far from the truth to say that, if you have seen one Alp, you have seen them all for on a sunny day there are many peaks visible; the Jungfrau and Eiger were just two that were visible today from Pilatus.
Recommended publications
  • Art, Crafts and Design As Themes on Swiss Stamps Richard Donithorn
    Art, Crafts and Design as Themes on Swiss Stamps Richard Donithorn -------------------------------------------------------------------------------------------------------------------------------------------------------- Art, Crafts and Design as Themes on Swiss Stamps Zumstein catalogue numbers are used throughout this document. The compiler would welcome answers to the queries (??) highlighted and any other corrections/additions to the text. Painters and Painters' works on stamps . Z243 Historical Subjects Definitives – Based on painting by James Vibert – 'The Oath of Union'. Z244, 245, 246 of Yr.1941 Historical Subjects Definitives - based on paintings by Ferdinand Hodler showing William Tell, 'The Kneeling Warrior' and 'The Dying Ensign'. The latter two?? from the painting 'Rückzug aus Marignano'. Z247 Historic Subjects Definitive – Based on painting by Niklaus Deutsch 'The Standard Bearer'. Z511 Portrait of Alberto Giacometti by Hans Erni . Z513 Portrait of Le Corbusier by Hans Erni . Z565 – 567 Europa theme: Painting – 'Le Mönch' ('The Monk') - Ferdinand Hodler, 'Still Life with Guitar' - René Auberjonois, 'L'efeuilleuse' - Maurice Barraud . Z627 Portrait of Paul Klee by Hans Erni . Z637 Swiss Arts and Craft Centre 50th Anniversary . Z638 Centenary of the Swiss Art History Society . Z651 'The Parish Clerk' by Albert Anker . Z725/26 Europa theme: 'Protection of Nature & the Environment'–Man/Woman's heads by Hans Erni . Z769 Swiss-French joint issue - 'Meta' by Jean Tinguely . Z802 Portrait of Angelika Kaufmann by Hans Erni (also appears on Liechtenstein Z750) . Z804 Portrait of Frank Buchser by Hans Erni . Z827 Sketch of statue of Christopher Columbus by Vincenzo Vela . Z828 – 830 Comic/Graphic Art – Bernard Cosendal, Phillippe Chappuis, Yves Robellaz . Z848 – 851 Women artists: Pictures titled: 'Work No. 095' by Emma Kunz, 'Great Singer Lilas Goergens' by Aloïse, 'Under the Rain Cloud' by Meret Oppenheim, 'Four Spaces with Horizontal Band' by Sophie Taeuber-Arp (see also Dadaism stamp in Yr.
    [Show full text]
  • Elmyrdehory, Artist and Faker
    Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz.
    [Show full text]
  • The Moneymuseum Collection of Bibliophile Books
    ! The MoneyMuseum Collection of Bibliophile Books A!bibliophile!book!represents!not!only!the!intellectual!achievement!of!an!author!but!the!combined! skills!of!the!artisans!and!artists!who!produced!it!—!the!designer,!the!papermaker,!the!printer,!the! lithographer!and!finally,!the!bookbinder.!Together!they!create!an!object!that!often!needs!years!of! intensive!individual!and!collective!work.!! A!bibliophile!book!is!a!labor!of!love,!art!and!craft,!and!it!also!serves!as!a!record!of!a!particular! moment!in!time.!That!is!no!less!true!for!artisanal!modern!books,!even!with!all!the!recent!technical! advances!in!the!production!of!fine!books!in!areas!like!typography!and!photographic!processing! and!reproduction.!A!beautiful!book!is!a!joy!to!behold.! The!bibliophile!books!in!the!MoneyMuseum’s!collection!may!not!appeal!to!the!broadest!possible! sector!of!the!public!but!they!will!always!be!appreciated!by!those!who!understand!their!many,!very! special!qualities.! ! ! ! ! 1 von 25! !! www.sunflower.ch! ! Chinese Woodblock Prints ! This volume results from a collaboration between the eminent art historian Tcheng-Chen-To and the celebrated author Lu Hsun. The colored woodblock prints date from the late Ming Dynasty and were first published in 1644. Collected in the Shih Chu studio, Beijing Editor: Jung Pao Chai Hsin Chi, Beijing Woodblock!printing!uses!relief!carving!on!a!block!of!hardwood!to!transfer!ink,!and!later,!color,!to! paper.!The!white!areas!on!the!paper!appear!where!the!block!of!wood!has!been!carved!away!so! that!it!does!not!come!in!contact!with!the!paper.!!
    [Show full text]
  • Plakate Hans Erni
    Plakate Hans Erni 1953-1967 1 2 Plakate von Hans Erni 1953-1967 3 4 Erni Hans * 1909 Luzern, †2015 ebenda Nach einer Lehre als Vermessungstechniker und als Bauzeichner in einem Archi- tekturbüro besuchte Hans Erni 1927 und 1928 die Kunstgewerbeschule in Luzern. Anschliessend verbrachte Erni Studienaufenthalte an der Académie Julian in Paris und an der Akademie in Berlin. Es folgten zahlreiche Reisen durch Europa und Afrika; zwischen 1929 und 1933 war sein Wohnsitz abwechselnd Luzern und Paris. In Paris machte Erni Bekanntschaft mit Kandinsky, Klee, Braque und Picasso, und wurde Mitglied der Pariser Künstlergruppe «Abstraction-Création» – eine kosmopo- litische Vereinigung von Künstlern der Moderne. 1935 Mitglied des Schweizerischen Werkbundes (SWB), 1937 Mitbegründer der Gruppe abstrakter Schweizer Künstler «Allianz». Für die Schweizerische Landesausstellung in Zürich 1939 schuf er ein 91 Meter langes und fünf Meter hohes Wandbild mit dem Titel «Die Schweiz, das Ferienland der Völker», mit dem er in der breiten Öffentlichkeit bekannt wurde. Seit diesem Zeitpunkt erhielt er zahlreiche Aufträge für Wandbilder und Plakate. Ernis künstlerische Arbeiten umfassen ein breites Spektrum: 1950 entstanden die ersten Keramiken, anfangs der 1960er-Jahre erste Bronze-Skulpturen. Auch den Philatelisten ist Hans Erni ein Begriff: 1965 gestaltete er die ersten fünf Briefmarken «Pro Juventute» für die PTT, auch für das Fürstentum Liechtenstein entwarf er drei Briefmarken-Serien. 1967 erhielt er den Luzerner Kunstpreis, 1979 wurde das Hans Erni Museum im Verkehrshaus der Schweiz in Luzern eröffnet. Bemerkenswert ist, dass Hans Erni, wie auch Hans Falk, seine Kunst nie in den Dienst der Wirtschaftswerbung stellte. So arbeitete er neben den Plakaten für den Tourismus, hauptsächlich für humanitäre-, kulturelle- und soziale Institutionen.
    [Show full text]
  • Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
    1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (1875– 1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years.
    [Show full text]
  • History of the Arts in the Olympic Games
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the q u alityo f the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission ofof the the copyrightcopyright owner.owner. FurtherFurther reproduction reproduction prohibited prohibited without without permission.
    [Show full text]
  • BOOKS ABOUT ARTISTS Catalogue 72 – January 2013
    BOOKS ABOUT ARTISTS Catalogue 72 – January 2013 1. (Aaltonen, Waino). WAINO AALTONEN by Onni Okkonen. Finland, 1945. 4to., boards, DJ, 31pp. text, 96 illustrations of sculpture in photogravure. Text in Swedish and Finnish. VG/VG $12.50 2. (Adam, Robert). ROBERT ADAM & HIS BROTHERS - Their Lives, Work & Influence by John Swarbrick. Scribners, NY, 1915. 4to., 316pp., t.e.g., illustrated. An important reference on one the leading British architect/designers of the 18th Century. A near fine copy. $125.00 3. (Albers, Josef). THE PRINTS OF JOSEF ALBERS - A CATALOGUE RAISONNE1915-1976 by Brenda Danilowitz. Hudson Hills Press, NY, 2001. 4to., cloth, DJ, 215pp. illustrated. Fine in Fine DJ. $75.00 4. (Albright, Ivan). IVAN ALBRIGHT by Michael Croydon. Abbeville, NY, 1978. Folio, cloth, DJ, 308pp., 170 illustrations, 83 in color. F/F $100.00 5. Ali. BEYOND THE BIG TOP. Godine/Pucker Safrai, Boston, 1988. Obl. 4to., cloth, DJ, text and 97 works illustrated, mostly in color. Fine/Fine. $10.00 6. (Allemand, Louis-Hector). LOUIS-HECTOR ALLEMAND - PEINTRE GRAVEUR LYONNAIS 1809-1886 by Paul Proute et al. Paris, 1977. 4to., wraps, 82 prints pictured and described. Fine. $25.00 7. (Allori et al, Allessandro). FROM STUDIO TO STUDIOLO - FLORENTINE DRAFTSMANSHIP UNDER THE FIRST MEDICI GRAND DUKES by Larry J. Feinberg. Oberlin, 1991. 4to., wraps, 211pp, 60 items catalogued and illustrated. Fine. $17.50 8. (Allston, Washington). "A MAN OF GENIUS" - THE ART OF WASHINGTON ALLSTON by Gerdts and Stebbins. MFA< boston, 1979. 4to., cloth, DJ, 256pp., 24 color plates, 162 b/w illustrations. Fine, DJ has white spots on back panel.
    [Show full text]
  • Hans Erni, Un Peintre Dans Le Siècle
    Fiche pédagogique Hans Erni, un peintre dans le siècle Sortie prévue en salles 10 février 2010 Titre original : Hans Erni, un Résumé Cette gloire tardive ne l'émeut peintre dans le siècle plus guère et une seule chose Film long métrage documentaire, On a fêté en 2009 le centenaire semble compter : poursuivre sa CH 2010 de l'artiste, qui vit à Lucerne, sa création artistique. ville d'origine. Connu de longue Le réalisateur Raphaël Blanc et le Réalisation : Raphaël Blanc et date pour son humanisme sans journaliste Jean-Philippe Rapp ont Jean-Philippe Rapp frontières et son art bien particu- suivi l’artiste pendant trois ans et Intervenants : Hans et Doris Erni, lier, combinant des formes abs- recueilli les témoignages de plu- Karl Bühlmann, Andreas Furger, traites et dynamiques avec des sieurs "témoins du siècle" helvé- Hans-Ulrich Jost, Jean Charles motifs picturaux figuratifs préci- tiques, venant des milieux aca- Giroud, Léonard Gianadda, Stani- slas von Moos, Ruth Dreifuss, sément délimités de blanc, Hans démique, historique, artistique, Thomi Wolfensberger Pascal Cou- Erni est une figure incontournable politique, etc. chepin, Micheline Calmy-Rey, du XXe siècle. Il se livre avec Travailleur acharné et prolifique modestie et simplicité face à la aux multiples talents, Erni raconte Scénario : Raphaël Blanc, Ann- Kathrin Graf, Ian Jaquier caméra de Raphaël Blanc. son parcours. Son œuvre est pro- Il rend hommage à ses parents, fondément ancrée dans la réalité Photographie : Henri Guareschi raconte ses écoles et apprentis- suisse et dans l'histoire du siècle sages, ses premiers pas dans le dernier qui est à la fois la toile de Production et Distribution : Arté- mis-Films Productions, Genève monde de la peinture.
    [Show full text]
  • SEASON's GREETINGS ! the 100 Th ANNIVERSARY of the FIELD POST in SWITZERLAND 1889 – 1989 ARTHUR WYSS
    HELVETIA PHILATELIC SOCIETY OF GREAT BRITAIN Founded 1946 President: Claude Mistely NEWSLETTER – DECEMBER 2013 www.swiss-philately.co.uk Secretary: Neville Nelder, Little Pastures,London Road,Stroud,Glos.GL5 2AT Email: [email protected] Tel. 01453 750825 Editor: Richard Donithorn, 10 Park Drive, Felpham, West Sussex, PO22 7RD Tel. 01243 583237 SEASON'S GREETINGS ! THE 100 th ANNIVERSARY OF THE FIELD POST IN SWITZERLAND 1889 – 1989 ARTHUR WYSS Translated by Eric Lienhard from '100 Jahre Feldpost in der Schweiz 1889-1989' published by Swiss Post. The Helvetia Philatelic Society thanks the author, Arthur Wyss, and Swiss Post, Bern for permission to use the text material and illustrations in an English translation. All copyrights remain with Swiss Post. Thanks to Eric, our vice-chairman, for his painstaking translation which will appear in several parts over the next twelve months. Fig. 1 Fig. 2 1. Before the Existence of Field Post (FP) The lexicon defines simply: "FP is a branch of the postal service which ensures the postal connection between the military and home as well as within the military". Thus it is at the same time the communication channel between the army and the people as well as between the individual troop contingents. The military transmission of orders and reports at the front by means of mounted couriers, pigeon post as well as optical and acoustic signals – these days mainly by wireless – does not belong in this category and remains excluded. Basic military post existed in antiquity, in the Middle Ages and in recent times. In 1425, during a military action in the Eschental, Bern maintained for a short time a messenger service to Domodossola with stations in Meiringen and Münster (Goms).
    [Show full text]
  • Structure of the Olympic Movement
    STRUCTURE OF THE OLYMPIC MOVEMENT In addition to the International Olympic Committee, the Olympic Movement includes the International Federations (IFs), the National Olympic Committees (NOCs), the Organising Committees for the Olympic Games (OCOGs), the national associations, clubs, the athletes, judges and referees, coaches and the other sports technicians. It also includes other organisations and institutions recognised by the IOC. Final version: 31 January 2002 part 3/4 © copyright IOC 2002, all rights reserved THE INTERNATIONAL OLYMPIC COMMITTEE The International Olympic Committee is the supreme authority of the Olympic Movement. Its role is to promote top-level sport as well as sport for all in accordance with the Olympic Charter. It ensures the regular celebration of the Olympic Games and strongly encourages, by appropriate means, the promotion of women in sport, that of sports ethics and the protection of athletes. In accordance with the recent reforms, the IOC is composed of a maximum of 115 co-opted members who meet in Session at least once a year. The Session elects a President for a term of eight years, renewable once for four years and Executive Board members for terms of four years. By retaining all rights relating to the organisation, marketing, broadcasting and reproduction of the Olympic Games, the IOC ensures the continuity of a unique and universal event. Final version: 31 January 2002 part 3/4 © copyright IOC 2002, all rights reserved THE IOC PRESIDENT The Chevalier Dr Jacques Rogge (Belgium) is the eigthth IOC President. Co-opted into the IOC in 1991 he was elected President on 16th July 2001 by the 112th IOC Session for an eight-year term.
    [Show full text]
  • Olympic Games + International Sport– 100 Titles
    OLYMPIC GAMES + INTERNATIONAL SPORT– 100 TITLES 1912 STOCKHOLM GAMES 1. Olympiska Spelen I Stockholm 1912 Stockholm. Gustaf G. Uggla. Svenska Bokförlaget. Lg. 8vo. 726pp. Gilt-decorated lavender cloth binding with dust jacket. Light rubbing to edges. Tearing and two small chips to dj; head and tail of dj spine and bottom edge repaired with modern scotch tape. Spine sunned. Marble endpapers. Profusely illustrated with annotated b/w photos. Scarce in dust jacket. (13376) $650. 2. Fifth Olympiad: Olympic Games of Stockholm, Sweden 1912 Programme and General Regulations Swedish Olympic Committee. 8vo. 36pp. Original decorated brown wrappers. Illustrated with three annotated b/w photos, one plan and some charts. Summary of the regulations of the most popular disciplines: Athletics, Lawn Tennis, Modern Pentathlon, Football, Gymnastics, Shooting, Rowing, Yacht Racing, etc. (22584) $375. 3. Die Konkurrenzen zu Pferde an den Olympischen Spielen zu Stockolm Schickhardt & Ebner. Stuttgart, 1913. 8vo. xi, 204pp. With 53 photographs by Gustav Rau. Rebound with illustrated wrapper laid down. Slightly warped. Minor rubbing to edges. Illustrated with annotated b/w photographs and charts. Some minor underlining. (22585) $500. 4. Den Femte Olympiaden Olympiska Spelen I Stockholm 1912 I Bild Och Ord Stockholm, 1912. Oblong folio. Blue cloth with decorative gilt stamping. Wrapper of Issue #1 laid in. Illustrated with annotated b/w photos; some color. (13366) $650. 5. Olympische Spiele Stockholm 1912 Veranstaltet vom Internationalem Olympischen Komitee. Präsident Baron Pierre De Coubertin. Eichenberger, A.; Julius Wagner (ed.). Folio. viii, ads + 136 pp. + ads. Grey cloth binding. Minor age rubbing to edges. Foxing throughout. Head of spine frayed. Frontispiece.
    [Show full text]
  • Syracuse University Art Galleries
    E X H I BIT ION o F W 0 R K B Y Syracuse University Art Galleries In the es of the Joe and Emi Lowe Art Center, School of Art S Y R A C USE U N I V E R SIT Y 13 through May 15, 1958 A artist need not have any knowledge of the sciences or of , may take little interest in major , and may be without literary or culture. It is, of course, in- that he should not be intell in his own art. But he may limit his art to mere craftsmanship. This is something that Hans Erni ects and refuses One him at in much the same frame of mind as Hugo, who 1t1 shall be Chateaubriand or " I see the adolescent Erni proclaiming with pride: "I shall be da Vinci, Picasso - or noth " He is on way to He is, so to , a complete in the arts. A native of the mountains, a in also a man with a lively interest in all calculated to widen vision and enrich He , but more completely the influence of the great art: Mondrian, Calder, Kand , the Blaue Reiter group. He has looked at the of the Renaissance and Picasso, who was remains the master whom he found himself - a master in his turn. He has not re- stricted his icesh to the arts. He also studied Greek literature and ics, and the social sciences. Many-sided in his own work (he is at home with the 1 and e fresco, the engraving and the poster, the mural and the illustration, the oil painting and the pastel ), he is no less versatile in his cultureo Hans Erni is a man who has era with enthusiasm and method, and is achi and in his work something very like a modern humanism .
    [Show full text]