Powys Society Newsletter 14: November 1991
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Self-Portraiture in Borrow and the Powys
— 1 — Published in la lettre powysienne numéro 5, printemps 2003, see : http://www.powys-lannion.net/Powys/LettrePowysienne/number5.htm Stonehenge Leaving the bridge I ascended a gentle declivity, and presently reached what appeared to be a tract of moory undulating ground. It was now tolerably light, but there was a mist or haze abroad which prevented my seeing objects with much precision. I felt chill in the damp air of the early morn, and walked rapidly forward. In about half an hour I arrived where the road divided into two at an angle or tongue of dark green sward. “To the right or the left?” said I, and forthwith took, without knowing why, the left-hand road, along which I proceeded about a hundred yards, when, in the midst of the tongue or sward formed by the two roads, collaterately with myself, I perceived what I at first conceived to be a small grove of blighted trunks of oaks, barked and grey. I stood still for a moment, and then, turning off the road, advanced slowly towards it over the sward; as I drew nearer, I perceived that the objects which had attracted my curiosity, and which formed a kind of circle, were not trees, but immense upright stones. A thrill pervaded my system; just before me were two, the mightiest of the whole, tall as the stems of proud oaks, supporting on their tops a huge transverse stone, and forming a wonderful doorway. I knew now where I was, and laying down my stick and bundle, and taking off my hat, I advanced slowly, and cast myself — it was folly, perhaps, but I could not help what I did — cast myself, with my face on the dewy earth, in the middle of the portal of giants, beneath the transverse stone. -
Weymouth Sands to Owen Glendower
Durham E-Theses The shattered skull: a study of john Cowper Powys' ction Fox, Jeremy Robin How to cite: Fox, Jeremy Robin (1991) The shattered skull: a study of john Cowper Powys' ction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6023/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. THE SHATTERED SKULL: A STUDY OF JOHN COWPER POWYS' FICTION JEREMY ROBIN FOX A THESIS SUBMITTED TO THE CENTRE FOR THE STUDY OF LITERATURE AND THEOLOGY IN THE DEPARTMENT OF THEOLOGY IN THE FACULTY OF ARTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF DURHAM SEPTEMBER 1991 2 1 J UL 1992 TABLE OF CONTENTS Acknowledgements ....................................................... -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Ankenym Powysjournal 1996
Powys Journal, 1996, vol. 6, pp. 7-61. ISSN: 0962-7057 http://www.powys-society.org/ http://www.powys-society.org/The%20Powys%20Society%20-%20Journal.htm © 1996 Powys Society. All rights reserved. Drawing of John Cowper Powys by Ivan Opffer, 1920 MELVON L. ANKENY Lloyd Emerson Siberell, Powys 'Bibliomaniac' and 'Extravagantic' John Cowper Powys referred to him as 'a "character", if you catch my meaning, this good Emerson Lloyd S. — a very resolute chap (with a grand job in a big office) & a swarthy black- haired black-coated Connoisseur air, as a Missioner of a guileless culture, but I fancy no fool in his office or in the bosom of his family!'1 and would later describe him as 'a grand stand-by & yet what an Extravagantic on his own our great Siberell is for now and for always!'2 Lloyd Emerson Siberell, the 'Extravagantic' from the midwestern United States, had a lifelong fascination and enthusiasm for the Powys family and in pursuit of his avocations as magazine editor, publisher, writer, critic, literary agent, collector, and corresponding friend was a constant voice championing the Powys cause for over thirty years. Sometimes over-zealous, always persistent, unfailingly solicitous, both utilized and ignored, he served the family faithfully as an American champion of their art. He was born on 18 September 1905 and spent his early years in the small town of Kingston, Ohio; 'a wide place in the road, on the fringe of the beautiful Pickaway plains the heart of Ohio's farming region, at the back door of the country, so to speak.' In his high school days he 'was always too busy reading the books [he] liked and playing truant to ever study seriously...' He 'enjoyed life' and was 'a voracious reader but conversely not the bookworm type of man.'3 At seventeen he left school and worked a year at the Mead Corporation paper mill in Chillicothe, Ohio and from this experience he dated his interest in the art and craft of paper and paper making. -
Powys Notes 3.2. Fall 1987
----------Powys N otes---------- A Publication of the Powys Society of North America: Fall, 1987 The‘Diary of John Cowpeijfowys CONTENTS page one ARND BOHM on Wolf Solent as an Anatomy of History page eight H. W. FAWKNER reviews The Diary of John Cowper Powys, g 1930, newly published by Greymitre Books page thirteen I W. J. KEITH reviews Homed Q Poppies, a collection of previously unpublished r~*.■i poems by John Cowper Powys rr; page fourteen EDITOR'S NOTES, including £ announcement of the 1988 mo Conference of PSNA ‘Edited bv Frederick Davies ARND BOHM WOLF SOLENT AS AN ANATOMY OF HISTORY Although Wolf Solent does not end with a bang, neither is the conclusion a whimper. Solent's resolution of "'Well, I shall have a cup of tea.'" is an antithesis to the turbulence of a world where voyeurism, incest, repressed homosexuality, possible necrophilia, sure adultery and occasional cruelty seem almost ordinary. It is a punch line with which Powys undercuts much of the modem world and especially all that activity around the construction of history. History is to be eliminated in order to make room for drinking a cup of tea. The two-edged wit of this closing gives a clue that the novel belongs in the tradition of the anatomy. Anatomy, as Northrop Frye has reminded us, is a particular kind of satire: The word 'anatomy' in Burton's title means a dissection or analysis, and expresses very accurately the intellectualized approach of his form. We may as well adopt it as a convenient name to replace the cumbersome and in m o d e m times misleading 'Menippean satire.' 2 The subject is dissected and analyzed in order to reveal its form, and in order to advance therapy. -
A Glastonbury Romance—Bert's Cauldron
Published in la lettre powysienne numéro 9, printemps 2005, see : http://www.powys-lannion.net/Powys/LettrePowysienne/number9.htm A Glastonbury Romance — Bert’s Cauldron NO WORD in literature, unless perhaps ‘ballad’ or ‘legend’, can have more power to evoke the magical and the marvellous than ‘romance’. Under the roofs of Powys’s Glastonbury and under the craniums of its extraordinary inhabitants marvels occur as everyday happenings. In John Cowper Powys’s letter to Frances Gregg in 19311 he writes of his intention to invent the characters of his book “in Vacuo out of life and experience”—a phrase which, in his case, must imply a very broad imaginative scope indeed. Mr Geard—‘Bloody Johnny’—the holy magician of the story, was laughingly compared by Canon William Crow to Rabelais’s “Frère Jean 2 des Entommeures”, “Friar John of the Funnels” . Geard describes himself as a conduit—receiving, channelling and knowing vicariously the feelings and sensations of those in the world around him and drawing on forces and powers from beyond the visible world. He is a medium. Geard’s creator, John Cowper Powys, is a medium of a very different kind—the funnel and conduit of his own unfettered imagination, free to dictate and shape A Glastonbury Romance. The result is a poetic and extremely complex book which almost defies overall cohesive study. Glastonbury is itself a character of the romance. The life of the town is dreamlike, vivid to the senses and contained in its own reality. It is affected by the consciousnesses of those who have been there, by personified forces (or gods)—particularly Chance—and by the dual malice and goodness of a ‘First Cause’ interacting with the goodness and malice in all other identities. -
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n Wiseman, Sam (2013) Transience, technology and cosmopolitanism: the reimagining of place in English modernism. PhD thesis. http://theses.gla.ac.uk/4650/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Transience, Technology and Cosmopolitanism: The Reimagining of Place in English Modernism Sam Wiseman PhD Thesis English Literature University of Glasgow 2013 Abstract Recent work by scholars including Jed Esty and Alexandra Harris has emphasised a renewed focus among English interwar modernist writers upon rural landscapes, culture and traditions. This thesis builds upon such work in examining that focus in the prose works of D.H. Lawrence (1885-1930), John Cowper Powys (1872-1963), Mary Butts (1890-1937) and Virginia Woolf (1882-1941). All of these figures have a profound sense of attachment to place, but an equally powerful desire to engage with the upheavals of interwar modernity – in terms of urbanisation, cosmopolitanism, and developments in technology and transportation – and to participate in contemporary literary experimentation. This dialectic between tradition and change, I argue, is analogous to a literal geographical shuttling between rural and metropolitan environments, and in all four writers I identify imagery and literary techniques which reflect those experiences, and are applied across diverse geographical realms. -
THE INTERACTION BETWEEN LANDSCAPE and MYTH in the NOVELS of JOHN COWPER POWYS by GWYNETH F. MILES MA Bryn Mawr College, 196?
c . \ THE INTERACTION BETWEEN LANDSCAPE AND MYTH IN THE NOVELS OF JOHN COWPER POWYS by GWYNETH F. MILES M.A. Bryn Mawr College, 196? A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada i Abstract Powys' novels are deeply rooted in a sense of place; much of their conflict develops through the effect of a particular locality upon the characters who live there or come there. This thesis demonstrates how Powys' sense of place is com• pounded of both a feeling for the physical landscape, and an awareness of the historical and mythical traditions which form its human past. Powys finds correspondences between the scenery and legends of a locality and the psychological states of his personae, and thus uses landscape and myth for symbolic purposes. The interaction of myth and landscape largely creates the characteristic atmosphere of the five novels studied here. -
Glastonbury Companion
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: http://www.powys-lannion.net/Powys/Keith/Companions.htm Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Historic Library & Rare Book
HISTORIC LIBRARY & RARE BOOK COLLECTION SHERBORNE SCHOOL THE POWYS LIBRARY Albert Reginald POWYS (1881-1936). Bor The Green (c) 1895-1899. A.R. Powys, Repair of Ancient Buildings (J.M. Dent & Sons Ltd., 1929) A.R. Powys, From the Ground Up: Collected Papers of A.R. Powys. With an introduction by John Cowper Powys (JM Dent & Sons Ltd., 1937). A.R. Powys, The English House (The Powys Society, 1992). John Cowper POWYS (1872-1963). Wildman’s House (Mapperty) 1886-1891. John Cowper Powys, After My Fashion (London, Pan Books Ltd., 1980). John Cowper Powys, All or Nothing (London, Macdonald, 1960). John Cowper Powys, All or Nothing (London, Village Press, 1973). Presented to Sherborne School Library by M.R. Meadmore, April 1984. John Cowper Powys, Autobiography (London, Macdonald, 1967). With an introduction by J.B. Priestley. John Cowper Powys, The Brazen Head (London, Macdonald, 1969). John Cowper Powys, In Defence of Sensuality (London, Victor Gollancz Ltd., 1930). John Cowper Powys, The Diary of John Cowper Powys 1931 (London, Jeffrey Kwintner, 1990). John Cowper Powys, Dorothy M. Richardson (London, Village Press, 1974). Presented to Sherborne School Library by Gerald Pollinger, September 1977. John Cowper Powys, Dostoievsky (London, John Lane The Bodley Head, 1946). John Cowper Powys, Ducdame (London, Village Press, 1974). John Cowper Powys, A Glastonbury Romance (London, Macdonald, 1966). John Cowper Powys, Homer and the Aether (London, Macdonald, 1959). Presented to Sherborne School Library by Gerald Pollinger, September 1977. John Cowper Powys, The Inmates (London, Village Press, 1974). Presented to Sherborne School Library by M.R. Meadmore, April 1984. John Cowper Powys, In Spite of. -
Powys Society Newsletter 90, March 2017
Editorial Our back cover showing the Prophet Elijah smiting a priest of Baal (3 Kings 18, 40) il- lustrates Patrick Quigley’s account of Llewelyn Powys and Alyse’s journey to Palestine Llewelyn’s philosophy. Our December meeting discussed TFP’s friendship with Liam O’Flaherty and the Pro- gressive Bookshop, and the world of cruelty and hypocrisy in Mr. Tasker’s Gods, a book O’Flaherty greatly admired. T.F. Powys calls up very different responses, from those who see his world as controlled by demons of cruelty, and those who see their opposite, the besieged forces of light, innocence and kindness. Michael Kowalewski’s review in NL89, of Zouheir Jamoussi’s book on Theodore, emphasised the darkness and the role of an ‘Old Testament’ God of wrath. Ian Robinson, long-term publisher of TFP with the Brynmill Press, is of the party of the angels, and the long-suffering meek who are rewarded. TFP’s publisher Charles Prentice introduced the 1947 collection of stories, curiously named (by TF himself?) God’s Eyes A-Twinkle; and Glen Cavaliero’s poem imagines TFP sleeping beside, and in, the Map- powder churchyard. Nature, and seasons, were crucial to all the Powyses, and John Cowper’s years in up- state New York gave him sustained time to observe American skies, especially at sunrise. New books by our President (Collected Poems) and our Chairman (Figurative Painting) are reviewed. We have notes on JCP and music and on Alyse Gregory’s revised birth date. Members in Norfolk and New York visit two bookshops called after JCP’s late novel The Brazen Head. -
University of Pardubice Faculty of Arts and Philosophy Wessex in The
University of Pardubice Faculty of Arts and Philosophy Wessex in the Selected Works of Thomas Hardy and John Cowper Powys Lucie Ratzová Bachelor Thesis 2018 Prohlášení autora Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 30.6. 2018 Lucie Ratzová Poděkování Tímto bych ráda poděkovala své vedoucí bakalářské práce Mgr. Olze Roebuck, Ph.D., M.Litt. za její trpělivost a vstřícný přístup. Také bych chtěla poděkovat své rodině za jejich nekonečnou podporu a důvěru. Abstract This paper focuses on the description of Wessex in the selected short-stories of Thomas Hardy and in the novel Wolf Solent by John Cowper Powys.