DOCSLIB.ORG

The Mary Tyler Moore Show" 10 8

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Mary Tyler Moore Show INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or “target" for pages apparently lacking from the document photographed is “ Missing Page(s)". If it was possible to obtain the missing page{s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in die adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in “sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right .in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. Silver prints of "photographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish reproduced. 5. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. I Xerox University Microfilms 300 North Zoeb Road Ann Arbor, Michigan 48106 74— 324-6 MARTING, Leeda Pollock* 194-5- AN EMPIRICAL STUDY OF THE IMAGES OF MALES AND FEMALES DURING PRIME-TIME TELEVISION DRAMA. The Ohio State University* Ph.D.* 1973 Mass Communications t i I I t University Microfilms, A XEROX Company, Ann Arbor, Michigan% ■ ft © 1973 Leeda Pollock Marting ALL RIGHTS RESERVED AN EMPIRICAL STUDY OF THE IMAGES OF MALES AND FEMALES DURING PRIME-TIME TELEVISION DRAMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Leeda Pollock Marting, B.S«, M.A. ***** The Ohio State University 1973 Reading Committee: Approved by Wallace C* Fotheringham Joseph M. Foley Paul V. Peterson Department of Communication ACKNOWLEDGEMENTS To Professor Wallace C. Fotheringham the author wishes to express deep gratitude for his willingness to give so freely of his time and talents in the planning and execution of this research. His guidance and support are gratefully recognized. This researcher is also indebted to Professors Joseph M. Foley and Paul V. Peterson who provided helpful criticism and valuable counsel. To Rodger A. Marting a sincere thank you for under­ standing , constant encouragement, and assistance with family responsibilities. And to my young daughter, Kristin, fond appreciation is expressed for her patience. ii VITA June 28, 1945 . B o m — Birmingham, Alabama 1967............. B.S., University of Alabama, Tuscaloosa, Alabama 1967-1968 .... Teacher, E. B. Erwin High School, Birmingham, Alabama 1968-1969 . Educational Relations Assistant Director, American Red Cross, Birmingham, Alabama 1969-1970 . Teaching Assistant, Department of Journalism, University of Alabama, Tuscaloosa, Alabama 1970. ........ M.A., University of Alabama, Tuscaloosa, Alabama 1970-1971 .... Instructor, Department of Journalism, Marshall University, Huntington, West Virginia 1971-1973 .... Teaching Associate, Department of Communication, The Ohio State University, Columbus, Ohio 1973, Executive Assistant, The Columbus Foundation, Columbus, Ohio PUBLICATIONS 'British Control of Television Advertising,1* Journal' of Broadcasting, 17:2 (Spring, 1973), pp. 159-172. ill FIELDS OF STUDY Major Field: Maas Communication Studies In Persuasive Conanunications. Professor Wallace C. Fotheringham Studies in Broadcast Regulation. Professor Joseph M. Foley Studies in International Broadcasting. Professor Walter B. Emery Studies in Journalism. Professor Paul V. Peterson iv TABLE OP CONTENTS Page ACKNOWLEDGEMENTS..................... 11 VITA................................................. Ill LIST OF TABLES.................................. vll Chapter I. INTRODUCTION ............................... 1 Purpose of the S t u d y .................... 6 Importance of the Study.............. 7 Scope of the Study 9 Organization of the Study..............• . 12 Notes..................................... 14 II. RELATED STUDIES........................ 16 French Research. .................. 16 NOW Research.............. 18 Other Recent Studies.................... 21 Earlier Research.......... 24 How the Present Study Departs from Previous Studies ...................... 28 Notes..................................... 32 III. METHODOLOGY OF THE S T U D Y .............. .. 34 The Forced-Choice Technique.............. 34 Selection of Elements for the Rating Instrument............................. 37 Determination of Applicability of Elements in Describing Real Males and Females • • 38 Determination of a Preference Value for Each Element................ 45 The Grouping of Elements into Triads . 45 Notes.......................... 54 v Chapter Page XV. PRESENTATION OP RESULTS.................. '. 56 Application of the Measuring Instrument by Viewers of Prime-Time Television. • • 56 Cross-Validation Study 81 Favorableness/Unfavorableness of Elements 87 V. DISCUSSION/ CONCLUSIONS AND IMPLICATIONS . 90 Implications for Those with Special Interests in the Area of Television Imagery. ••••...••••••••• 103 implications for Further Research. .... 107 Notes.. • • • • • . ........ ••••• 110 APPENDICES A ...................... Ill B ................. - 113 C ......................................... 116 D .............................................. 117 E .............................................. 121 F .......................................... 125 G ...... 128 H ......................................... 129 I ......................................... 131 J . ....................................... 133 K .............................................. 136 L .............................................. 139 M .......................................... 141 BIBLIOGRAPHY........................................ 144 LIST OF TABLES Table Page 1. Top-Bated Television Series in the Columbus, Ohio, Market. 11 2. Combined American Kesearch Bureau and Nielsen Top-Rated Television Series in the Columbus, Ohio, Market, February /March, 1973.................... 12 3. DeFleur's Study o£ Occupational Roles on Television. ....•••• .......... • 25 4. Usable Questionnaires for Applicability Data. 42 5. Form A— Descriptions Remaining.............. 43 6. Form B— Descriptions Remaining.............. 43 7. Significant t*s for Applicability Data. 44 8. Rank-Ordered Preference Values. ....... 46 9. Age of Respondents Describing TV Characters • 57 10• Education of Respondents Describing TV Characters................................. 58 11. Occupation of Respondents Describing TV Characters................................. 58 12. Female TV Characters Selected for Descriptions...................... 60 13. Male TV Characters Selected for Descriptions. 61 14. Active/Proud/Strong-Willed Triad............ 63 15. Faithful/Sincere/Honest Triad .............. 64 16. Dependable/Real/Loyal Triad .......... 64 vii Table Page 17. Successful/Confident/Productive Triad .... 65 18. Aggressive/Outspoken/Curious Triad. • .... 66 19. Assertive/Efficient/Respected Triad • . • • • 66 20. Kind/Helpful/Mature Triad . ............... 67 21. Sympathetic/Independent/Understanding Triad • 67 22. Supportive/Dominant/Just Triad. ......... 68 23. Ambitious/Consistent/Authoritative Triad. • 69 24. Open-Minded/Sensitive/Wise Triad. ........... 69 25. Self-Fulfilled/Personable/Leader Triad. 70 26. Easy-Going/Subjective/Originator Triad. 70 27. Modem/Logical/Materialistic Triad. ..... 71 28. Practical/Superior/Decisive Triad ........... 72 29. Objective/Systematic/Empathetic Triad .... 72 30. Warm/Compassionate/Protective Triad ..... 73 31. Impulsive/Dogmatic/Optimistic Triad ......... 73 32. Adventurous/Dynamic/Patient Triad ........... 74 33. Arrogant/Intuitive/Tough Triad............... 74 34. Conceited/Sophisticated/Daring Triad......... 75 35. Nosey/Egotistic/Narrow-Minded Triad ......... 76 36. Unorganized/Ambivalent/Erratic Triad. .... 76 37. Selfless/Bubbly/Zany Triad................... 77 38. Loud-Mouthed/Nonsensical/Selfish Triad. 77 39. Irrational/Trite/Unemotional Triad........... 78 v• m• • Table Page 40. Frivolous/Dull/Passive Triad. ........ 79 41. Scatter-Brained/Simple/Gullible Triad .... 79 42. Yes-Man/Shallow/Naive Triad ......... 80 43. Subservient/Subioissive/Inferior Triad . • . 80 44. Dumb/Withdrawn/Incorapetent Triad. ...... 81 45. Elements That Contributed Most to the Significant Chi-Squares .... .......... 82 46. Hard-Working/Responsible/Persistent Triad . 83 47. Aggressive/Outspoken/Curious Triad. ..... 84 48. Impulsive/Dogmatic/Optimistic Triad ......... 85 49. Nosey/Egotistic/Narrow-Minded Triad ..... 85 50. Selfless/Bubbly/Zany
Load more

Recommended publications
  • Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
    cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Flower Drum Song Little Theatre on the Square
    Eastern Illinois University The Keep 1961 Shows Programs 1961 Summer 8-22-1961 Flower Drum Song Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1961_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Flower Drum Song" (1961). 1961 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1961_programs/1 This Book is brought to you for free and open access by the 1961 at The Keep. It has been accepted for inclusion in 1961 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Professional Equity Music Theatre" Fifth Season .h July 7th Through August 27th, 1961 Air-conditioned Grand Theatre * On the Square * Sullivan ? Guy S. Llttle, Jt. Ptassnts ! '4 RODGERS & HAMMERSTEIN'S 1 "FLOWER DRUM SONG' I August 22nd through August 27th, 1961 Who's Who in the Cast . SYLVIA COPELAND (Linda Low) re- RUSTY DORE (Sammy Fong) has been a creates the vital fun-loving Linda for the third popular performer on Broadway, TV, records, time, havinf peiformed this role previous1 at sup er clobs and summer stock. Rusty appeared the South hore Music Theatre and the dan- on sroadway with Mae West in her production nis Melody Tent in Massachusetts. Miss Cope- of DIAMOND LIL and toured the country aa land is. a versatile performer displaying talent the bookie in BELLS ARE RINGING.. We was . as a slnger. actress and pianist. Her many recently seen off-Broadway as Jake in THE cabaret and hotel singing- en agements have THREEPENNY OPERA at the Theatre DeLys taken her from Boston to ~razi?,with stops at and as the student in the Yiddish Art Theatre's Miami Beach.
    [Show full text]
  • Productions in Ontario 2013
    SHOT IN ONTARIO 2013 Feature Films – Theatrical A DAUGHTER’S REVENGE Company Name: NB Thrilling Films 5 Inc. Producer: Don Osborne Exec. Producers: Pierre David, Tom Berry, Neil Bregman Director: Curtis Crawford Production Manager: Don Osborne D.O.P.: Bill St. John Key Cast: Elizabeth Gillies, Cynthia Stephenson, William Moses Shooting Dates: Nov 30 – Dec 12/13 A FIGHTING MAN Company: Rollercoaster Entertainment Producers: Gary Howsam, Bill Marks Exec. Producer: Jeff Sackman Line Producer: Maribeth Daley Director: Damian Lee Production Manager: Anthony Pangalos D.O.P.: Bobby Shore Key Cast: Famke Janssen, Dominic Purcell, James Caan, Kim Coates, Michael Ironside, Adam Beach, Louis Gossett Jr., Sheila McCarthy Shooting Dates: Apr 15 – May 15/13 A MASKED SAINT Company: P23 Entertainment Producers: Cliff McDowell, David Anselmo Director: Warren Sonoda Line Producer/Production Manager: Justin Kelly D.O.P.: James Griffith Key Cast: Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll Shooting Dates: Nov 4 – Nov 22/13 BEST MAN HOLIDAY Company: Blackmailed Productions / Universal Pictures Producer: Sean Daniel Exec. Producer: Preston L. Holmes Director: Malcolm Lee Production Manager: Dennis Chapman D.O.P.: Greg Gardiner Key Cast: Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Taye Diggs Shooting Dates: Apr 8 - May 22/13 BERKSHIRE COUNTY Company: Narrow Edge Productions Producer: Bruno Marino Exec. Producers: Tony Wosk, David Miller Director: Audrey Cummings Production Manager: Paul Roberts D.O.P.: Michael Jari Davidson Key Cast: Alysa King, Madison Ferguson, Cristophe Gallander, Samora Smallwood, Bart Rochon, Aaron Chartrand Shooting Dates: Apr 4 - May 16/13 December 2013 1 SHOT IN ONTARIO 2013 BIG NEWS FROM GRAND ROCK Company: Markham Street Films Producer: Judy Holm, Michael McNamara Director: Daniel Perlmutter Production Manager: Sarah Jackson D.O.P.: Samy Inayeh Key Cast: Aaron Ashmore, Kristin Booth, Art Hindle, Ennis Esmer Shooting Dates: Sep 30 – Oct 24/13 BLUR Company: Black Cat Entertainment Producer: Bruno Marino Exec.
    [Show full text]
  • PHILANTHROPIST, ENTREPRENEUR and RECORDING ARTIST
    THE FLORIDA STAR, NORTHEAST FLORIDA’S OLDEST, LARGEST, MOST READ AFRICAN AMERICAN OWNED NEWSPAPER The Florida Star Presorted Standard P. O. Box 40629 U.S. Postage Paid Jacksonville, FL 32203 Jacksonville, FL Philanthropic Families Donate More Permit No. 3617 Than Half A Million Dollars to Can’t Get to the Store? Bethune-Cookman University Have The Star Delivered! Story on page 6 Read The Florida and Georgia Star THE FLORIDA Newspapers. STAR thefl oridastar.com The only media Listen to IMPACT to receive the Radio Talk Show. Jacksonville Sheriff’s The people’s choice Offi ce Eagle Award for being “The Most Factual.” APRIL 11 - APRIL 17, 2020 VOLUME 69, NUMBER 52 $1.00 Daughter of MLK Named PHILANTHROPIST, to Georgia ENTREPRENEUR and Coronavirus RECORDING ARTIST Outreach Group Keeve Murdered eeve Hikes, Philanthropist, entre- preneur and rapper from Jack- sonville, Florida was fatally shot Tuesday evening. Keeve was pro- nounced dead on the scene, ac- cordingK to offi cials. News of his death, prompted an out- pouring of support from the Jacksonville Florida community. Dr. Bernice King, daughter of civil rights “May His peace comfort you all leader Dr. Martin Luther King Jr. will help lead a new outreach committee in Georgia during this diffi cult time. His life was a as the state copes with the coronavirus, Gov. Testament of time well spent.” Brian Kemp announced Sunday. Keeve drew attention for industry King, chief executive offi cer of the Martin leaders from his hit single “ Bag” Luther King Jr. Center for Nonviolent Social feat. YFN Lucci, from his album en- Change in Atlanta, will co-chair the commit- titled “ No Major Deal But I’m Still tee of more than a dozen business and com- Major”.
    [Show full text]
  • Don Murray Unsung Hero
    DON MURRAY UNSUNG HERO Donald Patrick Murray was born in Hollywood in 1929 to a 20th-Century Fox dance director and a former Ziegfeld girl. He moved to New York when he was three years old and became an exceptional student-athlete at East Rockaway High School in Nassau County. Don played football and ran track, where he earned the nickname “Don Deer.” After graduation in 1947, Don declined several scholarship opportunities at universities in favor of enrolling in the American Academy of Dramatic Arts. (To this day, Don retains a slight “Long Island” accent, but his three years at AADA helped him effectively shed this at will, and he easily mastered a series of speech patterns in his subsequent acting roles.) When the Korean War broke out, Don filed for “conscientious objector” status, and spent two years in alternative service at refugee camps in Germany and Italy. (Don would later star in a self-penned screenplay for Playhouse 90 entitled For I Have Loved Strangers based on these experiences.) Before his European adventures, however, Don had turned heads in his first substantial part in the Broadway production of Tennessee Williams’ The Rose Tattoo. He also made strides on early television, appearing on several highly-regarded programs, including The Kraft Theater and the psychological mystery series Danger. Don then landed a role in the Broadway revival of Thornton Wilder’s The Skin of Our Teeth, playing Henry Antrobus, a character who demonstrated a pronounced change in temperament. (During the play’s celebrated first run in 1942-43, Henry was played by Montgomery Clift.) Don’s performance caught the eye of theatre and film director Joshua Logan, who quickly decided that Don was the perfect choice to play the raw, reckless Beauregard “Bo” Decker in his film version of William Inge’s hit play, Bus Stop.
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • The 35Th Annual Daytime Entertainment Emmy Award
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES 35th ANNUAL DAYTIME ENTERTAINMENT EMMY ® AWARD NOMINATIONS Daytime Emmy Awards To Be Telecast June 20, 2008 On ABC at 8:00 p.m. (ET) Live from Hollywood’s’ Kodak Theatre Regis Philbin to Receive Lifetime Achievement Award New York – April 30, 2008 – The National Academy of Television Arts & Sciences today announced the nominees for the 35th Annual Daytime Entertainment Emmy ® Awards. The announcement was made live on ABC’s “The View”, hosted by Whoopi Goldberg, Joy Behar, Elisabeth Hasselbeck, and Sherri Shepherd. The nominations were presented by “All My Children” stars Rebecca Budig (Greenlee Smythe) and Cameron Mathison (Ryan Lavery), Farah Fath (Gigi Morasco) and John-Paul Lavoisier (Rex Balsam) of “One Life to Live,” Marcy Rylan (Lizzie Spaulding) from “Guiding Light” and Van Hansis (Luke Snyder) of “As the World Turns” and Bryan Dattilo (Lucas Horton) and Alison Sweeney (Sami DiMera) from “Days of our Lives.” Nominations were announced in the following categories: Outstanding Drama Series; Outstanding Lead Actor/Actress in a Drama Series; Outstanding Supporting Actor/Actress in a Drama Series; Outstanding Younger Actor/Actress in a Drama Series; Outstanding Talk Show – Informative; Outstanding Talk Show - Entertainment; and Outstanding Talk Show Host. As previously announced, this year’s Lifetime Achievement Award will be presented to Regis Philbin, host of “Live with Regis and Kelly.” Since Philbin first stepped in front of the camera more than 40 years ago, he has ambitiously tackled talk shows, game shows and almost anything else television could offer. Early on, Philbin took “A.M. Los Angeles” from the bottom of the ratings to number one through his 7 year tenure and was nationally known as Joey Bishop’s sidekick on “The Joey Bishop Show.” In 1983, he created “The Morning Show” for WABC in his native Manhattan.
    [Show full text]
  • Newsletter 15/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
    [Show full text]
  • 2010 Annual Report
    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
    [Show full text]
  • Killing “Dixie”: the Naacp, the Black Press and the Battle to End Black Caricature Culture in Hollywood, 1950-1968
    American Journal of Humanities and Social Sciences Research (AJHSSR) 2020 American Journal of Humanities and Social Sciences Research (AJHSSR) e-ISSN:2378-703X Volume-4, Issue-9, pp-09-18 www.ajhssr.com Research Paper Open Access KILLING “DIXIE”: THE NAACP, THE BLACK PRESS AND THE BATTLE TO END BLACK CARICATURE CULTURE IN HOLLYWOOD, 1950-1968 Teisha Dupree-Wilson, JD, Ph.D. Department of Humanities, Coppin State University, USA Assistant Professor of History ABSTRACT: During the early twentieth century, Hollywood‟s television and film industries created its depictions of African Americans. Many of the images were derived from “Dixie,” a term used to reference the antebellum American South, during a time when African Americans were enslaved. This article examines the account, given by the African American Press, of the ongoing dispute over black imagery between Hollywood and the NAACP. The heightened voice of the African American Press ultimately helped to push for the infusing of black presence in popular culture with the goal of depicting the possibilities of an integrated American society. The NAACP and the African American Press emerged as the leading voices in challenging Hollywood‟s black caricature culture, after recognizing that harmful black representation was injurious to the burgeoning civil rights movement of the mid-twentieth century. KEYWORDS: Black Caricatures, Black Press, Hollywood, NAACP, and Walter White I. INTRODUCTION During the early twentieth century,Hollywoodspawned its depictions of African Americans. Many of the images of African Americans in television and film, were derived from “Dixie,” a term used to reference the antebellum American South, during a time when African Americans were enslaved.1The highly offensive caricatures of “Dixie,” which showed African Americans as subservient and unintelligent, became standard in many Hollywood productions.
    [Show full text]