UD 013 787 AUTHOR TITLE Multicultural Curriculum Materials
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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Anti-Black Racism and the Foreign Black Other: Constructing Blackness and the Sporting Migrant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ANTI-BLACK RACISM AND THE FOREIGN BLACK OTHER: CONSTRUCTING BLACKNESS AND THE SPORTING MIGRANT BY MUNENE FRANJO MWANIKI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Margaret Kelley, Chair Professor Tim Liao Associate Professor Moon-Kie Jung Associate Professor Monica McDermott ABSTRACT The popularity and globalization of sport has led to an ever-increasing black athletic labor migration from the global South to, primarily, the U.S. and Western European countries. While the hegemonic ideology surrounding sport is that it brings different people together and ameliorates social boundaries, sociologists of sport have shown this to be a gross simplification. Instead, sport is often seen to reinforce and recreate social stereotypes and boundaries, especially as it regards race and the black athlete in body and culture. At best we can think of sport as a contested terrain for both maintaining and challenging racial norms and boundaries. The mediated black athlete has thus always, for better or worse, impacted popular white perceptions of blackness broadly and globally. While much work has been done to expose the workings of race and racism in sport, studies have tended to homogenize black populations and have not taken into account the varying histories and complexities of, specifically, black African migrant athletes. -
Slang Terms and Code Words: a Reference for Law Enforcement
UNCLASSIFIED Slang Terms and Code Words: A Reference for Law DEA Enforcement Personnel Intelligence DEA-HOU-DIR-022-18 July 2018 ReportBrief 1 UNCLASSIFIED UNCLASSIFIED DEA Intelligence Report Executive Summary This Drug Enforcement Administration (DEA) Intelligence Report contains new and updated information on slang terms and code words from a variety of law enforcement and open sources, and serves as an updated version to the product entitled “Drug Slang Code Words” published by the DEA in May 2017. It is designed as a ready reference for law enforcement personnel who are confronted with hundreds of slang terms and code words used to identify a wide variety of controlled substances, designer drugs, synthetic compounds, measurements, locations, weapons, and other miscellaneous terms relevant to the drug trade. Although every effort was made to ensure the accuracy and completeness of the information presented, due to the dynamics of the ever-changing drug scene, subsequent additions, deletions, and corrections are inevitable. Future addendums and updates to this report will attempt to capture changed terminology to the furthest extent possible. This compendium of slang terms and code words is alphabetically ordered, with new additions presented in italic text, and identifies drugs and drug categories in English and foreign language derivations. Drug Slang Terms and Code Wordsa Acetaminophen and Oxycodone Combination (Percocet®) 512s; Bananas; Blue; Blue Dynamite; Blueberries; Buttons; Ercs; Greenies; Hillbilly Heroin; Kickers; M-30s; -
Drum Free Score
Drum free score click here to download I have included a list of some of the best free drum sheet music websites that have hundreds, if not thousands of drum tabs and sheet music out there. Some of. Virtual Drumming is a hub for free drum sheet music where you can play and learn through pdf sheets about virtual percussion. On www.doorway.ru you will. If you are looking for free drum sheet music, then you're in the right place! There are . Episode #4: All The Small Things By Blink Drum Score (Request 4). Free scores for drums, percussion. Partituras gratuitas para tambores, tam-tam, djumbe, congas. Looking for free drum transcriptions from all your favourite bands? Then look no further. Our databse of professionally produced drum charts will give you plenty. Drums free sheet music library and directory! Thousands of free sheet music downloads, music lessons, musician tips, and musical articles. Free Free Drums Sheet Music sheet music pieces to download from www.doorway.ru Collection of sheet music for drum kit (pdf format). Free Drum Sheet Music at www.doorway.ru drum music titles updated daily, largest online drum tab collection. Does anyone know any good websites with free drum sheet music? Keep in mind, Im looking for FREE, not one of those websites, where you. www.doorway.ru is the #1 source for free marching percussion sheet music, lessons and recordings! The best place to find Drum Sheet Music – Sheet Music - Drum Scores - Drum Tab, Drum Music Transcription | Search Drum Scores, Free Drum Tabs, Free. -
Page 01 March 23.Indd
ISO 9001:2008 CERTIFIED NEWSPAPER 23 March 2013 11 Jumada I 1434 - Volume 18 Number 5647 Price: QR2 ON SATURDAY Qatar ready to stage World Cup in summer or winter DOHA: Qatar is ready to host the 2022 FIFA World Cup in summer or winter, the tournament’s supreme committee said yesterday, following recent calls by international sports figures to move the event to winter. “We are ready to host the World Cup in summer or winter. Our planning is not affected either way, as we are committed to the cooling technologies for legacy reasons,” the committee said in a statement. QNA Chances of rain tonight DOHA: The weather bureau has forecast that there are chances of rain tonight and the weather would be partly cloudy or cloudy during the day. The temperature would hover between 19 and 30 degrees Celsius, with the wind direction initially being south-easterly. There could be a lit- tle chill after dusk as the wind changes direction to north-westerly-south-west- erly. The maximum temperature in Doha is forecast at 28 degrees Celsius and the minimum at 20. Al Wakra and Mesaieed would be a little hotter with day tempera- tures soaring to 30 degrees Celsius. THE PENINSULA Lebanese premier resigns BEIRUT: Lebanon’s Prime Minister Najib Mikati announced his government’s resignation yesterday. Mikati resigned hours after a cabinet meeting in which Hezbollah and its allies blocked the crea- tion of a supervisory body for the parlia- mentary vote and opposed extending the term of Major General Ashraf Rifi, head of Lebanon’s internal security forces, who is due to retire early next month. -
Flower Drum Song Little Theatre on the Square
Eastern Illinois University The Keep 1961 Shows Programs 1961 Summer 8-22-1961 Flower Drum Song Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1961_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Flower Drum Song" (1961). 1961 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1961_programs/1 This Book is brought to you for free and open access by the 1961 at The Keep. It has been accepted for inclusion in 1961 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Professional Equity Music Theatre" Fifth Season .h July 7th Through August 27th, 1961 Air-conditioned Grand Theatre * On the Square * Sullivan ? Guy S. Llttle, Jt. Ptassnts ! '4 RODGERS & HAMMERSTEIN'S 1 "FLOWER DRUM SONG' I August 22nd through August 27th, 1961 Who's Who in the Cast . SYLVIA COPELAND (Linda Low) re- RUSTY DORE (Sammy Fong) has been a creates the vital fun-loving Linda for the third popular performer on Broadway, TV, records, time, havinf peiformed this role previous1 at sup er clobs and summer stock. Rusty appeared the South hore Music Theatre and the dan- on sroadway with Mae West in her production nis Melody Tent in Massachusetts. Miss Cope- of DIAMOND LIL and toured the country aa land is. a versatile performer displaying talent the bookie in BELLS ARE RINGING.. We was . as a slnger. actress and pianist. Her many recently seen off-Broadway as Jake in THE cabaret and hotel singing- en agements have THREEPENNY OPERA at the Theatre DeLys taken her from Boston to ~razi?,with stops at and as the student in the Yiddish Art Theatre's Miami Beach. -
2017 AIBA Catalogue of Results
2017 CATALOGUE OF RESULTS The Royal Agricultural Society of Victoria (RASV) thanks the following partners and supporters for their involvement. PRESENTING PARTNERS MAJOR SPONSOR EVENT PARTNERS EVENT TICKETING PARTNERS TROPHY SPONSORS SUPPORTERS 2017 Catalogue of Results The Royal Agricultural Society of Victoria Limited ABN 66 006 728 785 ACN 006 728 785 Melbourne Showgrounds Epsom Road Ascot Vale VIC 3032 Telephone +61 3 9281 7444 Facsimile +61 3 9281 7592 www.rasv.com.au List of Office Bearers As at 01/02/2017 Patron Her Excellency the Honourable Linda Dessau AM – Governor of Victoria Board of Directors MJ (Matthew) Coleman CGV (Catherine) Ainsworth DS (Scott) Chapman D (Darrin) Grimsey AJ (Alan) Hawkes NE (Noelene) King OAM JA (Joy) Potter PJB (Jason) Ronald OAM SC (Stephen) Spargo AM Chairman MJ (Matthew) Coleman Chief Executive Officer M. O’Sullivan Company Secretary J. Perry Event Manager, Beverage Damian Nieuwesteeg Telephone: +61 3 9281 7461 Email: [email protected] Australian International 1 Beer Awards Australia’s finest beers begin with Australia’s finest malt. Barrett Burston Malting and Cryermalt A passion for the finest ingredients. bbmalt.com.au cryermalt.com.au Contents Message from the CEO 4 Message from the Head Judge 5 2017 Report on Entries 7 2017 Judging Panel 8 2017 Champion Trophy Winners 11 2017 Major Trophy Winners 15 2017 Results 19 Best Australian Style Lager Best European Style Lager Best International Lager Best Pilsner Best Amber / Dark Lager Best Australian Style Pale Ale Best New World Style Pale Ale Best -
Interview No. 333
University of Texas at El Paso ScholarWorks@UTEP Combined Interviews Institute of Oral History 11-26-1975 Interview no. 333 William Flores Follow this and additional works at: https://scholarworks.utep.edu/interviews Part of the Oral History Commons, and the Social and Behavioral Sciences Commons Recommended Citation Interview with William Flores by Oscar J. Martinez, 1975, "Interview no. 333," Institute of Oral History, University of Texas at El Paso. This Article is brought to you for free and open access by the Institute of Oral History at ScholarWorks@UTEP. It has been accepted for inclusion in Combined Interviews by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. UI.IIVERSITYOF TEXASAT EL PASC INSTITTJTEOF ()RALI{ISTORY II.ITERVIEI{EE: William INTERVIEi.IER: 0scarJ. Martinez PIIOJECT: DATEOF II'ITERVIEI.I: November26 December4 TERi''iSOF USE: Unrestricted TAPENO.: 333 TRAI,ISCRIPTi,10.: 333 TRA}ISCRIBER: SarahE. John DATETP.A|,ISCRIBEDI BIOGRAPHICALSYIiOPSIS OF INTERVIEI'IEE: (FormerNational President of LULAC)Born on his family/s ranch in socorro, Texason February23, 1897. Formerlyemployed by l^lilliam BeaumontGeneral Hosp'ital; veteran of WorldWar I. SUliilARY0F I['ITEP'VIEl'l: Biographyteducationa'l experiences; Anglo/Mexican relations jn El Paso; experienlei with LULAC;the word "Ch'icanoiland the ChicanoMovement; iob experiences;di scrimination. t hour, 15 minutes;34 Pages M: F'ir.st,Mr. Flores,could you tell mewhen and where you were born? F: I was born in Socorro, Texas on the family ranch, on February 23,1897. M: Could you give me a little bit of backgroundabout your parents? 'in F: We1l, I got it thene that /boog. -
UNIVERSIDADE FEDERAL DE SANTA CATARINA PROGRAMA DE PÓS-GRADUAÇÃO EM INGLÊS Márcia Cristine Agustini CRACKIN' the CODE OF
UNIVERSIDADE FEDERAL DE SANTA CATARINA PROGRAMA DE PÓS-GRADUAÇÃO EM INGLÊS Márcia Cristine Agustini CRACKIN’ THE CODE OF POST-RACE: POST-1980s NOVELS AND POST-RACE DISCOURSES Tese submetida ao Programa de Pós- Graduação em Inglês da Universidade Federal de Santa Catarina para a obtenção do Grau de Doutor em Letras. Prof.ª Dra. Eliana de Souza Ávila Florianópolis 2013 Márcia Cristine Agustini CRACKIN’ THE CODE OF RACE: POST-1980s NOVELS AND POST-RACE DISCOURSES Esta Tese foi julgada adequada para obtenção do Título de “Doutora em Letras”, e aprovada em sua forma final pelo Programa de Pós-Graduação em Letras/ Inglês e Literatura Correspondente da Universidade Federal de Santa Catarina Florianópolis, 11 de outubro de 2013. ________________________ Prof.ª Dr.ª Viviane M. Heberle Coordenadora do Curso Banca Examinadora: ________________________ Prof.ª Dr.ª Eliana de Souza Ávila Orientadora Universidade Federal de Santa Catarina ________________________ Prof.ª Dr.ª Susana Bornéo Funck Universidade Federal de Santa Catarina ________________________ Prof.ª Dr.ª Cláudia Junqueira de Lima Costa Universidade Federal de Santa Catarina ________________________ Prof.ª Dr.ª Magali Sperling Beck Universidade Federal de Santa Catarina ________________________ Prof.ª Dr.ª Cláudio Roberto Vieira Braga Universidade Federal de Minas Gerais ________________________ Prof.ª Dr.ª Peônia Viana Guedes Universidade Federal de Minas Gerais Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Agustini, Márcia Márcia Cristine Cristine CRACKIN’ THE CODE OF RACE: POST-1980s NOVELS AND POST-RACE DISCOURSES / Márcia Cristine Agustini; orientadora, CRACKING ElianaTHE CODE de Souza OF RACE: Ávila : POST- Florianópolis,-1980s NOVELS SC, AND2013. -
National Box Office Digest Annual (1940)
Ho# Ujjfice JbiaeAt Haui: «m JL HE MOST IMPORTANT NEWS of many moons to this industry is the matter-of-fact announcement by Technicolor that it will put into effect a flat reduction of one cent a foot on release prints processed after August 1st. "There is a great industrial story of days and nights and months and years behind the manner in which Dr. Kalmus and his associates have boosted the quality and service of color to the industry, beaten down the price step by step, and maintained a great spirit of cooperation with production and exhibition. TECHNICOLOR MOTION PICTURE CORPORATION HERBERT T. KALMUS, President , 617 North La Brea Avenue, Los Angeles, Subscription Rate, $10.00 Per ■Ml ^Ite. DIGEST ANNUAL *7lie. 1/ea>i WcM. D OMESTIC box office standings take on values in this year of vanished foreign markets that are tremendous in importance. They are the only ratings that mean anything to the producer, director, player, and exhibitor. Gone—at least for years to come—are the days when known box office failures in the American market could be pushed to fabulous income heights and foisted on the suffering American exhibitor because of a shadowy "for¬ eign value.” Gone are the days—and we hope forever—when producers could know¬ ingly, and with "malice aforethought,” set out on the production of top budgetted pictures that would admittedly have no appeal to American mass audiences, earn no dimes for American exhibitors. All because of that same shadowy foreign market. ^ ^ So THE DIGEST ANNUAL comes to you at an opportune time. -
Music Concentration Requirements Writing in the Student’S Concentration File in ASK
Music 1 ● One upper-level course in musicology or ethnomusicology Music ● Any three upper-level courses, including graduate-level courses Additional Electives (according to student interest) Four additional elective courses, may include: Chair ● Up to four half-credit courses in performance - AMP music instruction Emily I. Dolan and/or Ensemble Participation (2 credits) ● Up to two courses outside of the department The study of music—a phenomenon known to all people in all ages— ● One music course below the 1000 level lies naturally at the heart of a liberal education. The Department of Music at Brown provides an ideal environment for such an education, with its Senior Project integrated faculty of scholars, performers, composers, and theorists. All music concentrators will choose a culminating experience for their The curriculum of the Department of Music combines studies in history, senior year, either a capstone project or honors project. This may take theory, ethnomusicology, and musicianship with courses in composition, the form of a performance, scholarly study, or original creative work. All technology, and performance. Application merges with analysis, creation students will have a primary advisor for their Senior Project. The work may with cultural study, and multimedia experiments with broad meditations on be done independently of a course for credit, as an independent study, or sound, in a unique department that welcomes all. within the framework of an existing course. For additional information, please visit the department's website: https:// Additional Notes www.brown.edu/academics/music/ All concentration substitutions and/or exceptions must be approved by the concentration advisor in consultation with the Director of Undergraduate Studies. -
Chicana/Os Disarticulating Euromestizaje By
(Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje By Agustín Palacios A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Laura E. Pérez, Chair Professor José Rabasa Professor Nelson Maldonado-Torres Universtiy of California, Berkeley Spring 2012 Copyright by Agustín Palacios, 2012 All Rights Reserved. Abstract (Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje by Agustín Palacios Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Laura E. Pérez, Chair This dissertation investigates the development and contradictions of the discourse of mestizaje in its key Mexican ideologues and its revision by Mexican American or Chicana/o intellectuals. Great attention is given to tracing Mexico’s dominant conceptions of racial mixing, from Spanish colonization to Mexico’s post-Revolutionary period. Although mestizaje continues to be a constant point of reference in U.S. Latino/a discourse, not enough attention has been given to how this ideology has been complicit with white supremacy and the exclusion of indigenous people. Mestizofilia, the dominant mestizaje ideology formulated by white and mestizo elites after Mexico’s independence, proposed that racial mixing could be used as a way to “whiten” and homogenize the Mexican population, two characteristics deemed necessary for the creation of a strong national identity conducive to national progress. Mexican intellectuals like Vicente Riva Palacio, Andrés Molina Enríquez, José Vasconcelos and Manuel Gamio proposed the remaking of the Mexican population through state sponsored European immigration, racial mixing for indigenous people, and the implementation of public education as a way to assimilate the population into European culture.