Samuel Crompton (3 Dec 1753 - 26 Jun 1827)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spinning and Winding Taro Nishimura
The_Textile_Machinery_Society_of_Japan_Textile_College_2-Day_Course_on_Cloth_Making_Introduction_to_Spinning_2014_05_22 Spinning and Winding Taro Nishimura 1. Introduction Since several thousand years ago, humans have been manufacturing linen, wool, cotton, and silk to be used as fibrous materials for clothing. In 繊維 (sen’i ), which is the word for “fiber,” the Chinese character 繊 (sen ) is a unit for decimal fractions of one ten-millionth (equal to approximately 30 Ǻ), while 維 (i) means “long and thin.” Usually, fibers are several dozen µ thick, and can range from around one centimeter long to nigh infinite length. All natural materials, with the exception of raw silk, are between several to several dozen centimeters long and are categorized as staple fibers. Most synthetic fibers are spun into filaments. Figure 1 shows how a variety of textile product forms are interrelated. Short fibers are spun into cotton (spun) yarns, whereas filaments are used just as they are, or as textured yarns by being twisted or stretched. Fabric cloths that are processed into two-dimensional forms using cotton (spun) yarns and filament yarns include woven fabrics, knit fabrics, nets, and laces. Non-woven fabrics are another type of two-dimensional form, in which staple fibers and filaments are directly processed into cloths without being twisted into yarns. Yet another two-dimensional form is that of films, which are not fiber products and are made from synthetic materials. Three-dimensional fabrics and braids are categorized as three-dimensional forms. This paper discusses spinning, or the process of making staple fibers into yarns, and winding, which prepares fibers for weaving. One-dimensional Two-dimensional Three-dimensional Natural Staple fibers Spun yarns Woven fabrics Three-dimensional materials Filaments Filament yarns Knit fabrics fabrics Synthetic Nets Braids materials Laces Non-woven fabrics Films Fig. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
Marketing Fragment 6 X 10.T65
Cambridge University Press 978-0-521-87370-3 - Heroes of Invention: Technology, Liberalism and British Identity, 1750-1914 Christine MacLeod Frontmatter More information Heroes of Invention This innovative study adopts a completely new perspective on both the industrial revolution and nineteenth-century British culture. It investi- gates why inventors rose to heroic stature and popular acclaim in Victorian Britain, attested by numerous monuments, biographies and honours, and contends there was no decline in the industrial nation’s self-esteem before 1914. In a period notorious for hero-worship, the veneration of inventors might seem unremarkable, were it not for their previous disparagement and the relative neglect suffered by their twentieth-century successors. Christine MacLeod argues that inventors became figureheads for various nineteenth-century factions, from economic and political liberals to impoverished scientists and radical artisans, who deployed their heroic reputation to challenge the aristocracy’s hold on power and the militaristic national identity that bolstered it. Although this was a challenge that ultimately failed, its legacy for present-day ideas about invention, inventors and the history of the industrial revolution remains highly influential. CHRISTINE MACLEOD is Professor of History in the School of Humanities, University of Bristol. She is the author of Inventing the Industrial Revolution: The English Patent System, 1660–1800 (1988). © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-87370-3 -
SOCIAL COUNCIL Mtniiiimhiuhhmtiimiiitniiiimiriiuniiitriiiiiiiftihiu ECONOMIC COMMISSION Î0R LATIN AMERICA
UNITED NATI ONS GENERAL E/CN.I2/9I9 ECONOMIC September 1971 ENGLISH AND ORIGINAL: PORTUGUESE SOCIAL COUNCIL MtniiiimHiuHHmtiimiiitniiiimiriiuniiitriiiiiiiftiHiu ECONOMIC COMMISSION Î0R LATIN AMERICA THE TRAÍAS PER OF TECHNICAL KNOW-HOW IN THE TEXTILE AND CLOTHING INDUSTRIES IN BRAZIL prepared by Luigi Spreafico, Consultant J Note; This report foms part of a study undertaken ty the Economic Commission for Latin America (ECLA), the Interamerican Development Bank (IDB) and the Division of Public Finance and Financial Institutions of the United Nations Department of Economic and Social Affairs on the problems of the transfer of industrial technology in Brazil. I - iii - TABLE OF CONTENTS Page Chapter I. PRODUCTION IN THE TEXTILE INDUSTRY AND THE ACCUMULATION OF TECHNICAL KNOW-HOW OVER TIME 1 A. INTRODUCTION 1 B. THE ACCUMULATION OF TECHNICAL KNOW-HOW IN THE TEXTILE INDUSTRY 5 C. CHARACTERISTICS OF THE PRODUCTION PROCESS IN THE TEXTILE INDUSTRY 10 1. Basic concepts ........................... 10 2. Prospects of a radical change in the production processes of the textile industry 13 3i Classification of processes by type of fibre used 21 Chapter II. DIFFERENT WAYS OF TRANSFERRING KNOW-HOW IN THE TEXTILE INDUSTRY 26 A. BACKGROUND 26 1. The establishment of the textile industry in Latin America 26 2. Current trends 28 B. TRANSFER OF KNOW-HOW NEEDED TO ESTABLISH NEW MILLS 28 C. TRANSFER OF KNOW-HOW NEEDED FOR RE-STRUCTURING AND MODERNIZING OUT-OF-DATE FACTORIES 35 D. THE WAYS OF TRANSFERRING KNOW-HOW ON THE USE OF SPECIAL PROCESSES AND SYNTHETIC RAW MATERIALS 40 A. Use of - iV - Page 1. Use of synthetic raw materials .......... -
The Industrial Revolution - Making Cloth: the Start of the Industrial Revolution
The Industrial Revolution - Making Cloth: The Start of the Industrial Revolution The Industrial Revolution - Making Cloth: The Start of the Industrial Revolution by ReadWorks The Industrial Revolution got its start in the textile industry. Before the Industrial Revolution, making cloth was a very slow process. Cotton from cotton plants is puffy and full of seeds. First, the seeds had to be taken out, by hand. Next, the cotton had to be spun and stretched into thread, by hand. Finally, the thread was woven into cloth, by hand. Every step along the way required the full concentration of one person. Making cloth took a long time. In 1764, the process of turning cotton into cloth began to change. The three main steps stayed the same. But people began to use machines instead of doing everything manually. The machines did each step faster and faster. Some of the machines were huge. They couldn't fit into a person's home. The first factories were built to house machines and the workers needed to run them. Look at the timeline below. It describes the most important textile machines that were invented. Use it to answer the questions that follow. 1764: The spinning jenny was invented by James Hargreaves. This machine made it easier to make thread. 1769: Sir Richard Arkwright invented the water frame. Now weavers could keep up with all the thread that was being made. After the invention of the water frame, one weaver could weave the yarn from four spinners! The water frame was too big for homes. It only fit in factories. -
The Rise of Bolton As an Important Engineering and Textile Town in Early 1800 England
I. međunarodna konferencija u povodu 150. obljetnice tvornice torpeda u Rijeci i očuvanja riječke industrijske baštine 57 THE RISE OF BOLTON AS AN IMPORTANT ENGINEERING AND TEXTILE TOWN IN EARLY 1800 ENGLAND Denis O’Connor, Industrial Historian Bolton Lancashire, Great Britain INTRODUCTION The aim of this paper is to demonstrate that Great Britain changed, in the 19th Century, from a rural economy to one based on coal and iron. In doing so it created conditions for British civil, textile and mechanical engineers, such as Robert Whitehead of Bolton, to rise to positions of eminence in their particular fields. Such men travelled across Europe, and laid, through the steam engine and railways, the foundations for many of the regions present day industries. EARLY TEXTILES AND BLEACHING. RISE OF LOCAI INDUSTRIES The origins of Bolton’s textile and engineering industry lie back in the 12th Century with the appointment of a Crown Quality Controller called an Ulnager. During the reign of Henry V111 an itinerant historian Leland observed that ‘Bolton - upon - Moore Market standeth by the cotton and coarse yarns - Diverse villages above Bolton do make Cotton’ and that ‘They burne at Bolton some canelle (coal) of which the Pitts be not far off’. Coal, combined with the many powerful streams of water from the moorlands, provided the basic elements for the textile industry to grow, the damp atmosphere conducive to good spinning of thread. In 1772 a Directory of Manchester (10-12 miles distant) was published, in this can be seen the extent of cloth making in an area of about 12 miles radius round Manchester, with 77 fustian makers (Flax warp and cotton or wool weft) attending the markets, 23 of whom were resident in Bolton. -
Our Clarkson Family in England
Our Clarkson Family in England Blanche Aubin Clarkson Hutchison Text originally written in 1994 Updated and prepared for the “Those Clarksons” website in August 2008 by Aubin Hutchison and Pam Garrett Copyright Blanche Aubin Clarkson Hutchison 2008 In any work, copyright implicitly devolves to the author of that work. Copyright arises automatically when a work is first fixed in a tangible medium such as a book or manuscript or in an electronic medium such as a computer file. Table of Contents Title Page Table of Contents Introduction 1 Finding James in America 3 James Before the American Revolution 7 Blackley Parish, Lancashire 11 A Humorous Tale 17 Stepping Back from Blackley to Garstang 19 Garstang Parish, Lancashire 23 Plans for Further Searching 31 Appendix A: Reynolds Paper 33 Appendix B: Sullivan Journal 39 Appendix C: Weaving 52 Appendix D: Blackley Parish Register 56 Our Clarkson Family in England - 1 Chapter 1: Introduction My father, Albert Luther Clarkson, and his younger brother Samuel Edwin Clarkson Jr. were the most thoughtful and courteous gentlemen I ever knew. Somewhere in their heritage and upbringing these characteristics were dominant. How I wish they were still alive to enjoy with us the new bits of family history we are finding, for clues they passed along have led to many fascinating discoveries. These two brothers, Ab and Ed as they were called, only children of SE (Ed) and Aubin Fry Clarkson, actually knew a bit more about some of their mother’s family lines. This has led to exciting finds on Fry, Anderson, Bolling, Markham, Cole, Rolfe, Fleming, Champe, Slaughter, Walker, Micou, Hutchins, Brooks, Winthrop, Pintard, and even our honored bloodline to the Princess Pocahontas and her powerful father Powhatan! These families were early in Massachusetts, New York, New Jersey, and Virginia. -
Britannia Rules the Waves
Working Paper No. 66/01 Britannia Ruled the Waves Timothy Leunig © Timothy Leunig Department of Economic History London School of Economics October 2001 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0)20 7955 7857 Fax: +44 (0)20 7955 7730 Additional copies of this working paper are available at a cost of £2.50. Cheques should be made payable to ‘Department of Economic History, LSE’ and sent to the Economic History Department Secretary. LSE, Houghton Street, London WC2A 2AE, UK. 2 Britannia Ruled the Waves1 Timothy Leunig2 Abstract This paper uses new micro-level US data to re-examine productivity leadership in cotton spinning c. 1900. We find that output aggregation problems make the Census unreliable in this industry, and that Lancashire, not New England was the productivity leader for almost every type of yarn. This is true both for the operation of a given machinery type, and when comparing machinery typical in each country. Higher capital and labour productivity rates imply that Lancashire’s combination of a more favourable climate, external economies of scale and more experienced workers dominated the advantages that New England firms derived from greater scale. Keywords COTTON ¦ ECONOMIES OF SCALE ¦ LANCASHIRE ¦ MULES ¦ NEW ENGLAND ¦ PRODUCTIVITY ¦ RINGS ¦ SPINNING 1 This paper is based on work in my doctoral dissertation. I thank my supervisor, James Foreman-Peck for his advice. An earlier version of this paper was given at the 1996 Cliometrics meeting. I would like to thank participants there, especially Steve Broadberry and Greg Clark. I thank the Royal Economic Society, Nuffield College Oxford, and Oxford University’s Sir John Hicks Fund for financial support. -
Lecture Outline Processing Fiber Into Yarn I
LECTURE OUTLINE PROCESSING FIBER INTO YARN I. The History of Fiber Processing 11. Material Opening and Cleaning A. Preparing the bale lay-down 1. Selection of bales 2. Bale arrangement for blending 3. Removal of bands and bagging B. Opening and cleaning equipment 1. Weigh-pan feeders 2. Magnetic and electronic cleaners 3. Dust removers 4. Beater type cleaners 5. Positive-fed saw-type cleaners 111. Carding A. Opening of fiber B. Cleaning as a hction C. Reducing or drafting D. Packaging of stock IV. Drawing A. Drafting and fiber orientation B. Blending and uniformity V. Combing A. Combing preparation 1. Drawing for Iapper 2. Lapping B. Principles of combing operation I. Feeding of laps 2. Nipping of fiber 3. Circular combing 4. Detaching 5. Top combing V. Combing (continued) C. Primary functions 1. Removal of short fiber (noils) 2. Removal of trash D. Secondary functions 1. Reducing and drafting 2. Blending and packaging VI. Roving A. Definition and description of machine B. Description of product C. Purpose of roving machine 1. Drafting 2. Twisting 3. Packaging a. laying b. winding c. building VII. Types of Spinning A. Intermittent spinning 1. Hand Spinning 2. Saxony Wheel-Spinning Jenny B. Continuous spinning 1. Cap spinning 2. Centrifugal spinning 3. Flyer spinning 4. Ring spinning a. definition and description of process 1. drafting of fibers 2. twisting of yarn 3. packagmg of yarn aa. laying bb. winding cc. package building b. other ring spinning factors 1. ring and traveler 2. speeds and rpms C. Open-end spinning 1. Definition and methods a. -
Education Teacher’S Kit
Industrial Heritage - The Textile Industry Education Teacher’s Kit Background There is archaeological evidence of textile production in Britain from the late-prehistoric period onwards. For many thousands of years wool was the staple textile product of Britain. The dominance of wool in the British textile industry changed rapidly during the eighteenth century with the development of mechanised silk production and then mechanised cotton production. By the mid-nineteenth century all four major branches of the textile industry (cotton, wool, flax, hemp and jute and silk) had been mechanised and the British landscape was dominated by over 10,000 mill buildings with their distinctive chimneys. Overseas competition led to a decline in the textile industry in the mid-twentieth century. Today woollen production is once again the dominant part of the sector together with artificial and man-made fibres, although output is much reduced from historic levels. Innovation Thomas Lombe’s silk mill, built in 1721, is regarded as the first factory-based textile mill in Britain. However, it was not until the handloom was developed following the introduction of John Kay’s flying shuttle in 1733 that other branches of the textile industry (notably cotton and wool) became increasingly mechanised. In the second half of the eighteenth century, a succession of major innovations including James Hargreaves’s spinning jenny (1764), Richard Arkwright’s water frame (1769), his carding engine (1775), and Samuel Crompton’s mule (1779), revolutionised the preparation and spinning of cotton and wool and led to the establishment of textile factories where several machines were housed under one roof. -
Mule Spinners' Cancer and the Wool Industry W
Br J Ind Med: first published as 10.1136/oem.24.2.148 on 1 April 1967. Downloaded from Brit. J. industr. Med., i967, 24, I48. Mule Spinners' Cancer and the Wool Industry W. R. LEE and JOAN K. McCANN From the Department of Occupational Health, University of Manchester, and Rochdale Industrial Health Service Although mule spinning has been used in the cotton and wool industries for about two centuries, the *earliest recorded cases of mule spinners' cancer were not reported until the end of the nineteenth century. From then on the number of cases rapidly increased. Evidence accumulated which strongly suggested that the mineral oil used to lubricate the mule spindles was the cause. It is remarkable that mule spinners' cancer was almost entirely confined to the cotton industry, and the wool industry has escaped with very few cases. This difference has never been satisfactorily explained. Various possibilities related to the personnel, the plant, and the process are examined in this paper. Mule spinning has been used in the cotton and the condition: mechanical factors, dust, grease wool industries for about two centuries. Although constituents of the cotton, and repeated trauma. mule spinners' cancer has, for many years, been This work was not published until it appeared in recognized as a hazard to workers on cotton mules, I922 as a joint paper by Southam and Wilson, who it is virtually unknown in mule spinners in the wool suggested oil as the cause. The idea was supported copyright. industry. It is interesting to consider why this by Leitch in 1924. -
RESEARCH FRAMEWORK 100 the Derwent Valley 100 95 95
DERWENT VALLEY MILLS DERWENT VALLEY 100 The Derwent Valley 100 95 95 75 The Valley that changed the World 75 25 DERWENT VALLEY MILLS WORLD HERITAGE SITE 25 5 RESEARCH FRAMEWORK 5 0 0 Edited by David Knight Inscriptions on UNESCO's SITE RESEARCH FRAMEWORK WORLD HERITAGE prestigious World Heritage List are based on detailed research into the sites' evolution and histories. The role of research does not end with the presentation of the nomination or indeed the inscription itself, which is rst and foremost a starting point. UNESCO believes that continuing research is also central to the preservation and interpretation of all such sites. I therefore wholeheartedly welcome the publication of this document, which will act as a springboard for future investigation. Dr Mechtild Rössler, Director of the UNESCO Division for Heritage and the UNESCO World Heritage Centre 100 100 95 95 75 75 ONIO MU IM N R D T IA A L P W L O A I 25 R 25 D L D N H O E M R E I T I N A O GE IM 5 PATR 5 United Nations Derwent Valley Mills Educational, Scientific and inscribed on the World 0 Cultural Organisation Heritage List in 2001 0 Designed and produced by Derbyshire County Council, County Hall, Matlock Derbyshire DE4 3AG Research Framework cover spread print 17 August 2016 14:18:36 100 100 95 95 DERWENT VALLEY MILLS WORLD HERITAGE SITE 75 75 RESEARCH FRAMEWORK 25 25 5 Edited by David Knight 5 0 0 Watercolour of Cromford, looking upstream from the bridge across the River Derwent, painted by William Day in 1789.