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Dissertation Formatted
UNIVERSITY OF CALIFORNIA Santa Barbara Beyond Transition: Life Course Challenges of Trans* People A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Andrew Rene Seeber Committee in charge: Professor Verta Taylor, Committee Co-Chair Professor France Winddance Twine, Committee Co-Chair Professor Alicia Cast Professor Leila Rupp December 2015 The dissertation of Andrew Rene Seeber is approved. ____________________________________________ Alicia Cast ____________________________________________ Leila Rupp ____________________________________________ Verta Taylor, Committee Co-Chair ____________________________________________ France Winddance Twine, Committee Co-Chair December 2015 Beyond Transition: Life Course Challenges of Trans* People Copyright © 2015 by Andrew Rene Seeber iii ACKNOWLEDGEMENTS I would like to thank the many people who opened their homes and life stories to me, making this project possible. Your time, good humor, and generosity are much appreciated. I would also like to thank my co-chairs, Verta Taylor and France Winddance Twine, for their hours of work, attention, and support in guiding me through the research and writing process. Thank you to my committee members, Alicia Cast and Leila Rupp, for their theoretical and editorial insights. Thank you to many colleagues and friends, especially Noa Klein and Elizabeth Rahilly, for places to sleep, challenging conversations, and continuous cheerleading. I would like to thank my family for always being there and supporting me from afar, even when I confused them with pronouns, needed a place to visit for a break, or asked them to travel completely across the country for my wedding. Finally, I would like to thank my wonderful wife, Haley Cutler, for her inspiration, support, patience for graduate student life, and most importantly, her love. -
“My Voice Speaks for Itself”: the Experiences of Three Transgender Students in Secondary School Choral Programs
“MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki Is choral music education in America at a “trans(gender) tipping point”? With the purpose of furthering and enhancing the sociocultural dialogue surrounding LGBTQA issues in music education and to improve vocal/choral instruction for trans students, this multiple narrative case study explored the musical lives and lived experiences of trans students in high school choral music programs. The two grand tour problems of this study were: • To describe how transgender students enrolled in secondary school choral music programs navigate their gender identity in the choral context. • To describe if/how transgender students in secondary school choral programs were supported by groups including their choral teachers, choral peers, and school administrators. The emergent research design employed narrative inquiry and ethnographic techniques in order to honor and highlight voices of the three participants: Sara, Jon, and Skyler (pseudonyms). The stories of these three students revealed the importance of context and geography in shaping the experiences of trans youth at school. Additionally, the connection or lack thereof between voice and gender identity was different for each of the participants. The policies of the students’ school districts, high schools (administrators), choral programs, and outside music organizations (e.g., state music education organizations) shaped and influenced how Sara, Jon, and Skyler navigated their trans identity within the high school choral context. -
Looking for Podcast Suggestions? We’Ve Got You Covered
Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc. -
Taking Intellectual Property Into Their Own Hands
Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc. -
Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Project Newsletter
Project Newsletter 1 Our team conducted Temporary roof steel 24 rigorous tests on the coming down? enclosure mock-up to verify (images 1-3) water/air infi ltration rates to Read below on page 3 identify areas of potential for more information! 2 risk and coordinate them with stakeholders to develop 3 details to address any concerns. Read about their strategy on page 5! (image is a close-up of the enclosure mock-up) TEAM MEMBER SPOTLIGHT Eleonor Oshitoye’s role is to support all Mortenson projects and our ongoing eff ort, in upholding our commitment to ensuring policies and practices to promote racial and social-economic equity and equal treatment for all SMWBE/DBE/SDVOSB subcontractors. Her role similarly helps to ensure compliance, enforcement, and education to all tier subcontractors and the management of the Community Workforce Agreement (CWA) requirements for the Climate Pledge Arena. Her collaboration with public agencies, Unions, pre-apprenticeship programs, and the WMBE community on an ongoing basis, is critical in developing and maintaining relationships and quality communication. Her ability and willingness to listen and understand the challenges from an SMWBE subcontractor perspective, while providing support and true transparent education and feedback to not only subcontractors of all tier levels, but also the owner, City, Unions, and project team so that everyone’s voices are heard and supported accordingly is an asset to aligning our commitment and adherence toward equality and project goal requirements. Eleonor and Pat Daniels, -
December 2020 Most
PROJECT NEWSLETTER SEATTLE STEWARDSHIP Shout out to all those that gave their time and donations to the Rainier Valley Food Bank (RVFB)! RVFB’s mission is to nourish with good food, empower with knowledge, and serve with compassion. RVFB is currently the busiest food bank in Seattle, out of 26 area food banks, operating from its tiny 1,200-square foot facility. The food bank fulfi lls over 6,000 requests for food each month. Learn more about our impact on the community. More information at www.rvfb.org People who gave also had the opportunity to track their donations as part of the, Dear 2020 campaign to complete three million acts of goodness together in Benevity. TEAM MEMBER SPOTLIGHT Don Hitch started in construction in the 1980s. He built custom homes in South Seattle for 20 years before joining Mortenson in 2007. He started as a journeyman carpenter and worked his way up to a superintendent, which he has been for the last 4 years. His favorite part about this project is the constant challenges. One thing Don values is leading by example which truly embodies the Mortenson principle of “do the right thing”. When he tells someone he is going to do something, he is going to do it and expects the same in return. Don’s primary role on the project is a concrete superintendent. He was a huge part of the success of the zero defects embeds installs. As a native Seattleite who went to many a Seattle Totem hockey game back in the day, he is quite proud to be part of this project due to the uniqueness and history. -
Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) -
Journal of Intellectual Property and Entertainment Law
NEW YORK UNIVERSITY JOURNAL OF INTELLECTUAL PROPERTY AND ENTERTAINMENT LAW VOLUME 5 FALL 2015 NUMBER 1 FOREWORD THE INTERNATIONAL EVOLUTION OF INTELLECTUAL PROPERTY RIGHTS RICHARD A. EPSTEIN* Two of the papers included in this issue of the NYU Journal of Intellectual Property and Entertainment Law illustrate, in the context of intellectual property law, a tension that exists across all areas of international law. To what extent should the rules of different countries be harmonized? Or, alternatively, to what extent should these laws be adapted to the local conditions within any given country? A moment’s reflection should indicate why there is no pat answer to this challenge in any area of substantive law. On the one side, a stout commitment to uniformity of law facilitates the cross-border transactions that are the life-blood of international trade and cooperation. The ability of private parties and government officials to know that the rules of the game are constant in all arenas should lead to a massive simplification of the overall operation of the international legal order. The gains from such simplification should be substantial even in transactions requiring harmonization between only two legal systems. But with intellectual property, nothing is more common than for key transactions to have a global reach that could * Laurence A. Tisch Professor of Law, The New York University School of Law, the Peter and Kirsten Bedford Senior Fellow, The Hoover Institution and the James Parker Hall Distinguished Service Professor of Law Emeritus and Senior Lecturer, the University of Chicago School of Law. My thanks to Craig Fligor and Manuel Valle, the University of Chicago Law School, Class of 2017 for their valuable research assistance. -
All-In Nation: an America That Works For
All-In Nation An America that Works for All a collaboration between tHe center for american progress and policylink edited by vanessa c árdenas and saraH treuHaft All-In Nation An America that Works for All a collaboration between tHe center for american progress and policylink edited by vanessa c árdenas and saraH treuHaft Table of Preface vii Executive 1 by angela glover Summary Contents blackwell and by vanessa cárdenas neera tanden and Julie Ajinkya cHapter one 7 cHapter TWO 25 cHapter tHree 31 Creating an Charting New America’s Future All-In Nation Trends and Workforce by ruy teixeira and Imagining an by antHony carnevale JoHn Halpin All-In Nation and nicole smitH by robert lyncH and patrick oakford An Equity-Focused 49 cHapter FOUR 53 cHapter five 79 Policy Agenda for Infrastructure: Building Healthy America Supporting Communities Communities for So All Can Thrive a Healthy Nation by saraH treuHaft by stepHanie boarden and erin Hagan 50 personal essay Gov. Ed REndEll (d-PA) 76 personal essay dR. RoBERT Ross cHapter six 107 cHapter seven 139 cHapter eigHt 165 Education and Job Jobs, Income, and Americans in Readiness for a Assets: Economic Waiting: Immigration Prosperous America Security for All Reform for a by melissa lazarín by cHristian weller, saraH Stronger Nation treuHaft, and Julie Ajinkya by vanessa cárdenas and 104 personal essay Jeanne butterfield GEoffREy CAnAdA 134 personal essay lAwREnCE summERs 162 personal essay Ai-jEn Poo cHapter nine 195 cHapter ten 225 Conclusion 249 Locked-Up Potential: Democratic by carl cHancellor -
That's Entertainment
NONPROFIT ORG. SPRING 2011 U.S. POSTAGE IN THIS ISSUE SPRING 2011 421 Mondale Hall PAID Mary Robinson • Alumni Weekend • Summer CLE 229 19th Avenue South TWIN CITIES, MN Minneapolis, MN 55455 PERMIT NO. 90155 Perspectives M ARY R OBINSON • N EW F * ACULTY > 692 alumni needed • A LUMNI W to hit 20% participation EEKEND • R OSENBAUM P APERS • S That’s UMMER Copyrights, Contracts, WE ARE VERY CLOSE TO HITTING OUR RECORD SETTING GOAL OF 20% CLE and All That Jazz ALUMNI GIVING PARTICIPATION. IF YOU HAVE NOT DONE SO, PLEASE Entertainment CONSIDER JOINING YOUR FRIENDS AND COLLEAGUES BY GIVING A GIFT TODAY IN SUPPORT OF OUR ALMA MATER AT WWW.GIVING.UMN.EDU/LAW. Law Thank You! Liza G. Ring (2011 National Chair, Partners in Excellence Annual Fund) www.law.umn.edu *DONORS NEEDED AS OF 4/27/11 PARTNERS IN EXCELLENCE > Annual Fund Update DEAN BOARD OF ADVISORS David Wippman The Honorable Paul H. Anderson (’68) The Honorable Russell A. ASSISTANT DEAN AND CHIEF OF STAFF Anderson (’68) Nora Klaphake Governor James J. Blanchard (’68) James L. Chosy (’89) DIRECTOR OF COMMUNICATIONS Jan M. Conlin (’88) Cynthia Huff William E. Drake (’66) Dear Friends and Fellow Alumni: David M. Eldred (’02) SENIOR EDITOR AND WRITER Kristine S. Erickson (’72) Corrine Charais Joseph M. Finley (’80) As my term as National Chair of the Partners in Excellence Annual Fund and the Law School’s fiscal Patrice A. Halbach (’80) year near a close, I want to thank so many of you who have already stepped forward and supported COMMUNICATIONS ASSISTANT Catharine F. -
Dr. Alma Martinez Diversity in America: the Representation of People of Color in the Media
Dr. Alma Martinez Diversity in America: The Representation of People of Color in the Media STATEMENT I am Dr. Alma Martinez. I am an American film, television and stage actor and, as well, a university professor and published author. I hold a PhD in Drama from Stanford University, a MFA in Acting from the University of Southern California, and am a Dartmouth College Cesar Chavez Dissertation Fellow alum, a Fulbright Scholar, and a member of the Academy of Motion Picture Arts and Sciences, Actors Branch (AMPAS). My induction into AMPAS reflects my extensive body of work in the films Zoot Suit, Under Fire, Barbarosa, Born in East LA, Cake, Transpecos, Crossing Over, Ms. Purple, Clemency and in TV programs such as Gentefied, Undone, Queen Sugar, The Bridge, American Crime Story: People vs OJ, Elena of Avalor, The Terror Infamy, Corridos Tales of Passion and Revolution among others. I have acted on Broadway, Off-Broadway, in regional theatres across the country and on Mexican and European stages. These combined projects have garnered: Sundance Film Festival Grand Jury Awards, Oscar, Golden Globe and Emmy awards/nominations, Tony Award, and Los Angeles Drama Critics and New York Drama Desk awards. In my decades of working in the entertainment industry, I have shared the screen and stage with distinguished acting colleagues Gene Hackman, Edward James Olmos, Alfre Woodard, Lupe Ontiveros, Ed Harris, Jean Louis Trintignant, George Takei, Liev Schreiber, Diane Weist, Danny Trejo, Nick Nolte, Jennifer Aniston, Cheech Marin, Frances Conroy and worked with directors like Zack Snyder, America Ferrera, Ryan Murphy, Ava DuVernay, Luis Valdez, Chinonye Chukwa, Roger Spottiswoode, Peter Medak, Jill Soloway, Fred Schepsi, and Daniel Barnez among others.