A Reader's Companion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Climbing the Sea Annual Report
WWW.MOUNTAINEERS.ORG MARCH/APRIL 2015 • VOLUME 109 • NO. 2 MountaineerEXPLORE • LEARN • CONSERVE Annual Report 2014 PAGE 3 Climbing the Sea sailing PAGE 23 tableofcontents Mar/Apr 2015 » Volume 109 » Number 2 The Mountaineers enriches lives and communities by helping people explore, conserve, learn about and enjoy the lands and waters of the Pacific Northwest and beyond. Features 3 Breakthrough The Mountaineers Annual Report 2014 23 Climbing the Sea a sailing experience 28 Sea Kayaking 23 a sport for everyone 30 National Trails Day celebrating the trails we love Columns 22 SUMMIT Savvy Guess that peak 29 MEMbER HIGHLIGHT Masako Nair 32 Nature’S WAy Western Bluebirds 34 RETRO REWIND Fred Beckey 36 PEAK FITNESS 30 Back-to-Backs Discover The Mountaineers Mountaineer magazine would like to thank The Mountaineers If you are thinking of joining — or have joined and aren’t sure where Foundation for its financial assistance. The Foundation operates to start — why not set a date to Meet The Mountaineers? Check the as a separate organization from The Mountaineers, which has received about one-third of the Foundation’s gifts to various Branching Out section of the magazine for times and locations of nonprofit organizations. informational meetings at each of our seven branches. Mountaineer uses: CLEAR on the cover: Lori Stamper learning to sail. Sailing story on page 23. photographer: Alan Vogt AREA 2 the mountaineer magazine mar/apr 2015 THE MOUNTAINEERS ANNUAL REPORT 2014 FROM THE BOARD PRESIDENT Without individuals who appreciate the natural world and actively champion its preservation, we wouldn’t have the nearly 110 million acres of wilderness areas that we enjoy today. -
Staging the Obscene in a Glastonbury Romance (1932) by John Cowper Powys
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 21 | 2020 Modernism and the Obscene Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie Electronic version URL: http://journals.openedition.org/miranda/27847 DOI: 10.4000/miranda.27847 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Florence Marie, “Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys ”, Miranda [Online], 21 | 2020, Online since 09 October 2020, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/27847 ; DOI: https://doi.org/10.4000/miranda.27847 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys 1 Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie 1 “Nobody quite knows what the word ‘obscene’ itself means, or what it is intended to mean: but gradually all the old words that belong to the body below the navel have come to be judged as obscene. Obscene means today that the policeman thinks he has a right to arrest you, nothing else” (Lawrence 625). As made clear by D. H. Lawrence in 1929, there existed no definition of the term “obscenity” under English statute law. Nevertheless the idea that “fiction has the power to corrupt and offend in its cultural significance” (Potter 2013b, 10) and as a consequence that censorship was advisable was still very much in the foreground in the 1920s. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
The Leadership Issue
SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future. -
Weymouth Sands to Owen Glendower
Durham E-Theses The shattered skull: a study of john Cowper Powys' ction Fox, Jeremy Robin How to cite: Fox, Jeremy Robin (1991) The shattered skull: a study of john Cowper Powys' ction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6023/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. THE SHATTERED SKULL: A STUDY OF JOHN COWPER POWYS' FICTION JEREMY ROBIN FOX A THESIS SUBMITTED TO THE CENTRE FOR THE STUDY OF LITERATURE AND THEOLOGY IN THE DEPARTMENT OF THEOLOGY IN THE FACULTY OF ARTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF DURHAM SEPTEMBER 1991 2 1 J UL 1992 TABLE OF CONTENTS Acknowledgements ....................................................... -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Mathematics and Science: Last Essays
HENRI POINCARE Mathematics and Science: Last Essays (Dernieres Pensees) Translated from the French by JOHN W. BOLDUC State Teachers College at Westfield, Massachusetts Dover Publications, Inc., New York Copyright 1963 by Dover Publications, Inc Origmally published in French under the title of Demises Pensdes, copyright (P) 1913 by Ernest Flammanon All rights reserved under Pan American and Inter national Copyright Conventions. Published simultaneously in Canada by McClelland and Stewart, Ltd. Published in the United Kingdom by Constable and Company Limited, 10 Change Stieet, London, W.C.2. This Dover edition, firsL published in 1963, is a new English translation of the first edition of Demises Fences, published by Ernest Flammanon in 1913. This English translation is published by special arrangement with Ernest Flammarion. Library of Congress Catalog Card Number: 63-31678 Manufactured in the United Stales of America Dover Publications, Inc, i So Varick Street New York 14, N.Y. TRANSLATOR'S NOTE Just as the poet must seek the appropriate word to convey an idea with sufficient vigor and yet obtain the cadence and rhyme necessary for the finished product, so also the translator must achieve the proper expression in one language to convey accurately and with equal vigor the author's ideas as expressed in his original language. In this process the languages in the translator's mind tend to lose their identity and one language easily assumes the idiosyncrasies of the other. I am therefore particularly grateful to Dr. Wallace L. Goldstein for his assistance in indicating flaws in grammatical constructions which would have resulted from the merging of the two languages. -
Ankenym Powysjournal 1996
Powys Journal, 1996, vol. 6, pp. 7-61. ISSN: 0962-7057 http://www.powys-society.org/ http://www.powys-society.org/The%20Powys%20Society%20-%20Journal.htm © 1996 Powys Society. All rights reserved. Drawing of John Cowper Powys by Ivan Opffer, 1920 MELVON L. ANKENY Lloyd Emerson Siberell, Powys 'Bibliomaniac' and 'Extravagantic' John Cowper Powys referred to him as 'a "character", if you catch my meaning, this good Emerson Lloyd S. — a very resolute chap (with a grand job in a big office) & a swarthy black- haired black-coated Connoisseur air, as a Missioner of a guileless culture, but I fancy no fool in his office or in the bosom of his family!'1 and would later describe him as 'a grand stand-by & yet what an Extravagantic on his own our great Siberell is for now and for always!'2 Lloyd Emerson Siberell, the 'Extravagantic' from the midwestern United States, had a lifelong fascination and enthusiasm for the Powys family and in pursuit of his avocations as magazine editor, publisher, writer, critic, literary agent, collector, and corresponding friend was a constant voice championing the Powys cause for over thirty years. Sometimes over-zealous, always persistent, unfailingly solicitous, both utilized and ignored, he served the family faithfully as an American champion of their art. He was born on 18 September 1905 and spent his early years in the small town of Kingston, Ohio; 'a wide place in the road, on the fringe of the beautiful Pickaway plains the heart of Ohio's farming region, at the back door of the country, so to speak.' In his high school days he 'was always too busy reading the books [he] liked and playing truant to ever study seriously...' He 'enjoyed life' and was 'a voracious reader but conversely not the bookworm type of man.'3 At seventeen he left school and worked a year at the Mead Corporation paper mill in Chillicothe, Ohio and from this experience he dated his interest in the art and craft of paper and paper making. -
Bibliography and References
Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no. -
Abraham Fabert, Governor of Sedan
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA RIVERSIDE Ex Libris C. K. OGDEN '/ ABRAHAM FABERT. r MARSHAL PABERT l-miii a prim in the U>itish Mint inn. PAINTED BY L.FERDINAND ENORAVfcD BY C F. POILLY. ABRAHAM FABERT GOVERNOR OF SEDAN: MARSHAL OF FRANCE THE FIRST WHO ROSE FROM THE RANKS nm LIFE AND TIMES 1599—1662 By GEORGE HOOPER AUTHOR OP 'WATKRLOO: THE DOWNFALL OF THE FIRST NAPOLEON," " THB CAMPAIGN OF SKDAN, "WELLINGTON," ETC. " His name <a great example stands, to show How strangely high endeavours may be blessed, Where Piety and Valour jointly go."— Dryden ^ith It Portrait LONDON LONGMANS, GREEN, AND CO. AND NEW YORK : 15 EAST IGth STREET 1892 [All riyltts j-csirved] Richard Clay & Sons, Limitkp, London & Bitnqay. AUTHOE'8 PIIEFACE. Who was Abraham Fabert, and why should an account of him be written in English ? The biography now offered to the public had this natural origin. Many years ago, while travelling for rest and recre- ation, the author picked up at an Edinburgh book-stall a copy of the Vie de Fahert par le Pere Barre, and read it for amusement. Until then he knew no more of Fabert than this—that he was a Marshal of France whose statue he had seen at Metz, that his name figures in the Appendix to Voltaire's Steele de Louis XIV., and that it was mentioned here and there by other historians. The two little brown volumes of the Canon of St. Genevieve, however, disclosed the character of a man, so difteront in many respects from that of the French soldiers of his time, that the author was led to push his inquiries farther and deeper ; and thus he came to admire, and felt constrained to write out his estimate of the adventures, attainments, and high qualities of this Fabert. -
A Glastonbury Romance—Bert's Cauldron
Published in la lettre powysienne numéro 9, printemps 2005, see : http://www.powys-lannion.net/Powys/LettrePowysienne/number9.htm A Glastonbury Romance — Bert’s Cauldron NO WORD in literature, unless perhaps ‘ballad’ or ‘legend’, can have more power to evoke the magical and the marvellous than ‘romance’. Under the roofs of Powys’s Glastonbury and under the craniums of its extraordinary inhabitants marvels occur as everyday happenings. In John Cowper Powys’s letter to Frances Gregg in 19311 he writes of his intention to invent the characters of his book “in Vacuo out of life and experience”—a phrase which, in his case, must imply a very broad imaginative scope indeed. Mr Geard—‘Bloody Johnny’—the holy magician of the story, was laughingly compared by Canon William Crow to Rabelais’s “Frère Jean 2 des Entommeures”, “Friar John of the Funnels” . Geard describes himself as a conduit—receiving, channelling and knowing vicariously the feelings and sensations of those in the world around him and drawing on forces and powers from beyond the visible world. He is a medium. Geard’s creator, John Cowper Powys, is a medium of a very different kind—the funnel and conduit of his own unfettered imagination, free to dictate and shape A Glastonbury Romance. The result is a poetic and extremely complex book which almost defies overall cohesive study. Glastonbury is itself a character of the romance. The life of the town is dreamlike, vivid to the senses and contained in its own reality. It is affected by the consciousnesses of those who have been there, by personified forces (or gods)—particularly Chance—and by the dual malice and goodness of a ‘First Cause’ interacting with the goodness and malice in all other identities.