The Public Domain: How to Find and Use Copyright Free Writings, Music
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Nysba Spring 2020 | Vol
NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped. -
Totally Wicket at Seattle Mens Chorus Encore Arts Seattle
MARCH 2014 *SEATTLE ONLY GRACIOUS meet BREATHTAKING ShiSh ps’ ReR gistry: The NetNe herlandss Delight in the journey, and in every exquisite detail along the way. On a Holland America Line cruise you’ll discover personalized service at every turn. Soul-stirring new experiences are accompanied by warm smiles and prompt attention. Never in the way yet never out of reach, our gracious, award-winning crew is here to make your cruise experience remarkable in every way. Contact your Travel Professional or call 1-877-SAIL HAL or visit hollandamerica.com. AFRICA • ALASKA • ASIA & PACIFIC • AUSTRALIA • NEW ZEALAND • CANADA • NEW ENGLAND CARIBBEAN • EUROPE • HAWAII • MEXICO • PANAMA CANAL • SOUTH AMERICA • WORLD VOYAGE R1_Hey_HAL0505_Comp-LA-Print-Resize_Encore_140107.indd 1 1/8/14 12:22 PM WELCOME CALENDAR After seeing so many wonderful musicals and movie scores written by Stephen Schwartz, I have to tell you what a thrill it’s been to UPCOMING PERFORMANCES program this concert. When I go see musical theatre, I of course SEATTLE MEN’S CHORUS SAT experience it as a patron. But I also try to keep my artistic director Falling in Love Again - Deutschland 06/14/14 8:00PM hat on, and always keep an open mind about possible future The Paramount Theatre Chorus concerts. I’m consistently searching for new possibilities SEATTLE MEN’S CHORUS and ways we can program our shows. Finally getting the chance Falling in Love Again 06/18/14 – to celebrate some of the amazing work of Stephen Schwartz is sort - Deutschland 06/29/14 of a dream come true. I’m so glad you’re here to enjoy his music Germany Tour along with me. -
A Quiet Revolution
A quiet revolution The moral economies shaping journalists’ use of NGO-provided multimedia in mainstream news about Africa Katherine Wright Goldsmiths, University of London A thesis submitted for the degree of PhD in Media and Communications 2014 1 Declaration I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. 2 Acknowledgements With grateful thanks to my study participants for their time, trust and candour - without you there would be no study. I also want to thank my supervisor, Natalie Fenton, who manages to combine the sharpest of minds with the warmest of hearts. Your support has meant so much to me over the past few years. The encouragement and constructive criticism of others at Goldsmiths has also been invaluable, especially Aeron Davis, Des Freedman and Gholam Khiabany, who all kindly read drafts of chapters for me. Next, I want to note my debt to my dear colleagues in Journalism at the University of Roehampton. I especially want to thank Ros Coward, whose passionate belief that practitioners should ‘get into’ research started me off down this route in the first place. In addition, the words of advice and support from colleagues at other institutions have been really helpful, especially those of Mel Bunce, Lilie Chouliaraki, Glenda Cooper, Nick Couldry, Shani Orgad, Chris Paterson, Martin Scott, Helen Yanacopulos and Silvio Waisbord. -
Produced Byray Manzarek
PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Music Law and Business: a Comprehensive Bibliography, 1982-1991 Gail I
Hastings Communications and Entertainment Law Journal Volume 13 | Number 4 Article 5 1-1-1991 Music Law and Business: A Comprehensive Bibliography, 1982-1991 Gail I. Winson Janine S. Natter Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Gail I. Winson and Janine S. Natter, Music Law and Business: A Comprehensive Bibliography, 1982-1991, 13 Hastings Comm. & Ent. L.J. 811 (1991). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol13/iss4/5 This Special Feature is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Music Law and Business: A Comprehensive Bibliography, 1982-1991* By GAIL I. WINSON** AND JANINE S. NArrER*** Table of Contents I. Law Review and Journal Articles ......................... 818 A . A ntitrust ............................................ 818 B. Bankruptcy .......................................... 819 C. Bibliographies ....................................... 819 D . Contracts ........................................... 819 1. M anagem ent ..................................... 821 2. Personal Service ................................ -
Carly Simon “I Took It to Heart That in Order to Be a Good Person, You Never Said Anything Mean About Anybody” —Carly Simon
Contributing Writers: Les Goldberg Ronnie Greenberg Randal C. Hill Lyn Jensen Debbie L. Sklar VOLUME 47, NUMBER 1 Nick Thomas JANUARY 2021 “Serving The Needs of Orange County & Long Beach Seniors Since 1974” Carly Simon “I took it to heart that in order to be a good person, you never said anything mean about anybody” —Carly Simon What’s Inside.... Calendar of Events ...................................... 5 Flashback ................................................... 6 Classifieds ............................................... 7-8 Song Preview .............................................. 9 Off The Beaten Path ................................... 10 In The Spotlight ........................................ 11 Book Club ................................................. 13 Carly Simon .............................................. 15 Long Beach. .............................................. 18 Fabulous Finds .......................................... 21 Life After Mother ....................................... 22 Busy Boomers ........................................... 25 Movie Preview ........................................... 26 Tinseltown Talks ........................................ 28 Gadget Geezer .......................................... 33 Orange County • Long Beach Page 2 SENIOR REPORTER [email protected] JANUARY 2021 Reflections Funeral Services We are a family owned and operated funeral service provider. The services we offer to our families can range from Cremation to Traditional Funerals, Catering to each -
Copyright Basics
PCC Print Center Sylvania Campus Copyright Basics 12000 SW 49th Ave, CC116 Portland, OR 97216 A Brief Overview of Copyright Law pcc.edu/printcenter & Best Practices Phone: 971-722-4670 PCC Written, Illustrated & Produced by: PANTHER Email: [email protected] PRESS The PCC Print Center Greetings Thank you for choosing the PCC Print Center for your print, design, and communication needs. We serve the PCC community and the greater Portland area. We are committed to the PCC mission and towards being good stewards of the taxpayer’s dollars. In doing this work, we must maintain a delicate balance between protecting the rights of copyright holders, fair use practices, and ensuring the taxpayer, PCC, and the students are not impacted by mistakes that can be avoided. In this booklet we will discuss the basics of copyright, best practices, and how you can respect and protect your own and someone else’s intellectual properties. Attention!! These materials are not a comprehensive overview of copyright law. There are many factors that need to be examined to make a clear judgment; such as different US Codes, international law, litigation rulings, and active cases that create a constantly evolving legal landscape. This is a reference guide to help identify Copyright concerns, offer best practices to avoid infringing on Copyrighted materials, as well as how to protect your own Intellectual Properties. This booklet is not a replacement for legal council from a certified professional. Any serious questions should be discussed with a licensed attorney. For more resources, information, questions about PCC’s copyright policy, or to report a copyright concern. -
Music in the Public Domain Free Download
Music in the public domain free download So you've scoured the internets in search of music recordings in the Public Domain and found bupkis If only someone would have gone out and. Royalty Free Music Resource. Free song downloads for your films, movie scores, Youtube videos, class projects, elevator, on hold, commercial & personal use.Orchestra Music · Royalty Free Music for · Royalty Free Instrumental · Jazz. Dan-O is a composer that offers his original songs for free download at Public domain music, video and other content can be used in any way. To find these songs, just click on the "Public Domain" box at the bottom Are you interested in sharing your music with us under the Public Domain dedication? The Free Music Archive offers free downloads under Creative. These recordings of Public Domain Hymns include beautiful contemporary arrangements as well as "straight from the hymn book" versions. If you need hymn. Here are seven sources for free public domain music that you can use to download great, free music. Expand your music collection, for free! Musopen is a non-profit offering free access to sheet music, royalty free public domain music recordings, and other music resources. Classic recordings ripped from 78 RPM vinyl records for you to enjoy as free, legal mp3s. No signup no spam just great music. Blues, folk, jazz, classical gems. Sources of free public domain, royalty free music. Google's YouTube audio library - free downloads for use in videos (not for audio redistribution or site. Listen to songs and albums by Public Domain Royalty Free Music, including "Deck the Halls, Christmas Song Instrumental (feat. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
The Decade That Shaped Television News
The Decade That Shaped Television News CBS in the 1950s Sig Mickelson 2 e' The Decade i That Shaped About the Author SIG MICKELSON is aResearch Fellow Television News at the Hoover Institution at Stanford CBS in the 1950s University and Distinguished Professor of Journalism at the Manship School of Sig Mickelson Mass Communication at Louisiana State University. He has served as Vice President This insider's account, written by the first of CBS, Inc., and was the first president of president of CBS News, documents the CBS News. He is the author of America's meteoric rise of television news during the Other Voice (Praeger, 1983) and From 1950s. From its beginnings as anovelty with Whistle Stop to Sound Bite (Praeger, 1989), little importance as adisseminator of news, and the editor of The First Amendment— to an aggressive rival to newspapers, radio, The Challenge of New Technology and news magazines, television news (Praeger, 1989). became the most respected purveyor of information on the American scene despite insufficient funding and the absence of trained personnel. Mickelson's fascinating account shows the arduous and frequently critical steps undertaken by inexperienced staffs in the development of television news, documentaries, and sports broadcasts. He provides atreasure trove of facts and anecdotes about plotting in the corridors, the ascendancy of stars such as Edward R. Murrow, and the retirement into oblivion of the less favored. In alittle more than a decade, television reshaped American life. How it happened is afascinating story. ISBN: 0-275-95567-2 Praeger Publishers 88 Post Road West Westport, CT 06881 Jacket design by Double R Design, Inc. -
November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor.