Arts and Culture in Davos 2013
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Vik Muniz N./B. 1961, São Paulo, Brazil Vive E Trabalha/Lives and Works in Rio De Janeiro and New York
vik muniz n./b. 1961, são paulo, brazil vive e trabalha/lives and works in rio de janeiro and new york formação / education B.A. in Advertising from Fundação Armando Álvares Penteado (FAAP), São Paulo, Brazil exposições (seleção) / exhibitions (selection) individuais em negrito / solo exhibitions in bold 2018 Vik Muniz, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Verso, Belvedere Museum Vienna, Vienna, Austria Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Philadelphia, USA 2017 Vik Muniz: Handmade, Rena Bransten Gallery, San Francisco, USA Afterglow (Pictures of Ruin), Palazzo Cini, Venice, Italy Vik Muniz, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Vik Muniz: a Retrospective, Eskenazi Museum of Art, Bloomington, USA Troposphere – Chinese and Brazilian Contemporary Art, Beijing Minsheng Art Museum, Beijing, China Look at Me!: Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection, Pera Museum, Istanbul, Turkey Pledges of Allegiance, Spencer Museum of Art, University of Kansas, Lawrence, USA Ways of Seeing, Fondation Boghossian - Villa Empain, Brussels, Belgium This Is Not a Selfie – Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, San Jose Museum of Art, San Jose, USA Glassstrass, Palazzo Franchetti, Venice, Italy A Vastidão dos Mapas, Museu Oscar Niemeyer (MON), Curitiba, Brazil Trazas simultáneas, Embaixada do BrasilArgentina, Espacio Cultural, Argentin 2016 Handmade, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz, High Museum of Art, -
Born in 1961 in São Paulo, Brazil. Lives and Works Between New York, USA and Rio De Janeiro, Brazil
VIK MUNIZ Born in 1961 in São Paulo, Brazil. Lives and works between New York, USA and Rio de Janeiro, Brazil SOLO SHOWS 2020 Vik Muniz, ArtScience Museum, Singapore, Singapore (upcoming) El ilusionista, Museo de la Universidad de Navarra, Pamplona, Spain (upcoming) Vik Muniz: Surfaces, Rena Bransten Gallery, San Francisco, USA 2019 Vik Muniz, Sarasota Museum of Art – Ringling College of Art + Design, USA Surfaces, Baronian Xippas, Paris, France The Skateroom x Vik Muniz, Baronian Xippas, Paris, France Surfaces, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz. Pictures of Paint, Sikkema Jenkins & Co., New York, USA Vik Muniz: Handmade, Xippas Gallery, Geneva, Switzerland Vik Muniz: Real Pictures, Ben Brown Fine Arts, London, UK Vik Muniz: Imaginária, Collection Lambert, Avignon, France. Travelling: Museu de Arte Moderna da Bahia, Salvador da Bahia, Brazil Vik Muniz: Hand Remade, FIGGE Art Museum, Davenport, USA 2018 Imaginaria, Casa Santa Ignez, Rio de Janeiro, Brazil Vik Muniz, Pictures of Garbage, Air and Others, UNESCO, Paris, France Vik Muniz, Barnes Saint-Honoré, Paris, France Vik Muniz. Photography and the Rebirth of Wonder, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Handmade, Xippas Gallery, Paris, France Vik Muniz: Verso, Belvedere Museum, Vienna, Austria Vik Muniz, Dirimart Dolapdere, Istambul, Turkey 2017 Vik Muniz, Rena Bransten Gallery, San Francisco, USA Handmade, Galería Elba Benítez, Madrid, Spain Vik Muniz, nca | nichido contemporary art, Tokyo, Japan Afterglow: Pictures of Ruins, Palazzo Cini Gallery, Venice, Italy -
DOSSIER DE PRENSA Product Design Madrid Interviene Con Piezas De Diseño Contemporáneo El Museo Nacional De Artes Decorativas
DOSSIER DE PRENSA Product Design Madrid interviene con piezas de diseño contemporáneo el Museo Nacional de Artes Decorativas • Durante casi dos meses, 36 piezas de artistas y diseñadores actua- les dialogarán con piezas de la colección del Museo Nacional de Artes Decorativas • La exposición ‘Art Design: Diálogo entre dos épocas’ coincide con la semana de las grandes ferias de arte de Madrid y está recomendada por ARCO en su programa VIP Madrid. 5 de febrero de 2014.- La Plataforma Internacional de Diseño Industrial Product Design Madrid (PDM) y el Museo Nacional de Artes Decorativas (MNAD) organizan ‘Art Design: Diálogo entre dos épocas’, una exposición comisariada por Rossana Orlandi que tendrá lugar en el MNAD del 13 de febrero al 30 de marzo. Esta muestra supone un hito para el sector del diseño ya que es la primera vez que un grupo de piezas de Art Design entra en un museo de Madrid para convivir con su colección. ‘Art Design: Diálogo entre dos épocas’ se desarrollará en la tercera planta del MNAD, espacio donde se ex- ponen objetos de época Borbónica del siglo XVIII. De esta forma, las piezas de Art Design seleccionadas se expondrán en el recorrido habitual del museo con la intención de crear un diálogo entre piezas de diferentes siglos. La exposición se inaugurará el día 13 de febrero a las 19:00 horas, y coincidirá con la semana de las ferias de arte de Madrid. Además, ARCO (Feria de Arte Contemporáneo) incluirá ‘Art Design: Diálogo entre dos épocas’ como exposición recomendada en su programa VIP. Los productos que conforman la muestra son algunas de las piezas de Art Design que fueron selecciona- das entre todos los participantes de la Feria de Diseño Industrial PDM2, que tuvo lugar el pasado mes de noviembre en el Colegio Oficial de Arquitectos de Madrid. -
Leilão Online 23 E 24 Março 2020 Jucesp Nº 336
LEILÃO ONLINE 23 E 24 MARÇO 2020 JUCESP Nº 336 LEILÃO ONLINE 23 E 24 DE MARÇO DE 2020 www.leilaodearte.com LEILÃO ONLINE 23 E 24 DE MARÇO DE 2020 LEILÃO DIA 23 DE MARÇO ÀS 21H LEILÃO DIA 24 DE MARÇO ÀS 20H EXCLUSIVAMENTE ONLINE EXCLUSIVAMENTE ONLINE Para participar online faça já o seu cadastro Para participar online faça já o seu cadastro através do nosso site www.leilaodearte.com através do nosso site www.leilaodearte.com É necessária a aprovação prévia do seu É necessária a aprovação prévia do seu cadastro até 24h antes do leilão. cadastro até 24h antes do leilão. LANCES PRÉVIOS O pregão acontecerá exclusivamente na Por telefone ou e-mail plataforma online a partir das 19:45h, após o [email protected] início do leilão cada lote terá um intervalo de 30 segundos para outro arrematante cobrir o LANCES POR TELEFONE lance, consecutivamente. Após o término desse Cadastro prévio até as 18h do dia do Leilão intervalo o lote será encerrado. Tel (11) 3061-3155 (11) 3578-5919 www.leilaodearte.com No dia do pregão as obras serão apresentadas somente por projeção, a apreciação física das mesmas poderá ser feita durante a exposição. Não é de responsabilidade do Leiloeiro qualquer problema referente à falha de sistema, cadastro, manutenção de conexão com internet, ou outros relacionados, que por ventura venham a ocorrer no momento da licitação e que impeçam o USUÁRIO do sistema online de participar do leilão. EXPOSIÇÃO Veja fotos e vídeos através do site www.leilaodearte.com Solicite mais informações através do WhatsApp +55 11 93361-8643 @jameslisboaarte /jameslisboaleiloes 1 MARIO ZANINI Marinha 33 x 48 cm carvão sobre papel ass. -
Dois Olhares Sobre O Mesmo Sujeito: Aproximações Em Arte E Direito Two Views on the Same Subject
This version of Total HTML Converter is unregistered. DOIS OLHARES SOBRE O MESMO SUJEITO: APROXIMAÇÕES EM ARTE E DIREITO TWO VIEWS ON THE SAME SUBJECT: APPROACHES IN ARTS AND LAW Luciana Pedroso Xavier Marcelo Miguel Conrado RESUMO O presente trabalho tem como objetivo travar um diálogo entre as Artes Visuais e o Direito, demonstrando suas aproximações e contrapontos e levando em consideração a idéia de transdisciplinaridade. Tal intermediação será feita a partir das obras do artista plástico brasileiro Vik Muniz, o qual trabalha com retratos de pessoas feitos com materiais intimamente ligados ao(s) sentido(s) almejados – mas não limitados – pelo artista. Além disso, Muniz tem como característica produzir obras abertas à interpretação por parte do expectador. Desse modo, pretende-se refletir acerca do sujeito de direito contemporâneo, que passa a ser visto na dimensão da coexistencialidade, sendo aos poucos construído pelo olhar do outro. PALAVRAS-CHAVES: transdisciplinaridade; artes visuais; sujeito de direito; fotografia. ABSTRACT This paper aims to hold a dialogue between the visual arts and law, demonstrating their approaches and counterpoints and considering the notion of transdisciplinarity. Such mediation shall be made from the works of the Brazilian artist Vik Muniz, whose work depicts portraits of people made of materials closely related to the sense(s) desired - but not limited - by the artist. In addition, Muniz has the characteristic of producing works open to the interpretation of the viewer. Thus, a reflection is intended on the subject of contemporary law, who is to be seen in the dimension of co-existentiality, slowly being constructed through the gaze of others. -
Duke University Dissertation Template
‘Christ the Redeemer Turns His Back on Us:’ Urban Black Struggle in Rio’s Baixada Fluminense by Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Migolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT ‘Christ the Redeemer Turns His Back on Us:’ Black Urban Struggle in Rio’s Baixada Fluminense By Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Mignolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Stephanie Virginia Reist 2018 Abstract “Even Christ the Redeemer has turned his back to us” a young, Black female resident of the Baixada Fluminense told me. The 13 municipalities that make up this suburban periphery of -
Art, Crafts and Design As Themes on Swiss Stamps Richard Donithorn
Art, Crafts and Design as Themes on Swiss Stamps Richard Donithorn -------------------------------------------------------------------------------------------------------------------------------------------------------- Art, Crafts and Design as Themes on Swiss Stamps Zumstein catalogue numbers are used throughout this document. The compiler would welcome answers to the queries (??) highlighted and any other corrections/additions to the text. Painters and Painters' works on stamps . Z243 Historical Subjects Definitives – Based on painting by James Vibert – 'The Oath of Union'. Z244, 245, 246 of Yr.1941 Historical Subjects Definitives - based on paintings by Ferdinand Hodler showing William Tell, 'The Kneeling Warrior' and 'The Dying Ensign'. The latter two?? from the painting 'Rückzug aus Marignano'. Z247 Historic Subjects Definitive – Based on painting by Niklaus Deutsch 'The Standard Bearer'. Z511 Portrait of Alberto Giacometti by Hans Erni . Z513 Portrait of Le Corbusier by Hans Erni . Z565 – 567 Europa theme: Painting – 'Le Mönch' ('The Monk') - Ferdinand Hodler, 'Still Life with Guitar' - René Auberjonois, 'L'efeuilleuse' - Maurice Barraud . Z627 Portrait of Paul Klee by Hans Erni . Z637 Swiss Arts and Craft Centre 50th Anniversary . Z638 Centenary of the Swiss Art History Society . Z651 'The Parish Clerk' by Albert Anker . Z725/26 Europa theme: 'Protection of Nature & the Environment'–Man/Woman's heads by Hans Erni . Z769 Swiss-French joint issue - 'Meta' by Jean Tinguely . Z802 Portrait of Angelika Kaufmann by Hans Erni (also appears on Liechtenstein Z750) . Z804 Portrait of Frank Buchser by Hans Erni . Z827 Sketch of statue of Christopher Columbus by Vincenzo Vela . Z828 – 830 Comic/Graphic Art – Bernard Cosendal, Phillippe Chappuis, Yves Robellaz . Z848 – 851 Women artists: Pictures titled: 'Work No. 095' by Emma Kunz, 'Great Singer Lilas Goergens' by Aloïse, 'Under the Rain Cloud' by Meret Oppenheim, 'Four Spaces with Horizontal Band' by Sophie Taeuber-Arp (see also Dadaism stamp in Yr. -
Admission Des Observateurs
World Heritage 36 COM WHC-12/36.COM/2 Paris, 19 June / juin 2012 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION ORGANISATION DES NATIONS UNIES POUR L'EDUCATION, LA SCIENCE ET LA CULTURE CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE CONVENTION CONCERNANT LA PROTECTION DU PATRIMOINE MONDIAL, CULTUREL ET NATUREL WORLD HERITAGE COMMITTEE / COMITE DU PATRIMOINE MONDIAL Thirty-sixth session / Trente-sixième session Saint Petersburg, Russian Federation / Saint-Pétersbourg, Fédération de Russie 24 June – 6 July 2012 / 24 juin – 6 juillet 2012 Item 2 of the Provisional Agenda: Admission of Observers Point 2 de l'ordre du jour provisoire : Admission des Observateurs This document consists of two parts: I. Draft Decision: 36 COM 2 II. Requests for Observer status SECTION A: Observer requests received in accordance with Rule 8.3 of the Rules of Procedure of the Committee; SECTION B: NGO/IGO representatives invited by the Director- General of UNESCO in accordance with Rule 8.4 of the Rules of Procedure of the Committee. Ce document comprend deux parties : I. Projet de décision : 36 COM 2 II. Demandes de statut d’observateur SECTION A : Demandes de statut d'observateur reçues en conformité avec l'Article 8.3 du Règlement intérieur du Comité ; SECTION B : Représentants des ONG/OIG invités par la Directrice générale d l'UNESCO en conformité avec l’Article 8.4 du Règlement intérieur du Comité. I. DRAFT DECISION / PROJET DE DECISION Draft Decision 36 COM 2 Projet de décision 36 COM 2 The World Heritage Committee, Le Comité du patrimoine mondial, 1. -
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz. -
Luzern, September 2007
Luzern, September 2007 Lucerne September 2007 LUCERNE'S LION MONUMENT After flying into Zurich and taking the train to Lucerne, we walked to the Lion monument... a very peaceful setting made all the more enjoyable with the knowledge that the return walk would be mostly downhill and followed by wine, cheese and chocolates! The traditionally neutral Swiss supplied mercenaries to foreign governments and enjoyed a reputation for honoring their agreements. In 1792 the Swiss Guards’ ABOVE: Bertel Thorwaldsen's Lõwendenkmal, Lucerne honor was put to the test, when --after trying to escape the French Revolution--King Louis XVI, Marie-Antoinette, and their children were hauled back to the Tuileries Palace in Paris. A mob of working-class Parisians stormed the palace in search of aristocratic blood. More than 700 Swiss officers and soldiers died while defending the palace, without knowing that their royal employers--like Elvis--had left the building. In the early 1800s, the Danish artist Bertel Thorvaldsen was hired to sculpt a monument to the fallen Swiss Guards. The sculpture was carved in a sandstone cliff above the city center HANS ERNI: Mondays, when many tourist attractions are closed, is a good day to walk the 2 miles from the Center of Lucerne to the Museum of Swiss Transportation which is co-located with an IMAX, a planetarium and a delightful collection of work by local artist Hans Emi. h t t p : / / w w w . h a n s - e r n i . c h / h t m l / l i t h o g r a p h i e n . -
The Moneymuseum Collection of Bibliophile Books
! The MoneyMuseum Collection of Bibliophile Books A!bibliophile!book!represents!not!only!the!intellectual!achievement!of!an!author!but!the!combined! skills!of!the!artisans!and!artists!who!produced!it!—!the!designer,!the!papermaker,!the!printer,!the! lithographer!and!finally,!the!bookbinder.!Together!they!create!an!object!that!often!needs!years!of! intensive!individual!and!collective!work.!! A!bibliophile!book!is!a!labor!of!love,!art!and!craft,!and!it!also!serves!as!a!record!of!a!particular! moment!in!time.!That!is!no!less!true!for!artisanal!modern!books,!even!with!all!the!recent!technical! advances!in!the!production!of!fine!books!in!areas!like!typography!and!photographic!processing! and!reproduction.!A!beautiful!book!is!a!joy!to!behold.! The!bibliophile!books!in!the!MoneyMuseum’s!collection!may!not!appeal!to!the!broadest!possible! sector!of!the!public!but!they!will!always!be!appreciated!by!those!who!understand!their!many,!very! special!qualities.! ! ! ! ! 1 von 25! !! www.sunflower.ch! ! Chinese Woodblock Prints ! This volume results from a collaboration between the eminent art historian Tcheng-Chen-To and the celebrated author Lu Hsun. The colored woodblock prints date from the late Ming Dynasty and were first published in 1644. Collected in the Shih Chu studio, Beijing Editor: Jung Pao Chai Hsin Chi, Beijing Woodblock!printing!uses!relief!carving!on!a!block!of!hardwood!to!transfer!ink,!and!later,!color,!to! paper.!The!white!areas!on!the!paper!appear!where!the!block!of!wood!has!been!carved!away!so! that!it!does!not!come!in!contact!with!the!paper.!! -
Diapositive 1
The Role of International Council of Museums for the Safeguarding of Intangible Heritage and Museums Development of Intangible Assets Julien ANFRUNS Director General of the International Council of Museums May 29th 2009 Introduction • Traditional definition of the museum : a space in which material evidence of the past is collected, conserved and displayed • Intangible Cultural Heritage and museums = a new conception of museum, new skills and knowledge • Museums develop their own intangible values Julien ANFRUNS, Conference May 29th 2009 Table of contents 1. ICOM actions for Intangible Heritage Protection 1.1 Historical implications of ICOM 1.2 Turning point : Seoul, 2004 1.3 Practical actions, main actors 2. Development of Intangible Values in Museums 2.1 Museum Intangible Assets 2.2 Guggenheim 2.3 Louvre 2.4 Hermitage Julien ANFRUNS, Conference May 29th 2009 1. ICOM actions for Intangible Heritage Protection May 29th 2009 Julien ANFRUNS, Conference May 29th 2009 1.1 Historical implications of ICOM (1) a) At the beginning, 1946 Since ICOM’s foundation, ICOM definition of museum included the “concept of intangible” such as folklore, ethnological and anthropological understanding, thanks to the French Museologist Georges Henri Rivière Julien ANFRUNS, Conference May 29th 2009 1.1 Historical implications of ICOM (2) b) First actions 1. ICOM Handbook of Standards - Documenting African Collections, 1996 • In the framework of the AFRICOM Programme developed with CIDOC (International Committee of Documentation). • Objective: to protect the African Heritage by documenting and producing systematic inventories and developing museum activities (research, colleting, exhibitions, educational programmes) also as much as the intangible component is concerned. Julien ANFRUNS, Conference May 29th 2009 1.1 Historical implications of ICOM (3) 2.