Flower Drum Song Little Theatre on the Square
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Drum Free Score
Drum free score click here to download I have included a list of some of the best free drum sheet music websites that have hundreds, if not thousands of drum tabs and sheet music out there. Some of. Virtual Drumming is a hub for free drum sheet music where you can play and learn through pdf sheets about virtual percussion. On www.doorway.ru you will. If you are looking for free drum sheet music, then you're in the right place! There are . Episode #4: All The Small Things By Blink Drum Score (Request 4). Free scores for drums, percussion. Partituras gratuitas para tambores, tam-tam, djumbe, congas. Looking for free drum transcriptions from all your favourite bands? Then look no further. Our databse of professionally produced drum charts will give you plenty. Drums free sheet music library and directory! Thousands of free sheet music downloads, music lessons, musician tips, and musical articles. Free Free Drums Sheet Music sheet music pieces to download from www.doorway.ru Collection of sheet music for drum kit (pdf format). Free Drum Sheet Music at www.doorway.ru drum music titles updated daily, largest online drum tab collection. Does anyone know any good websites with free drum sheet music? Keep in mind, Im looking for FREE, not one of those websites, where you. www.doorway.ru is the #1 source for free marching percussion sheet music, lessons and recordings! The best place to find Drum Sheet Music – Sheet Music - Drum Scores - Drum Tab, Drum Music Transcription | Search Drum Scores, Free Drum Tabs, Free. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Music Concentration Requirements Writing in the Student’S Concentration File in ASK
Music 1 ● One upper-level course in musicology or ethnomusicology Music ● Any three upper-level courses, including graduate-level courses Additional Electives (according to student interest) Four additional elective courses, may include: Chair ● Up to four half-credit courses in performance - AMP music instruction Emily I. Dolan and/or Ensemble Participation (2 credits) ● Up to two courses outside of the department The study of music—a phenomenon known to all people in all ages— ● One music course below the 1000 level lies naturally at the heart of a liberal education. The Department of Music at Brown provides an ideal environment for such an education, with its Senior Project integrated faculty of scholars, performers, composers, and theorists. All music concentrators will choose a culminating experience for their The curriculum of the Department of Music combines studies in history, senior year, either a capstone project or honors project. This may take theory, ethnomusicology, and musicianship with courses in composition, the form of a performance, scholarly study, or original creative work. All technology, and performance. Application merges with analysis, creation students will have a primary advisor for their Senior Project. The work may with cultural study, and multimedia experiments with broad meditations on be done independently of a course for credit, as an independent study, or sound, in a unique department that welcomes all. within the framework of an existing course. For additional information, please visit the department's website: https:// Additional Notes www.brown.edu/academics/music/ All concentration substitutions and/or exceptions must be approved by the concentration advisor in consultation with the Director of Undergraduate Studies. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 20th March at 4pm On View Thursday 19th March 10am-7pm and from 9am on the morning of the sale Catalogue website: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 528 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: [email protected] Auctioneers & Valuers Email: 150 YEARS est. 1869 www.lsk.co.uk C 501 505 510 A late 19th century French violin, having a two A Columbia portable wind-up gramophone, 40 x A Honer Verdi I piano accordion, in fitted case. piece maple back, with ebony finger board and 28cm. £20-40 rosewood pegs, bearing a label for T. Baur, Luthier, £30-50 Mirecourt 1899, 36cm (excluding button.) 511 £200-300 506 A Fender Squier Strat electric guitar in black with A 1920’s mahogany cased Dulcetto table top white scratch plate no. ICS 11134095 with soft 502 gramophone, patent no. 10497, 46 x 52cm, carry case, together with a Fender Frontman A Hall Gisborne Defiance B electroplated two together with various gramophone records. (2) 15G amplifier. (2) piece trombone, no. 18052, in fitted case bearing £40-60 £60-80 a label for Bloomfield & Co., 7 Rosebery Road, Ipswich. 507 512 £30-50 A Baile piano accordion, in fitted case. A Thorens TD 166 turntable, w.43, d.34, h.15cm. £30-50 £40-60 503 A late 19th century simulated rosewood cased 508 513 music box, the 5 inch cylinder playing eight airs, A pair of Boosey & Co Ltd rosewood two piece A Quad 33 pre-amp, serial no. -
Ethnomusicology Archive Open Reel Tape Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6b69s042 No online items Finding Aid for the Ethnomusicology Archive Open Reel Tape Collection Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the 2008.03 1 Ethnomusicology Archive Open Reel Tape Collection Descriptive Summary Title: Ethnomusicology Archive Open Reel Tape Collection Collection number: 2008.03 Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Physical location: Paper index at Ethnomusicology Archive; tapes stored at SRLF Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. -
What's News at Rhode Island College Rhode Island College
Rhode Island College Digital Commons @ RIC What's News? Newspapers 3-12-2001 What's News At Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News At Rhode Island College" (2001). What's News?. 9. https://digitalcommons.ric.edu/whats_news/9 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. WHAT'S NEWS AT RHODE ISLAND COLLEGE Vol. 21 Issue 11 Circulation over 43,000 March. 12, 2001 Actress Viola Poetry reading Annual Fund Davis cited for phonathon achievement begins April 3 by George LaTour by Shelly Murphy What's News Associate Editor What's News Editor Theatre, film and television actress even months into the Annual Viola Davis, who graduated from Fund campaign and with the Rhode Island College’s Upward Spring Phonathon about a Bound program in 1983 and went on S month away, the Rhode Island to earn a degree in theatre studies College Alumni Association is on at RIC in 1988, has been honored course to meet its annual appeal goal of by the New England Educational $325,000. As of the end of February, the Opportunity Association (NEEOA) annual appeal has received $232,875 with its Achiever Award. in cash gifts from alumni and friends. “A small number of Achiever “We are actually 10 percent ahead Awards are presented annually of last February. -
Rodgers and Hammerstein╎s Affect on Post
Dees 1 Alison Dees Professor McDouglad English 1102 F13 8 December 2013 From Pants to Pearls: Rodger’s and Hammerstein’s Affect on Post WWII Women During the 1940s, musicals like This is the Army and Strike up the Band dominated the theatre world. These musicals contained plots that focused on patriotism and primarily featured leads held by men. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland (“Strike up the band”, 2013). In This is the Army , a cast filled with men sings about the trials that come with being in the Armed Forces (Kenrick). Theatre producers’ primary focus seemed to be on the war raging in Europe and Japan. While actors were singing about the harsh reality of war, men were actually living it. Many men left home to fight for our freedoms overseas during World War II while women became the power that fueled the American home front. From Rosie the Riveter to articles that talked about different ways to wear your hair at work, the nation was trying to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where “women were encouraged to wear slacks and keep their hair hidden for safety.” These pageants gave working class women a chance to model their work clothes all in hopes to support the company’s campaign that “focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts” (Pantnode 231-2450). -
Appendix Plays Discussed in This Book
Appendix Plays Discussed in This Book Abe Lincoln in Illinois, Robert Sherwood. 1938 Broadway run: 472 performances. 1993 Lincoln Center revival: 27 previews, 40 performances. Abraham Lincoln, John Drinkwater. 1919 Broadway run: 193 per- formances. 1929 Broadway revival: 8 performances. Abraham Lincoln’s Big Gay Dance Party, Aaron Loeb. 2008 San Francisco. 2010 off-Broadway run. American Iliad, Donald Freed. 2001 Burbank, California. As the Girls Go, William Roos (book), Jimmy McHugh (music), Harold Adamson (lyrics). 1948 Broadway run: 414 performances. Assassins, John Weidman (book), Stephen Sondheim (music and lyrics). 1990 off-Broadway run: 73 performances. 1992 London revival. 2004 Broadway revival: 26 previews, 101 performances. The Best Man, Gore Vidal. 1960 Broadway run: 520 performances. 2000 Broadway revival: 15 previews, 121 performances. Bloody, Bloody Andrew Jackson, Alex Timbers (book), Michael Friedman (music and ly73rics). 2008 Los Angeles. 2009 and 2010 off-Broadway runs. Buchanan Dying, John Updike. 1976 Franklin and Marshall College. Bully! Jerome Alden. 1977 Broadway run: 8 previews, 8 performances. 2006 off Broadway revival. The Bully Pulpit, Michael O. Smith. 2008 off-Broadway. Camping with Henry and Tom, Mark St. Germain. 1995 off- Broadway run: 105 performances. Numerous regional theater revivals since then. An Evening with Richard Nixon, Gore Vidal. Broadway run: 14 previews, 16 performances. First Lady, Katherine Dayton and George S. Kaufman. 1935 Broadway run: 246 performances. 1952 off-Broadway revival. 1980 Berkshire Theater Festival revival. 1996 Yale Repertory Theatre revival. First Lady Suite, Michael John LaChiusa. 1993 off-Broadway run: 32 performances. Revivals include Los Angeles 2002, off Broadway 2004, and London 2009. 160 Appendix Frost/Nixon, Peter Morgan. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
Case Study 2 from Shellfish to Seaweed
Farmer Veterans and Small Scale Fisheries John Adams Sound Fresh Clams and Oysters Washington Chapter, Farmer Veteran Coalition This is the story so far: Continue to improve together 2 11/21/19 WA Farmer Veteran Coalition Supporting the veterans and family members engaged in agricultural pursuits 3 11/21/19 Why farming works for me • Constant challenge • Growing food • Mental health 4 11/21/19 Tides Respiration of the estuary 5 11/21/19 Our Seagreen Project • Pickleweed/ sea beans (Salicornia) • Jaumea carnosa 6 11/21/19 Seafood Supply Farmer Chain Buyer Processor Where is your Distributor margin? Retail Consumer 7 11/21/19 Habitat Trends Ocean Acidification (pH/chemistry change) Sea Level Rise (shifts intertidal stratification) Ocean Temperature (disrupts metabolism, ecosystem timing) Climate Events. Rainfall, wind, sun, cold, drought Frequency, severity duration 8 11/21/19 Ocean Acidification Trophic system creates ripples of tertiary effects 9 11/21/19 Business Models Scale Value based Agritourism (10-50%) Restoration Aquaculture Composite models are best 10 11/21/19 Agri- tourism Facilitates self discovery of food Helps connect food with place and environment Fully Engages senses 11 11/21/19 Seaweed is Food Experience level of target market in product knowledge and food prep expertise Need for translation to market 12 11/21/19 Farming and Resilience Purpose: 40- 70% of small businesses do not survive 13 11/21/19 Resilience • Identify single points of failure • Assess your risks, hazards and vulnerabilities • Identify critical resources • Contingency business planning • Prepare. Reduce risks or vulnerabilities, build surplus, rehearse plan • Develop collaborative network. 14 11/21/19 Questions? John Adams Sound Fresh Clams and Oysters [email protected] 15 11/21/19 Washington Sea Grant Seaweed farming workshop webinar 20 November, 2019 Case study #2 – Patriot Shellfish Farms/Blue Greens co. -
The Mary Tyler Moore Show" 10 8
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